File:Studio publicity Edna May Oliver.jpg

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Studio_publicity_Edna_May_Oliver.jpg (280 × 350 píxels, mida del fitxer: 22 Ko, tipus MIME: image/jpeg)

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Descripció Promotional photograph of actor Edna May Oliver circa 1938-1942
Data cap a 1940
date QS:P,+1940-00-00T00:00:00Z/9,P1480,Q5727902
Font http://projects.latimes.com/hollywood/star-walk/edna-may-oliver/
Autor
Laszlo Willinger  (1909–1989)  wikidata:Q550579
 
Laszlo Willinger
Altres noms
Laszlo Willinger
Descripció fotògraf nord-americà
Data de naixement i defunció 16 d'abril de 1909 Edita-ho a Wikidata 8 d'agost de 1989 Edita-ho a Wikidata
Lloc de naixement i defunció Alemanya Edita-ho a Wikidata Los Angeles
Període de treball 1920s-1940s
Lloc de treball
Control d'autoritats
creator QS:P170,Q550579
Permís
(Com reutilitzar aquest fitxer)
Public domain
This work is in the public domain because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs.

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Flag of the United States
This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.)"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]

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actual20:19, 19 juny 2012Miniatura per a la versió del 20:19, 19 juny 2012280 × 350 (22 Ko)Celest.ru (discussió | contribucions)

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