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{{Short description|Wikimedia list article}}
{{Short description|none}}
{{Refimprove|date=December 2019}}
{{More citations needed|date=December 2019}}
This is a list of the [[fundamental frequencies]] in [[hertz]] (cycles per second) of the keys of a modern 88-key standard or 108-key extended [[piano]] in [[Equal temperament#Twelve-tone equal temperament|twelve-tone equal temperament]], with the 49th key, the fifth A (called A<sub>4</sub>), tuned to 440&nbsp;Hz (referred to as [[A440 (pitch standard)|A440]]).<ref name=":0">{{Cite web|url=http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|title=Equal Temperament -- from Eric Weisstein's Treasure Trove of Music|last=Weisstein|first=Eric|website=Eric Weisstein's Treasure Trove of Music|url-status=live|archive-url=https://web.archive.org/web/20190614131343/http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|archive-date=2019-06-14|access-date=2019-12-26}}</ref><ref name=":1">{{Cite web|url=https://www.yuvalnov.org/temperament/|title=Explaining the Equal Temperament|last=Nov|first=Yuval|website=www.yuvalnov.org|url-status=live|archive-url=https://web.archive.org/web/20190526025417/https://www.yuvalnov.org/temperament|archive-date=2019-05-26|access-date=2019-12-26}}</ref> Since every octave is made of twelve steps and since a jump of one octave doubles the frequency (for example, the fifth A is 440 Hz and the higher octave A is 880 Hz), each successive pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the [[twelfth root of two]] (approximately 1.059463).<ref name=":0" /><ref name=":1" /> For example, to get the [[frequency]] a [[semitone]] up from A<sub>4</sub> (A{{music|#}}<sub>4</sub>), multiply 440 by the twelfth root of two. To go from A<sub>4</sub> to B<sub>4</sub> (up a [[whole tone]], or two semitones), multiply 440 twice by the twelfth root of two (or just by the sixth root of two, approximately 1.122462). To go from A<sub>4</sub> to C<sub>5</sub> (which is a [[minor third]]), multiply 440 three times by the twelfth root of two, (or just by the fourth root of two, approximately 1.189207). For other tuning schemes refer to [[musical tuning]].
This is a list of the [[fundamental frequencies]] in [[hertz]] (cycles per second) of the keys of a modern 88-key standard or 108-key extended [[piano]] in [[Equal temperament#Twelve-tone equal temperament|twelve-tone equal temperament]], with the 49th key, the fifth A (called A<sub>4</sub>), tuned to 440&nbsp;Hz (referred to as [[A440 (pitch standard)|A440]]).<ref name=":0">{{Cite web|url=http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|title=Equal Temperament -- from Eric Weisstein's Treasure Trove of Music|last=Weisstein|first=Eric|website=Eric Weisstein's Treasure Trove of Music|url-status=live|archive-url=https://web.archive.org/web/20190614131343/http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|archive-date=2019-06-14|access-date=2019-12-26}}</ref><ref name=":1">{{Cite web|url=https://www.yuvalnov.org/temperament/|title=Explaining the Equal Temperament|last=Nov|first=Yuval|website=www.yuvalnov.org|url-status=live|archive-url=https://web.archive.org/web/20190526025417/https://www.yuvalnov.org/temperament|archive-date=2019-05-26|access-date=2019-12-26}}</ref> Every octave is made of twelve steps called [[semitones]]. A jump from the lowest semitone to the highest semitone in one octave doubles the [[frequency]] (for example, the fifth A is 440 Hz and the sixth A is 880 Hz). The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the [[twelfth root of two]] (approximately 1.059463).<ref name=":0" /><ref name=":1" /> For example, to get the frequency one semitone up from A<sub>4</sub> (A{{music|#}}<sub>4</sub>), multiply 440 Hz by the twelfth root of two. To go from A<sub>4</sub> up two semitones (one [[whole tone]]) to B<sub>4</sub>, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A<sub>4</sub> up three semitones to C<sub>5</sub> (a [[minor third]]), multiply 440 Hz three times by the twelfth root of two (or once by the fourth root of two, approximately 1.189207). For other tuning schemes, refer to [[musical tuning]].


This list of frequencies is for a theoretically ideal piano. On an actual piano the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes [[inharmonicity]], i.e., the tendency for the [[harmonic]] makeup of each note to run [[sharp (music)|sharp]]. To compensate for this, octaves are tuned slightly wide, [[stretched octave|stretched]] according to the inharmonic characteristics of each instrument.<ref>{{Cite web|url=https://www.pianotechnician.com/tuning.html|title=Information on Piano Tuning|last=Citak|first=Ray|website=www.pianotechnician.com|url-status=live|archive-url=https://web.archive.org/web/20190226033129/http://www.pianotechnician.com/tuning.html|archive-date=2019-02-26|access-date=2019-12-26}}</ref> This deviation from equal temperament is called the [[Railsback curve]].
This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes [[inharmonicity]], i.e., the tendency for the [[harmonic]] makeup of each note to run [[sharp (music)|sharp]]. To compensate for this, octaves are tuned slightly wide, [[stretched octave|stretched]] according to the inharmonic characteristics of each instrument.<ref>{{Cite web|url=https://www.pianotechnician.com/tuning.html|title=Information on Piano Tuning|last=Citak|first=Ray|website=www.pianotechnician.com|url-status=live|archive-url=https://web.archive.org/web/20190226033129/http://www.pianotechnician.com/tuning.html|archive-date=2019-02-26|access-date=2019-12-26}}</ref> This deviation from equal temperament is called the [[Railsback curve]].

The following equation gives the frequency {{mvar|f}} of the {{mvar|n}}<sup>th</sup> key, as shown in the table:<ref name=":0" />


The following equation gives the frequency {{mvar|f}} (Hz) of the {{mvar|n}}<sup>th</sup> key on the idealized standard piano with the 49th key tuned to A<sub>4</sub> at 440 Hz:
:<math>
:<math>
f(n) = \left(\sqrt[12]{2}\,\right)^{n-49} \times 440 \,\text{Hz}\,
f(n) = \left(\sqrt[12]{2}\,\right)^{n-49} \times 440 \,\text{Hz}\, = 2^{\frac{n-49}{12}} \times 440 \,\text{Hz}\,
</math>
</math>
where {{mvar|n}} is shown in the table below.<ref name=":0" />
(a' = A<sub>4</sub> = A440 is the 49th key on the idealized standard piano)


Conversely, the key number of a pitch with a frequency {{mvar|f}} (Hz) on the idealized standard piano is:
Alternatively, this can be written as:
:<math>
f(n) = 2^{\frac{n-49}{12}} \times 440 \,\text{Hz}\,
</math>

Conversely, starting from a frequency on the idealized standard piano tuned to A440, one obtains the key number by:
:<math>
:<math>
n = 12 \, \log_2\left({\frac{f}{440 \,\text{Hz}}}\right) + 49
n = 12 \, \log_2\left({\frac{f}{440 \,\text{Hz}}}\right) + 49
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[[File:Piano key frequencies.png|thumb|left|50px|A printable version of the standard key frequencies (only including the 88 keys on a standard piano)]]
[[File:Piano key frequencies.png|thumb|left|50px|A printable version of the standard key frequencies (only including the 88 keys on a standard piano)]]
{{clear}}
{{clear}}
Values in '''bold''' are exact on an ideal piano. Keys shaded gray are rare and only appear on extended pianos. The normally included 88 keys have been numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. (A 108-key piano that extends from C<sub>0</sub> to B<sub>8</sub> was first built in 2018 by [[Stuart & Sons]].<ref>{{Cite web|url=https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|title=Australian behind world's grandest piano|last=Wills|first=Oscar|last2=King|first2=Rosie|date=2018-09-15|website=ABC News|language=en-AU|publication-place=Australia|url-status=live|archive-url=https://web.archive.org/web/20190611190146/https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|archive-date=2019-06-11|access-date=2019-12-26}}</ref>)
Values in '''bold''' are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C<sub>0</sub> to B<sub>8</sub> was first built in 2018 by [[Stuart & Sons]].<ref>{{Cite web|url=https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|title=Australian behind world's grandest piano|last=Wills|first=Oscar|last2=King|first2=Rosie|date=2018-09-15|website=ABC News|language=en-AU|publication-place=Australia|url-status=live|archive-url=https://web.archive.org/web/20190611190146/https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|archive-date=2019-06-11|access-date=2019-12-26}}</ref> (Note: these piano key numbers 1-108 are not the {{mvar|n}} keys in the equations or the table.)

<!--PLEASE DO NOT "CORRECT" THE KEY NUMBERS; KEYS 89 THROUGH 97 ARE AT THE BOTTOM-->
<!--PLEASE DO NOT CORRECT THE PIANO KEY NUMBERS; KEYS 89 THROUGH 97 ARE AT THE BOTTOM OF TABLE-->
{| class="wikitable sortable" style="text-align:center;"
{| class="wikitable sortable" style="text-align:center;"
! rowspan="2" width="30px" |Key number
! rowspan="2" width="30px" |Piano key number
! rowspan="2" width="30px" |MIDI note
! rowspan="2" width="30px" |MIDI note number
! rowspan="2" width="150px" |[[Helmholtz pitch notation|Helmholtz]] name<ref name=":2">{{Cite web|url=http://www.flutopedia.com/octave_notation.htm|title=Octave Notation|last=Goss|first=Clint|date=2019-02-18|website=Flutopedia|url-status=live|archive-url=https://web.archive.org/web/20190512205909/http://flutopedia.com/octave_notation.htm|archive-date=2019-05-12|access-date=2019-12-26}}</ref>
! rowspan="2" width="150px" |[[Helmholtz pitch notation|Helmholtz]] name<ref name=":2">{{Cite web|url=http://www.flutopedia.com/octave_notation.htm|title=Octave Notation|last=Goss|first=Clint|date=2019-02-18|website=Flutopedia|url-status=live|archive-url=https://web.archive.org/web/20190512205909/http://flutopedia.com/octave_notation.htm|archive-date=2019-05-12|access-date=2019-12-26}}</ref>
! rowspan="2" width="140px" |[[Scientific pitch notation|Scientific]] name<ref name=":2" />
! rowspan="2" width="140px" |[[Scientific pitch notation|Scientific pitch]] name<ref name=":2" />
! rowspan="2" width="20px" |{{mvar|n}}
! rowspan="2" width="138px" |Frequency ([[Hertz|Hz]]) (Equal temperament) <ref>{{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=[[Michigan Tech University]]|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}</ref>
! rowspan="2" width="138px" |Frequency {{mvar|f}}({{mvar|n}}) ([[Hertz|Hz]]) (Equal temperament) <ref>{{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=[[Michigan Tech University]]|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}</ref>
! colspan="6" | Corresponding open strings
! colspan="6" | Corresponding open strings on other instruments
|--
|--
!width="5%" | [[Violin#Tuning|Violin]]
!width="5%" | [[Violin#Tuning|Violin]]
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||108
||108
|119
|119
| b′′′′′ || B<sub>8</sub>|| 7902.133 ||
| b′′′′′ || B<sub>8</sub>||99|| 7902.133 ||
|
|
|
|
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| bgcolor="lightgray" | a{{music|#}}′′′′′/b{{music|b}}′′′′′
| bgcolor="lightgray" | a{{music|#}}′′′′′/b{{music|b}}′′′′′
| bgcolor="lightgray" | A{{music|#}}<sub>8</sub>/B{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | A{{music|#}}<sub>8</sub>/B{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | 98
| bgcolor="lightgray" | 7458.620
| bgcolor="lightgray" | 7458.620
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | a′′′′′
| bgcolor="lightgray" | a′′′′′
| bgcolor="lightgray" | A<sub>8</sub>
| bgcolor="lightgray" | A<sub>8</sub>
| bgcolor="lightgray" | 97
| bgcolor="lightgray" |'''7040.000'''
| bgcolor="lightgray" |'''7040.000'''
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | g{{music|#}}′′′′′/a{{music|b}}′′′′′
| bgcolor="lightgray" | g{{music|#}}′′′′′/a{{music|b}}′′′′′
| bgcolor="lightgray" | G{{music|#}}<sub>8</sub>/A{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | G{{music|#}}<sub>8</sub>/A{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | 96
| bgcolor="lightgray" |6644.875
| bgcolor="lightgray" |6644.875
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | g′′′′′
| bgcolor="lightgray" | g′′′′′
| bgcolor="lightgray" | G<sub>8</sub>
| bgcolor="lightgray" | G<sub>8</sub>
| bgcolor="lightgray" | 95
| bgcolor="lightgray" |6271.927
| bgcolor="lightgray" |6271.927
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | f{{music|#}}′′′′′/g{{music|b}}′′′′′
| bgcolor="lightgray" | f{{music|#}}′′′′′/g{{music|b}}′′′′′
| bgcolor="lightgray" | F{{music|#}}<sub>8</sub>/G{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | F{{music|#}}<sub>8</sub>/G{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | 94
| bgcolor="lightgray" | 5919.911
| bgcolor="lightgray" | 5919.911
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | f′′′′′
| bgcolor="lightgray" | f′′′′′
| bgcolor="lightgray" | F<sub>8</sub>
| bgcolor="lightgray" | F<sub>8</sub>
| bgcolor="lightgray" | 93
| bgcolor="lightgray" | 5587.652
| bgcolor="lightgray" | 5587.652
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | e′′′′′
| bgcolor="lightgray" | e′′′′′
| bgcolor="lightgray" | E<sub>8</sub>
| bgcolor="lightgray" | E<sub>8</sub>
| bgcolor="lightgray" | 92
| bgcolor="lightgray" | 5274.041
| bgcolor="lightgray" | 5274.041
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | d{{music|#}}′′′′′/e{{music|b}}′′′′′
| bgcolor="lightgray" | d{{music|#}}′′′′′/e{{music|b}}′′′′′
| bgcolor="lightgray" | D{{music|#}}<sub>8</sub>/E{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | D{{music|#}}<sub>8</sub>/E{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | 91
| bgcolor="lightgray" | 4978.032
| bgcolor="lightgray" | 4978.032
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | d′′′′′
| bgcolor="lightgray" | d′′′′′
| bgcolor="lightgray" | D<sub>8</sub>
| bgcolor="lightgray" | D<sub>8</sub>
| bgcolor="lightgray" | 90
| bgcolor="lightgray" | 4698.636
| bgcolor="lightgray" | 4698.636
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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| bgcolor="lightgray" | c{{music|#}}′′′′′/d{{music|b}}′′′′′
| bgcolor="lightgray" | c{{music|#}}′′′′′/d{{music|b}}′′′′′
| bgcolor="lightgray" | C{{music|#}}<sub>8</sub>/D{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | C{{music|#}}<sub>8</sub>/D{{music|b}}<sub>8</sub>
| bgcolor="lightgray" | 89
| bgcolor="lightgray" | 4434.922
| bgcolor="lightgray" | 4434.922
| bgcolor="lightgray" |
| bgcolor="lightgray" |
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|c′′′′′ 5-line [[octave]]
|c′′′′′ 5-line [[octave]]
|[[Eighth octave C|C<sub>8</sub>]] Eighth octave
|[[Eighth octave C|C<sub>8</sub>]] Eighth octave
|88
|4186.009
|4186.009
|
|
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|b′′′′
|b′′′′
|B<sub>7</sub>
|B<sub>7</sub>
|87
|3951.066
|3951.066
|
|
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|a{{music|#}}′′′′/b{{music|b}}′′′′
|a{{music|#}}′′′′/b{{music|b}}′′′′
|A{{music|#}}<sub>7</sub>/B{{music|b}}<sub>7</sub>
|A{{music|#}}<sub>7</sub>/B{{music|b}}<sub>7</sub>
|86
|3729.310
|3729.310
|
|
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|a′′′′
|a′′′′
|A<sub>7</sub>
|A<sub>7</sub>
|85
|'''3520.000'''
|'''3520.000'''
|
|
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|g{{music|#}}′′′′/a{{music|b}}′′′′
|g{{music|#}}′′′′/a{{music|b}}′′′′
|G{{music|#}}<sub>7</sub>/A{{music|b}}<sub>7</sub>
|G{{music|#}}<sub>7</sub>/A{{music|b}}<sub>7</sub>
|84
|3322.438
|3322.438
|
|
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|g′′′′
|g′′′′
|G<sub>7</sub>
|G<sub>7</sub>
|83
|3135.963
|3135.963
|
|
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|f{{music|#}}′′′′/g{{music|b}}′′′′
|f{{music|#}}′′′′/g{{music|b}}′′′′
|F{{music|#}}<sub>7</sub>/G{{music|b}}<sub>7</sub>
|F{{music|#}}<sub>7</sub>/G{{music|b}}<sub>7</sub>
|82
|2959.955
|2959.955
|
|
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|f′′′′
|f′′′′
|F<sub>7</sub>
|F<sub>7</sub>
|81
|2793.826
|2793.826
|
|
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|e′′′′
|e′′′′
|E<sub>7</sub>
|E<sub>7</sub>
|80
|2637.020
|2637.020
|
|
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|d{{music|#}}′′′′/e{{music|b}}′′′′
|d{{music|#}}′′′′/e{{music|b}}′′′′
|D{{music|#}}<sub>7</sub>/E{{music|b}}<sub>7</sub>
|D{{music|#}}<sub>7</sub>/E{{music|b}}<sub>7</sub>
|79
|2489.016
|2489.016
|
|
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|d′′′′
|d′′′′
|D<sub>7</sub>
|D<sub>7</sub>
|78
|2349.318
|2349.318
|
|
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|c{{music|#}}′′′′/d{{music|b}}′′′′
|c{{music|#}}′′′′/d{{music|b}}′′′′
|C{{music|#}}<sub>7</sub>/D{{music|b}}<sub>7</sub>
|C{{music|#}}<sub>7</sub>/D{{music|b}}<sub>7</sub>
|77
|2217.461
|2217.461
|
|
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|c′′′′ 4-line [[octave]]
|c′′′′ 4-line [[octave]]
|C<sub>7</sub> [[Double high C]]
|C<sub>7</sub> [[Double high C]]
|76
|2093.005
|2093.005
|
|
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|b′′′
|b′′′
|B<sub>6</sub>
|B<sub>6</sub>
|75
|1975.533
|1975.533
|
|
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|a{{music|#}}′′′/b{{music|b}}′′′
|a{{music|#}}′′′/b{{music|b}}′′′
|A{{music|#}}<sub>6</sub>/B{{music|b}}<sub>6</sub>
|A{{music|#}}<sub>6</sub>/B{{music|b}}<sub>6</sub>
|74
|1864.655
|1864.655
|
|
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|a′′′
|a′′′
|A<sub>6</sub>
|A<sub>6</sub>
|73
|'''1760.000'''
|'''1760.000'''
|
|
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|g{{music|#}}′′′/a{{music|b}}′′′
|g{{music|#}}′′′/a{{music|b}}′′′
|G{{music|#}}<sub>6</sub>/A{{music|b}}<sub>6</sub>
|G{{music|#}}<sub>6</sub>/A{{music|b}}<sub>6</sub>
|72
|1661.219
|1661.219
|
|
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|g′′′
|g′′′
|G<sub>6</sub>
|G<sub>6</sub>
|71
|1567.982
|1567.982
|
|
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|f{{music|#}}′′′/g{{music|b}}′′′
|f{{music|#}}′′′/g{{music|b}}′′′
|F{{music|#}}<sub>6</sub>/G{{music|b}}<sub>6</sub>
|F{{music|#}}<sub>6</sub>/G{{music|b}}<sub>6</sub>
|70
|1479.978
|1479.978
|
|
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|f′′′
|f′′′
|F<sub>6</sub>
|F<sub>6</sub>
|69
|1396.913
|1396.913
|
|
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|e′′′
|e′′′
|E<sub>6</sub>
|E<sub>6</sub>
|68
|1318.510
|1318.510
|
|
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|d{{music|#}}′′′/e{{music|b}}′′′
|d{{music|#}}′′′/e{{music|b}}′′′
|D{{music|#}}<sub>6</sub>/E{{music|b}}<sub>6</sub>
|D{{music|#}}<sub>6</sub>/E{{music|b}}<sub>6</sub>
|67
|1244.508
|1244.508
|
|
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|d′′′
|d′′′
|D<sub>6</sub>
|D<sub>6</sub>
|66
|1174.659
|1174.659
|
|
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|c{{music|#}}′′′/d{{music|b}}′′′
|c{{music|#}}′′′/d{{music|b}}′′′
|C{{music|#}}<sub>6</sub>/D{{music|b}}<sub>6</sub>
|C{{music|#}}<sub>6</sub>/D{{music|b}}<sub>6</sub>
|65
|1108.731
|1108.731
|
|
Line 465: Line 495:
|c′′′ 3-line [[octave]]
|c′′′ 3-line [[octave]]
|C<sub>6</sub> [[Soprano C]] (High C)
|C<sub>6</sub> [[Soprano C]] (High C)
|64
|1046.502
|1046.502
|
|
Line 477: Line 508:
|b′′
|b′′
|B<sub>5</sub>
|B<sub>5</sub>
|63
|987.7666
|987.7666
|
|
Line 489: Line 521:
|a{{music|#}}′′/b{{music|b}}′′
|a{{music|#}}′′/b{{music|b}}′′
|A{{music|#}}<sub>5</sub>/B{{music|b}}<sub>5</sub>
|A{{music|#}}<sub>5</sub>/B{{music|b}}<sub>5</sub>
|62
|932.3275
|932.3275
|
|
Line 501: Line 534:
|a′′
|a′′
|A<sub>5</sub>
|A<sub>5</sub>
|61
|'''880.0000'''
|'''880.0000'''
|
|
Line 513: Line 547:
|g{{music|#}}′′/a{{music|b}}′′
|g{{music|#}}′′/a{{music|b}}′′
|G{{music|#}}<sub>5</sub>/A{{music|b}}<sub>5</sub>
|G{{music|#}}<sub>5</sub>/A{{music|b}}<sub>5</sub>
|60
|830.6094
|830.6094
|
|
Line 525: Line 560:
|g′′
|g′′
|G<sub>5</sub>
|G<sub>5</sub>
|59
|783.9909
|783.9909
|
|
Line 537: Line 573:
|f{{music|#}}′′/g{{music|b}}′′
|f{{music|#}}′′/g{{music|b}}′′
|F{{music|#}}<sub>5</sub>/G{{music|b}}<sub>5</sub>
|F{{music|#}}<sub>5</sub>/G{{music|b}}<sub>5</sub>
|58
|739.9888
|739.9888
|
|
Line 549: Line 586:
|f′′
|f′′
|F<sub>5</sub>
|F<sub>5</sub>
|57
|698.4565
|698.4565
|
|
Line 561: Line 599:
|e′′
|e′′
|E<sub>5</sub>
|E<sub>5</sub>
|56
|659.2551
|659.2551
|E
|E
Line 573: Line 612:
|d{{music|#}}′′/e{{music|b}}′′
|d{{music|#}}′′/e{{music|b}}′′
|D{{music|#}}<sub>5</sub>/E{{music|b}}<sub>5</sub>
|D{{music|#}}<sub>5</sub>/E{{music|b}}<sub>5</sub>
|55
|622.2540
|622.2540
|
|
Line 585: Line 625:
|d′′
|d′′
|D<sub>5</sub>
|D<sub>5</sub>
|54
|587.3295
|587.3295
|
|
Line 597: Line 638:
|c{{music|#}}′′/d{{music|b}}′′
|c{{music|#}}′′/d{{music|b}}′′
|C{{music|#}}<sub>5</sub>/D{{music|b}}<sub>5</sub>
|C{{music|#}}<sub>5</sub>/D{{music|b}}<sub>5</sub>
|53
|554.3653
|554.3653
|
|
Line 609: Line 651:
|c′′ 2-line [[octave]]
|c′′ 2-line [[octave]]
|C<sub>5</sub> [[Tenor C]]
|C<sub>5</sub> [[Tenor C]]
|52
|523.2511
|523.2511
|
|
Line 621: Line 664:
|b′
|b′
|B<sub>4</sub>
|B<sub>4</sub>
|51
|493.8833
|493.8833
|
|
Line 633: Line 677:
|a{{music|#}}′/b{{music|b}}′
|a{{music|#}}′/b{{music|b}}′
|A{{music|#}}<sub>4</sub>/B{{music|b}}<sub>4</sub>
|A{{music|#}}<sub>4</sub>/B{{music|b}}<sub>4</sub>
|50
|466.1638
|466.1638
|
|
Line 641: Line 686:
|
|
|-
|-
| bgcolor="white" style="color:black" | 49
| bgcolor="white" style="color:black" | 49
|69
|69
|a′
|a′
|A<sub>4</sub> [[A440 (pitch standard)|A440]]
| bgcolor="yellow" style="color:black" |A<sub>4</sub> [[A440 (pitch standard) | A440]]
| bgcolor="yellow" style="color:black" |49
| bgcolor="yellow" style="color:black" |'''440.0000'''
| bgcolor="yellow" style="color:black" |'''440.0000'''
|A
|A
Line 657: Line 703:
|g{{music|#}}′/a{{music|b}}′
|g{{music|#}}′/a{{music|b}}′
|G{{music|#}}<sub>4</sub>/A{{music|b}}<sub>4</sub>
|G{{music|#}}<sub>4</sub>/A{{music|b}}<sub>4</sub>
|48
|415.3047
|415.3047
|
|
Line 669: Line 716:
|g′
|g′
|G<sub>4</sub>
|G<sub>4</sub>
|47
|391.9954
|391.9954
|
|
Line 681: Line 729:
|f{{music|#}}′/g{{music|b}}′
|f{{music|#}}′/g{{music|b}}′
|F{{music|#}}<sub>4</sub>/G{{music|b}}<sub>4</sub>
|F{{music|#}}<sub>4</sub>/G{{music|b}}<sub>4</sub>
|46
|369.9944
|369.9944
|
|
Line 693: Line 742:
|f′
|f′
|F<sub>4</sub>
|F<sub>4</sub>
|45
|349.2282
|349.2282
|
|
Line 705: Line 755:
|e′
|e′
|E<sub>4</sub>
|E<sub>4</sub>
|44
|329.6276
|329.6276
|
|
Line 717: Line 768:
|d{{music|#}}′/e{{music|b}}′
|d{{music|#}}′/e{{music|b}}′
|D{{music|#}}<sub>4</sub>/E{{music|b}}<sub>4</sub>
|D{{music|#}}<sub>4</sub>/E{{music|b}}<sub>4</sub>
|43
|311.1270
|311.1270
|
|
Line 729: Line 781:
|d′
|d′
|D<sub>4</sub>
|D<sub>4</sub>
|42
|293.6648
|293.6648
|D
|D
Line 741: Line 794:
|c{{music|#}}′/d{{music|b}}′
|c{{music|#}}′/d{{music|b}}′
|C{{music|#}}<sub>4</sub>/D{{music|b}}<sub>4</sub>
|C{{music|#}}<sub>4</sub>/D{{music|b}}<sub>4</sub>
|41
|277.1826
|277.1826
|
|
Line 752: Line 806:
|60
|60
|c′ 1-line [[octave]]
|c′ 1-line [[octave]]
|C<sub>4</sub> [[C (musical note)#Middle C|Middle C]]
| bgcolor="skyblue" style="color:black" |C<sub>4</sub> [[C (musical note)#Middle C|Middle C]]
| bgcolor="skyblue" style="color:black" |261.6256
| bgcolor="skyblue" |40
| bgcolor="skyblue" |261.6256
|
|
|
|
Line 765: Line 820:
|b
|b
|B<sub>3</sub>
|B<sub>3</sub>
|39
|246.9417
|246.9417
|
|
Line 777: Line 833:
|a{{music|#}}/b{{music|b}}
|a{{music|#}}/b{{music|b}}
|A{{music|#}}<sub>3</sub>/B{{music|b}}<sub>3</sub>
|A{{music|#}}<sub>3</sub>/B{{music|b}}<sub>3</sub>
|38
|233.0819
|233.0819
|
|
Line 789: Line 846:
|a
|a
|A<sub>3</sub>
|A<sub>3</sub>
|37
|'''220.0000'''
|'''220.0000'''
|
|
Line 801: Line 859:
|g{{music|#}}/a{{music|b}}
|g{{music|#}}/a{{music|b}}
|G{{music|#}}<sub>3</sub>/A{{music|b}}<sub>3</sub>
|G{{music|#}}<sub>3</sub>/A{{music|b}}<sub>3</sub>
|36
|207.6523
|207.6523
|
|
Line 813: Line 872:
|g
|g
|G<sub>3</sub>
|G<sub>3</sub>
|35
|195.9977
|195.9977
|G
|G
Line 825: Line 885:
|f{{music|#}}/g{{music|b}}
|f{{music|#}}/g{{music|b}}
|F{{music|#}}<sub>3</sub>/G{{music|b}}<sub>3</sub>
|F{{music|#}}<sub>3</sub>/G{{music|b}}<sub>3</sub>
|34
|184.9972
|184.9972
|
|
|
|
|
|
|
| High F (7 String)
|
|
|
|
Line 837: Line 898:
|f
|f
|F<sub>3</sub>
|F<sub>3</sub>
|33
|174.6141
|174.6141
|
|
|
|
|
|
|High F (7 String)
|
|
|
|
|
Line 849: Line 911:
|e
|e
|E<sub>3</sub>
|E<sub>3</sub>
|32
|164.8138
|164.8138
|
|
|
|
|
|
|High E (5th tunig, 5 String Bass)
|
|
|
|
|
Line 861: Line 924:
|d{{music|#}}/e{{music|b}}
|d{{music|#}}/e{{music|b}}
|D{{music|#}}<sub>3</sub>/E{{music|b}}<sub>3</sub>
|D{{music|#}}<sub>3</sub>/E{{music|b}}<sub>3</sub>
|31
|155.5635
|155.5635
|
|
Line 873: Line 937:
|d
|d
|D<sub>3</sub>
|D<sub>3</sub>
|30
|146.8324
|146.8324
|
|
Line 885: Line 950:
|c{{music|#}}/d{{music|b}}
|c{{music|#}}/d{{music|b}}
|C{{music|#}}<sub>3</sub>/D{{music|b}}<sub>3</sub>
|C{{music|#}}<sub>3</sub>/D{{music|b}}<sub>3</sub>
|29
|138.5913
|138.5913
|
|
Line 897: Line 963:
|c small [[octave]]
|c small [[octave]]
|C<sub>3</sub>
|C<sub>3</sub>
|28
|130.8128
|130.8128
|C (5 String)
|C (5 String)
Line 909: Line 976:
|B
|B
|B<sub>2</sub>
|B<sub>2</sub>
|27
|123.4708
|123.4708
|
|
Line 921: Line 989:
|A{{music|#}}/B{{music|b}}
|A{{music|#}}/B{{music|b}}
|A{{music|#}}<sub>2</sub>/B{{music|b}}<sub>2</sub>
|A{{music|#}}<sub>2</sub>/B{{music|b}}<sub>2</sub>
|26
|116.5409
|116.5409
|
|
Line 933: Line 1,002:
|A
|A
|A<sub>2</sub>
|A<sub>2</sub>
|25
|'''110.0000'''
|'''110.0000'''
|
|
|
|
|
|
|A (5th tuning Upright)
|
|A
|A
|
|
Line 945: Line 1,015:
|G{{music|#}}/A{{music|b}}
|G{{music|#}}/A{{music|b}}
|G{{music|#}}<sub>2</sub>/A{{music|b}}<sub>2</sub>
|G{{music|#}}<sub>2</sub>/A{{music|b}}<sub>2</sub>
|24
|103.8262
|103.8262
|
|
Line 957: Line 1,028:
|G
|G
|G<sub>2</sub>
|G<sub>2</sub>
|23
|97.99886
|97.99886
|
|
Line 969: Line 1,041:
|F{{music|#}}/G{{music|b}}
|F{{music|#}}/G{{music|b}}
|F{{music|#}}<sub>2</sub>/G{{music|b}}<sub>2</sub>
|F{{music|#}}<sub>2</sub>/G{{music|b}}<sub>2</sub>
|22
|92.49861
|92.49861
|
|
Line 981: Line 1,054:
|F
|F
|F<sub>2</sub>
|F<sub>2</sub>
|21
|87.30706
|87.30706
| F (6 String)
| Low F (6 String)
| F (6 String)
| Low F (6 String)
|
|
|
|
Line 993: Line 1,067:
|E
|E
|E<sub>2</sub>
|E<sub>2</sub>
|20
|82.40689
|82.40689
|
|
Line 1,005: Line 1,080:
|D{{music|#}}/E{{music|b}}
|D{{music|#}}/E{{music|b}}
|D{{music|#}}<sub>2</sub>/E{{music|b}}<sub>2</sub>
|D{{music|#}}<sub>2</sub>/E{{music|b}}<sub>2</sub>
|19
|77.78175
|77.78175
|
|
Line 1,017: Line 1,093:
|D
|D
|D<sub>2</sub>
|D<sub>2</sub>
|18
|73.41619
|73.41619
|
|
Line 1,029: Line 1,106:
|C{{music|#}}/D{{music|b}}
|C{{music|#}}/D{{music|b}}
|C{{music|#}}<sub>2</sub>/D{{music|b}}<sub>2</sub>
|C{{music|#}}<sub>2</sub>/D{{music|b}}<sub>2</sub>
|17
|69.29566
|69.29566
|
|
Line 1,041: Line 1,119:
|C great [[octave]]
|C great [[octave]]
|C<sub>2</sub> [[Deep C]]
|C<sub>2</sub> [[Deep C]]
|16
|65.40639
|65.40639
|
|
Line 1,053: Line 1,132:
|B͵
|B͵
|B<sub>1</sub>
|B<sub>1</sub>
|15
|61.73541
|61.73541
|
|
Line 1,065: Line 1,145:
|A{{music|#}}͵/B{{music|b}}͵
|A{{music|#}}͵/B{{music|b}}͵
|A{{music|#}}<sub>1</sub>/B{{music|b}}<sub>1</sub>
|A{{music|#}}<sub>1</sub>/B{{music|b}}<sub>1</sub>
|14
|58.27047
|58.27047
|
|
Line 1,077: Line 1,158:
|A͵
|A͵
|A<sub>1</sub>
|A<sub>1</sub>
|13
|'''55.00000'''
|'''55.00000'''
|
|
Line 1,089: Line 1,171:
|G{{music|#}}͵/A{{music|b}}͵
|G{{music|#}}͵/A{{music|b}}͵
|G{{music|#}}<sub>1</sub>/A{{music|b}}<sub>1</sub>
|G{{music|#}}<sub>1</sub>/A{{music|b}}<sub>1</sub>
|12
|51.91309
|51.91309
|
|
Line 1,101: Line 1,184:
|G͵
|G͵
|G<sub>1</sub>
|G<sub>1</sub>
|11
|48.99943
|48.99943
|
|
|
|
|
|
|G (5th tuning Upright)
|
|
|
|
|
Line 1,113: Line 1,197:
|F{{music|#}}͵/G{{music|b}}͵
|F{{music|#}}͵/G{{music|b}}͵
|F{{music|#}}<sub>1</sub>/G{{music|b}}<sub>1</sub>
|F{{music|#}}<sub>1</sub>/G{{music|b}}<sub>1</sub>
|10
|46.24930
|46.24930
|
|
Line 1,125: Line 1,210:
|F͵
|F͵
|F<sub>1</sub>
|F<sub>1</sub>
|9
|43.65353
|43.65353
|
|
|
|
|Low F (6 String)
|
|
|
|
|
Line 1,137: Line 1,223:
|E͵
|E͵
|E<sub>1</sub>
|E<sub>1</sub>
|8
|41.20344
|41.20344
|
|
Line 1,149: Line 1,236:
|D{{music|#}}͵/E{{music|b}}͵
|D{{music|#}}͵/E{{music|b}}͵
|D{{music|#}}<sub>1</sub>/E{{music|b}}<sub>1</sub>
|D{{music|#}}<sub>1</sub>/E{{music|b}}<sub>1</sub>
|7
|38.89087
|38.89087
|
|
Line 1,161: Line 1,249:
|D͵
|D͵
|D<sub>1</sub>
|D<sub>1</sub>
|6
|36.70810
|36.70810
|
|
Line 1,173: Line 1,262:
|C{{music|#}}͵/D{{music|b}}͵
|C{{music|#}}͵/D{{music|b}}͵
|C{{music|#}}<sub>1</sub>/D{{music|b}}<sub>1</sub>
|C{{music|#}}<sub>1</sub>/D{{music|b}}<sub>1</sub>
|5
|34.64783
|34.64783
|
|
Line 1,185: Line 1,275:
|C͵ contra-[[octave]]
|C͵ contra-[[octave]]
|C<sub>1</sub> Pedal C
|C<sub>1</sub> Pedal C
|4
|32.70320
|32.70320
|
|
|
|
|
|
|C (Upright Extension or 5th tuning)
|
|
|
|
|
Line 1,197: Line 1,288:
|B͵͵
|B͵͵
|B<sub>0</sub>
|B<sub>0</sub>
|3
|30.86771
|30.86771
|
|
Line 1,209: Line 1,301:
|A{{music|#}}͵͵/B{{music|b}}͵͵
|A{{music|#}}͵͵/B{{music|b}}͵͵
|A{{music|#}}<sub>0</sub>/B{{music|b}}<sub>0</sub>
|A{{music|#}}<sub>0</sub>/B{{music|b}}<sub>0</sub>
|2
|29.13524
|29.13524
|
|
Line 1,221: Line 1,314:
|A͵͵
|A͵͵
|A<sub>0</sub>
|A<sub>0</sub>
|1
|'''27.50000'''
|'''27.50000'''
|
|
Line 1,233: Line 1,327:
| bgcolor="lightgray" | G{{music|#}}͵͵/A{{music|b}}͵͵
| bgcolor="lightgray" | G{{music|#}}͵͵/A{{music|b}}͵͵
| bgcolor="lightgray" | G{{music|#}}<sub>0</sub>/A{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | G{{music|#}}<sub>0</sub>/A{{music|b}}<sub>0</sub>
| bgcolor="lightgray" |0
| bgcolor="lightgray" | 25.95654
| bgcolor="lightgray" | 25.95654
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,245: Line 1,340:
| bgcolor="lightgray" | G͵͵
| bgcolor="lightgray" | G͵͵
| bgcolor="lightgray" | G<sub>0</sub>
| bgcolor="lightgray" | G<sub>0</sub>
| bgcolor="lightgray" | -1
| bgcolor="lightgray" | 24.49971
| bgcolor="lightgray" | 24.49971
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,257: Line 1,353:
| bgcolor="lightgray" | F{{music|#}}͵͵/G{{music|b}}͵͵
| bgcolor="lightgray" | F{{music|#}}͵͵/G{{music|b}}͵͵
| bgcolor="lightgray" | F{{music|#}}<sub>0</sub>/G{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | F{{music|#}}<sub>0</sub>/G{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | -2
| bgcolor="lightgray" | 23.12465
| bgcolor="lightgray" | 23.12465
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,269: Line 1,366:
| bgcolor="lightgray" | F͵͵
| bgcolor="lightgray" | F͵͵
| bgcolor="lightgray" | F<sub>0</sub>
| bgcolor="lightgray" | F<sub>0</sub>
| bgcolor="lightgray" | -3
| bgcolor="lightgray" | 21.82676
| bgcolor="lightgray" | 21.82676
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,281: Line 1,379:
| bgcolor="lightgray" | E͵͵
| bgcolor="lightgray" | E͵͵
| bgcolor="lightgray" | E<sub>0</sub>
| bgcolor="lightgray" | E<sub>0</sub>
| bgcolor="lightgray" | -4
| bgcolor="lightgray" | 20.60172
| bgcolor="lightgray" | 20.60172
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,293: Line 1,392:
| bgcolor="lightgray" | D{{music|#}}͵͵/E{{music|b}}͵͵
| bgcolor="lightgray" | D{{music|#}}͵͵/E{{music|b}}͵͵
| bgcolor="lightgray" | D{{music|#}}<sub>0</sub>/E{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | D{{music|#}}<sub>0</sub>/E{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | -5
| bgcolor="lightgray" | 19.44544
| bgcolor="lightgray" | 19.44544
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,305: Line 1,405:
| bgcolor="lightgray" | D͵͵
| bgcolor="lightgray" | D͵͵
| bgcolor="lightgray" | D<sub>0</sub>
| bgcolor="lightgray" | D<sub>0</sub>
| bgcolor="lightgray" | -6
| bgcolor="lightgray" | 18.35405
| bgcolor="lightgray" | 18.35405
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,317: Line 1,418:
| bgcolor="lightgray" | C{{music|#}}͵͵/D{{music|b}}͵͵
| bgcolor="lightgray" | C{{music|#}}͵͵/D{{music|b}}͵͵
| bgcolor="lightgray" | C{{music|#}}<sub>0</sub>/D{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | C{{music|#}}<sub>0</sub>/D{{music|b}}<sub>0</sub>
| bgcolor="lightgray" | -7
| bgcolor="lightgray" | 17.32391
| bgcolor="lightgray" | 17.32391
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,329: Line 1,431:
| bgcolor="lightgray" | C͵͵ sub-contra-[[octave]]
| bgcolor="lightgray" | C͵͵ sub-contra-[[octave]]
| bgcolor="lightgray" | C<sub>0</sub> Double Pedal C
| bgcolor="lightgray" | C<sub>0</sub> Double Pedal C
| bgcolor="lightgray" | -8
| bgcolor="lightgray" | 16.35160
| bgcolor="lightgray" | 16.35160
| bgcolor="lightgray" |
| bgcolor="lightgray" |
Line 1,342: Line 1,445:
* [[Scientific pitch notation]]
* [[Scientific pitch notation]]
* [[Music and mathematics]]
* [[Music and mathematics]]

==External links==
* [http://shakahara.com/pianopitch2.php interactive piano frequency table] – A PHP script allowing the reference pitch of A4 to be altered from 440&nbsp;Hz.
* [https://web.archive.org/web/20190510200224/https://mdoege.github.io/PySynth/ PySynth] – A simple [[Python (programming language)|Python]]-based [[software synthesizer]] that prints the key frequencies table and then creates a few demo songs based on that table.
* "[http://www.sengpielaudio.com/calculator-notenames.htm Keyboard and frequencies]", ''SengpielAudio.com''.
* [http://www.deimos.ca/notefreqs Notefreqs] – A complete table of note frequencies and ratios for midi, piano, guitar, bass, and violin. Includes fret measurements (in cm and inches) for building instruments.


==References==
==References==
<references />


<references />


{{Musical keyboards}}
{{Musical keyboards}}
{{Pitch (music)}}
{{Pitch (music)}}


[[Category:Piano|Key frequencies]]
[[Category:Piano]]
[[Category:Musical tuning]]
[[Category:Musical tuning]]

Latest revision as of 15:50, 1 July 2024

This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).[1][2] Every octave is made of twelve steps called semitones. A jump from the lowest semitone to the highest semitone in one octave doubles the frequency (for example, the fifth A is 440 Hz and the sixth A is 880 Hz). The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463).[1][2] For example, to get the frequency one semitone up from A4 (A4), multiply 440 Hz by the twelfth root of two. To go from A4 up two semitones (one whole tone) to B4, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A4 up three semitones to C5 (a minor third), multiply 440 Hz three times by the twelfth root of two (or once by the fourth root of two, approximately 1.189207). For other tuning schemes, refer to musical tuning.

This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp. To compensate for this, octaves are tuned slightly wide, stretched according to the inharmonic characteristics of each instrument.[3] This deviation from equal temperament is called the Railsback curve.

The following equation gives the frequency f (Hz) of the nth key on the idealized standard piano with the 49th key tuned to A4 at 440 Hz:

where n is shown in the table below.[1]

Conversely, the key number of a pitch with a frequency f (Hz) on the idealized standard piano is:

List[edit]

Piano Keyboard
An 88-key piano, with the octaves numbered and Middle C (cyan) and A440 (yellow) highlighted
A printable version of the standard key frequencies (only including the 88 keys on a standard piano)

Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C0 to B8 was first built in 2018 by Stuart & Sons.[4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)

Piano key number MIDI note number Helmholtz name[5] Scientific pitch name[5] n Frequency f(n) (Hz) (Equal temperament) [6] Corresponding open strings on other instruments
Violin Viola Cello Bass Guitar Ukulele
108 119 b′′′′′ B8 99 7902.133
107 118 a′′′′′/b′′′′′ A8/B8 98 7458.620
106 117 a′′′′′ A8 97 7040.000
105 116 g′′′′′/a′′′′′ G8/A8 96 6644.875
104 115 g′′′′′ G8 95 6271.927
103 114 f′′′′′/g′′′′′ F8/G8 94 5919.911
102 113 f′′′′′ F8 93 5587.652
101 112 e′′′′′ E8 92 5274.041
100 111 d′′′′′/e′′′′′ D8/E8 91 4978.032
99 110 d′′′′′ D8 90 4698.636
98 109 c′′′′′/d′′′′′ C8/D8 89 4434.922
88 108 c′′′′′ 5-line octave C8 Eighth octave 88 4186.009
87 107 b′′′′ B7 87 3951.066
86 106 a′′′′/b′′′′ A7/B7 86 3729.310
85 105 a′′′′ A7 85 3520.000
84 104 g′′′′/a′′′′ G7/A7 84 3322.438
83 103 g′′′′ G7 83 3135.963
82 102 f′′′′/g′′′′ F7/G7 82 2959.955
81 101 f′′′′ F7 81 2793.826
80 100 e′′′′ E7 80 2637.020
79 99 d′′′′/e′′′′ D7/E7 79 2489.016
78 98 d′′′′ D7 78 2349.318
77 97 c′′′′/d′′′′ C7/D7 77 2217.461
76 96 c′′′′ 4-line octave C7 Double high C 76 2093.005
75 95 b′′′ B6 75 1975.533
74 94 a′′′/b′′′ A6/B6 74 1864.655
73 93 a′′′ A6 73 1760.000
72 92 g′′′/a′′′ G6/A6 72 1661.219
71 91 g′′′ G6 71 1567.982
70 90 f′′′/g′′′ F6/G6 70 1479.978
69 89 f′′′ F6 69 1396.913
68 88 e′′′ E6 68 1318.510
67 87 d′′′/e′′′ D6/E6 67 1244.508
66 86 d′′′ D6 66 1174.659
65 85 c′′′/d′′′ C6/D6 65 1108.731
64 84 c′′′ 3-line octave C6 Soprano C (High C) 64 1046.502
63 83 b′′ B5 63 987.7666
62 82 a′′/b′′ A5/B5 62 932.3275
61 81 a′′ A5 61 880.0000
60 80 g′′/a′′ G5/A5 60 830.6094
59 79 g′′ G5 59 783.9909
58 78 f′′/g′′ F5/G5 58 739.9888
57 77 f′′ F5 57 698.4565
56 76 e′′ E5 56 659.2551 E E (5 String Viola)
55 75 d′′/e′′ D5/E5 55 622.2540
54 74 d′′ D5 54 587.3295
53 73 c′′/d′′ C5/D5 53 554.3653
52 72 c′′ 2-line octave C5 Tenor C 52 523.2511
51 71 b′ B4 51 493.8833 High B (Optional for 12 String Guitar)
50 70 a′/b A4/B4 50 466.1638
49 69 a′ A4 A440 49 440.0000 A A High A (Optional) A
48 68 g′/a G4/A4 48 415.3047 High Ab (12 Single String Bass)
47 67 g′ G4 47 391.9954 High G
46 66 f′/g F4/G4 46 369.9944
45 65 f′ F4 45 349.2282
44 64 e′ E4 44 329.6276 High E (5 String Cello) High E E
43 63 d′/e D4/E4 43 311.1270 High Eb (12 String Single String Bass)
42 62 d′ D4 42 293.6648 D D
41 61 c′/d C4/D4 41 277.1826
40 60 c′ 1-line octave C4 Middle C 40 261.6256 C
39 59 b B3 39 246.9417 B
38 58 a/b A3/B3 38 233.0819
37 57 a A3 37 220.0000 A
36 56 g/a G3/A3 36 207.6523
35 55 g G3 35 195.9977 G G G Low G
34 54 f/g F3/G3 34 184.9972
33 53 f F3 33 174.6141 High F (7 String)
32 52 e E3 32 164.8138 High E (5th tunig, 5 String Bass)
31 51 d/e D3/E3 31 155.5635
30 50 d D3 30 146.8324 D D
29 49 c/d C3/D3 29 138.5913
28 48 c small octave C3 28 130.8128 C (5 String) C C (6 string)
27 47 B B2 27 123.4708
26 46 A/B A2/B2 26 116.5409
25 45 A A2 25 110.0000 A (5th tuning Upright) A
24 44 G/A G2/A2 24 103.8262
23 43 G G2 23 97.99886 G G
22 42 F/G F2/G2 22 92.49861
21 41 F F2 21 87.30706 Low F (6 String) Low F (6 String)
20 40 E E2 20 82.40689 Low E
19 39 D/E D2/E2 19 77.78175
18 38 D D2 18 73.41619 D
17 37 C/D C2/D2 17 69.29566
16 36 C great octave C2 Deep C 16 65.40639 C
15 35 B1 15 61.73541 Low B (7 string)
14 34 A͵/B͵ A1/B1 14 58.27047
13 33 A1 13 55.00000 A
12 32 G͵/A͵ G1/A1 12 51.91309
11 31 G1 11 48.99943 G (5th tuning Upright)
10 30 F͵/G͵ F1/G1 10 46.24930 Low F (8 string)
9 29 F1 9 43.65353 Low F (6 String)
8 28 E1 8 41.20344 E
7 27 D͵/E͵ D1/E1 7 38.89087
6 26 D1 6 36.70810
5 25 C͵/D͵ C1/D1 5 34.64783 Low C#(9 String)
4 24 C͵ contra-octave C1 Pedal C 4 32.70320 C (Upright Extension or 5th tuning)
3 23 B͵͵ B0 3 30.86771 B (5 string)
2 22 A͵͵/B͵͵ A0/B0 2 29.13524
1 21 A͵͵ A0 1 27.50000
97 20 G͵͵/A͵͵ G0/A0 0 25.95654 Low G# (10 String)
96 19 G͵͵ G0 -1 24.49971
95 18 F͵͵/G͵͵ F0/G0 -2 23.12465
94 17 F͵͵ F0 -3 21.82676
93 16 E͵͵ E0 -4 20.60172
92 15 D͵͵/E͵͵ D0/E0 -5 19.44544
91 14 D͵͵ D0 -6 18.35405
90 13 C͵͵/D͵͵ C0/D0 -7 17.32391
89 12 C͵͵ sub-contra-octave C0 Double Pedal C -8 16.35160

See also[edit]

References[edit]

  1. ^ a b c Weisstein, Eric. "Equal Temperament -- from Eric Weisstein's Treasure Trove of Music". Eric Weisstein's Treasure Trove of Music. Archived from the original on 2019-06-14. Retrieved 2019-12-26.
  2. ^ a b Nov, Yuval. "Explaining the Equal Temperament". www.yuvalnov.org. Archived from the original on 2019-05-26. Retrieved 2019-12-26.
  3. ^ Citak, Ray. "Information on Piano Tuning". www.pianotechnician.com. Archived from the original on 2019-02-26. Retrieved 2019-12-26.
  4. ^ Wills, Oscar; King, Rosie (2018-09-15). "Australian behind world's grandest piano". ABC News. Australia. Archived from the original on 2019-06-11. Retrieved 2019-12-26.
  5. ^ a b Goss, Clint (2019-02-18). "Octave Notation". Flutopedia. Archived from the original on 2019-05-12. Retrieved 2019-12-26.
  6. ^ Suits, Bryan (1998). "Frequencies of Musical Notes, A4 = 440 Hz". Physics of Music — Notes. Michigan Tech University. Archived from the original on 2019-12-16. Retrieved 2019-12-26.