[go: nahoru, domu]

Jump to content

41 equal temperament: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
→‎History and use: Updated link
Line 5: Line 5:
Although 41-ET has not seen as wide use as other temperaments such as [[19 equal temperament|19-ET]] or [[31 equal temperament|31-ET]] {{Citation needed|date=April 2008}}, pianist and engineer [[Paul von Janko]] built a piano using this tuning, which is on display at the [[Gemeentemuseum Den Haag|Gemeentemuseum]] in [[The Hague]].<ref>[http://links.jstor.org/sici?sici=0001-6241(197901%2F06)1%3A51%3A1%3C140%3AET%3E2.0.CO%3B2-3] Dirk de Klerk "Equal Temperament", ''Acta Musicologica'', Vol. 51, Fasc. 1 (Jan. - Jun., 1979), pp. 140-150</ref> 41-ET can also be seen as an octave-based approximation of the [[Bohlen–Pierce scale]].
Although 41-ET has not seen as wide use as other temperaments such as [[19 equal temperament|19-ET]] or [[31 equal temperament|31-ET]] {{Citation needed|date=April 2008}}, pianist and engineer [[Paul von Janko]] built a piano using this tuning, which is on display at the [[Gemeentemuseum Den Haag|Gemeentemuseum]] in [[The Hague]].<ref>[http://links.jstor.org/sici?sici=0001-6241(197901%2F06)1%3A51%3A1%3C140%3AET%3E2.0.CO%3B2-3] Dirk de Klerk "Equal Temperament", ''Acta Musicologica'', Vol. 51, Fasc. 1 (Jan. - Jun., 1979), pp. 140-150</ref> 41-ET can also be seen as an octave-based approximation of the [[Bohlen–Pierce scale]].


41-ET is also a subset of 205-ET, for which the [http://www.h-pi.com/TPX28keyboard.html keyboard layout] of the
41-ET is also a subset of 205-ET, for which the keyboard layout of the
[http://www.h-pi.com/TPX28intro.html Tonal Plexus] is designed.
[http://hpi.zentral.zone/tonalplexus Tonal Plexus] is designed.


==Interval size==
==Interval size==

Revision as of 16:05, 3 October 2016

In music, 41 equal temperament, abbreviated 41-tET, 41-EDO, or 41-ET, is the tempered scale derived by dividing the octave into 41 equally sized steps (equal frequency ratios). Play Each step represents a frequency ratio of 21/41, or 29.27 cents (Play), an interval close in size to the septimal comma. 41-ET can be seen as a tuning of the schismatic,[1] magic and miracle[2] temperaments. It is the second smallest equal temperament, after 29-ET, whose perfect fifth is closer to just intonation than that of 12-ET. In other words, is a better approximation to the ratio than either or .

History and use

Although 41-ET has not seen as wide use as other temperaments such as 19-ET or 31-ET [citation needed], pianist and engineer Paul von Janko built a piano using this tuning, which is on display at the Gemeentemuseum in The Hague.[3] 41-ET can also be seen as an octave-based approximation of the Bohlen–Pierce scale.

41-ET is also a subset of 205-ET, for which the keyboard layout of the Tonal Plexus is designed.

Interval size

Here are the sizes of some common intervals (shaded rows mark relatively poor matches):

interval name size (steps) size (cents) midi just ratio just (cents) midi error
harmonic seventh 33 965.85 Play 7:4 968.83 Play −2.97
perfect fifth 24 702.44 Play 3:2 701.96 Play +0.48
septimal tritone 20 585.37 Play 7:5 582.51 Play +2.85
11:8 wide fourth 19 556.10 Play 11:8 551.32 Play +4.78
15:11 wide fourth 18 526.83 Play 15:11 536.95 −10.12
27:20 wide fourth 18 526.83 Play 27:20 519.55 +7.28
perfect fourth 17 497.56 Play 4:3 498.04 Play −0.48
septimal narrow fourth 16 468.29 Play 21:16 470.78 −2.48
septimal major third 15 439.02 Play 9:7 435.08 Play +3.94
undecimal major third 14 409.76 Play 14:11 417.51 Play −7.75
Pythagorean major third 14 409.76 Play 81:64 407.82 Play +1.94
major third 13 380.49 Play 5:4 386.31 Play −5.83
tridecimal neutral third, inverted 13th harmonic 12 351.22 Play 16:13 359.47 Play −8.25
undecimal neutral third 12 351.22 Play 11:9 347.41 Play +3.81
minor third 11 321.95 Play 6:5 315.64 Play +6.31
Pythagorean minor third 10 292.68 Play 32:27 294.13 Play −1.45
tridecimal minor third 10 292.68 Play 13:11 289.21 Play +3.47
septimal minor third 9 263.41 Play 7:6 266.87 Play −3.46
septimal whole tone 8 234.15 Play 8:7 231.17 Play +2.97
diminished third 8 234.15 Play 256:225 223.46 +10.68
whole tone, major tone 7 204.88 Play 9:8 203.91 Play +0.97
whole tone, minor tone 6 175.61 Play 10:9 182.40 Play −6.79
lesser undecimal neutral second 5 146.34 Play 12:11 150.64 Play −4.30
septimal diatonic semitone 4 117.07 Play 15:14 119.44 Play −2.37
Pythagorean chromatic semitone 4 117.07 Play 2187:2048 113.69 +3.39
diatonic semitone 4 117.07 Play 16:15 111.73 +5.34
Pythagorean diatonic semitone 3 87.80 Play 256:243 90.22 Play −2.42
20:19 wide semitone 3 87.80 Play 20:19 88.80 −1.00
septimal chromatic semitone 3 87.80 Play 21:20 84.47 Play +3.34
chromatic semitone 2 58.54 25:24 70.67 −12.14
28:27 wide semitone 2 58.54 28:27 62.96 −4.42
septimal comma 1 29.27 Play 64:63 27.26 Play +2.00

As the table above shows, the 41-ET both distinguishes between and closely matches all intervals involving the ratios in the harmonic series up to and including the 10th overtone. This includes the distinction between the major tone and minor tone (thus 41-ET is not a meantone tuning). These close fits make 41-ET a good approximation for 5-, 7- and 9-limit music.

41-ET also closely matches a number of other intervals involving higher harmonics. It distinguishes between and closely matches all intervals involving up through the 12th overtones, with the exception of the greater undecimal neutral second (11:10). Although not as accurate, it can be considered a full 15-limit tuning as well.

Tempering

Intervals not tempered out by 41-ET include the diesis (128:125), septimal diesis (49:48), septimal sixth-tone (50:49), septimal comma (64:63), and the syntonic comma (81:80).

41-ET tempers out the 100:99 ratio, which is the difference between the greater undecimal neutral second and the minor tone, as well as the septimal kleisma (225:224), 1029:1024 (the difference between three intervals of 8:7 the interval 3:2), and the small diesis (3125:3072).

References

  1. ^ "Schismic Temperaments ", Intonation Information.
  2. ^ "Lattices with Decimal Notation", Intonation Information.
  3. ^ [1] Dirk de Klerk "Equal Temperament", Acta Musicologica, Vol. 51, Fasc. 1 (Jan. - Jun., 1979), pp. 140-150