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'''Slobodan Trajković''' ([[Serbian Cyrillic]]: Слободан Трајковић) (born 1954, in [[Priština]], [[Socialist Federal Republic of Yugoslavia|Yugoslavia]], today [[Serbia]]) is a [[Serb]]ian [[visual artist]], who began his career in the late 1970s.<ref>http://www.arte.rs/sr/umetnici/slobodan_trajkovic-4432/</ref> Lives in London and Belgrade.
'''Slobodan Trajković''' ([[Serbian Cyrillic]]: Слободан Трајковић; born 1954, in [[Priština]], [[Socialist Federal Republic of Yugoslavia|Yugoslavia]], today [[Serbia]]) is a [[Serb]]ian [[visual artist]], who began his career in the late 1970s.<ref>http://www.arte.rs/sr/umetnici/slobodan_trajkovic-4432/</ref> Lives in London and Belgrade.


==Biography==
==Biography==

Revision as of 02:17, 20 September 2013

Slobodan Trajković
Born1954
Priština, SFR Yugoslavia
NationalitySerbian
Known forVisual artist

Slobodan Trajković (Serbian Cyrillic: Слободан Трајковић; born 1954, in Priština, Yugoslavia, today Serbia) is a Serbian visual artist, who began his career in the late 1970s.[1] Lives in London and Belgrade.

Biography

As a young artist Slobodan Trajković radically undermined the appearance of the image of painting, creating diverse and voluminous structures. Trajković rejected academic language of the arts and began creating spatial works and installations belonging to the then current reversal art of the 1980s.[2] He later abandoned the idea of image-building, making a decisive move towards the flat representation of color organized in a figurative and abstract mix, which tended to chromatic aggression highly variable. Like the artists of the transition period, Trajković was left to automatically capture the uncontrollable activities of his hand. For many years he lived in New York where the school of abstract art is still an active inspiration. He faced a serious creative shift caused by the conflict between European and American artistic attitudes. Trajković moved to London and returned to the European tradition lacking in the New World. He has now once again found himself challenged by the coexistence of the contradictions of form: organic-artificial, colorful-achromatic (or monochrome), rough-gentle, hard-fragile. His pictorial representation is handled masterfully. Drawings, objects, sculptures, installations, two-dimensional and three-dimensional works in various materials are in his game of mediation. In his artistic search, the dialectic is s permanent feature and a creative source of timeless remix. Internal creative developments have no end for him.

Education

  • 1982/83 - Ecole Nationale, Superieure des Beaux Arts, Paris
  • 1978/80 - Painting, Academy of Fine Arts, Beograd (M.A.)
  • 1973/78 - Painting, Academy of Fine Arts, Beograd (B.F.A.)

Grants and Residencies (short list)

  • 2006-10 - Barbican Foundation for Art, Studio Program, London
  • 2005-06 - Florence Trust, Studio Program, London[3][4]
  • 2000-01 - Foundation Elizabeth, Studio Program, New York
  • 1993-94 - Foundation Marie Walsh Sharpe for Art, Space Program, New York (Jury: Cynthia Carlson, Martha Diamond, Philip Pearlstein, Net Smyth, Robert Storr)[5]
  • 1992 - La Napoule Foundation for Art, for international artists, La Napoule[6]
  • 1989 - Artists' Colony Ecka, Zrenjanin
  • 1983 - Cite internationale des Arts, Paris
  • 1982 - Serbian Fund for young artists 'Moša Pijade' (International Program, London), Ministry of Culture Yugoslavia
  • 1981 - Serbian Fund for young artists 'Moša Pijade', Ministry of Culture Yugoslavia

Solo exhibition (short list)

Balkan Rhapsody, 2012, wall installation
  • 2012 "Balkan Rhapsody", Gallery O3one, 17. - 30. September, Belgrade
  • 2012 "Unveiling Face", Gallery Blok, 22. June - 4. July, Belgrade
  • 2009 "A Midsummer’s Night Dream", (second part) Institute of Contemporary Arts, 16. October - 14 November, Singapore
  • 2009 "A Midsummer’s Night Dream", (first part) Ikona Gallery, 28. August - 27. September, Venice
  • 2008 Tracing Memories, Gallery Zvono, 23. June - 5. July, Belgrade
  • 2007 Metamorphosis, (second part) Gallery Belgrade, September - October, Belgrade[7]
  • 2006 Metamorphosis,(first part) Florence Trust, July, London
  • 2001 Rivers and Shores, Gallery of Belgrade Cultural Center, 16. - 29. April, Belgrade
  • 1998 New paintings, Stefan Stux Gallery, 26. March - 25. April, New York[8]
  • 1996 Paintings, Gallery ULUS, 25. September - 8. October, Belgrade
  • 1989 Paintings, Gallery Lada, 12. - 30. September, Belgrade
  • 1988 Mythological Space, Galerija Sebastijan, 9. April - 9. May, Belgrade
  • 1988 Mythological Space, Gallery Sebastian, 18. May - 13. Jun, Varaždin, Croatia
  • 1988 Drawings, Gallery Lada, 9. April - 5. May, Belgrade
  • 1987 Paintings, Tomoko Liguori Gallery, 28. March - 9. May, New York
  • 1986 Battle Arena, Alternative Museum, 7. December - 11. January, New York
  • 1985 Paintings & Drawings, Mestna Gallery, 11. November - 11. December, Ljubljana, Slovenia
  • 1984 Heaven's Stories, Salon of Museum of Contemporary Art, 22. March - 16. April, Belgrade
  • 1984 Heaven's Stories, Small Gallery, Museum of Modern Art, 8. May - 3. Jun, Ljubljana, Slovenia
  • 1984 Heaven's Stories, Gallery Meduza,20. July - 20 August, Koper, Slovenia
  • 1984 Signs, Absurd Plants, Heaven's Stories, Fine Arts Gallery, 24. October - 5 November, Priština
  • 1984 Paintings, Objects & Drawings, Gallery “Nadežda Petrović”, Jun - July, Čačak
  • 1984 Absurd Plants, YAVA-1 Gallery, February, New York
  • 1982 Drawings, City Theater Gallery, Maj - June, Šibenik, Croatia
  • 1980 Paintings & Objects, Youth House Gallery, 21. October - 8. November, Belgrade
  • 1979 Synthetic path, Gallery of Student Culture Center, April, Belgrade
  • 1976 Drawings, National Theater Gallery, 12. - 26. February, Priština

Selected bibliography

File:Slobodan Trajkovic, Transition, 2011.jpg
Transition, 2011, wall installation
  • Milenko Prvacki: Slobodan Trajkovic, A Midsummer Night’s Dream(interview), TriSpace+, ICAS: Institute of Contemporary Arts Singapore, Issue 01, July 2010, p. 3,4 and 5
  • Ivana Simeunović Ćelić, Slobodan Trajković, Zepter Museum, Collection, Belgrade, June 2010, p. 292,293 (Book - forward),
  • Veronica Fratter: Slobodan Trajkovic, A Midsummer Night’s Dream, La Nuova, Venezia, 11. September 2009,
  • Paul Bayley: Slobodan Trajkovic, A Midsummer Night’s Dream, Ikona Gallery, Venezia, August 2009 (Catalogue forward),
  • Ljilja Ćinkul: Magic of Discovery, Politika, Belgrade, 15. July 2008,
  • Miroslav Karić: Art of the Sunny Season, Yellow Cab, Belgrade, June 2008,
  • Jovan Despotovic: Remix Galerija Beograd, September 2007 p. 2,3 (Catalogue forward)[9]
  • Jovan Despotovic: Remix of Slobodan Trajkovic, Art Fame, Belgrade, October 2007, p. 31,32 and 33,
  • Slavko Timotijevic: Interview of the month: Slobodan Trajkovic, Art Fama, Belgrade, Issue 09, October 2007, p. 6,7,8,9 and 10,
  • Maria Djordjevic: Fragile Babylon, Interview, Politika, 3. October 2007,
  • Pryle Behrman: Florence Trust 2006, Florence Trust, London, July 2006 (Catalogue forward),
  • B. M.: “Longin” Slobodan Trajkovicu, Jedinstvo, Priština, 1. July 2002,
  • Natalija Cerović: Rivers & Shores, Galerija Kulturnog centra, Beograd, April 2001, (Catalogue forward),
  • Natalija Cerović: Fall Exhibition, Art Pavilion “Cvijeta Zuzorić” Beograd, November 2001, (Catalogue forward),
  • Petar Djuza: Rivers and Shores, Politika, Belgrade, 15. July 2001,
  • Natalija Cerović: 20th Memorial Nadežde Petrović, Gallery “Nadežde Petrović”, Čačak, April 2000, (Catalogue forward),
  • Natalija Cerović: Fall Exhibition, Art Pavilion “Cvijeta Zuzorić” Belgrade, November 2000, (Catalogue forward),
  • Tracey C. Hummer: Vivid individuality rules 7 exhibitors’ perceptions, Columbus, Columbus Dispatch, 14. August 1994,
  • Ješa Denegri: Slobodan Trajković - Paintings, Art life, Belgrade, September 1989, (2nd year, book 14),
  • Ješa Denegri: Paintings of Slobodan Trajković, Gallery Lada, Belgrade, September 1989, p. 2 (Catalogue forward),
  • Dragoš Kalajić: Slobodan Trajković, Gallery Sebastian, Varaždin, May 1988, p. 1(Catalogue forward),
  • Ivana Simeonović Ćelić: Slobodan Trajković, Gallery Sebastian, Belgrade, April 1988, p. 3 (Catalogue forward),
  • Zoran Gavrić: From pontoon to pontoon, Gallery Lada, Beograd, April 1988 (Catalogue forward),
  • M.Celar-Marjanović: Painting remains as eternal secret, Interview, Politika Ekspres, 30. April 1988,
  • Mirjana Zikovic: New York without star painters, Interview, Politika, Belgrade, 28 May 1988,
  • Mileta Prodanovic: One exhibition in two galleries (S.Trajkovic at Gallery Lada and Sebastian),The Newspaper of Literature, No. 754, Belgrade,15 May 1988,
  • Ivana Simeonović Ćelić: Choice ‘87, Art Pavilion “Cvijeta Zuzorić” Belgrade, July 1987 (Catalogue forward),
  • Geno Rodriguez: Essay, New York New Venue, Mint Museum, Charlotte, NC, April 1987 (Catalogue forward),
  • Zoran Markus: In the mirror of the times, Politika, Belgrade, 3. November 1986,
  • Slobodan Rašić: Slobodan Trajković, Venac, No.137/138, Belgrade, December 1985 - January 1986,
  • Ljiljana Vukićević: I don't wont to be Picasso!, Student Newspaper, Belgrade, 21. May 1985,
  • Slobodan Rašić: Slobodan Trajković, City Gallery, Ljubljana, October 1985 (Catalogue forward)
  • Peter Frank: Slobodan Trajkovic, Absurd Plants, YAVA-1 Gallery, New York, February 1984 (Catalogue forward)
  • Claude le Suer: Visual Olympics to demolition Derby, Artspeak, New York, 12. February 1984,
  • Claude le Suer: An Inter-continental Melange of Talents, Artspeak, New York, 13. March 1984,
  • Ješa Denegri: Slobodan Trajković, Salon of Museum of Contemporary Art, Belgrade, March 1984 (Catalogue forward),
  • Kosta Vasiljković: Fireworks of Colores, Komunist, Belgrade, 6. April 1984,
  • Slobodan Novakovic: Landscape of Paradise, Jež, Belgrade, 13. April 1984,
  • Jadranka M. Dizdar: Stories from Paradise, Mladost, Belgrade, 16. April 1984,
  • Zoran Markuš: Stories from Paradise, Borba, Belgrade, 25. April 1984,
  • Djordje Kadijević: Beauty of spontaneity, NIN, Belgrade, 6. May 1984,
  • Ješa Denegri: Slobodan Trajković, Galerija Meduza, Kopar, July 1984 (Catalogue forward),
  • Ješa Denegri: Slobodan Trajković, Modern Gallery, Ljubljana, May 1984 (Catalogue forward),
  • Palmer Poroner: New York’s 3rd Yugoslav Biennial, Artspeak, New York, 18. May 1984,
  • Irina Subotić: In the search for new expression, Gallery “Nadežda Petrović”, Čacak, Jun 1984 (Catalogue forward),
  • Sava Stepanov: New Image of the Drawing, Gallery “Olga Petrov”, Pančevo, Jun 1984 (Catalogue forward),
  • Jovan Despotovic: Spreading knowledge of the Yugoslav art, Pregled no. 226, Beograd, 1984,
  • Andrej Medved: Srpsko poletje v Kopru, Delo, Ljubljana, 28. Jun 1984,
  • Meliha Husedžinović: Imaginary Landscae, National Museum, Zrenjanin, October 1984 (Catalogue forward),
  • Kosta Vasiljković: Sacred and profane in art of Slobodan Trajković, Art Gallery, Priština, November 1984 (Catalogue forward),
  • Petar Djuza: Plastic and mythical, Jedinstvo, Priština, 27. October 1984,
  • V. Nura: Hulumtivi i objeteve dhe kerkimi i formave, Rilindja, Pristina, 27. October 1984,
  • Sveta Bošnjak: Possible definitions, Borba, Belgrade, 14. November 1984,
  • Ješa Denegri, Jadranka Vinterhalter, Jovan Despotovic: Art of 80’s, Museum of Contemporary Art, Belgrade, July 1983 (Catalogue forward),
  • Sava Stepanov: New Abstraction, Gallery “Olga Petrov”, Pančevo, May 1983 (Catalogue forward),
  • Zoran Markuš: 9 X 3, Cankarjev dom, Ljubljana, December 1983 (Catalogue forward),
  • Jadranka M. Dizdar: Whispering, Mladost, Belgrade, 8. March 1982,
  • Balša Rajčević: Art in Yugoslavia, Sodobniki, Likovno rastavisce “Rihard Jakopič”, Ljubljana, April 1982 (Catalogue forward),
  • Vinko Srhoj: Zrela ostvarenja, Slobodna Dalmacija, Split, 25. Jun 1982,
  • Zoran Markuš: Choice ’82, Art Pavilion “Cvijeta Zuzorić” Belgrade, July 1982 (Catalogue forward),
  • Djordje Kadijević: In a Circle of Values, NIN, Belgrade, 22. August 1982,
  • Zoran Furunović: Recapitulation of creative challenges, Jedinstvo, Priština, 30 April,1 and 2 May 1982,
  • Zdravko Vučinić: Critic’s choice, Gallery of Culture Center, Belgrade, 1982 (Catalogue forward),
  • Vinko Srhoj: May Yoth Salon, City Museum, Šibenik, May 1981, (Catalogue forward),
  • Ivana Simeonović Ćelić: Paintings and Objects, Književnost, No. 9, Belgrade, 1981
  • Darinka Jevrić: Play of Coulors and Space, Jedinstvo, Priština, 28. November 1981,
  • Milanka Todić: Concept of Painting and Objects, Jedinstvo, Priština, 1. November 1980,
  • Jadranka M. Dizdar: Clear Form, Mladost, Belgrade, 14. November 1980,
  • Milorad Belančić: About Something Being Not Painted, Književna reč, Belgrade, 25. November 1980,
  • Slobodan Novaković: The Last Indian, Jež, Belgrade, 28. November 1980,
  • Djordje Kadijević: Individuality as necessity, NIN, Belgrade, 7. December 1980,
  • Vinko Srhoj: Paintings and Objects (art review), Borba, Belgrade, 18. December 1980,
  • Mirjana Živković: Roads and Interests, Politika, Belgrade, 31. December 1980,
  • Milena Marjanović, Persective VI, Gallery “Kod pozorišta”, Beograde, Jun, 1978 (Catalogue forward),
  • Darinka Jevrić: In the World of Imagination, Jedinstvo, Priština, 16. February 1976.

Prizes and awards

  • 2002 Longin award for achievement in visual arts, Association for Visual Artists of Serbia, Belgrade
  • 1989 First prize for painting, Art Colony Ečka, Gallery of Contemporary Art, Zrenjanin
  • 1986 First prize for painting, 27 Oktober Salon, Paviljon „Cvijeta Zuzorić“, Belgrade
  • 1985 First prize for painting, XIII Bienale of Young artist, Moderna galerija, Rijeka
  • 1984 Second prize for painting, III Yugoslav Biennial of Art, Equitable Gallery, New York
  • 1982 Grand prix, V anniversary YAVA-1, Alternative Museum, New York
  • 1981 First prize for drawing, Salon of Young artist, City Museum, Šibenik
  • 1979 First prize for painting, Politika Open studio, Belgrade Fair, Belgrade

Sources

  • Ivana Simeonović Ćelić: Muzej Zepter, Beograd, 2010, pp. 292–293. ISBN 978-86-85151-02-6
  • Jovan Despotovic: Nova slika, Clio, Beograd, 2006, pp. 54, 99. ISBN 86-7102-236-6
  • Ivana Simeonović Ćelić: Boje vremena, Clio, Belgrade, 2005
  • The Marie Walsh Art Foundation: Artist to artist, Ace Gallery, New York, 2002. Library of Congress Control Number: 2002103699. ISBN 9665188-2-9.
  • Ješa Denegri, Fragments of postmodern pluralism, CICERO, Belgrade, 1997, pp. 146–149
  • Ješa Denegri: Eighties: Themes of Serbian Art, Svetovi, Novi Sad, 1997
  • Robert C. Morgan: Paintings as an anatomical constellation, Stux Gallery, New York, September 1996, pp. 3,4,5 and 6. Library of Congress Control Card Number: 96-92417. ISBN 0-9654120-0-8.
  • Vlado Buzancić, Rexhep Goci, Contemporary Kosovian Art, Art Gallery, Priština, 1988, pp. 12, 20, 40, 47, 140, 141.

References

  1. ^ http://www.arte.rs/sr/umetnici/slobodan_trajkovic-4432/
  2. ^ http://www.jovandespotovic.com/?page_id=899
  3. ^ http://www.florencetrust.org/artists/?year=16
  4. ^ http://www.florencetrust.org/artists/artist.php?id=21
  5. ^ The Marie Walsh Sharpe Art Foundation, New York
  6. ^ [1]
  7. ^ http://www.jovandespotovic.com/?page_id=5423
  8. ^ http://www.artincontext.org/gallery/gallery_exhibition.aspx?id=1120
  9. ^ http://www.jovandespotovic.com/?page_id=5423
  • Slobodan Trajković author's web site
  • [2] Florence Trust Art Foundation, London
  • [3] Ikona Gallery, Venezia
  • [4] Institute of Contemporary Art, Singapore
  • [5] Gallery Beograd, Belgrade
  • [6] Gallery Remont, Belgrade
  • [7] Stux Gallery, New York

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