Blue Movie (stylized as blue movie; aka Fuck) is a 1969 American film directed, produced, written and cinematographed by American producer Andy Warhol.Blue Movie, the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, is a seminal film in the Golden Age of Porn and helped inaugurate the "porno chic" phenomenon in modern American culture. Further, according to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made.Viva and Louis Waldon, playing themselves, starred in Blue Movie.
The film includes dialogue about the Vietnam War, various mundane tasks and, as well, unsimulated sex, during a blissful afternoon in a New York City apartment. The film was presented in the press as, "a film about the Vietnam War and what we can do about it." Warhol added, "the movie is about ... love, not destruction."
Fuck: Word Taboo and Protecting Our First Amendment Liberties is a nonfiction book by law professor Christopher M. Fairman about freedom of speech, the First Amendment to the United States Constitution, censorship, and use of the word fuck in society. The book was first published in 2009 by Sphinx as a follow-up on the author's article "Fuck", published in 2007 in the Cardozo Law Review. It cites studies from academics in social science, psychoanalysis, and linguistics. Fairman establishes that most current usages of the word have connotations distinct from its meaning of sexual intercourse. The book discusses the efforts of conservatives in the United States to censor the word from common parlance. The author says that legal precedent regarding its use is unclear because of contradictory court decisions. Fairman argues that once citizens allow the government to restrict the use of specific words, this will lead to an encroachment upon freedom of thought.
Buckcherry is an American rock band from Anaheim, California formed in 1995. The band released two albums, Buckcherry (1999) and Time Bomb (2001), before dissolving in the summer of 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed Buckcherry with a new line-up and released a new album on April 16, 2006, 15. It contained Buckcherry's biggest crossover hits to date, "Crazy Bitch", and their first Billboard Hot 100 top ten hit, "Sorry". Their fourth album, Black Butterfly, was released in September 2008, and their fifth album, All Night Long, was released on August 3, 2010. Buckcherry released their sixth album, Confessions, on February 19, 2013.
Josh Todd grew up in Anaheim Hills, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn) after discovering a common love of AC/DC. The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although Buckcherry is a spoonerism of Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry (Buck Cherry was also the moniker of John Armstrong, guitarist for 1980s new-wave group The Modernettes).
Feelings is a United Artists Records album by easy listening duo Ferrante & Teicher.
Feelings is the third album by the American rock group The Grass Roots. The album was originally released by Dunhill Records in 1968. It contained many songs composed by the group's members and studio performances of the musician's instrumentation. The album was intended to take the group into a heavier psychedelic direction with their music. The A and B side singles released were "Melody For You", "Hey Friend", "Feelings", "Here's Where You Belong", "Who Will You Be Tomorrow", "Hot Bright Lights", "All Good Things Come To An End" and "You And Love Are The Same". Midway during this run "Midnight Confessions" was released as an A side and became the group's highest charting single.
The songs featured unique touches by arranger Jimmie Haskell. The songs were a 50/50 split between outside composers and the group. It had intricate orchestration and a great example of what the band members were capable of as musicians and songwriters had the record company continued to allow them creative freedom. The title song was created back in 1966 in the pre Grass Roots garage group named the 13th Floor. Fukomoto was the main composer and Entner & Coonce helped with the arrangements. The song featured a powerful sustained fuzz guitar and Eastern influences giving it a heavy 1968 psychedelic flavor.
"Feelings" is a 1974 song with lyrics written by Brazilian singer Morris Albert, set to the tune of "Pour Toi," separately composed by Louis “Loulou” Gasté in 1957. Albert recorded "Feelings" as a single and later included it as the title track of his 1975 debut album. The song's lyrics, recognizable by their "whoa whoa whoa" chorus, concern the singer's inability to "forget my feelings of love". Albert's original recording of the song was very successful, performing well internationally. "Feelings" peaked at #6 on the pop and #2 on the Adult Contemporary charts in America.
Over the next few years "Feelings" was performed by many other vocalists including Ella Fitzgerald, Nina Simone, Salena Jones, Angelica Maria, Petula Clark, José José, Caetano Veloso, Engelbert Humperdinck, Muslim Magomayev, Shirley Bassey, Glen Campbell, The O'Jays, Sarah Vaughan, Walter Jackson, Sergey Penkin, Julio Iglesias, Dobie Gray and Johnny Mathis. It was also recorded by numerous easy listening bandleaders and ensembles such as Percy Faith, Ferrante & Teicher, 101 Strings and Herb Ohta whose ukulele rendition was recorded with André Popp's orchestra for A&M Records.