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'''''Before the Fact''''' (1932) is an English novel by [[Anthony Berkeley Cox]] writing under the pen name "Francis Iles". It tells the story of a woman marrying a man who is after her inherited money and prepared, it seems, to kill her for it. Whether he does succeed in the end, or whether she has been imagining his plots, is left unclear. Together with the previous Iles book ''[[Malice Aforethought]]'' (1931), it can be placed in the category of [[psychological suspense novel]]. Elements of the story were used for the 1941 American film ''[[Suspicion (1941 film)|Suspicion]]'', directed by [[Alfred Hitchcock]].
'''''Before the Fact''''' (1932) is a novel by [[Anthony Berkeley Cox]] writing under the pen name "Francis Iles".


==Plot==
Iles' novel is experimental in that it is not a [[whodunit]]: It does not take long to determine the identity of the villain and his motives. According to [[Colin Dexter]], ''Before the Fact'' is a "[[crime fiction|crime novel]]" rather than a "[[detective fiction|detective novel]]", with Iles being "the father of the [[psychological suspense novel]] as we know it today" for his authorship of ''[[Malice Aforethought]]'' (1931) and ''Before the Fact'' (1932). It is true that the police do not play any role in the book; none of the characters are ever charged with a crime, let alone indicted for or convicted of one. Dark and suspenseful, Berkeley's thriller was adapted into the classic film ''[[Suspicion (1941 film)|Suspicion]]'', directed by [[Alfred Hitchcock]]
At age 28, plain and bookish Lina McLaidlaw lives a life of boredom with her retired parents in an English village. Her prettier sister has married a rising writer, but Lina never meets any men she could accept. Until the arrival of charming Johnnie Aysgarth, from an impoverished and disreputable family. Her father is opposed to a marriage, and everyone seems to know that all Johnnie is after is Lina's money.


However they are soon married, enjoy a long and expensive honeymoon abroad, and return to a large country house that Johnny has acquired and extravagantly furnished. When Lina wonders how the jobless Johnnie has met all this outlay, and what he expects to live on, he eventually admits that he borrowed everything. Gradually the more level-headed Lina takes charge of the family finances, relying on an allowance from her father, and pushes Johnnie into finding a job. He gains a good post nearby, managing the country estate of a distant relation, while she looks after their house. She would like a baby, but never falls pregnant.
==Plot introduction==
''Before the Fact'' is the story of Lina, a "born victim". She is raised in the English countryside in the early decades of the 20th century and, at 28, she is still a virgin and in danger of becoming an old [[spinster]]. She finds country life with her parents rather boring, and only lives for strangers who might be passing through or who have been invited by someone living in or near their village. When the novel opens, such a stranger has just arrived: 27-year-old Johnnie Aysgarth, from an impoverished family who are, as she is told, "of rotten stock". General McLaidlaw, Lina's father, is opposed to the marriage, and everyone seems to know that all that Johnnie is after is Lina's money. Lina herself has been told from an early age that Joyce, her younger sister, got the looks and she (Lina) got the brains.


After the first shock of discovering Johnnie's huge debt, and the fact that he lied, other shocks keep arriving. She discovers that he is a practised thief, stealing jewelry from a guest and from her to sell. Her inherited furniture also starts disappearing, until she tracks some of it to an antique shop. He is a forger, putting her signature on cheques. Worse, he is sacked from his job for embezzling money.
In spite of these difficulties, Lina and Johnnie get married after only a short engagement. They go to [[Paris]] on their [[honeymoon]], where they stay at the best hotels and dine at the best restaurants, and, on their return, move into an eight-bedroom house in [[Dorset]]. Soon Johnnie, who is jobless, admits to his wife that they have been living on borrowed money and that it has run out. Gradually, unwillingly, Lina takes charge of the couple's finances and suggests that Johnnie get a regular job. For the time being, they rely entirely on Lina's [[allowance (money)|allowance]]. Reluctantly, Johnnie takes a job as the [[butler|steward]] of a large [[estate (house)|estate]] of a Captain Melbeck. Lina always wanted to have children, but, as it turns out, she never gets [[pregnant]].


Most of his takings are placed on horses, for he is an unrepentant gambler, while some are used for another pastime. Any number of local wives and daughters have had affairs with him, for which he rents a flat in a nearby town, and one of their servants has a son by him. When all this comes into the open, the childless Lina at last leaves to stay with her sister in London. There she is introduced at a party to an affectionate unmarried artist, who wants her to get a divorce and marry him. But Lina refuses to sleep with him, instead returning to her purgatory with Johnnie.
As time goes by, Lina gradually learns that Johnnie is a crook. Apart from being a compulsive liar, he turns out to be


Johnnie meanwhile has been plotting new ways of raising money. Going with Lina to her parents for Christmas, after dinner he gets her father to perform a trick which is too much for the old man's weak heart. His death means that Lina comes into her inheritance and Johnnie thus has access to improved means. Later, he cons an old school friend into backing a property development and, taking his gullible partner to Paris, on a visit to a brothel pours so much brandy into him that the man dies. The money he had invested remains in Johnnie's hands.
* a [[theft|thief]]: During a tennis party, he steals an expensive diamond belonging to one of the guests and, soon afterwards, a piece of Lina's own jewelry. Also, he sells Lina's four [[George Hepplewhite|Hepplewhite]] chairs to an antique shop in [[Bournemouth]].
* a [[forgery|forger]]: He forges Lina's signature and cashes one of her cheques.
* an [[embezzlement|embezzler]]: He embezzles Captain Melbeck's money to pay his gambling debts. Luckily, Melbeck doesn't [[prosecution|prosecute]].
* an [[adultery|adulterer]]: During their marriage, he has affairs with many women and village girls, including Lina's best friend, Janet Caldwell – he has a flat in [[Bournemouth]] especially for that purpose – and Ella, their parlour maid, by whom he has a son.
* eventually, a murderer: He incites General McLaidlaw to do a trick involving chairs while he and Lina are staying with the General for Christmas. This is too much physical exercise for the General, and he dies suddenly. Some years later, Johnnie cheats a rich school friend of his, Beaky Thwaite, out of his money by travelling incognito to Paris with him, going to a [[brothel]] and having him drink a whole beaker of [[brandy]] in one gulp so that he drops dead.


However, Lina's own death will be Johnnie's first "real" murder. He goes to great lengths to conceive an undetectable murder. When Isobel Sedbusk, the author of detective stories, happens to spend the summer in their village, he associates with her and, on the pretext of discussing material for her new book, elicits a new method of murder from her: swallowing an [[alkali]] commonly used, but never suspected of being poisonous, and which leaves no trace in the human body for a [[post-mortem]] to find.
In Johnnie's view, neither of these events counts as murder. His big project will be to murder Lina, collect her money and insurance, and not be detected. In this he is aided by Isobel Sedbusk, a writer of crime stories, who often visits their village and enjoys discussing foolproof ways of getting rid of people. She tells Johnnie that there is a common chemical which is tasteless if mixed in milk, kills instantly, and leaves no trace in the body.


Lina is driven increasingly desperate by Johnnie's interest in murder, accentuated by discovering that after years of marriage she seems to be pregnant. When she falls ill with flu, Johnnie mounts the stairs with a glass of milk which she deliberately drinks.
At the very end of the novel, Lina, who really seems to have gone mad, catches the [[influenza|flu]]. She has been waiting for her husband to try to murder her for months now. When he brings her a drink, she swallows it deliberately, knowing that it is a poisonous [[cocktail]]. Johnny is going to get away with it ("People did die of influenza."), which is what Lina, so much in love with her husband, hopes will happen.

The novel covers a period of approximately ten years: Johnnie Aysgarth's [[courtship]] of, and marriage to, Lina McLaidlaw, the disintegration of their marriage and her imminent death – although it is uncertain that she is really going to die. The whole story is told from Lina Aysgarth's point of view. We know everything she does and everything she thinks. On the other hand, we know practically nothing about the [[villain]] except for what Lina sees and gathers, creating more suspense.


==About the story==
The novel covers a period of approximately ten years: Johnnie Aysgarth's courtship of, and marriage to, Lina McLaidlaw, the disintegration of their marriage, and her imminent death – although it is uncertain if she really dies (Isobel Sedbusk's alleged deadly chemical is never named, and maybe does not exist.) The story is told almost wholly from Lina's point of view, so readers follow what she does and learn what she thinks. On the other hand, little is revealed of what Johnnie is up to, except for what Lina sees and gathers,
==Adaptations==
==Adaptations==
The novel was adapted to film as ''[[Suspicion (1941 film)|Suspicion]]'' (1941), directed by [[Alfred Hitchcock]]. However, the [[inverted detective story]] format was eliminated, making Johnnie's murderous indiscretions merely a product of Lina's imagination. According to William L. De Andrea in ''Encyclopedia Mysteriosa'' (1994), this was because the studio, [[RKO Radio Pictures]], was uncomfortable with the idea of having one of Hollywood's leading actors [[Cary Grant]], who played Johnnie, being shown on screen as a devious [[psychopath]].
The novel was adapted to film as ''[[Suspicion (1941 film)|Suspicion]]'' (1941), directed by [[Alfred Hitchcock]]. However, the [[inverted detective story]] format was eliminated, making Johnnie's murderous indiscretions merely a product of Lina's imagination. According to William L. De Andrea in ''Encyclopedia Mysteriosa'' (1994), this was because the studio, [[RKO Radio Pictures]], was uncomfortable with the idea of having one of Hollywood's leading actors [[Cary Grant]], who played Johnnie, being shown on screen as a devious [[psychopath]].

Revision as of 21:49, 19 February 2020

Before the Fact
First edition
AuthorAnthony Berkeley
writing as Francis Iles
LanguageEnglish
GenreCrime novel
PublisherGollancz
Publication date
1932
Publication placeEngland
Media typePrint (hardback & paperback)
Preceded byMalice Aforethought 

Before the Fact (1932) is an English novel by Anthony Berkeley Cox writing under the pen name "Francis Iles". It tells the story of a woman marrying a man who is after her inherited money and prepared, it seems, to kill her for it. Whether he does succeed in the end, or whether she has been imagining his plots, is left unclear. Together with the previous Iles book Malice Aforethought (1931), it can be placed in the category of psychological suspense novel. Elements of the story were used for the 1941 American film Suspicion, directed by Alfred Hitchcock.

Plot

At age 28, plain and bookish Lina McLaidlaw lives a life of boredom with her retired parents in an English village. Her prettier sister has married a rising writer, but Lina never meets any men she could accept. Until the arrival of charming Johnnie Aysgarth, from an impoverished and disreputable family. Her father is opposed to a marriage, and everyone seems to know that all Johnnie is after is Lina's money.

However they are soon married, enjoy a long and expensive honeymoon abroad, and return to a large country house that Johnny has acquired and extravagantly furnished. When Lina wonders how the jobless Johnnie has met all this outlay, and what he expects to live on, he eventually admits that he borrowed everything. Gradually the more level-headed Lina takes charge of the family finances, relying on an allowance from her father, and pushes Johnnie into finding a job. He gains a good post nearby, managing the country estate of a distant relation, while she looks after their house. She would like a baby, but never falls pregnant.

After the first shock of discovering Johnnie's huge debt, and the fact that he lied, other shocks keep arriving. She discovers that he is a practised thief, stealing jewelry from a guest and from her to sell. Her inherited furniture also starts disappearing, until she tracks some of it to an antique shop. He is a forger, putting her signature on cheques. Worse, he is sacked from his job for embezzling money.

Most of his takings are placed on horses, for he is an unrepentant gambler, while some are used for another pastime. Any number of local wives and daughters have had affairs with him, for which he rents a flat in a nearby town, and one of their servants has a son by him. When all this comes into the open, the childless Lina at last leaves to stay with her sister in London. There she is introduced at a party to an affectionate unmarried artist, who wants her to get a divorce and marry him. But Lina refuses to sleep with him, instead returning to her purgatory with Johnnie.

Johnnie meanwhile has been plotting new ways of raising money. Going with Lina to her parents for Christmas, after dinner he gets her father to perform a trick which is too much for the old man's weak heart. His death means that Lina comes into her inheritance and Johnnie thus has access to improved means. Later, he cons an old school friend into backing a property development and, taking his gullible partner to Paris, on a visit to a brothel pours so much brandy into him that the man dies. The money he had invested remains in Johnnie's hands.

In Johnnie's view, neither of these events counts as murder. His big project will be to murder Lina, collect her money and insurance, and not be detected. In this he is aided by Isobel Sedbusk, a writer of crime stories, who often visits their village and enjoys discussing foolproof ways of getting rid of people. She tells Johnnie that there is a common chemical which is tasteless if mixed in milk, kills instantly, and leaves no trace in the body.

Lina is driven increasingly desperate by Johnnie's interest in murder, accentuated by discovering that after years of marriage she seems to be pregnant. When she falls ill with flu, Johnnie mounts the stairs with a glass of milk which she deliberately drinks.

About the story

The novel covers a period of approximately ten years: Johnnie Aysgarth's courtship of, and marriage to, Lina McLaidlaw, the disintegration of their marriage, and her imminent death – although it is uncertain if she really dies (Isobel Sedbusk's alleged deadly chemical is never named, and maybe does not exist.) The story is told almost wholly from Lina's point of view, so readers follow what she does and learn what she thinks. On the other hand, little is revealed of what Johnnie is up to, except for what Lina sees and gathers,

Adaptations

The novel was adapted to film as Suspicion (1941), directed by Alfred Hitchcock. However, the inverted detective story format was eliminated, making Johnnie's murderous indiscretions merely a product of Lina's imagination. According to William L. De Andrea in Encyclopedia Mysteriosa (1994), this was because the studio, RKO Radio Pictures, was uncomfortable with the idea of having one of Hollywood's leading actors Cary Grant, who played Johnnie, being shown on screen as a devious psychopath.

Hitchcock was quoted as saying that he was forced to alter the ending of the movie.[1] He wanted an ending similar to the climax of the novel, but the studio, more concerned with Cary Grant's "heroic" image, insisted that it be changed. Writer Donald Spoto, in his biography of Hitchcock The Dark Side of Genius, disputes Hitchcock's claim to have been over-ruled on the film's ending. Spoto claims that the first RKO treatment and memos between Hitchcock and the studio show that Hitchcock emphatically desired to make a film about a woman's fantasy life.[1]

A 1988 American Playhouse remake stars Anthony Andrews and Jane Curtin.

References

  1. ^ a b Spoto, Donald (1999). The Dark Side of Genius: The Life of Alfred Hitchcock. Da Capo. pp. 243–244. ISBN 0-306-80932-X.