Somos may refer to:
Geography
People
Music
Somos (We Are) is the debut studio album by Christopher Von Uckermann. It was released on November 16, 2010.
"Somos" is an innovative album, where each of the pieces are fused, conceptual and futuristic electronica are fed with fresh lyrics undoubtedly mark the history of experimental pop as defined by the young Mexican.
The album promoted "Somos World Tour 2011" in August 2011.
Singles
"Sinfonía" is the first single, and became the letter of the album. The song was written with Jodi Marr, Rob Wells and George Noriega (Shakira, Ricky Martin, Robi Draco, Gloria Estefan) who were in charge of recording and production, taking care to make real what Christopher wanted, to have ideas for their first child musical.
Track listing
All songs were co-written by Christopher von Uckermann.
Noi (Spanish: Somos) is the twelfth studio album by Italian singer-songwriter Eros Ramazzotti released on 13 November 2012 by Universal Music. The album, produced by Ramazzotti and Luca Chiaravalli, was preceded by the single "Un angelo disteso al sole", released on 12 October 2012.
Background
On 21 July 2011, it was announced that Eros Ramazzotti had left Sony Music, signing a recording contract with Universal. A few days later, Ramazzotti's manager Giancarlo Giannini announced that he had planned to start working on new material between September and October 2011, in order to release a new album in November 2012. However, in January 2012 Ramazzotti split with his manager, replacing him with Michele Torpedine. This led to speculations that the release date of the album was postponed to January 2013, but Universal Music denied it, confirming the release of a new studio set in 2012.
In August 2012, it was announced that the new album would be released on 13 November 2012, while the album title was revealed on 4 September 2012. The artwork was published on 11 October 2012 through Ramazzotti's official Google+ account. Two days later, the first single from the album, titled "Un angelo disteso al sole", was internationally released to radios as well as a digital download. Details about the remaining tracks included on the album and the guest artists appearing on it were revealed on 15 October 2012, when the album's tracklist was officially confirmed.
Narco or narcos may refer to:
People
Art, entertainment, and media
Narco is a 2004 French film about Gus (played by Guillaume Canet) a narcoleptic, whose life is made difficult by his inability to keep a job because of his narcolepsy.
Plot
The main character Gus experiences vivid dreams during his narcoleptic episodes, which inspire him to create comic book style art of extremely high quality. When Samuel Pupkin, the psychiatrist who runs a group attended by Gus, learns of this, he recalls his own desire to be a comic book artist, instead of following the family tradition of psychiatry, a dream prevented by his lack of artistic talent. Motivated by greed, jealousy, and desire for fame he hatches a plot, involving figure skating assassins, to steal Gus's work and pass it off as his own. The attempt on Gus's life fails but he ends up in a coma. Pupkin pays Gus's wife and best friend (who have begun an affair) for the art and sells it to a failed-comedian turned successful publisher, who in turn plans to erase the text and replace it with his own, and in this way have his genius for comedy finally recognized.
Grito Mexicano (Spanish pronunciation: [ˈɡɾito mehiˈkano], Mexican Shout), or simply Grito (Spanish for: Shout).
Is a common Mexican interjection, used as an expression of joy or excitement, that has become one of the internationally known behaviors of typical Mexican culture.
Characteristics
This interjection is similar to the yahoo or yeehaw of the American cowboy during a hoedown, with added Ululation trills and onomatopoeia closer to "aaah" or "aaaayyyyeeee", that resemble a laugh while performing it.
The first sound is typically held as long as possible, leaving enough breath for a trailing set of trills.
Usage
The Grito is sometimes used as part of the official remembrance of the Shout of Dolores, during the celebration of the Mexican Independence Day.
Although the Grito Mexicano has patriotic connotations, it is more commonly used in non-formal settings, where is belted at crowded celebrations or parties with friends and family. The normal position for the yell to be inserted is after a toast, or during a very familiar song (at a musical interlude, a bridge or after the first few notes) either by the performer or excited members of the audience.