Ludovico Vicentino degli Arrighi: Difference between revisions
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'''Ludovico Vicentino degli Arrighi''' (1475-1527) was a papal [[scribe]], and [[type designer]] in [[renaissance]] Italy. He began his career as a scribe at the Apostolic Chancery in 1515. His experience in calligraphy led him to create an influential pamphlet on handwriting in 1522 called ''La Operina,'' which taught [[italic]] script in the chancery style. This work, a 32-page [[woodblock]] printing, was the first of several such publications. |
'''Ludovico Vicentino degli Arrighi''' (1475-1527), also known as Ludovico Vicentino, was a papal [[scribe]], and [[type designer]] in [[renaissance]] Italy. He began his career as a scribe at the Apostolic Chancery in 1515. His experience in calligraphy led him to create an influential pamphlet on handwriting in 1522 called ''La Operina,'' which taught [[italic]] script in the chancery style. This work, a 32-page [[woodblock]] printing, was the first of several such publications. |
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He turned to printing in 1524 and designed his own italic typefaces for his work which were widely emulated. His letterforms were revived in the 20th century by designers such as [[Stanley Morison]], [[Frederick Warde]], and [[Robert Slimbach]] (see, [[Adobe Jenson]]). He was probably killed in the [[sack of Rome (1527)]]. |
He turned to printing in 1524 and designed his own italic typefaces for his work which were widely emulated. His letterforms were revived in the 20th century by designers such as [[Stanley Morison]], [[Frederick Warde]], and [[Robert Slimbach]] (see, [[Adobe Jenson]]). He was probably killed in the [[sack of Rome (1527)]]. |
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Revision as of 06:44, 18 June 2006
Ludovico Vicentino degli Arrighi (1475-1527), also known as Ludovico Vicentino, was a papal scribe, and type designer in renaissance Italy. He began his career as a scribe at the Apostolic Chancery in 1515. His experience in calligraphy led him to create an influential pamphlet on handwriting in 1522 called La Operina, which taught italic script in the chancery style. This work, a 32-page woodblock printing, was the first of several such publications.
He turned to printing in 1524 and designed his own italic typefaces for his work which were widely emulated. His letterforms were revived in the 20th century by designers such as Stanley Morison, Frederick Warde, and Robert Slimbach (see, Adobe Jenson). He was probably killed in the sack of Rome (1527).