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'''Džore Držić''' ({{lang-sr-cyr|Џоре Држић}} {{IPA-sh|dʒǒːre dř̩ːʒitɕ|pron}}; [[Italian language|Italian]]: ''Giorgio Darsa'') (February 6, 1461 – September 26, 1501) was a [[Dubrovnik]] [[poet]] and [[playwright]], one of the fathers of Dubrovnik literature.
'''Džore Držić''' ({{IPA-sh|dʒǒːre dř̩ːʒitɕ|pron}}; [[Italian language|Italian]]: ''Giorgio Darsa'') (February 6, 1461 – September 26, 1501) was a [[Croatia]]n [[poet]] and [[playwright]], one of the fathers of [[Croatian literature]].


This respectable citizen of [[Dubrovnik]], the uncle of the greatest Dubrovnik playwright [[Marin Držić]], the rector of the Church of All Saints, the chancellor of the Dubrovnik [[chapter (religion)|chapter]], a contemporary of the poet [[Marko Marulić]], created a poetic opus that became a primal expression of the linguistic form that composes [[Shtokavian]] [[Serbian language]].
This respectable citizen of [[Dubrovnik]], the uncle of the greatest Croatian playwright [[Marin Držić]], the rector of the Church of All Saints, the chancellor of the Dubrovnik [[chapter (religion)|chapter]], a contemporary of the poet [[Marko Marulić]], created a poetic opus that became a primal expression of the linguistic form that would become the official [[Croatian language]].


His poetry proves that his [[humanism|humanist]] roots had a beneficial effect on his poetic diction and other qualities, such as discreetness and spirituality. It makes his love poems very different from those of his older contemporary and eternal rival, [[Šiško Menčetić]]. Držić's ''Pjesni ljuvene'' (Love Poems) must have been very popular in Dubrovnik. By the time the noble [[Nikša Ranjina]] started filling his famous manuscript collection with love poems composed by young citizens of Dubrovnik for their ladies, Džore Držić was six years dead, but Ranjina included his poems. It means they were recited and remembered.
His poetry proves that his [[humanism|humanist]] roots had a beneficial effect on his poetic diction and other qualities, such as discreetness and spirituality. It makes his love poems very different from those of his older contemporary and eternal rival, [[Šiško Menčetić]]. Držić's ''Pjesni ljuvene'' (Love Poems) must have been very popular in Dubrovnik. By the time the noble [[Nikša Ranjina]] started filling his famous manuscript collection with love poems composed by young citizens of Dubrovnik for their ladies, Džore Držić was six years dead, but Ranjina included his poems. It means they were recited and remembered.


In fact, they are easy to remember. Some of his poems go beyond the conventional rhetorical style of [[Petrarch]]ist poetry. Their graceful and warm verses, remindful of folk songs, are above almost everything else in the [[Ranjina's Miscellany]], the oldest collection of Serbian Petrarchist lyric. Today's favorite is the refined and graceful poem ''Odiljam se'' (I Am Going Away), in verses of sixteen syllables, simple and warm, with a hint of ''[[bugarštica]]'', a kind of a [[ballad]].
In fact, they are easy to remember. Some of his poems go beyond the conventional rhetorical style of [[Petrarch]]ist poetry. Their graceful and warm verses, remindful of folk songs, are above almost everything else in the [[Ranjina's Miscellany]], the oldest collection of Croatian Petrarchist lyric. Today's favorite is the refined and graceful poem ''Odiljam se'' (I Am Going Away), in verses of sixteen syllables, simple and warm, with a hint of ''[[bugarštica]]'', a kind of a [[ballad]].


His [[eclogue]] ''Radmio and Ljubmir'', found only recently, was written in the late 15th century. It is the first Dubrovnik play with a [[secularity|secular]] theme, opening a new period of the [[Dubrovnik theater]], which is reason enough to hail its writer as the initiator of the modern theatrical expression.
His [[eclogue]] ''Radmio and Ljubmir'', found only recently, was written in the late 15th century. It is the first Croatian play with a [[secularity|secular]] theme, opening a new period of the [[Croatian theater]], which is reason enough to hail its writer as the initiator of the modern Croatian theater.


==See also==
==See also==
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* [[List of notable Ragusans]]
* [[List of notable Ragusans]]
* [[Dubrovnik]]
* [[Dubrovnik]]
* [[Dalmatia]]
* [[History of Dalmatia]]


==Sources==
==Sources==
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| NAME = Drzic, Dzore
| NAME = Drzic, Dzore
| ALTERNATIVE NAMES =
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = Dubrovnik poet and playwright
| SHORT DESCRIPTION = Croatian poet and playwright
| DATE OF BIRTH = February 6, 1461
| DATE OF BIRTH = February 6, 1461
| PLACE OF BIRTH =
| PLACE OF BIRTH =
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[[Category:1461 births]]
[[Category:1461 births]]
[[Category:1501 deaths]]
[[Category:1501 deaths]]
[[Category:Serbian dramatists and playwrights]]
[[Category:Croatian dramatists and playwrights]]
[[Category:Serbian poets]]
[[Category:Croatian poets]]
[[Category:Dubrovnik Renaissance humanists]]
[[Category:Croatian Renaissance humanists]]
[[Category:People from the Republic of Ragusa]]
[[Category:People from the Republic of Ragusa]]

Revision as of 09:28, 14 January 2015

Džore Držić (pronounced [dʒǒːre dř̩ːʒitɕ]; Italian: Giorgio Darsa) (February 6, 1461 – September 26, 1501) was a Croatian poet and playwright, one of the fathers of Croatian literature.

This respectable citizen of Dubrovnik, the uncle of the greatest Croatian playwright Marin Držić, the rector of the Church of All Saints, the chancellor of the Dubrovnik chapter, a contemporary of the poet Marko Marulić, created a poetic opus that became a primal expression of the linguistic form that would become the official Croatian language.

His poetry proves that his humanist roots had a beneficial effect on his poetic diction and other qualities, such as discreetness and spirituality. It makes his love poems very different from those of his older contemporary and eternal rival, Šiško Menčetić. Držić's Pjesni ljuvene (Love Poems) must have been very popular in Dubrovnik. By the time the noble Nikša Ranjina started filling his famous manuscript collection with love poems composed by young citizens of Dubrovnik for their ladies, Džore Držić was six years dead, but Ranjina included his poems. It means they were recited and remembered.

In fact, they are easy to remember. Some of his poems go beyond the conventional rhetorical style of Petrarchist poetry. Their graceful and warm verses, remindful of folk songs, are above almost everything else in the Ranjina's Miscellany, the oldest collection of Croatian Petrarchist lyric. Today's favorite is the refined and graceful poem Odiljam se (I Am Going Away), in verses of sixteen syllables, simple and warm, with a hint of bugarštica, a kind of a ballad.

His eclogue Radmio and Ljubmir, found only recently, was written in the late 15th century. It is the first Croatian play with a secular theme, opening a new period of the Croatian theater, which is reason enough to hail its writer as the initiator of the modern Croatian theater.

See also

Sources

External links

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