Buffy the Vampire Slayer is an American franchise which spans several media and genres. It began in 1992 with the film Buffy the Vampire Slayer, written by Joss Whedon and directed by Fran Rubel Kuzui, and was resurrected as the television series, Buffy the Vampire Slayer in 1997. The show's popularity caused it to spawn a multitude of Expanded Universe tie-in material such as comic books, novels, and video games, as well as a spin-off program entitled Angel. In 2007, four years after the television series' seventh and final season, Buffy the Vampire Slayer was officially continued in the comic book Season Eight. The following is a list of minor recurring characters who appear in the franchise.

A

Aluwyn

(a.k.a. Saga Vasuki)

Amanda

Amanda is a Potential Slayer who appears in Season Seven, played by Sarah Hagan. A Sunnydale High student and member of the swing choir, she first appears in the episode "Help" as part of the seemingly-random stream of students showing up at Buffy's guidance office. Amanda was sent to Buffy for beating up another student who was picking on her. In the later episode "Potential", it is revealed that Amanda is in fact a Potential Slayer, and she aptly slays a vampire who threatens her and Dawn. Afterwards, Amanda moves into the Summers' residence, where she trains and becomes friends with her fellow Potentials. In the final episode of the show, "Chosen", Amanda is activated as a Slayer along with the other Potentials and battles against an army of Turok-Han vampires. She is last seen falling to the ground dead after her neck was snapped by a Turok-Han. She was the first Potential to kill a vampire and the first one to kill a Turok-Han.

Sweet is the fourth studio album released by American country music artist Ken Mellons. Released in 2004, it contains the song "Paint Me a Birmingham", which was also recorded by Tracy Lawrence and released as a single. Mellons's rendition was also released shortly before Lawrence's. "Smack Dab" was previously recorded by George Jones on his 1998 album It Don't Get Any Better Than This.

Track listing

Kaa (Hindi: का) is a fictional character from the Mowgli stories written by Rudyard Kipling. Kipling describes him as an exceptionally long, yellowishIndian rock python. Kaa is one of Mowgli's mentors and friends. He, Baloo and Bagheera sing for Mowgli "The Outsong" of the jungle. First introduced in the story "Kaa's Hunting" in The Jungle Book, Kaa is a huge and powerful snake, more than a hundred years old and still in his prime. Despite his polite, unhurried demeanor, animals seem to have a fearful respect for Kaa. Bagheera and Baloo first enlist Kaa's help to rescue Mowgli when the man-cub is captured by the Bandar-log (monkeys) and taken to an abandoned human city. Kaa breaks down the wall of the building in which Mowgli is imprisoned and uses his serpentine hypnosis to draw the monkeys toward his waiting jaws. Bagheera and Baloo are also hypnotized, but Mowgli is immune because he is human, and breaks the spell on his friends.

In The Second Jungle Book Kaa appears in the first half of the story "The King's Ankus". After he and Mowgli spend some time relaxing, bathing and wrestling, Kaa persuades Mowgli to visit a treasure chamber guarded by an old cobra beneath an ancient city. The cobra tries to kill Mowgli but its poison has dried up. Mowgli takes a jeweled item away as a souvenir, not realizing the trouble it will cause in the second half of the story, and Kaa departs.

End or Ending may refer to:

End

END

Ending

See also

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.

Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.

Definition and characterization

Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v₀, v₁, v₂, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r₀ and r₁ are equivalent if there is another ray r₂ (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r₀ and r₁. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.