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{{Short description|French trouvère}}
'''Oede de la Couroierie''' (died 1294), also known as '''Eude de Carigas''' and '''Odo de Corigiaria''', was a [[trouvère]] of [[Artois]]. He is documented beginning in 1270 as a [[clerk (position)|clerk]] in the house of [[Robert II of Artois|Count Robert II]], who often sent him on diplomatic missions. He served Robert until his death. His will, made in June 1294, provides for both his widow with her three children and a mistress with her two. His will calls him both '''Odon de Paris''' and '''Odon de Saint-Germain'''. He was probably born in the [[Île-de-France]], near [[Paris]].
'''Oede de la Couroierie''' (died 1294), also known as '''Eude de Carigas''' and '''Odo de Corigiaria''', was a [[trouvère]] of [[Artois]].

==Life==
Oede is documented beginning in 1270 as a [[clerk (position)|clerk]] in the house of [[Robert II of Artois|Count Robert II]], who often sent him on diplomatic missions. He served Robert until his death. His will, made in June 1294, provides for both his widow with her three children and a mistress with her two. His will calls him both '''Odon de Paris''' and '''Odon de Saint-Germain'''. He was probably born in the [[Île-de-France]], near [[Paris]].


==Songs and their models==
==Songs and their models==
All five of Oede's known songs are part of [[contrafactum|contrafact]] networks In most cases, the act of contrafaction is clearly Oede's because the author of the song with which his song shares a melody is a much earlier trouvère.
All five of Oede's known songs are part of [[contrafactum|contrafact]] networks. In most cases, the act of contrafaction is clearly Oede's because the author of the song with which his song shares a melody is a much earlier trouvère. Oede's songs are only preserved in one manuscript family, the so-called KNPX group. All five songs appear in [http://gallica.bnf.fr/ark:/12148/btv1b550063912/f27.image TrouvK] (the 'Arsenal chansonnier') and [http://gallica.bnf.fr/ark:/12148/btv1b6000955r/f11.image TrouvN] (and, presumably in the lost part of TrouvX) in the same order. Only two songs, the pair starting with the letter T, appear in TrouvP. The songs on which Oede's are based are more widely transmitted.


Two of Oede's songs (RS215 and RS1740) use the same melody by [[Gace Brulé]].<ref>The RS numbers refer to the numbers in the standard catalogue of trouvère song, Hans Spanke, ''G. Raynaud’s Bibliographie des altfranzösische Liedes, neu bearbeitet und ergänzt''. Leiden: Brill, 1955.</ref> All three songs are copied in [http://gallica.bnf.fr/ark:/12148/btv1b550063912/f27.image TrouvK] (the 'Arsenal chansonnier') and [http://gallica.bnf.fr/ark:/12148/btv1b6000955r/f11.image TrouvN] (and did appear in TrouvX before folios were lost).<ref>See the collated information for song no.135 in Hans Tischler, ''Trouvère Lyrics with Melodies: Complete Comparative Edition''. Corpus Mensurabilis Musicae, 107. 15 vols. Neuhausen: American Institute of Musicology and Hänssler-Verlag, 1997.</ref> But Gace's song also appears copied more widely, featuring in two other [[chansonnier]] families. Another of Oede's songs uses the melody of a clearly earlier song by [[Blondel de Nesle]]. Of the remaining two songs, one shares a melody with a song by the near-contemporary Raoul de Soissons and the other with a song that is transmitted anonymously, making relative chronology harder to establish.
Two of Oede's songs (RS215 and RS1740) use the same melody by [[Gace Brulé]].<ref>The RS numbers refer to the numbers in the standard catalogue of trouvère song, Hans Spanke, ''G. Raynaud’s Bibliographie des altfranzösische Liedes, neu bearbeitet und ergänzt''. Leiden: Brill, 1955.</ref> All three songs are copied in TrouvK and TrouvN (and did appear in TrouvX before folios were lost).<ref>See the collated information for song no.135 in Hans Tischler, ''Trouvère Lyrics with Melodies: Complete Comparative Edition''. Corpus Mensurabilis Musicae, 107. 15 vols. Neuhausen: American Institute of Musicology and Hänssler-Verlag, 1997.</ref> But Gace's song also appears copied more widely, featuring in two other [[chansonnier]] families. Another of Oede's songs uses the melody of a clearly earlier song by [[Blondel de Nesle]]. Of the remaining two songs, one (RS321) shares a melody with a song by Oede's near-contemporary Raoul de Soissons and the other with two other songs, one with disputed attributions and one transmitted anonymously, making relative chronology harder to establish.<ref>See the details for song no.11 in Hans Tischler, ''Trouvère Lyrics with Melodies: Complete Comparative Edition''. Corpus Mensurabilis Musicae, 107. 15 vols. Neuhausen: American Institute of Musicology and Hänssler-Verlag, 1997. The inclusion of RS15=1124 in this contrafact network was not noted by [https://doi.org/10.1093/gmo/9781561592630.article.20260 Robert Falck in the Grove entry], despite this being dated later than Tischler's edition.</ref>


===List of songs===
===List of songs===
Using the melody of [[Gace Brulé]], ''Desconfortés plain d'ire et de pesance'' (RS233):
Using the melody of [[Gace Brulé]], ''Desconfortés plain d'ire et de pesance'' (RS233):
*''Tout soit mes cuers en grant desesperance''(RS215), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f229.item TrouvK pp.201-202], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f202.item TrouvN fol.96v-97r], [https://gallica.bnf.fr/ark:/12148/btv1b8454673n/f360.item TrouvP fol.174v-175r], and in a lost part of TrouvX. This song is no.3 in the order of the MSS.
*''Desconfortés com cil qui est sans joie'' (RS1740)
*''Desconfortés com cil qui est sans joie'' (RS1740), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f231.item TrouvK pp.203-204], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f205.item TrouvN 98r-v], and in a lost part of TrouvX. This song is no.5 in the order of the MSS.
*''Tout soit mes cuers en grant desesperance''(RS215)
Using the melody of [[Blondel de Nesle]], ''A l'entrant d'esté'' (RS620):
Using the melody of [[Blondel de Nesle]], ''A l'entrant d'esté'' (RS620):
*''Trop ai longuement fait grant consirvance'' (RS210), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f227.item TrouvK pp.199-200], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f200.item TrouvN fol.95v-96r], [https://gallica.bnf.fr/ark:/12148/btv1b8454673n/f360.item TrouvP 174r-v], and in a lost part of TrouvX. This song is no.1 in the order of the MSS.
*''Trop ai longuement fait grant consirvance'' (RS210)
Using the melody of [[Raoul de Soissons]], ''Rois de Navarre et sire de virtu'' (RS2063):
Using the melody of [[Raoul de Soissons]], ''Rois de Navarre et sire de virtu'' (RS2063):
*''Ma derreniere veul fere en chantant'' (RS321), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f228.item TrouvK pp.200-201], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f201.item TrouvN fol.96r-v], and in a lost part of TrouvX.
*''Ma derreniere veul fere en chantant'' (RS321), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f228.item TrouvK pp.200-201], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f201.item TrouvN fol.96r-v], and in a lost part of TrouvX. This song is no.2 in the order of the MSS.
Using the melody of the anonymous ''Au repairier que je fis de Provence'' (RS642):
Using the same melody as both the anonymous ''Au repairier que je fis de Provence'' (RS642) and also ''Chanter m'estuet, car pris m'en est courage'' (RS15=1124), which is variously attributed to [[Gilles de Viés Maisons]], [[Robert de Marberoles]], and [[Conon de Béthune]]:
*''Chançon ferai par grant desesperance'' (RS216), copied in [https://gallica.bnf.fr/ark:/12148/btv1b550063912/f230.item TrouvK pp.202-203], [https://gallica.bnf.fr/ark:/12148/btv1b6000955r/f203.item TrouvN fol.97r-v], and in a lost part of TrouvX. This song is no.4 in the order of the MSS.
*''Chançon ferai par grant desesperance'' (RS216)

==Notes==
{{reflist}}


==References==
==References==
*Falck, Robert. [http://www.oxfordmusiconline.com/subscriber/article/grove/music/20260 "Oede de la Couroierie."] ''Grove Music Online''. ''Oxford Music Online''. Accessed 20 September 2008.
*Falck, Robert. [http://www.oxfordmusiconline.com/subscriber/article/grove/music/20260 "Oede de la Couroierie."] ''Grove Music Online''. ''Oxford Music Online''. Accessed 20 September 2008.
*Spanke, Hans. ''G. Raynaud’s Bibliographie des altfranzösische Liedes, neu bearbeitet und ergänzt''. Leiden: Brill, 1955

*[https://www.jstor.org/stable/40599362 Spanke, Johannes, ‘Die Gedichte Jehans de Renti und Oedes de la Couroierie’, ''Zeitschrift für französische Sprache und Literatur'', 32 (1908), 157–218].


{{Trouvère}}
{{Trouvère}}
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[[Category:Year of birth unknown]]
[[Category:Year of birth unknown]]
[[Category:Male classical composers]]
[[Category:Male classical composers]]


{{France-poet-stub}}

Latest revision as of 19:48, 31 August 2024

Oede de la Couroierie (died 1294), also known as Eude de Carigas and Odo de Corigiaria, was a trouvère of Artois.

Life

[edit]

Oede is documented beginning in 1270 as a clerk in the house of Count Robert II, who often sent him on diplomatic missions. He served Robert until his death. His will, made in June 1294, provides for both his widow with her three children and a mistress with her two. His will calls him both Odon de Paris and Odon de Saint-Germain. He was probably born in the Île-de-France, near Paris.

Songs and their models

[edit]

All five of Oede's known songs are part of contrafact networks. In most cases, the act of contrafaction is clearly Oede's because the author of the song with which his song shares a melody is a much earlier trouvère. Oede's songs are only preserved in one manuscript family, the so-called KNPX group. All five songs appear in TrouvK (the 'Arsenal chansonnier') and TrouvN (and, presumably in the lost part of TrouvX) in the same order. Only two songs, the pair starting with the letter T, appear in TrouvP. The songs on which Oede's are based are more widely transmitted.

Two of Oede's songs (RS215 and RS1740) use the same melody by Gace Brulé.[1] All three songs are copied in TrouvK and TrouvN (and did appear in TrouvX before folios were lost).[2] But Gace's song also appears copied more widely, featuring in two other chansonnier families. Another of Oede's songs uses the melody of a clearly earlier song by Blondel de Nesle. Of the remaining two songs, one (RS321) shares a melody with a song by Oede's near-contemporary Raoul de Soissons and the other with two other songs, one with disputed attributions and one transmitted anonymously, making relative chronology harder to establish.[3]

List of songs

[edit]

Using the melody of Gace Brulé, Desconfortés plain d'ire et de pesance (RS233):

Using the melody of Blondel de Nesle, A l'entrant d'esté (RS620):

Using the melody of Raoul de Soissons, Rois de Navarre et sire de virtu (RS2063):

Using the same melody as both the anonymous Au repairier que je fis de Provence (RS642) and also Chanter m'estuet, car pris m'en est courage (RS15=1124), which is variously attributed to Gilles de Viés Maisons, Robert de Marberoles, and Conon de Béthune:

  • Chançon ferai par grant desesperance (RS216), copied in TrouvK pp.202-203, TrouvN fol.97r-v, and in a lost part of TrouvX. This song is no.4 in the order of the MSS.

Notes

[edit]
  1. ^ The RS numbers refer to the numbers in the standard catalogue of trouvère song, Hans Spanke, G. Raynaud’s Bibliographie des altfranzösische Liedes, neu bearbeitet und ergänzt. Leiden: Brill, 1955.
  2. ^ See the collated information for song no.135 in Hans Tischler, Trouvère Lyrics with Melodies: Complete Comparative Edition. Corpus Mensurabilis Musicae, 107. 15 vols. Neuhausen: American Institute of Musicology and Hänssler-Verlag, 1997.
  3. ^ See the details for song no.11 in Hans Tischler, Trouvère Lyrics with Melodies: Complete Comparative Edition. Corpus Mensurabilis Musicae, 107. 15 vols. Neuhausen: American Institute of Musicology and Hänssler-Verlag, 1997. The inclusion of RS15=1124 in this contrafact network was not noted by Robert Falck in the Grove entry, despite this being dated later than Tischler's edition.

References

[edit]