The Japanese language uses a broad array of honorific suffixes for addressing or referring to people. These honorifics attach to the end of people's names, as in Aman-san where the honorific -san was attached to the name Aman. These honorifics are often gender-neutral, but some imply a more feminine context (such as -chan) while others imply a more masculine one (such as -kun).
These honorifics are often used along with other forms of Japanese honorific speech, keigo, such as that used in conjugating verbs.
Although honorifics are not part of the basic grammar of the Japanese language, they are a fundamental part of the sociolinguistics of Japanese, and proper use is essential to proficient and appropriate speech. Significantly, referring to oneself using an honorific, or dropping an honorific when it is required, is a serious faux pas, in either case coming across as clumsy or arrogant.
They can be applied to either the first or last name depending on which is given. In situations where both the first and last names are spoken, the suffix is attached to whichever comes last in the word order.
In mathematics, the trigonometric functions (also called the circular functions) are functions of an angle. They relate the angles of a triangle to the lengths of its sides. Trigonometric functions are important in the study of triangles and modeling periodic phenomena, among many other applications.
The most familiar trigonometric functions are the sine, cosine, and tangent. In the context of the standard unit circle (a circle with radius 1 unit), where a triangle is formed by a ray originating at the origin and making some angle with the x-axis, the sine of the angle gives the length of the y-component (the opposite to the angle or the rise) of the triangle, the cosine gives the length of the x-component (the adjacent of the angle or the run), and the tangent function gives the slope (y-component divided by the x-component). More precise definitions are detailed below. Trigonometric functions are commonly defined as ratios of two sides of a right triangle containing the angle, and can equivalently be defined as the lengths of various line segments from a unit circle. More modern definitions express them as infinite series or as solutions of certain differential equations, allowing their extension to arbitrary positive and negative values and even to complex numbers.
Midrash Tanhuma (Hebrew: מדרש תנחומא) is the name given to three different collections of Pentateuch aggadot; two are extant, while the third is known only through citations. These midrashim, although bearing the name of R. Tanḥuma, must not be regarded as having been written or edited by him. They were so named merely because they consist partly of homilies originating with him (this being indicated by the introductory formula "Thus began R. Tanḥuma" or "Thus preached R. Tanḥuma") and partly of homilies by aggadic teachers who followed the style of R. Tanḥuma. It is possible that R. Tanḥuma himself preserved his homilies, and that his collection was used by the editors of the midrash. The three collections were edited at different times; they will, therefore, be treated in chronological order.
Tanḥuma A, also called Tanchuma Buber, is the collection published by S. Buber (Wilna, 1885), who gathered the material from several manuscripts. Buber claimed that this collection, consisting of homilies on and aggadic interpretations of the weekly sections of the Pentateuch, was the oldest of the three, perhaps even the oldest compilation of its kind arranged as a running commentary on the Pentateuch, and he identified several passages which he saw as being quoted by Bereshit Rabbah. Buber postulated that this midrash (Tanḥuma) was edited in the 5th century, before the completion of the Babylonian Talmud. Buber cites a passage in the Babylonian Talmud that seems to indicate that the redactor of that work had referred to the Midrash Tanḥuma. Other scholars disagree, however, and do not see the Buber recension of Tanchuma as being older than the other versions. Townsend cites a section from Buber's recension which appears to be a quote from Rav Sherira's Sheiltot (8th century). (ed. Townsend, Midrash Tanchuma, xii)
Ballymagash is a satirical Irish television programme that aired on RTÉ One for one series in 1983. Presented by Frank Hall and featuring many of the cast members from the earlier Hall's Pictorial Weekly, the show was set in the fictional town of Ballymagash and cast a satirical eye on some of the "local" stories and personalities.