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'''James Iovine''' ({{IPAc-en|ˈ|aɪ|.|ə|v|iː|n}} {{respell|EYE|ə|veen}}; born March 11, 1953<ref name=allmusicbio>{{cite web| url= https://www.allmusic.com/artist/jimmy-iovine-mn0000353668 | title= Jimmy Iovine Biography| first=Jason |last=Ankeny | publisher= [[AllMusic.com]] | access-date= March 13, 2013 | archive-url = https://web.archive.org/web/20151124110143/http://www.allmusic.com/artist/jimmy-iovine-mn0000353668 | archive-date=November 24, 2015 | url-status=live}}</ref>) is an American entrepreneur, former [[Music executive|record executive]], and [[media proprietor]]. He is best known as the co-founder of [[Interscope Records]] and became [[chairman]] and CEO of [[Interscope Geffen A&M Records|Interscope Geffen A&M]], an umbrella music unit formed by [[Universal Music Group]] in 1999.<ref>{{cite web|last=Schillaci|first=Sophie|title=Jimmy Iovine To Be Honored By Recording Academy|url=https://www.hollywoodreporter.com/news/grammys-jimmy-iovine-bono-dr-dre-276118|date=December 22, 2011|publisher=Hollywood Reporter}}</ref> |
'''James Iovine''' ({{IPAc-en|ˈ|aɪ|.|ə|v|iː|n}} {{respell|EYE|ə|veen}}; born March 11, 1953<ref name=allmusicbio>{{cite web| url= https://www.allmusic.com/artist/jimmy-iovine-mn0000353668 | title= Jimmy Iovine Biography| first=Jason |last=Ankeny | publisher= [[AllMusic.com]] | access-date= March 13, 2013 | archive-url = https://web.archive.org/web/20151124110143/http://www.allmusic.com/artist/jimmy-iovine-mn0000353668 | archive-date=November 24, 2015 | url-status=live}}</ref>) is an American entrepreneur, former [[Music executive|record executive]], and [[media proprietor]]. He is best known as the co-founder of [[Interscope Records]] and became [[chairman]] and CEO of [[Interscope Geffen A&M Records|Interscope Geffen A&M]], an umbrella music unit formed by [[Universal Music Group]] in 1999.<ref>{{cite web|last=Schillaci|first=Sophie|title=Jimmy Iovine To Be Honored By Recording Academy|url=https://www.hollywoodreporter.com/news/grammys-jimmy-iovine-bono-dr-dre-276118|date=December 22, 2011|publisher=Hollywood Reporter}}</ref> |
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Iovine has been involved in the production of more than 250 albums.<ref name=allmusicbio /><ref>{{cite web | |
Iovine has been involved in the production of more than 250 albums.<ref name=allmusicbio /><ref>{{cite web |last1=Hillburn |first1=Robert |last2=Phillips |first2=Chuck |date=October 24, 1993 |title=They Sure Figured Something Out |url=https://www.latimes.com/archives/la-xpm-1993-10-24-ca-49148-story.html |access-date=March 15, 2013 |work=Los Angeles Times}}</ref><ref>{{cite web|last=Lamb|first=Bill|title=Profile: Jimmy Iovine|url=http://top40.about.com/od/popmusicproducers/p/Jimmy-Iovine.htm|publisher=About.com|access-date=March 13, 2013}}</ref> |
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In 2006, Iovine and close friend, hip hop musician [[Dr. Dre]], co-founded [[Beats Electronics]]. Two years later, the brand launched its first official set of headphones.<ref>{{Cite web |last=Deleon |first=Nicholas |date=2008-07-22 |title=Dr. Dre's Beats headphones here on July 25 for $349 |url=https://techcrunch.com/2008/07/22/dr-dres-beats-headphones-here-on-july-25-for-349/ |access-date=2023-10-09 |website=TechCrunch |language=en-US}}</ref> In late 2013, they began development for, and in 2014, launched Beats Music, which went on to become the framework for [[Apple Music]].<ref>{{Cite web |last=Gurman |first=Mark |date=February 4, 2015 |title=The Next Episode: Apple's plans for Beats-based music service revealed |url=https://9to5mac.com/2015/02/04/apple-beats-cheaper-android-ios/ |website=9to5Mac}}</ref> The company was purchased by [[Apple Inc.]] for $3 billion in May 2014.<ref>{{cite web|last=Moore|first=Heidi|title=Apple buys Dr Dre's Beats for $3bn as company returns to music industry|url=https://www.theguardian.com/technology/2014/may/28/apple-buys-beats-dr-dre-music-streaming|date=May 28, 2014|publisher=theguardian.com}}</ref> At the same time, Iovine vacated his positions as chairman and CEO of Interscope Geffen A&M Records, ending his twenty-five year relationship with his label.<ref>{{Cite magazine |last=Christman |first=Ed |date=2014-05-28 |title=Jimmy Iovine Leaving Interscope Geffen A&M |url=https://www.billboard.com/music/music-news/jimmy-iovine-leaving-interscope-geffen-am-6099411/ |access-date=2023-10-09 |magazine=Billboard |language=en-US}}</ref> |
In 2006, Iovine and close friend, hip hop musician [[Dr. Dre]], co-founded [[Beats Electronics]]. Two years later, the brand launched its first official set of headphones.<ref>{{Cite web |last=Deleon |first=Nicholas |date=2008-07-22 |title=Dr. Dre's Beats headphones here on July 25 for $349 |url=https://techcrunch.com/2008/07/22/dr-dres-beats-headphones-here-on-july-25-for-349/ |access-date=2023-10-09 |website=TechCrunch |language=en-US}}</ref> In late 2013, they began development for, and in 2014, launched Beats Music, which went on to become the framework for [[Apple Music]].<ref>{{Cite web |last=Gurman |first=Mark |date=February 4, 2015 |title=The Next Episode: Apple's plans for Beats-based music service revealed |url=https://9to5mac.com/2015/02/04/apple-beats-cheaper-android-ios/ |website=9to5Mac}}</ref> The company was purchased by [[Apple Inc.]] for $3 billion in May 2014.<ref>{{cite web|last=Moore|first=Heidi|title=Apple buys Dr Dre's Beats for $3bn as company returns to music industry|url=https://www.theguardian.com/technology/2014/may/28/apple-buys-beats-dr-dre-music-streaming|date=May 28, 2014|publisher=theguardian.com}}</ref> At the same time, Iovine vacated his positions as chairman and CEO of Interscope Geffen A&M Records, ending his twenty-five year relationship with his label.<ref>{{Cite magazine |last=Christman |first=Ed |date=2014-05-28 |title=Jimmy Iovine Leaving Interscope Geffen A&M |url=https://www.billboard.com/music/music-news/jimmy-iovine-leaving-interscope-geffen-am-6099411/ |access-date=2023-10-09 |magazine=Billboard |language=en-US}}</ref> |
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==== 1989-2014: Interscope Records ==== |
==== 1989-2014: Interscope Records ==== |
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In 1989, Iovine and [[Ted Field]], founder of film production label [[Interscope Communications]], co-founded [[Interscope Records]].<ref>{{Cite web |last1=Hilburn |first1=Robert |last2=Philips |first2=Chuck |date=1993-10-24 |title=They sure figured something out |url=https://www.latimes.com/local/la-me-interscopephilips24oct2493-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> A year later, the label secured a distribution deal with [[Atlantic Records]] and garnered success with artists including [[No Doubt]], [[4 Non Blondes]] and [[Gerardo (musician)|Gerardo]].<ref>{{Cite web |last=Gateway |first=Music |date=2019-08-22 |title=Interscope Records: Where Music Meets Innovation |url=https://www.musicgateway.com/blog/record-label/interscope-records-where-music-meets-innovation |access-date=2023-10-11 |website=Music Gateway |language=en}}</ref> Atlantic owned a 50% stock in the label.<ref>{{Cite magazine |last=Halperin |first=Shirley |date=2017-02-09 |title=Classic Power Squad: Interscope Key Players Reunite, Remember Telling Time Warner to 'F— Off' in the '90s |url=https://www.billboard.com/music/music-news/interscope-players-reunite-7685103/ |access-date=2023-10-11 |magazine=Billboard |language=en-US}}</ref> Iovine and Field signed [[Tupac Shakur]] to a recording contract as one of the first hip-hop acts under Interscope in 1991.<ref>{{Cite book | |
In 1989, Iovine and [[Ted Field]], founder of film production label [[Interscope Communications]], co-founded [[Interscope Records]].<ref>{{Cite web |last1=Hilburn |first1=Robert |last2=Philips |first2=Chuck |date=1993-10-24 |title=They sure figured something out |url=https://www.latimes.com/local/la-me-interscopephilips24oct2493-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> A year later, the label secured a distribution deal with [[Atlantic Records]] and garnered success with artists including [[No Doubt]], [[4 Non Blondes]] and [[Gerardo (musician)|Gerardo]].<ref>{{Cite web |last=Gateway |first=Music |date=2019-08-22 |title=Interscope Records: Where Music Meets Innovation |url=https://www.musicgateway.com/blog/record-label/interscope-records-where-music-meets-innovation |access-date=2023-10-11 |website=Music Gateway |language=en}}</ref> Atlantic owned a 50% stock in the label.<ref>{{Cite magazine |last=Halperin |first=Shirley |date=2017-02-09 |title=Classic Power Squad: Interscope Key Players Reunite, Remember Telling Time Warner to 'F— Off' in the '90s |url=https://www.billboard.com/music/music-news/interscope-players-reunite-7685103/ |access-date=2023-10-11 |magazine=Billboard |language=en-US}}</ref> Iovine and Field signed [[Tupac Shakur]] to a recording contract as one of the first hip-hop acts under Interscope in 1991.<ref>{{Cite book |last1=McQuillar |first1=Tayannah Lee |url=https://books.google.com/books?id=zBxKDgAAQBAJ&dq=tupac+shakur+interscope&pg=PT72 |title=Tupac Shakur: The Life and Times of an American Icon |last2=Johnson |first2=Fred L. |date=2010-01-26 |publisher=Hachette Books |isbn=978-0-7867-4593-7 |language=en}}</ref> A year later, Interscope became notable for providing distribution, initial funding and financial oversight for the highly successful [[Death Row Records]]. Death Row, founded by [[Suge Knight]], operated as a subsidiary of Interscope, beginning with the December 14, 1992 release of label artist and producer [[Dr. Dre]]'s solo debut album, ''[[The Chronic]]''. With singles consisting of "[[Nuthin' but a 'G' Thang]]" and "[[Let Me Ride]]", both of which featuring labelmate [[Snoop Dogg]], The Chronic managed to sell over five million copies in the United States and become Dre's best-selling album in his career.<ref>{{Cite web |last=Kelley |first=Frannie |date=2013-01-22 |title='The Chronic' 20 Years Later: An Audio Document Of The L.A. Riots |url=https://www.npr.org/sections/therecord/2013/01/22/169936449/the-chronic-20-years-later-an-audio-document-of-the-l-a-riots |access-date=2023-10-11 |website=[[NPR]]}}</ref><ref>{{Cite web |last=Sayles |first=Justin |date=2020-04-20 |title=The Complicated Truths of Dr. Dre's 'The Chronic' |url=https://www.theringer.com/music/2020/4/20/21227555/dr-dre-the-chronic-streaming |access-date=2023-10-11 |website=The Ringer |language=en}}</ref> Iovine and Dre would later form a personal friendship following the release of the Chronic through Knight. Over 19 million records sold from Death Row, the label was largely responsible for Interscope's multi-platinum success throughout the 1990s. However, Snoop Dogg accumulated more success on Death Row and Interscope with his November 1993 debut, ''[[Doggystyle]]''.<ref>{{Cite web |title=Snoop Doggy Dogg "Doggy Style" (1993) |url=https://hiphopgoldenage.com/albums/snoop-doggy-dogg-doggy-style-1993/ |access-date=2023-10-11 |website=Hip Hop Golden Age}}</ref><ref>{{Cite web |last=Gold |first=Jonathan |date=1993-11-21 |title=Snoop Doggy Dogg: A 'Style' All His Own |url=https://www.latimes.com/archives/la-xpm-1993-11-21-ca-59113-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> It opened at number one on the [[Billboard 200|''Billboard'' 200]] with the biggest first-week sales in 1990s hip hop.<ref>{{Cite web |last=Setaro |first=Shawn |date=2023-11-03 |title=Snoop Dogg Recalls Moment That Boosted 'Doggystyle' Album Sales By 1M |url=https://hiphopdx.com/news/snoop-dogg-recalls-moment-boosted-doggystyle-album-sales-1m |access-date=2024-08-15 |website=HipHopDX |language=en}}</ref> In November 1995, Interscope released ''[[Tragic Kingdom]]'' by No Doubt, which sold over 16 million copies worldwide as its single, "[[Don't Speak]]" made number one on [[Billboard (magazine)|''Billboard'']]'s [[Radio Songs (chart)|Radio Songs]] chart.<ref>{{Cite web |last=Stavropoulos |first=Laura |date=2023-10-10 |title='Tragic Kingdom': How No Doubt's Heartbreak Seduced The Masses |url=https://www.udiscovermusic.com/stories/tragic-kingdom-no-doubt-album/ |access-date=2023-10-11 |website=uDiscover Music |language=en-US}}</ref> |
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In September 1995, after internal conflict with Atlantic Records over controversy concerning the label's support of [[gangsta rap]], the label and its former parent company at the time, [[Time Warner]] made the decision to sell off its share in Interscope to Iovine and Field.<ref>{{Cite news |last=Foege |first=Alec |date=1995-12-03 |title=POP MUSIC;Scorned, Shunned and Doing Quite Nicely |language=en-US |work=The New York Times |url=https://www.nytimes.com/1995/12/03/arts/pop-music-scorned-shunned-and-doing-quite-nicely.html |access-date=2023-10-11 |issn=0362-4331}}</ref><ref>{{Cite web |last=Philips |first=Chuck |date=1995-09-28 |title=Time Warner to Abandon Gangsta Rap |url=https://www.latimes.com/archives/la-xpm-1995-09-28-mn-51027-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> In January 1996, [[Doug Morris]], chairman and CEO of the music division of [[MCA Inc.]], convinced Iovine and Field to bring Interscope to the company in exchange for acquiring 50% of the label's shares for $200 million.<ref>{{Cite web |last=Philips |first=Chuck |date=1996-01-19 |title=MCA Offers $200 Million to Acquire a 50% Stake in Interscope Records |url=https://www.latimes.com/archives/la-xpm-1996-01-19-fi-26268-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> As a result, Interscope was placed in the same company portfolio of labels alongside future sister label [[Geffen Records]], [[MCA Records]], [[Universal Records (1995−2006)|Universal Records]] and [[DreamWorks Records]].<ref>{{Cite news |last=Fabrikant |first=Geraldine |date=1996-02-22 |title=MCA Agrees to Buy Stake In Interscope Record Label |url=https://www.nytimes.com/1996/02/22/business/the-media-business-mca-agrees-to-buy-stake-in-interscope-record-label.html |access-date=2023-10-11 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> By then, MCA was sold off by Matsushita Electric (also a parent company of [[Panasonic]]) to Canadian distillery and mass media conglomerate [[Seagram]].<ref>{{Cite web |last=Bates |first=James |date=1995-04-07 |title=Matsushita to Sell 80% of MCA to Seagram Co. : Business: Distiller to pay about $7.1 billion. Japanese owner and Hollywood giant clashed often over five years. |url=https://www.latimes.com/archives/la-xpm-1995-04-07-mn-52060-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> With Interscope now under the MCA and Seagram shade, the label managed to gain more success with Tupac Shakur's [[double album]], ''[[All Eyez on Me]]'', which opened at number one on the ''Billboard'' 200 with 566,000 copies sold in its first week.<ref>{{Cite web |last=Sexton |first=Paul |date=2023-03-02 |title='All Eyez On Me': 2Pac's Poignant And Seminal 1996 Milestone |url=https://www.udiscovermusic.com/stories/2pac-all-eyez-on-me-album/ |access-date=2023-10-11 |website=uDiscover Music |language=en-US}}</ref> The album became another success for the rap division of the label and Death Row Records, where artist Dr. Dre felt uncomfortable due to founder and former CEO Suge Knight's consistent spending, violent behavior and gang affiliation.<ref>{{Cite web |last=Fitzgerald |first=Trent |date=2023-03-22 |title=Dr. Dre Parts Ways With Death Row Records - Today in Hip-Hop |url=https://www.xxlmag.com/today-in-hip-hop-dr-dre-announces-departure-from-death-row/ |access-date=2023-10-11 |website=XXL Mag |language=en}}</ref> As a result, Dre departed from Death Row and re-signed with Interscope through a new label deal, creating his own imprint called [[Aftermath Entertainment]].<ref>{{Cite web |last=Philips |first=Chuck |date=1996-03-22 |title=Rapper Dr. Dre to part ways with Death Row, start new record label |url=https://www.latimes.com/local/la-fi-dredeathrow22march2296-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> The label's foundation proved to be challenging, when on November 26, 1996, upon release, the compilation ''[[Dr. Dre Presents: The Aftermath]]'', was given a lukewarm response as was [[The Firm (hip hop group)|The Firm]]'s [[The Album (The Firm album)|''The Album'']], despite the latter, released on October 21, 1997, almost a year after ''Dr. Dre Presents: The Aftermath'', debuting at number one on the ''Billboard'' 200.<ref>{{Cite web |last=WordWeaver |first=M. C. |date=2023-06-04 |title=The 25 Most Disappointing Hip Hop Albums of All Time |url=https://beats-rhymes-lists.com/lists/most-disappointing-hip-hop-albums-of-all-time/ |access-date=2023-10-11 |website=Beats, Rhymes & Lists |language=en-US}}</ref><ref>{{Cite web |last=Stonebrook |first=Ian |date=2022-10-24 |title=How The Firm Almost Became Rap's Fiercest Franchise |url=https://boardroom.tv/the-firm-the-album-nas-foxy-brown/ |access-date=2023-10-11 |website=Boardroom |language=en-US}}</ref> Iovine, as stated on the 2017 [[HBO]] documentary, [[The Defiant Ones (TV series)|''The Defiant Ones'']], was pressured by Doug Morris to either give Dre time to control his music and artists or drop him from his label. Iovine responded, "We could that, but then, you would save my salary as well because I'm going with him."<ref name=":4">{{Cite web |last=Smith |first=Benjamin H. |date=2017-07-13 |title='The Defiant Ones' Episode 4 Recap: Dr. Dre And Jimmy Iovine Take A Victory Lap |url=https://decider.com/2017/07/12/the-defiant-ones-episode-4-recap/ |access-date=2023-10-11 |website=[[Decider (website)|Decider]] |language=en-US}}</ref> Interscope had further success with Tupac Shakur's posthumous record ''[[The Don Killuminati: The 7 Day Theory]]'' as well as Snoop Dogg's ''[[Tha Doggfather]]'' and [[Bush (British band)|Bush]]'s ''[[Razorblade Suitcase]]''.<ref>{{Cite web |date=1996-12-09 |title=Interscope: the gangsta label that could top-selling acts like 2pac and bush are boosting rap's once controversial imprint. |url=https://www.nydailynews.com/1996/12/09/interscope-the-gangsta-label-that-could-top-selling-acts-like-2pac-and-bush-are-boosting-raps-once-controversial-imprint/ |access-date=2023-10-11 |website=New York Daily News |language=en-US}}</ref><ref>{{Cite magazine |last=Wild |first=David |date=1997-04-03 |title=Interscope Records: Inside the Hit Factory |url=https://www.rollingstone.com/music/music-news/interscope-records-inside-the-hit-factory-118720/ |access-date=2023-10-11 |magazine=Rolling Stone |language=en-US}}</ref><ref>{{Cite web |author=<!--Not stated--> |date=1996-12-01 |title=Bush Makes the Cut |url=https://www.latimes.com/archives/la-xpm-1996-12-01-ca-4480-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> |
In September 1995, after internal conflict with Atlantic Records over controversy concerning the label's support of [[gangsta rap]], the label and its former parent company at the time, [[Time Warner]] made the decision to sell off its share in Interscope to Iovine and Field.<ref>{{Cite news |last=Foege |first=Alec |date=1995-12-03 |title=POP MUSIC;Scorned, Shunned and Doing Quite Nicely |language=en-US |work=The New York Times |url=https://www.nytimes.com/1995/12/03/arts/pop-music-scorned-shunned-and-doing-quite-nicely.html |access-date=2023-10-11 |issn=0362-4331}}</ref><ref>{{Cite web |last=Philips |first=Chuck |date=1995-09-28 |title=Time Warner to Abandon Gangsta Rap |url=https://www.latimes.com/archives/la-xpm-1995-09-28-mn-51027-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> In January 1996, [[Doug Morris]], chairman and CEO of the music division of [[MCA Inc.]], convinced Iovine and Field to bring Interscope to the company in exchange for acquiring 50% of the label's shares for $200 million.<ref>{{Cite web |last=Philips |first=Chuck |date=1996-01-19 |title=MCA Offers $200 Million to Acquire a 50% Stake in Interscope Records |url=https://www.latimes.com/archives/la-xpm-1996-01-19-fi-26268-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> As a result, Interscope was placed in the same company portfolio of labels alongside future sister label [[Geffen Records]], [[MCA Records]], [[Universal Records (1995−2006)|Universal Records]] and [[DreamWorks Records]].<ref>{{Cite news |last=Fabrikant |first=Geraldine |date=1996-02-22 |title=MCA Agrees to Buy Stake In Interscope Record Label |url=https://www.nytimes.com/1996/02/22/business/the-media-business-mca-agrees-to-buy-stake-in-interscope-record-label.html |access-date=2023-10-11 |work=The New York Times |language=en-US |issn=0362-4331}}</ref> By then, MCA was sold off by Matsushita Electric (also a parent company of [[Panasonic]]) to Canadian distillery and mass media conglomerate [[Seagram]].<ref>{{Cite web |last=Bates |first=James |date=1995-04-07 |title=Matsushita to Sell 80% of MCA to Seagram Co. : Business: Distiller to pay about $7.1 billion. Japanese owner and Hollywood giant clashed often over five years. |url=https://www.latimes.com/archives/la-xpm-1995-04-07-mn-52060-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> With Interscope now under the MCA and Seagram shade, the label managed to gain more success with Tupac Shakur's [[double album]], ''[[All Eyez on Me]]'', which opened at number one on the ''Billboard'' 200 with 566,000 copies sold in its first week.<ref>{{Cite web |last=Sexton |first=Paul |date=2023-03-02 |title='All Eyez On Me': 2Pac's Poignant And Seminal 1996 Milestone |url=https://www.udiscovermusic.com/stories/2pac-all-eyez-on-me-album/ |access-date=2023-10-11 |website=uDiscover Music |language=en-US}}</ref> The album became another success for the rap division of the label and Death Row Records, where artist Dr. Dre felt uncomfortable due to founder and former CEO Suge Knight's consistent spending, violent behavior and gang affiliation.<ref>{{Cite web |last=Fitzgerald |first=Trent |date=2023-03-22 |title=Dr. Dre Parts Ways With Death Row Records - Today in Hip-Hop |url=https://www.xxlmag.com/today-in-hip-hop-dr-dre-announces-departure-from-death-row/ |access-date=2023-10-11 |website=XXL Mag |language=en}}</ref> As a result, Dre departed from Death Row and re-signed with Interscope through a new label deal, creating his own imprint called [[Aftermath Entertainment]].<ref>{{Cite web |last=Philips |first=Chuck |date=1996-03-22 |title=Rapper Dr. Dre to part ways with Death Row, start new record label |url=https://www.latimes.com/local/la-fi-dredeathrow22march2296-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> The label's foundation proved to be challenging, when on November 26, 1996, upon release, the compilation ''[[Dr. Dre Presents: The Aftermath]]'', was given a lukewarm response as was [[The Firm (hip hop group)|The Firm]]'s [[The Album (The Firm album)|''The Album'']], despite the latter, released on October 21, 1997, almost a year after ''Dr. Dre Presents: The Aftermath'', debuting at number one on the ''Billboard'' 200.<ref>{{Cite web |last=WordWeaver |first=M. C. |date=2023-06-04 |title=The 25 Most Disappointing Hip Hop Albums of All Time |url=https://beats-rhymes-lists.com/lists/most-disappointing-hip-hop-albums-of-all-time/ |access-date=2023-10-11 |website=Beats, Rhymes & Lists |language=en-US}}</ref><ref>{{Cite web |last=Stonebrook |first=Ian |date=2022-10-24 |title=How The Firm Almost Became Rap's Fiercest Franchise |url=https://boardroom.tv/the-firm-the-album-nas-foxy-brown/ |access-date=2023-10-11 |website=Boardroom |language=en-US}}</ref> Iovine, as stated on the 2017 [[HBO]] documentary, [[The Defiant Ones (TV series)|''The Defiant Ones'']], was pressured by Doug Morris to either give Dre time to control his music and artists or drop him from his label. Iovine responded, "We could that, but then, you would save my salary as well because I'm going with him."<ref name=":4">{{Cite web |last=Smith |first=Benjamin H. |date=2017-07-13 |title='The Defiant Ones' Episode 4 Recap: Dr. Dre And Jimmy Iovine Take A Victory Lap |url=https://decider.com/2017/07/12/the-defiant-ones-episode-4-recap/ |access-date=2023-10-11 |website=[[Decider (website)|Decider]] |language=en-US}}</ref> Interscope had further success with Tupac Shakur's posthumous record ''[[The Don Killuminati: The 7 Day Theory]]'' as well as Snoop Dogg's ''[[Tha Doggfather]]'' and [[Bush (British band)|Bush]]'s ''[[Razorblade Suitcase]]''.<ref>{{Cite web |date=1996-12-09 |title=Interscope: the gangsta label that could top-selling acts like 2pac and bush are boosting rap's once controversial imprint. |url=https://www.nydailynews.com/1996/12/09/interscope-the-gangsta-label-that-could-top-selling-acts-like-2pac-and-bush-are-boosting-raps-once-controversial-imprint/ |access-date=2023-10-11 |website=New York Daily News |language=en-US}}</ref><ref>{{Cite magazine |last=Wild |first=David |date=1997-04-03 |title=Interscope Records: Inside the Hit Factory |url=https://www.rollingstone.com/music/music-news/interscope-records-inside-the-hit-factory-118720/ |access-date=2023-10-11 |magazine=Rolling Stone |language=en-US}}</ref><ref>{{Cite web |author=<!--Not stated--> |date=1996-12-01 |title=Bush Makes the Cut |url=https://www.latimes.com/archives/la-xpm-1996-12-01-ca-4480-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> |
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Iovine offered to sign hip hop entrepreneur [[Master P]] and his imprint, [[No Limit Records]], but he rejected the offer. Iovine allegedly threatened him and his management team that if they wouldn't consider the Interscope deal, they would never "find another deal in the industry nor in this town".<ref>{{Cite web |last=Yates |first=Shanique |date=2022-03-21 |title=Master P Recalls Walking Away From A $1M Check From Jimmy Iovine — 'You Gotta Know Your Self-Worth' |url=https://afrotech.com/master-p-walked-away-from-million-dollar-deal-jimmy-iovine |access-date=2023-10-11 |website=AfroTech |language=en}}</ref> In December 1996, MCA Music Entertainment was renamed [[Universal Music Group]] with Interscope and various other labels were now a part of the newly rebranded UMG.<ref>{{Cite web |last=Busch |first=Anita M. |date=1996-12-10 |title=A whole new U for MCA |url=https://variety.com/1996/scene/vpage/a-whole-new-u-for-mca-1117466464/ |access-date=2023-10-11 |website=Variety |language=en-US}}</ref><ref>{{Cite web |last=Bates |first=James |date=1996-12-10 |title=Name Dropping : Parent Firm Won't Be 'MCA' Anymore |url=https://www.latimes.com/archives/la-xpm-1996-12-10-fi-7695-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> |
Iovine offered to sign hip hop entrepreneur [[Master P]] and his imprint, [[No Limit Records]], but he rejected the offer. Iovine allegedly threatened him and his management team that if they wouldn't consider the Interscope deal, they would never "find another deal in the industry nor in this town".<ref>{{Cite web |last=Yates |first=Shanique |date=2022-03-21 |title=Master P Recalls Walking Away From A $1M Check From Jimmy Iovine — 'You Gotta Know Your Self-Worth' |url=https://afrotech.com/master-p-walked-away-from-million-dollar-deal-jimmy-iovine |access-date=2023-10-11 |website=AfroTech |language=en}}</ref> In December 1996, MCA Music Entertainment was renamed [[Universal Music Group]] with Interscope and various other labels were now a part of the newly rebranded UMG.<ref>{{Cite web |last=Busch |first=Anita M. |date=1996-12-10 |title=A whole new U for MCA |url=https://variety.com/1996/scene/vpage/a-whole-new-u-for-mca-1117466464/ |access-date=2023-10-11 |website=Variety |language=en-US}}</ref><ref>{{Cite web |last=Bates |first=James |date=1996-12-10 |title=Name Dropping : Parent Firm Won't Be 'MCA' Anymore |url=https://www.latimes.com/archives/la-xpm-1996-12-10-fi-7695-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref> |
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Following Death Row founder Suge Knight's probation violation and prison sentence in 1997, Iovine and Interscope ended their business relationship with Death Row;<ref>{{Cite web |last=Philips |first=Chuck |date=1997-08-21 |title=Death Row Records looking to leave ally Interscope |url=https://www.latimes.com/local/la-me-tupacdeathrow21aug2197-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref><ref>{{Cite news|author=<!--Not stated--> |date=1997-08-22 |title=Death Row Records Is in Talks To End Deal With Interscope |language=en-US |work=[[The Wall Street Journal]] |url=https://www.wsj.com/articles/SB872211874107031500 |access-date=2023-10-11 |issn=0099-9660}}</ref> the final album released under the Death Row/Interscope deal was the soundtrack to the Tupac Shakur action film, ''[[Gridlock'd]]'', which managed to reach the Billboard 200's number one position.<ref>{{Cite web |last=Coker |first=Cheo Hodari |date=1997-01-25 |title=Various Artists "GRIDLOCK'd: The Soundtrack"*** Death Row/Interscope |url=https://www.latimes.com/archives/la-xpm-1997-01-25-ca-21850-story.html |access-date=2024-08-15 |website=Los Angeles Times |language=en-US}}</ref><ref>{{Cite book |last=Mayfield |first=Geoff |url=https://books.google. |
Following Death Row founder Suge Knight's probation violation and prison sentence in 1997, Iovine and Interscope ended their business relationship with Death Row;<ref>{{Cite web |last=Philips |first=Chuck |date=1997-08-21 |title=Death Row Records looking to leave ally Interscope |url=https://www.latimes.com/local/la-me-tupacdeathrow21aug2197-story.html |access-date=2023-10-11 |website=Los Angeles Times |language=en-US}}</ref><ref>{{Cite news|author=<!--Not stated--> |date=1997-08-22 |title=Death Row Records Is in Talks To End Deal With Interscope |language=en-US |work=[[The Wall Street Journal]] |url=https://www.wsj.com/articles/SB872211874107031500 |access-date=2023-10-11 |issn=0099-9660}}</ref> the final album released under the Death Row/Interscope deal was the soundtrack to the Tupac Shakur action film, ''[[Gridlock'd]]'', which managed to reach the Billboard 200's number one position.<ref>{{Cite web |last=Coker |first=Cheo Hodari |date=1997-01-25 |title=Various Artists "GRIDLOCK'd: The Soundtrack"*** Death Row/Interscope |url=https://www.latimes.com/archives/la-xpm-1997-01-25-ca-21850-story.html |access-date=2024-08-15 |website=Los Angeles Times |language=en-US}}</ref><ref>{{Cite book |last=Mayfield |first=Geoff |url=https://books.google.com/books?id=FA8EAAAAMBAJ&dq=Tupac+shakur+Gridlock%27d+OST+chart&pg=PA88 |title=Between the Bullets |date=1997-02-15 |publisher=[[Billboard]] |volume=109 |pages=88 |language=en}}</ref> |
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In March 1998, Iovine invited Dr. Dre to his house to listen to the ''[[Slim Shady EP]]'', released in 1997 by an underground rapper, who was participating a tournament of rap battles at the time, by the name of [[Eminem]].<ref>{{Cite web |last=Angel |first=Jennifer |date=2010-08-24 |title=CELEBRITY RISE TO FAME EMINEM |url=https://www.nydailynews.com/2010/08/24/celebrity-rise-to-fame-eminem/ |access-date=2023-10-11 |website=New York Daily News |language=en-US}}</ref> The tape eventually landed in the hands of Interscope A&Rs Dean Geistlinger and D.J. Mormile, who later turned it in to label co-founder Ted Field, who also sent it to Iovine for review. Upon suggestion from Iovine, he urged Dre to find Eminem and have him join the Interscope family through Dre's label, Aftermath.<ref>{{Cite magazine |date=2013-11-20 |title=11 Revealing Moments From Eminem's Early Days |url=https://www.rollingstone.com/music/music-lists/11-revealing-moments-from-eminems-early-days-14604/ |access-date=2023-10-11 |magazine=Rolling Stone |language=en-US}}</ref> Since then, Eminem has found success with both labels despite controversy involving his lyrical themes.<ref name=":4" /> On February 23, 1999, Eminem released his debut studio album, ''[[The Slim Shady LP]]'', to critical acclaim. The album made its way to number two on the ''Billboard'' 200, helping to improve both Interscope and Aftermath after years of low sales.<ref>{{Cite web |last=Bierut |first=Patrick |date=2023-02-23 |title='The Slim Shady LP': Eminem's Warning Shot At Hip-Hop |url=https://www.udiscovermusic.com/stories/the-slim-shady-lp-eminem-album/ |access-date=2023-10-11 |website=uDiscover Music |language=en-US}}</ref> |
In March 1998, Iovine invited Dr. Dre to his house to listen to the ''[[Slim Shady EP]]'', released in 1997 by an underground rapper, who was participating a tournament of rap battles at the time, by the name of [[Eminem]].<ref>{{Cite web |last=Angel |first=Jennifer |date=2010-08-24 |title=CELEBRITY RISE TO FAME EMINEM |url=https://www.nydailynews.com/2010/08/24/celebrity-rise-to-fame-eminem/ |access-date=2023-10-11 |website=New York Daily News |language=en-US}}</ref> The tape eventually landed in the hands of Interscope A&Rs Dean Geistlinger and D.J. Mormile, who later turned it in to label co-founder Ted Field, who also sent it to Iovine for review. Upon suggestion from Iovine, he urged Dre to find Eminem and have him join the Interscope family through Dre's label, Aftermath.<ref>{{Cite magazine |date=2013-11-20 |title=11 Revealing Moments From Eminem's Early Days |url=https://www.rollingstone.com/music/music-lists/11-revealing-moments-from-eminems-early-days-14604/ |access-date=2023-10-11 |magazine=Rolling Stone |language=en-US}}</ref> Since then, Eminem has found success with both labels despite controversy involving his lyrical themes.<ref name=":4" /> On February 23, 1999, Eminem released his debut studio album, ''[[The Slim Shady LP]]'', to critical acclaim. The album made its way to number two on the ''Billboard'' 200, helping to improve both Interscope and Aftermath after years of low sales.<ref>{{Cite web |last=Bierut |first=Patrick |date=2023-02-23 |title='The Slim Shady LP': Eminem's Warning Shot At Hip-Hop |url=https://www.udiscovermusic.com/stories/the-slim-shady-lp-eminem-album/ |access-date=2023-10-11 |website=uDiscover Music |language=en-US}}</ref> |
Revision as of 16:53, 26 August 2024
Jimmy Iovine | |
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Born | New York City, U.S. | March 11, 1953
Occupations |
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Years active | 1972–present |
Label | |
Spouses | |
Children | 4 |
James Iovine (/ˈaɪ.əviːn/ EYE-ə-veen; born March 11, 1953[1]) is an American entrepreneur, former record executive, and media proprietor. He is best known as the co-founder of Interscope Records and became chairman and CEO of Interscope Geffen A&M, an umbrella music unit formed by Universal Music Group in 1999.[2]
Iovine has been involved in the production of more than 250 albums.[1][3][4]
In 2006, Iovine and close friend, hip hop musician Dr. Dre, co-founded Beats Electronics. Two years later, the brand launched its first official set of headphones.[5] In late 2013, they began development for, and in 2014, launched Beats Music, which went on to become the framework for Apple Music.[6] The company was purchased by Apple Inc. for $3 billion in May 2014.[7] At the same time, Iovine vacated his positions as chairman and CEO of Interscope Geffen A&M Records, ending his twenty-five year relationship with his label.[8]
On August 21, 2018, after initial denial, Iovine parted ways with Apple and effectively retired from the media business.[9] Despite his retirement, he is still credited or named in institutional education centers such as the USC Jimmy Iovine and Andre Young Academy, which inaugurated in 2013,[10] and the Iovine and Young Center, a magnet high school which opened in Los Angeles in August 2022.[11][12][13]
Early life and training
James Iovine was born in the New York City borough of Brooklyn, to an Italian working-class family.[14][15] His mother was a secretary and his father, Vincent Iovine,[16] worked on the docks as a longshoreman. He has an older sister, born in 1946.[15] The family lived in Brooklyn's Red Hook neighborhood.[17] His father died in 1985.[18][19]
Iovine attended Catholic school in Brooklyn,[20] graduating from the since-closed Bishop Ford Central Catholic High School and went on to attend New York's John Jay College of Criminal Justice.[21] At age 19, he dropped out of college. He was introduced to music production after he met a songwriter who helped him find a job as a recording studio cleaner, and he soon began working as an engineer.[22]
Career
Music career
1970s-1980s: Music production and engineering
In the early 1970s, Iovine became a recording engineer, working with John Lennon[23] and Bruce Springsteen, among others. By 1973, Iovine was a part of the staff, working for the now-demolished New York City faction of the Record Plant,[24] where he worked on Springsteen's Born to Run and Meat Loaf's Bat Out of Hell. He came to prominence through his work on Patti Smith's album Easter (1978), which included her Top 40 hit "Because the Night". He later collaborated with Tom Petty and the Heartbreakers on Damn the Torpedoes and U2 on Rattle and Hum. Iovine also produced Bella Donna (the first solo album by former Fleetwood Mac member Stevie Nicks),[25] Making Movies for Dire Straits, The Distance for Bob Seger and Get Close for The Pretenders.
Iovine served as sound engineer for the Voyager Golden Records, a pair of phonograph records which were launched aboard the Voyager space probes in 1977.[26] His father's death and love for Christmas inspired Iovine to record and oversee A Very Special Christmas in 1985.[16][27] The compilation was not released until 1987 under Interscope's future sister label A&M Records.[28] He was also responsible for supervising the music used in the 1984 romance film Sixteen Candles, Streets of Fire and the 1988 comedy film Scrooged.
1989-2014: Interscope Records
In 1989, Iovine and Ted Field, founder of film production label Interscope Communications, co-founded Interscope Records.[29] A year later, the label secured a distribution deal with Atlantic Records and garnered success with artists including No Doubt, 4 Non Blondes and Gerardo.[30] Atlantic owned a 50% stock in the label.[31] Iovine and Field signed Tupac Shakur to a recording contract as one of the first hip-hop acts under Interscope in 1991.[32] A year later, Interscope became notable for providing distribution, initial funding and financial oversight for the highly successful Death Row Records. Death Row, founded by Suge Knight, operated as a subsidiary of Interscope, beginning with the December 14, 1992 release of label artist and producer Dr. Dre's solo debut album, The Chronic. With singles consisting of "Nuthin' but a 'G' Thang" and "Let Me Ride", both of which featuring labelmate Snoop Dogg, The Chronic managed to sell over five million copies in the United States and become Dre's best-selling album in his career.[33][34] Iovine and Dre would later form a personal friendship following the release of the Chronic through Knight. Over 19 million records sold from Death Row, the label was largely responsible for Interscope's multi-platinum success throughout the 1990s. However, Snoop Dogg accumulated more success on Death Row and Interscope with his November 1993 debut, Doggystyle.[35][36] It opened at number one on the Billboard 200 with the biggest first-week sales in 1990s hip hop.[37] In November 1995, Interscope released Tragic Kingdom by No Doubt, which sold over 16 million copies worldwide as its single, "Don't Speak" made number one on Billboard's Radio Songs chart.[38]
In September 1995, after internal conflict with Atlantic Records over controversy concerning the label's support of gangsta rap, the label and its former parent company at the time, Time Warner made the decision to sell off its share in Interscope to Iovine and Field.[39][40] In January 1996, Doug Morris, chairman and CEO of the music division of MCA Inc., convinced Iovine and Field to bring Interscope to the company in exchange for acquiring 50% of the label's shares for $200 million.[41] As a result, Interscope was placed in the same company portfolio of labels alongside future sister label Geffen Records, MCA Records, Universal Records and DreamWorks Records.[42] By then, MCA was sold off by Matsushita Electric (also a parent company of Panasonic) to Canadian distillery and mass media conglomerate Seagram.[43] With Interscope now under the MCA and Seagram shade, the label managed to gain more success with Tupac Shakur's double album, All Eyez on Me, which opened at number one on the Billboard 200 with 566,000 copies sold in its first week.[44] The album became another success for the rap division of the label and Death Row Records, where artist Dr. Dre felt uncomfortable due to founder and former CEO Suge Knight's consistent spending, violent behavior and gang affiliation.[45] As a result, Dre departed from Death Row and re-signed with Interscope through a new label deal, creating his own imprint called Aftermath Entertainment.[46] The label's foundation proved to be challenging, when on November 26, 1996, upon release, the compilation Dr. Dre Presents: The Aftermath, was given a lukewarm response as was The Firm's The Album, despite the latter, released on October 21, 1997, almost a year after Dr. Dre Presents: The Aftermath, debuting at number one on the Billboard 200.[47][48] Iovine, as stated on the 2017 HBO documentary, The Defiant Ones, was pressured by Doug Morris to either give Dre time to control his music and artists or drop him from his label. Iovine responded, "We could that, but then, you would save my salary as well because I'm going with him."[49] Interscope had further success with Tupac Shakur's posthumous record The Don Killuminati: The 7 Day Theory as well as Snoop Dogg's Tha Doggfather and Bush's Razorblade Suitcase.[50][51][52]
Iovine offered to sign hip hop entrepreneur Master P and his imprint, No Limit Records, but he rejected the offer. Iovine allegedly threatened him and his management team that if they wouldn't consider the Interscope deal, they would never "find another deal in the industry nor in this town".[53] In December 1996, MCA Music Entertainment was renamed Universal Music Group with Interscope and various other labels were now a part of the newly rebranded UMG.[54][55]
Following Death Row founder Suge Knight's probation violation and prison sentence in 1997, Iovine and Interscope ended their business relationship with Death Row;[56][57] the final album released under the Death Row/Interscope deal was the soundtrack to the Tupac Shakur action film, Gridlock'd, which managed to reach the Billboard 200's number one position.[58][59]
In March 1998, Iovine invited Dr. Dre to his house to listen to the Slim Shady EP, released in 1997 by an underground rapper, who was participating a tournament of rap battles at the time, by the name of Eminem.[60] The tape eventually landed in the hands of Interscope A&Rs Dean Geistlinger and D.J. Mormile, who later turned it in to label co-founder Ted Field, who also sent it to Iovine for review. Upon suggestion from Iovine, he urged Dre to find Eminem and have him join the Interscope family through Dre's label, Aftermath.[61] Since then, Eminem has found success with both labels despite controversy involving his lyrical themes.[49] On February 23, 1999, Eminem released his debut studio album, The Slim Shady LP, to critical acclaim. The album made its way to number two on the Billboard 200, helping to improve both Interscope and Aftermath after years of low sales.[62]
On December 10, 1998, Seagram acquired PolyGram,[63] and it merged with the Universal Music Group.[64][65] After the PolyGram and MCA merger of Universal Music Group, Interscope became sister labels to new entries A&M Records, Def Jam Recordings, Island Records, Mercury Records and Motown.[66] In 1998, Interscope, Geffen and A&M were put together under the umbrella label as Interscope Geffen A&M Records (IGA).[67][65] Within IGA, Iovine and Field were hired to become the unit's co-chairmen and oversee operations of Interscope and Geffen.[68]
In February 2001, Ted Field parted ways with IGA, leading Iovine to take full control of the labels.[69] In June 2002 of the latter year, Iovine was able to manage to negotiate Eminem and Dr. Dre's joint venture agreement involving then-upcoming hip hop artist and fellow New Yorker 50 Cent.[70] On February 9, 2003, he released his debut studio album, Get Rich or Die Tryin', to widespread acclaim.[71]
Iovine was confidential in merging A&M, DGC, MCA and DreamWorks into defection through Interscope Geffen A&M between 1999 and 2003.[72][73][74] Due to A&M co-founders Herb Alpert and Jerry Moss (1935–2023) filing suit against Iovine, Interscope and UMG over a breach of agreement involving the label's operations, A&M Records had to remain fully operative as a one-off subsidiary of Interscope Records; the two plaintiffs were given a $200 million out of court settlement.[75] At the end of 2003, Iovine made over $45 million in revenue generated from music sales from his label.[76]
For the next four years, Iovine, Interscope and Geffen began to see extended success from other artists including D12, AFI, Nelly Furtado, The Roots, Gwen Stefani (as a solo artist), The Game, Robin Thicke, Bone Thugs-n-Harmony, The Pussycat Dolls and plenty others. Iovine discovered Lady Gaga in 2007 who was sent to work with singer-songwriter Akon, who in exchange for his mentorship of Gaga, asked Iovine to sign him to Vincent Herbert's Streamline Records and Interscope.[77]
In 2014, Universal Music Group reported that Iovine was departing from Interscope Records, ending his twenty-five year tenure with the label and vacating his fifteen-year dual position as chairman and CEO of Interscope Geffen A&M Records. It was also confirmed that the Fueled by Ramen co-founder John Janick was hired as Iovine's replacement.[78] Janick was hired to become Interscope's president and COO in 2012. The final artist Iovine signed to his label was J. Cole.[79] On May 28, 2014, Iovine effectively vacated his CEO and chairman positions, while departing from Interscope. The news of his departure from the label occurred following the sale of his and Dr. Dre's headphone company, Beats Electronics, to Apple Inc.[80]
Business career
Beats Electronics
In 2006, Iovine teamed up with Dr. Dre to create Beats Electronics. It was originally a conversation between the two where Iovine exclaimed to Dre, "fuck sneakers, we need to do speakers."[81] The first set of headphones were produced in 2007 and were officially launched in 2008.[82] From 2009 to 2011, Beats enclosed endorsement deals with Monster Cable and Hewlett-Packard.[83][84][85] The company had captured 20 percent market share of the headphones industry by 2012.[86][87] In January 2013, Iovine announced the expansion of Beats into the online digital music world with Daisy, a new service slated to launch in late 2013. Former Topspin Media executive Ian Rogers and Nine Inch Nails frontman Trent Reznor were said to be involved.[88] In January 2014, Beats Music was developed and opened to the public after being announced on December 8, 2013.[89] On May 28, 2014, Apple Inc. announced the acquisition of Beats Electronics. The acquisition gave Dre and Iovine a share of over $3.24 billion, becoming the largest acquisition deal in the history of Apple's timeline.[90] Iovine was hired to assume an undisclosed position at Apple[91] where he helped in the creation of Apple Music, which was launched in the summer of 2015 as replacement for Beats Music.[92][93] On June 26, 2018, Iovine and Dr. Dre were ordered to pay $25 million to former partner and creative designer, Steven Lamar, who sued the two co-founders for $100 million in unpaid royalties for designing the early Beats headphone models.[94] The lawsuit was filed in 2015 after news broke out of Apple's acquisition of the headphone brand a year prior.[95][96]He was the creative consultant for Apple Music until August 2018.[9] Firstly, he denied reports of him ending his partnership with Apple in January.[97][98] Citing high usage of music technology and little direction to where Apple Music could be headed to, Iovine quietly left the company and effectively retired from the media industry.[9]
Other ventures
In August 2022, the Iovine and Young Center, a magnet high school opened in Los Angeles.[11][12][13] The school aims to improve the declining rate of enrollment in the L.A. Unified district.[99]
In August 2023, it was announced that the Iovine and Young Center was partnering with Atlanta Public Schools to open a new learning center at Frederick Douglass High School in August 2024. The goal of the center is to prepare students for their future academics and careers.[100]
Film and documentary productions
In 2002, Iovine and former Shady Records president Paul Rosenberg co-produced 8 Mile, which opened at number one in the box office and went on to gross more than $240 million worldwide.[101] The film also garnered an Academy Award for Best Original Song for its theme song, "Lose Yourself", making Eminem the first rapper to win this award.[102] Additionally, Iovine executive produced the 2005 crime drama Get Rich or Die Tryin', named after the 2003 debut album of its leading star, 50 Cent.[103] He also produced the 2009 documentary More than a Game,[104][105] which centered on the life and career of basketball athlete LeBron James; his label Interscope released a soundtrack for the documentary.
Television career
In 2005, Iovine made a guest appearance as himself on "Don't Make Me Over", an episode for the fourth season of Seth MacFarlane's Family Guy.
From 2011 to 2013, Iovine was a mentor on Fox's American Idol.[106][107][108] Iovine's protégés—Scotty McCreery, Phillip Phillips, Jessica Sanchez, and Candice Glover—released their music through Interscope.[109] Iovine departed from the show in mid-2013; he was replaced by Randy Jackson.[110]
In July 2017, HBO ran a four-part documentary about Jimmy Iovine's relationship with Dr. Dre and other musicians titled The Defiant Ones.
Voice roles
Iovine and Dr. Dre had provided their voices and motion capture performances in two downloadable content updates for Grand Theft Auto Online (2013); the first was 2020's Cayo Perico Heist and the second was 2021's The Contract, the latter of which the player helps to unlock unreleased music by Dr. Dre in between missions or after completing them.[111]
Philanthropy
In May 2013, Iovine and Dr. Dre donated $70 million to the University of Southern California to create the USC Jimmy Iovine and Andre Young Academy for Arts, Technology and the Business of Innovation.[112] The first class of the academy began in September 2014 with 31 students.[113] On October 2, 2019, the USC opened the Iovine and Young Hall.[114]
In April 2020, Iovine and Dr. Dre donated to the city of Compton to provide support for medical supplies, free COVID-19 testing, and 145,000 meals for residents of the city.[115] In May 2020, Iovine and Dr. Dre partnered with restaurant chain Everytable to provide 30 days of drive-thru meals to Compton residents.[116]
Honors and recognitions
In 2011, Iovine was honored by The Producers & Engineers Wing of the Grammy Awards. "This year we pay tribute to an industry leader, Jimmy Iovine, who has made an indelible impact as a recording engineer, producer, founder of Interscope Records, and now, entrepreneur focused on audio quality," Neil Portnow, president of the National Academy of Recording Arts and Sciences, the governing body of the Grammy Awards, said in presenting the award.[117]
On May 17, 2013, Iovine received an honorary Doctor of Music degree[118] from the University of Southern California and gave the 2013 USC commencement address.[119]
In 2022, Iovine was inducted into the Rock and Roll Hall of Fame in the Ahmet Ertegun Award category.[120]
Personal life
New York rock radio DJ Carol Miller and Iovine had a two-year relationship in the late 1970s. Miller says "Jimmy had a wonderful, close-knit Italian Catholic family from Brooklyn and Staten Island who could not have been nicer to me. It was I, the Jewish girl from Queens, who always felt silently out of place." She says her father was not very nice to Iovine and was against the relationship due to the differences in their religions.[121] According to Miller, the relationship ended in 1980, when Iovine began spending most of his time in California working with singer Stevie Nicks.
While producing her album Bella Donna, Iovine entered into a relationship with Nicks. The two eventually broke up in 1982. Nicks wrote the song, "Straight Back", included in the Fleetwood Mac album, Mirage, about him.[citation needed] According to Nicks, Iovine was an inspiration for one of her signature songs, "Edge of Seventeen".[citation needed] The song also became the backbone for the guitar sample used on Destiny's Child's hit single, "Bootylicious" (2001).[122] Nicks has said that Iovine's despondence from the death of his good friend John Lennon overwhelmed her, and eventually led to the end of their relationship. However, the strong emotion of the time led to the creation of "Edge of Seventeen".[123]
Iovine was married to writer, lawyer, and model Vicki Iovine since 1985 before divorcing in 2006. It was finalized in 2009; the couple have four children.[124]
In 2014, he started dating Liberty Ross, the sister of music composers Atticus and Leopold Ross.[125] They were married in front of their Malibu beach house on Valentine's Day, February 14, 2016, with friends and family in attendance.[126]
On November 22, 2023, Iovine was accused of sexual harassment by an unnamed woman.[127] On February 15, 2024, the accuser dropped the sexual abuse case with prejudice.[128] Documents obtained by Billboard also revealed that while a summons notice was filed in November 2023, no official lawsuit had been filed against Iovine after the claim was made.[128]
Selected discography
Artist | Album | Released |
---|---|---|
John Lennon | Walls and Bridges | 1974 |
Kansas | The Classic Albums Collection: 1974–1983 | 1974–1983 |
Bruce Springsteen | Born to Run | 1975 |
Bruce Springsteen | Darkness on the Edge of Town | 1978 |
Golden Earring | Grab It for a Second | 1978 |
Patti Smith | Easter | 1978 |
Tom Petty & The Heartbreakers | Damn the Torpedoes | 1979 |
Bruce Springsteen | The River | 1980 |
Dire Straits | Making Movies | 1980 |
Graham Parker and the Rumour | The Up Escalator | 1980 |
Stevie Nicks | Bella Donna | 1981 |
U2 | Under a Blood Red Sky | 1983 |
Simple Minds | Once Upon A Time | 1985 |
Pretenders | Get Close | 1986 |
Various | A Very Special Christmas | 1987 |
U2 | Rattle and Hum | 1988 |
Gwen Stefani | Love. Angel. Music. Baby | 2004 |
Lady Gaga | Born This Way: The Collection | 2011 |
Iggy Azalea | The New Classic | 2014 |
Discography
Complete discography | |||
---|---|---|---|
Year | Album | Artist | Role |
2014 | The New Classic | Iggy Azalea | Producer |
2012 | 5 Classic Albums | Tom Petty | Producer |
2012 | Horses/Easter | Patti Smith | Mixing, Producer |
2012 | Ladies and Gentlemen... | B. B. King | Producer |
2012 | Strange Euphoria | Heart | Engineer, Producer |
2012 | Jasmine Night Dreams | Edgar Winter Group with Rick Derringer | Mixing Assistant |
2011 | A Very Special Christmas, Volume 1–2 | Various Artists | Executive Producer, Producer |
2011 | Born This Way: The Collection | Lady Gaga | Executive Producer |
2011 | In Touch/Midnight Rider | Tommy James | Remix Engineer |
2011 | Outside Society: Looking Back 1975–2007 | Patti Smith | Producer |
2011 | The Essential Meat Loaf | Meat Loaf | Engineer, Remixer |
2011 | The Classic Albums Collection: 1974–1983 | Kansas | Assistant Engineer |
2011 | Ultimate Hits: Rock and Roll Never Forgets |
Bob Seger & The Silver Bullet Band | Mixing, Producer |
2010 | 101 Punk & New Wave Anthems | Various Artists | Producer |
2010 | Greatest Hits | Joan Jett & The Blackhearts | Producer |
2010 | Double Play | Kirk Franklin | Executive Producer |
2010 | Nothing | N.E.R.D. | Composer, Executive Producer |
2010 | The Promise | Bruce Springsteen | Engineer, Mixing |
2010 | The Collection: 1973–1984 | Bruce Springsteen | Engineer, Mixing |
2010 | Ultimate '80s Movie Hits | Various Artists | Producer |
2009 | Essential '80s: Classic Eighties | Various Artists | Producer |
2009 | Greatest Hits | Bruce Springsteen | Engineer, Mixing |
2009 | Rare Cuts | The D.I.s | Executive Producer |
2009 | Sex Therapy | Robin Thicke | Executive Producer |
2009 | The Best of 1980–2000 | U2 | Producer |
2009 | The Best of Alison Moyet | Alison Moyet | Producer |
2009 | Ultimate Blues: Decca | Various Artists | Executive Producer, Producer |
2008 | A Very Special Christmas: Playlist Plus |
Various Artists | Executive Producer, Producer |
2008 | Bat Out of Hell/ Hits Out of Hell |
Meat Loaf | Engineer, Remixing, Producer |
2008 | Doll Domination 2.0 | The Pussycat Dolls | Executive Producer |
2008 | The Great Big Scottish Songbook | Various Artists | Producer |
2008 | Four Christmases | Various Artists | Producer |
2008 | Incredible | Clique Girlz | Executive Producer |
2008 | Lo Essential de Rock 101 | Various Artists | Producer |
2008 | Seventies Power Ballads | Various Artists | Producer |
2008 | The Block | New Kids on the Block | Executive Producer |
2008 | Themes, Volumes 1–5 | Simple Minds | Producer |
2008 | World's Best Dad Gift Set | Various Artists | Producer |
2007 | 101 '80s Hits | Various Artists | Producer |
2007 | A Very Special Christmas: 20th Anniversary Collection |
Various Artists | Executive Producer |
2007 | Across the Universe (Original Soundtrack) | Various Artists | Executive Producer |
2007 | CBGB Forever | Various Artists | Producer |
2007 | Crystal Visions: The Best of Stevie Nicks |
Stevie Nicks | Producer |
2007 | Four Decades of Folk Rock | Various Artists | Producer |
2007 | Insomniac | Enrique Iglesias | Producer |
2007 | Now That's What I Call the 80's | Various Artists | Producer |
2007 | T-shirt/Final Exam | Loudon Wainwright III | Ensemble, Mixing |
2007 | World's Best Dad (2007) | Various Artists | Producer |
2006 | Anthology, Volumes 1–2 | Gene Loves Jezebel | Producer |
2006 | Arista Columbia Records 1980–1991 | Willie Nile | Producer |
2006 | I Don't Need A Man | The Pussycat Dolls | Executive Producer |
2006 | Pirate Radio | Pretenders | Producer |
2006 | The Sweet Escape | Gwen Stefani | A&R |
2006 | 18 Singles | U2 | Audio Production, Producer |
2005 | All Woman: Platinum Collection | Various Artists | Producer |
2005 | Boxed | Eurythmics | Producer |
2005 | Cast of Characters: The Rupert Holmes Songbook |
Rupert Holmes | Assistant Engineer |
2005 | Don't Cha | The Pussycat Dolls | Executive Producer |
2005 | Great Songs of Indifference: The Anthology 1986–2001 |
Bob Geldof | Producer |
2005 | Instigator | Kaci Brown | A&R |
2005 | PCD | The Pussycat Dolls | Executive Producer |
2005 | Private Investigations: The Best of Dire Straits & Mark Knopfler |
Dire Straits | Producer |
2005 | Stickwitu (Urban Mix) | The Pussycat Dolls | Executive Producer |
2005 | The Very Best of Rosanne Cash | Rosanne Cash | Producer |
2005 | Very Best of Natural Woman | Various Artists | Producer |
2005 | The Ultimate Collection | B. B. King | Producer |
2004 | 20th Century Masters: The Best of the '80s | Various Artists | Producer |
2004 | Anthology: Sound + Vision | B. B. King | Producer |
2004 | Carved in Stone: Live at Red Rocks, Volume II | Various Artists | Producer |
2004 | I Don't Want to Go Home/ This Time It's for Real |
Southside Johnny | Engineer, Mastering, Mixing |
2004 | Left of the Dial: Dispatches from the '80s Underground |
Various Artists | Producer |
2004 | Love. Angel. Music. Baby. | Gwen Stefani | A&R |
2004 | Shall We Dance? | Various Artists | Executive Producer |
2004 | Shark Tale(Original Soundtrack) | Various Artists | Executive Producer |
2003 | 20th Century Masters - The Millennium Collection: The Best Of |
Lone Justice | Producer |
2003 | 7 | Enrique Iglesias | Executive Producer |
2003 | 30 Best Irish Hits, Volume 2 | Various Artists | Producer |
2003 | Damn the Torpedoes/ Southern Accents/ Hard Promises |
Tom Petty | Producer |
2003 | Greatest Hits, Volume 2 | Bob Seger & The Silver Bullet Band | Mixing, Producer |
2003 | Jett Rock: Greatest Hits of Joan Jett & the Blackhearts |
Joan Jett & the Blackhearts | Producer |
2003 | Long Time Coming | Jonny Lang | A&R |
2003 | Rodney Rooney | Rodney Rooney | Engineer, Producer |
2003 | School of Rock Original Soundtrack | Various Artists | Producer |
2003 | Songbirds (WEA International) | Various Artists | Producer |
2003 | The Complete Atlantic Sessions | Mark Farner | Mixing, Producer |
2003 | The Essential Alison Moyet | Alison Moyet | Producer |
2003 | The Essential Bruce Springsteen | Bruce Springsteen | Engineer, Mixing |
2003 | Who Will I Run To/ Kiss Me Like That |
Kiley Dean | Executive Producer |
2002 | Grammy Nominees 2002 | Various Artists | Executive Producer |
2002 | Greatest Hits (Universal Japan) | B. B. King | Producer |
2002 | Greetings from Asbury Park/ The Wild, The Innocent/ Darkness on the Edge of Town |
Bruce Springsteen | Engineer, Mixing |
2002 | Land (1975–2002) | Patti Smith | Producer |
2002 | Live and Unreleased from Farmclub.com | Various Artists | Executive Producer |
2002 | Meat Loaf and Friends (2002 Version) | Meat Loaf | Producer |
2002 | The Best of Simple Minds | Simple Minds | Producer |
2002 | The Story So Far: The Very Best of Rod Stewart | Rod Stewart | Producer |
2002 | America: A Tribute to Heroes | Various Artists | Producer |
2001 | Bridget Jones's Diary (Original Soundtrack) | Various Artists | Producer |
2001 | Bridget Jones's Diary, Volume 2 (Original Soundtrack) |
Various Artists | Producer |
2001 | Collection | Tracy Chapman | Producer |
2001 | The Very Best of Rod Stewart (Warner Bros.) | Rod Stewart | Producer |
2001 | Ultimate Collection | Graham Parker | Producer |
2001 | Anthology | B.B. King | Producer |
2001 | Anthology: Through the Years | Tom Petty | Producer |
2001 | Greatest Hits Pretenders | Pretenders | Producer |
2000 | Lucky Numbers | Soundtrack: Various Artists | Producer |
2000 | Ultimate Collection | Maria McKee | Producer |
1999 | 18 Tracks | Bruce Springsteen | Engineer |
1999 | 200 Cigarettes Original Soundtrack | Various Artists | Producer |
1999 | Damn the Torpedoes/ Southern Accents/ Into the Great Wide Open |
Tom Petty | Producer |
1999 | Dead Ringer/ Midnight at the Lost and Found/ Bat Out of Hell |
Meat Loaf | Producer |
1999 | Girls Night Out (Telstar TV) | Girls Night Out | Producer |
1999 | His Definitive Greatest Hits | B. B. King | Producer |
1999 | Master Hits: Graham Parker | Graham Parker | Producer |
1999 | This World Is Not My Home | Lone Justice | Producer |
1999 | Voodoo Dollies: The Best of Gene Loves Jezebel | Gene Loves Jezebel | Producer |
1998 | Armageddon: The Album | Various Artists | Producer |
1998 | Atlantic Records 50 Years: The Gold Anniversary |
Various Artists | Producer |
1998 | Enchanted: The Words of Stevie Nicks | Stevie Nicks | Producer |
1998 | First Generation: Virgin 25 Years |
Various Artists | Producer |
1998 | My Hometown | Bruce Springsteen | Engineer, Producer |
1998 | Sultans of Swing: The Very Best of Dire Straits |
Dire Straits | Producer |
1998 | The Nu Nation Project | Kirk Franklin | Executive Producer |
1998 | The Very Best of Meat Loaf | Meat Loaf | Engineer, Remixing |
1998 | Tracks | Bruce Springsteen | Engineer, Mixing |
1997 | '80s Hits Back, Volume 3 | Various Artists | Producer |
1997 | Diana, Princess of Wales: Tribute | Various Artists | Producer |
1997 | Fit to Be Tied: Greatest Hits by Joan Jett & the Blackhearts |
Joan Jett & the Blackhearts | Producer |
1997 | Home Alone Christmas | Various Artists | Producer |
1997 | One Step Up/ Two Steps Back: The Songs of Bruce Springsteen |
Bruce Springsteen | Engineer |
1997 | Sounds of the Season | Various Artists | Engineer, Producer |
1997 | The Very Best of Mother's Finest: Not Yer Mother's Funk |
Mother's Finest | Producer |
1996 | Greatest Rock Hits of the '80s | Various Artists | Producer |
1996 | It Takes Two (Columbia) | Various Artists | Producer |
1996 | Mellow Classics | Various Artists | Producer |
1996 | No Holding Back | Graham Parker | Producer |
1996 | The Patti Smith Masters: The Collective Works |
Patti Smith | Mixing, Producer |
1996 | This Is the '80s | Various Artists | Producer |
1996 | XXI | Dwight Twilley | Mixing |
1995 | Airport: The Motors' Greatest Hits | The Motors | Producer |
1995 | Best Rock Ballads in the World...Ever | Various Artists | Producer |
1995 | Christmas of Hope | Various Artists | Engineer, Producer |
1995 | Geffen Vintage '80s, Volume 1 | Various Artists | Producer |
1995 | Greatest Hits | Bruce Springsteen | Audio Production, Engineer, Mixing |
1995 | Exhale (Shoop Shoop) | Whitney Houston | Producer |
1995 | Playback | Tom Petty | Producer |
1995 | The Best Rock Album in the World...Ever! | Various Artists | Producer |
1995 | Singles (US/UK) | Alison Moyet | Producer |
1994 | Angel of Harlem | U2 | Producer |
1994 | Flashback | Joan Jett & The Blackhearts | Producer |
1994 | Greatest Hits | Bob Seger & the Silver Bullet Band | Producer |
1994 | Keep the Fire Burnin' | Dan Hartman | Producer |
1994 | Reality Bites (Original Soundtrack) | Various Artists | Producer |
1994 | Sedated in the Eighties | Various Artists | Producer |
1994 | The Air Up There (Music From and Inspired By The Motion Picture) |
Various Artists | Executive Producer |
1994 | The Lead and How to Swing It | Tom Jones | Executive Producer |
1993 | Dead Ringer/Bat Out of Hell | Meat Loaf | Audio Production |
1993 | Greatest Hits: Tom Petty | Tom Petty | Producer |
1993 | Passion Is No Ordinary Word: The Graham Parker Anthology 1976–1991 |
Graham Parker | Producer |
1993 | Now: 1986 (1993) | Various Artists | Producer |
1993 | Robin Zander | Robin Zander | Producer |
1992 | Classic Rock Box: WNEW-FM 25th Anniversary Box |
Various Artists | Producer |
1992 | A Very Special Christmas, Volume 2 | Various Artists | Executive Producer, Producer |
1992 | Glittering Prize 1981–1992 | Simple Minds | Producer |
1992 | I Will Always Love You | Whitney Houston | Producer |
1992 | King of the Blues(Box) | B. B. King | Producer |
1992 | Matters of the Heart | Tracy Chapman | Producer |
1992 | Rock the First, Volume 5 | Various Artists | Producer |
1991 | Classic Rock: 1966–1988 | Various Artists | Producer |
1991 | Greatest Hits | Eurythmics | Producer |
1991 | Timespace: The Best of Stevie Nicks | Stevie Nicks | Producer |
1990 | Dream A Little Dream | Various Artists | Producer |
1989 | A Very Special Christmas | Various Artists | Executive Producer, Producer |
1989 | Angel | Eurythmics | Producer |
1989 | Don't Ask Me Why | Eurythmics | Producer |
1989 | Roadhouse (Original Soundtrack) | Various Artists | Executive Producer, Producer |
1989 | Soundtrack Smashes: The '80s | Various Artists | Producer |
1989 | Storyteller: The Complete Anthology 1964–1990 |
Rod Stewart | Producer |
1989 | Suspicion | Gene Loves Jezebel | Producer |
1989 | The Continuing Story of Radar Love | Golden Earring | Producer |
1989 | The King and Queen of America | The Eurythmics | Producer |
1989 | These Here Are Crazy Times | Boom Crash Opera | Producer |
1989 | We Too Are One | Eurythmics | Audio Production, Producer |
1988 | Desire | U2 | Producer |
1988 | Dream of Life | Patti Smith | Producer |
1988 | Easy Pieces | Easy Pieces | Example |
1988 | Folkways: A Vision Shared - A Tribute To Woody Guthrie and Leadbelly |
Various Artists | Producer |
1988 | Money for Nothing | Dire Straits | Producer |
1988 | Rattle and Hum | U2 | Producer |
1988 | Scrooged (Original Soundtrack) | Various Artists | Music Supervisor |
1988 | See the Light | The Jeff Healey Band | Producer |
1987 | Bedrock Vice | Thrashing Doves | Producer |
1987 | The Breakfast Club | Breakfast Club | Producer |
1987 | Light Of Day (Original Soundtrack) | Various Artists | Producer |
1987 | Maria Vidal | Maria Vidal | Executive Producer, Producer |
1987 | Raindancing | Alison Moyet | Producer |
1987 | The Motion of Love | Gene Loves Jezebel | Producer |
1987 | The Singles | Pretenders | Producer |
1987 | Tunnel of Love | Bruce Springsteen | Engineer, Producer |
1986 | Get Close | Pretenders | Producer |
1986 | Live 1975–1985 | Bruce Springsteen | Engineer |
1986 | Menlove Ave. | John Lennon | Assistant Engineer |
1986 | Rock For Amnesty | Various Artists | Producer |
1986 | Shelter | Lone Justice | Producer |
1986 | The Lover Speaks | The Lover Speaks | Producer |
1985 | Confrontation | Face to Face | Producer |
1985 | Lone Justice | Lone Justice | Producer |
1985 | Make It Better (Forget About Me) | Tom Petty | Producer |
1985 | Once Upon a Time | Simple Minds | Producer |
1985 | Rock a Little | Stevie Nicks | Producer |
1985 | Rocky IV (Original Soundtrack) | Various Artists | Producer |
1985 | Southern Accents | Tom Petty | Producer |
1985 | Weird Science (Original Soundtrack) | Various Artists | Producer |
1984 | Against All Odds (Original Soundtrack) | Various Artists | Producer |
1984 | Cat Dancer | Sandy Stewart | Executive Producer, Producer |
1984 | Face to Face | Face to Face | Producer |
1984 | Glorious Results of a Misspent Youth | Joan Jett & The Blackhearts | Producer |
1984 | I Can Dream About You | Dan Hartman | Producer |
1984 | Sixteen Candles (Original Soundtrack) | Various Artists | Producer |
1984 | Streets of Fire (Original Soundtrack) | Various Artists | Producer |
1983 | Body Wishes | Rod Stewart | Producer |
1983 | Change of Heart | Tom Petty | Producer |
1983 | Stand Back | Stevie Nicks | Producer |
1983 | Reelin' in the Years, Volume 1 | Various Artists | Mixing, Producer |
1983 | The Crossing | Big Country | Mixing |
1983 | The Wild Heart | Stevie Nicks | Producer |
1983 | Under A Blood Red Sky | U2 | Producer |
1982 | Long After Dark | Tom Petty | Producer |
1982 | Officer and a Gentleman(Original Soundtrack) | Various Artists | Producer |
1982 | The Distance | Bob Seger & the Silver Bullet Band | Producer |
1981 | A Woman in Love (It's Not Me) | Tom Petty | Producer |
1981 | Bad For Good | Jim Steinman | Producer |
1981 | Bella Donna | Stevie Nicks | Producer |
1981 | Dead Ringer | Meat Loaf | Producer |
1981 | Golden Down | Willie Nile | Producer |
1981 | Hard Promises | Tom Petty | Producer |
1980 | Making Movies | Dire Straits | Producer |
1980 | Rockin' at Ground Zero | The Gears | Executive Producer |
1980 | Tenement Steps | The Motors | Producer |
1980 | The River | Bruce Springsteen | Engineer |
1980 | The Up Escalator | Graham Parker | Audio Production, Producer |
1980 | This Day and Age | D.L. Byron | Producer |
1979 | Damn The Torpedoes | Tom Petty | Producer |
1979 | Don't Do Me Like That | Tom Petty | Producer |
1979 | Live | Mother's Finest | Producer |
1979 | No Frills | Mark Farner | Audio Production, Producer |
1979 | Perfect Stranger | Robert Fleischman | Producer |
1979 | Refugee | Tom Petty | Producer |
1978 | Darkness on the Edge of Town | Bruce Springsteen | Engineer, Mixing |
1978 | Easter | Patti Smith Group | Producer, Mixing |
1978 | Grab It For A Second | Golden Earring | Producer |
1978 | Paley Brothers | Paley Brothers | Producer |
1978 | The Flame | The Flame | Producer |
1977 | Bat Out of Hell | Meat Loaf | E |
1976 | I Don't Want to Go Home | Southside Johnny & the Asbury Jukes | Engineer |
1975 | Bobby Short Celebrates Rodgers & Hart | Bobby Short | Engineer |
1975 | Born to Run | Bruce Springsteen | Audio Engineer, Engineer, Mixing |
1975 | Jasmine Nightdreams | Edgar Winter Group | Mixing Assistant |
1975 | Jasmine Nightdreams | Edgar Winter Group with Rick Derringer | Mixing Assistant |
1974 | Hard Labor | Three Dog Night | Mixing Assistant |
1974 | Kansas | Kansas | Assistant Engineer |
1974 | Pussy Cats | Harry Nilsson | Assistant Engineer |
1974 | Shock Treatment | The Edgar Winter Group | Assistant Engineer |
1974 | Saints & Sinners | Johnny Winter | Engineer |
1974 | Walls and Bridges | John Lennon | Overdub Engineer |
1973 | Western Head Music Co. | Augie Meyers | Bass |
Filmography
Complete filmography | |||
---|---|---|---|
Date | Title | Credit | Format |
2020 | Grand Theft Auto Online | Himself | Video Game |
2017 | The Defiant Ones | Himself | TV documentary |
2013 | Nina | Executive Producer | Film |
2011 | Lady Gaga Presents: The Monster Ball Tour at Madison Square Garden | Executive Producer | TV documentary |
2011 | American Idol | Mentor (Season 10 – Season 12) | TV series |
2009 | Archie's Final Project | Executive Producer | Film |
2008 | More Than a Game | Executive Producer | Film |
2008 | Ringo Starr: Off the Record | Executive Producer | TV documentary |
2006 | Off the Record: Bono and The Edge | Executive Producer | TV documentary |
2008 | Pussycat Dolls Present: Girlicious | Executive Producer | TV series (6 Episodes) |
2007 | Cane | Executive Producer | TV series (12 Episodes) |
2006 | Rock Legends: Platinum Weird | Executive Producer | TV movie |
2005 | Get Rich or Die Tryin' | Executive Producer | Film |
2003 | Interscope Records Presents The Next Episode | Executive Producer | TV series |
2003 | Super Bowl XXXVII Halftime Show | Executive Producer | TV special |
2002 | 8 Mile | Executive Producer | Film |
2001 | Farmclub.com | Executive Producer | TV series |
1989 | Road House | Music Supervisor | Film |
References
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External links
- Jimmy Iovine at All Music Guide
- Jimmy Iovine discography at Discogs
- 1953 births
- American audio engineers
- American businesspeople in retailing
- American music industry executives
- American people of Italian descent
- Businesspeople from New York City
- Engineers from New York City
- Film producers from New York (state)
- John Jay College of Criminal Justice alumni
- Living people
- Musicians from Brooklyn
- Participants in American reality television series
- People from Red Hook, Brooklyn
- Record producers from New York (state)