File:The uncivilized races of men in all countries of the world - being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics (14770102611).jpg
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[edit]DescriptionThe uncivilized races of men in all countries of the world - being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics (14770102611).jpg |
Afrikaans: (1.) DINGAAN TUIS. (kyk bladsy 209.)
Die illustrasie, "DINGAAN TUIS," op bladsy 209, stel die modus voor waarop 'n swartman sal dut. Die indiwidu wat hom neervly is die groot inboorlingmonarg, Dingaan, en die leser sal opmerk dat sy bed 'n blote biesiemat, en sy kussing slegs 'n houtbalk is. Die hut wat hier uitgebeeld word, is die gevierde een wat hy in sy garnisoenstad uMgungundlovu opgerig het. Dit word veral gekenmerk deur die twintig stutpale. Die herd van hierdie hut was ook opvallend weens die vorm daarvan. Instede van sirkelvormig, soos gebruiklik by die inboorlinge, was dit soortgelyk aan die ornament wat argitekte 'n vierpas noem. 'n Paar van sy vroue word regoor die binneruimte gesien, en siende dat Dingaan so 'n aanstaande man was kon hulle hier nie regop staan, of selfs hul voete enigsins gebruik nie. Diegene wat van een na 'n ander deel van die hut wou beweeg was verplig om op hul knieë oor te skuifel. Die illustrasie is geneem uit 'n skets van kaptein Gardiner wat deur Dingaan na 'n onderhoud in hierdie huis genooi is. Hiertydens het Dingaan sy gas vrywel verstom deur na 'n kort afwesigheid terug te keer met sy gesig, ledemate en liggaam oortrek met rooi en wit kolle, soos dié op speelgoedperde. Nadenke van hierdie tekening bied aan die leser 'n aanvaarbare idee van die lewenspeil van die wilde, ongekunstelde lewe wat sommige skrywers so graag aanprys. English: (1.) DINGAN AT HOME (see page 207.) The illustration, "Dingan at home," on page 209, represents the mode in which a Kaffir reposes. The individual who is reclining is the great Kaffir monarch, Dingan, and the reader will observe that his bed is a mere mat, and that his pillow is only a block of wood. The hut which is here represented is the celebrated on which he built at his garrison town Ukunginglove, and it was specially noted because it was supported by twenty pillars. The fireplace of this hut was remarkable for its shape, which, instead of being he simple circle in general use among the Kaffirs, resembled in form that ornament which is known to architects by the name of quatrefoil. A few of his wives are seen seated round the apartment, and, as Dingan was so great a man, they were not permitted to stand upright, or even to use the feet in any way, so that, of the wished to move from one part of the hut to another, they were obliged to shuffle about on their knees. The illustration is taken from a sketch by Captain Gardiner, who was invited by Dingan to an interview in the house, and during which interview he rather astonished his guest by retiring for a short time, and then presenting himself with his face, limbs, and body entirely covered with red and white spots, like those on toy horses. The reader can form, from the contemplation of this drawing, a tolerably accurate idea of the luxuries afforded by the wild, savage life which some authors are so fond of praising. (2.) WOMEN QUARRELING. (see page 213.) Domestic life has, of course, its draw-backs among savages as among civilized nations; and there are, perhaps, times when the gallant soldier, who has been rewarded with a wife or two for his courage in the field, wishes himself once more engaged on a war march. The natural consequence of the low esteem in which the women are viewed, and the state of slavery in which they are held, is that they are apt to quarrel fiercely among themselves, and to vent upon each other any feelings of irritation that they are forced to suppress before heir lords and masters. Even among ourselves we see how this querulous spirit is developed in proportion to want of cultivation, and how, in the most degraded neighborhoods, a quarrel starts up between two women on the very slightest grounds, and spreads in all directions like tire in tow. So, in a Kaffir kraal, a couple of women get up a quarrel, and the contagion immediately spreads around. Every woman within hearing must needs take part in the quarrel, just like dogs when they hear their companions fighting, and the scene in the kraal becomes, as may be seen by the illustration No. 2, page 209, more lively than pleasant. Even this drawback to domestic life is not without its remedy, which generally take the shape of a stick, so that the men, at least, pass tolerably tranquil lives. Their chief characteristics are the absolute power of their king, and their singular subservience to superstition; but, as they have never been accustomed to consider their lives or their property their own, they are quite happy under conditions which would make an Englishman miserable. Identifier: uncivilizedraces00wood (find matches) |
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Flickr posted date InfoField | 29 July 2014 |
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