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{{short description|1962 novel by J. G. Ballard}}
{{Short description|1962 novel by J. G. Ballard}}
{{about||the 1998 song by Madonna|Drowned World/Substitute for Love|the 2009 Doctor Who audio story|The Drowned World (Doctor Who audio)}}
{{About||the 1998 song by Madonna|Drowned World/Substitute for Love|the 2009 Doctor Who audio story|The Drowned World (Doctor Who audio)}}
{{EngvarB|date=September 2013}}
{{EngvarB|date=September 2013}}
{{Use dmy dates|date=September 2013}}
{{Use dmy dates|date=September 2013}}


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'''''The Drowned World''''' is a 1962 [[science fiction]] novel by British writer [[J. G. Ballard]]. The novel depicts a [[post-apocalyptic]] future in which [[global warming]] has caused the majority of the Earth to become uninhabitable. The story follows a team of scientists researching ongoing environmental developments in a flooded, abandoned [[London]]. The novel is an expansion of a novella of the same title first published in ''[[Science Fiction Adventures (British magazine)|Science Fiction Adventures]]'' magazine in January 1962, Vol. 4, No. 24.
'''''The Drowned World''''' (1962), by [[J. G. Ballard]], is a British [[science fiction]] novel that depicts a [[post-apocalyptic]] future in which [[global warming]], caused by increased [[solar radiation]], has rendered uninhabitable much of the surface of planet Earth. The story follows a team of scientists who are researching the environmental developments that occurred in the flooded city of [[London]]. The novel is an expansion of the novella "The Drowned World", which was first published in ''[[Science Fiction Adventures (British magazine)|Science Fiction Adventures]]'' magazine, in the January 1962 issue, Vol. 4, No. 24.


In 2010, ''[[Time Magazine]]'' named ''The Drowned World'' one of the top 10 best post-apocalyptic books.<ref>{{cite web|title=Top 10 Post-Apocalyptic Books|url=http://entertainment.time.com/2010/06/08/top-10-post-apocalyptic-books/slide/the-drowned-world/|website=[[Time Magazine]]|accessdate=2 April 2018}}</ref> The novel has been identified as a founding text in the literary genre known as [[climate fiction]].<ref>{{cite journal|last1=Clarke|first1=Jim|title=Reading Climate Change in J.G. Ballard|journal=Critical Survey|volume=25|issue=2|year=2013|pages=7–21|doi=10.3167/cs.2013.250202}}</ref>
In 2010, ''Time'' magazine named ''The Drowned World'' one of the ten best novels about a post-apocalyptic world on Earth.<ref>{{cite journal|title=Top 10 Post-Apocalyptic Books|url=http://entertainment.time.com/2010/06/08/top-10-post-apocalyptic-books/slide/the-drowned-world/|journal=[[Time Magazine]]|date=7 June 2010 |accessdate=2 April 2018|last1=Romero |first1=Frances }}</ref> In science fiction literature, ''The Drowned World'' is considered one of the founding novels of the [[climate fiction]] sub-genre.<ref>{{cite journal|last1=Clarke|first1=Jim|title=Reading Climate Change in J.G. Ballard|journal=Critical Survey|volume=25|issue=2|year=2013|pages=7–21|doi=10.3167/cs.2013.250202}}</ref>


==Plot summary==
==Synopsis==
In the mid-22nd century, violent and prolonged solar storms enlarge the [[Van Allen radiation belt]], which deteriorated the [[ionosphere]] of the Earth. The solar radiation bombarding the planet increased surface temperatures, raised the levels of the seas, and so established a [[tropical climate]] throughout most of the planet; with most of Earth no longer habitable by humans, the survivors migrate to the [[North Pole]] and to the [[South Pole]], which the planetary tropical climate has rendered fit for human habitation.
Set in the year 2145 in a post-apocalyptic and unrecognisable London, ''The Drowned World'' is a setting of tropical temperatures, flooding and accelerated evolution.<ref>{{Cite web|title = The Drowned World {{!}} W. W. Norton & Company|url = http://books.wwnorton.com/books/The-Drowned-World/|website = books.wwnorton.com|access-date = 2016-02-06}}</ref>


In 2145, under the command of Colonel Riggs, Dr Robert Kerans is part of a scientific expedition sent to catalogue the flora and fauna of the lagoon that covers the city of London.<ref>{{Cite web|title = The Drowned World {{!}} W. W. Norton & Company|url = http://books.wwnorton.com/books/The-Drowned-World/|website = books.wwnorton.com|access-date = 2016-02-06}}</ref> In the course of their scientific work, the members of the expedition begin to experience strange dreams. Amidst talk of the army and the scientists moving north, Lieutenant Hardman, the other officer in the expedition, flees the London lagoon and heads south; a search team sent to fetch him failed.
The Earth went back to its Paleozoic era sixty or seventy years before the novel began. There are two main causes of the flood, both unrelated to humans' activity on the planet. First, a series of sudden violent and prolonged solar storms lasting several years enlarged the Van Allen belts and diminished the Earth's gravitational hold upon the outer layers of the ionosphere. As a result, the Earth remained unprotected from solar radiation and temperature climbed steadily making it all a tropical zone. Cities around the Equator were abandoned as temperature reached 100 degrees (Ballard never mentions if these are Celsius or Fahrenheit). Second, the continued heating of the atmosphere melted the polar ice-caps and the contours of the continents were reshaped: in Europe the Mediterranean became a system of inland lakes and the British Isles were linked to France. In North America, the Mississippi basin became an enormous gulf opening into the Hudson Bay and the Caribbean was transformed into a silt desert.


As the other inhabitants of the lagoon finally flee the overheating sunlight and head north, Kerans and two other scientists, the reclusive Dr Beatrice Dahl and Dr Alan Bodkin, decide to remain. A group of pirates led by a man named Strangman arrives to loot treasures from the deep waters of the London lagoon. After draining the lagoon, Strangman and his pirates expose the city of London, which disgusts Kerans and Bodkin; the latter attempts and fails to explode the flood defences and re-flood the London area. Afterwards, with Kerans and Dahl resigned to their fate, Strangman vengefully pursues and kills Bodkin.
Only one city is mentioned in the novel, Camp Byrd (pop. 10,000), Greenland, and only five million people are estimated to live on the polar caps. Birth of mammals has been drastically reduced, for humans only one couple in ten yields any offspring. On the other hand, reptilians and amphibians rapidly reproduce across the planet; as the novel develops once rare albino iguanas, alligators, and serpents become more common.


Meanwhile, Strangman and his pirates become suspicious of Kerans, and they imprison him and Dahl. The pirates torture Kerans, which he survives; although weakened by the torture, Kerans attempts and fails to free Dahl from captivity. Kerans and Dahl are confronted by Strangman and his pirates, but Colonel Riggs and the army return to rescue them. Rather than punish Strangman, the military authorities co-operate with him, which angers and frustrates Dr Kerans, who then successfully re-floods the lagoon.
Ballard's story follows the biologist Dr Robert Kerans and his struggles against the devolutionary impulses of the environment. As part of a scientific survey unit under the leadership of Colonel Riggs, sent to map the flora and fauna in the boiling lagoon, the tranquility and banality of their role is soon upset by the onset of strange dreams which increasingly plague the survivors' minds. Amidst talk of the army and scientific team moving north, Lieutenant Hardman, the only other commissioned member of the unit, flees the lagoon and instead heads south, a search team unable to stop his escape.


Weakened by a wound, Kerans flees the lagoon and heads southwards aimlessly, and encounters a frail Lieutenant Hardman, who has become blind. After aiding Hardman, Dr. Kerans continues travelling south, like “a second Adam searching for the forgotten paradises of the reborn sun”.
When the other inhabitants of the lagoon finally flee the searing sun and head north, Kerans and two associates, the beautiful but reclusive Beatrice Dahl and fellow scientist Dr Alan Bodkin, settle down in the swamp into an isolated existence. Kerans is still tormented by his psycho-analytical tendencies, ever analysing and debating the regression of the environment into a neo-[[Triassic]] period, but the brief quiet is ended by the arrival of Strangman. The leader of a team of pirates seeking out and looting treasures within the deep, Strangman defies the remaining civilised reasons of Kerans' mind and disrupts the world that the survivors have grown to know. When Strangman and his team drain the lagoon and expose the city beneath, both Kerans and Bodkin are disgusted; the latter attempts to blow up the flood defences and re-flood the area, but without success. With Kerans and Beatrice resigned to their fate, Strangman pursues Bodkin and kills him in revenge.

Strangman and his team grow tired and suspicious of Dr Kerans, and with Beatrice now under Strangman’s web of control, Kerans is imprisoned and subjected to bizarre and tribalistic rituals intended to kill him. He survives, although severely weakened by the ordeals, and attempts to save Beatrice from her own imprisonment, to little avail. With the doctor and Beatrice facing the guns of Strangman and his men, the army under Colonel Riggs returns to save them at the last moment. With no reason or evidence to prosecute Strangman, the authorities co-operate with him, and Kerans once more grows frustrated by the inaction, finally taking a stand and succeeding in re-flooding the lagoon where Bodkin had failed. Wounded and weak, the doctor flees the lagoon and heads south without aim, meeting the frail and blind figure of Hardman along the way. After he aids Hardman back to some amount of strength, he soon continues onwards on his travels south, with little idea of an aim or objective, a "second Adam searching for the forgotten paradises of the reborn sun".


==Themes==
==Themes==
As with many of Ballard's later works, the novel depicts characters who seize on apocalyptic or chaotic breakdowns in civilization as opportunities to pursue new modes of perception, unconscious urges, or systems of meaning.<ref name=":0">{{Cite web|title = Will Self on JG Ballard's 'The Drowned World'|url = https://www.telegraph.co.uk/culture/books/10273413/Will-Self-on-JG-Ballards-The-Drowned-World.html|website = Telegraph.co.uk|access-date = 2016-02-06}}</ref>
In ''The Drowned World'' (1962) the novelist J.G. Ballard presents characters who take advantage of societal and civilisational collapse as opportunities to pursue new modes of [[perception]], unconscious urges, and systems of meaning.<ref name=":0">{{Cite web|title = Will Self on JG Ballard's 'The Drowned World'|url = https://www.telegraph.co.uk/culture/books/10273413/Will-Self-on-JG-Ballards-The-Drowned-World.html|website = Telegraph.co.uk| date=31 August 2013 |access-date = 2016-02-06}}</ref>
Writer Travis Eldborough stated that Ballard's work, and this novel in particular, allows us to "ask whether our sense of [[self (philosophy)|self]]—and of self as independent, sovereign, irrevocable—is itself a construction, and a temporary one."<ref>{{cite web|last1=Elborough|first1=Travis|title=Reality is a Stage Set: Travis Elborough talks to J. G. Ballard".'|url=http://australianhumanitiesreview.org/wp-content/uploads/2015/09/AHR57_Tait.pdf|website=Humanities Review|accessdate=2 April 2018}}</ref>
In the ''Humanities Review'', the writer Travis Eldborough said that literary works of Ballard in general, and ''The Drowned World'' in particular, allow the readers to "ask whether our sense of [[Self (philosophy)|Self]] — and of ''the self'' as independent, sovereign, irrevocable — is, itself, a [social] construction, and a temporary one."<ref>{{cite web|last1=Elborough|first1=Travis|title=Reality is a Stage Set: Travis Elborough talks to J. G. Ballard".'|url=http://australianhumanitiesreview.org/wp-content/uploads/2015/09/AHR57_Tait.pdf|website=Humanities Review|accessdate=2 April 2018}}</ref>


Critic Brian Baker states that ''The Drowned World'' "explores the deep implications of time, space, psychology and evolutionary biology in order to dismantle [[anthropocentric]] narratives and, in turn, open up alternative ways of experiencing, and conceiving of, contemporary human subjectivity."<ref>{{cite web|last1=Baker|first1=Brian|title=The Geometry of the Space Age: J. G. Ballard's Short Fiction and Science Fiction of the 1960s.|url=http://eprints.lancs.ac.uk/50734/|website=J.G. Ballard: Contemporary Critical Perspectives|accessdate=2 April 2018}}</ref> Scholar Jim Clarke stated that in the novel and its 1966 successor ''[[The Crystal World]]'', "Ballard's solitary protagonists traverse [[Bardo|liminal states]], often as psychological as physical, in which civilization recedes to the status of memory, and existence comes to be dominated and defined by the environment."<ref>{{cite journal|last1=Clarke|first1=Jim|title=Reading Climate Change in J.G. Ballard|journal=Critical Survey|volume=25|issue=2|pages=7–21|jstor=42751031|year=2013|doi=10.3167/cs.2013.250202}}</ref>
The critic Brian Baker said that in the thematic subjects of ''The Drowned World'', the novelist Ballard "explores the deep implications of time, space, psychology and evolutionary biology in order to dismantle [[anthropocentric]] narratives and, in turn, open up alternative ways of experiencing, and conceiving of, contemporary human [[subjectivity]]."<ref>{{cite book|last1=Baker|first1=Brian|title=The Geometry of the Space Age: J. G. Ballard's Short Fiction and Science Fiction of the 1960s.|url=http://eprints.lancs.ac.uk/50734/|website=J.G. Ballard: Contemporary Critical Perspectives|date=March 2008 |pages=11–22 |publisher=Continuum |isbn=9780826497260 |accessdate=2 April 2018}}</ref> The scholar Jim Clarke said that in ''The Drowned World'' and in ''[[The Crystal World]]'' (1966), "Ballard's solitary protagonists traverse [[liminality|liminal state]]s, often as psychological as physical, in which civilization recedes to the status of memory, and [[Existentialism|existence]] comes to be dominated and defined by the environment."<ref>{{cite journal|last1=Clarke|first1=Jim|title=Reading Climate Change in J.G. Ballard|journal=Critical Survey|volume=25|issue=2|pages=7–21|jstor=42751031|year=2013|doi=10.3167/cs.2013.250202}}</ref>


==Critical reception==
==Reception==
Following the novel's release, writer [[Kingsley Amis]] called Ballard "one of the brightest new stars in post-war fiction," and described the book as containing "an oppressive power reminiscent of [[Joseph Conrad|Conrad]]."
In 1962, upon publication of ''The Drowned World'', the novelist [[Kingsley Amis]] said that J.G. Ballard is "one of the brightest new stars in post-war fiction", and said that the story contains "an oppressive power, reminiscent of [[Joseph Conrad|Conrad]]." In 1966, the science fiction writer [[Algis Budrys]] mocked ''The Drowned World'' as "a run, hide, slither, grope and die book".<ref name="budrys196612">{{Cite magazine |last=Budrys|first=Algis|author=|last2= |first2= |date=December 1966 |title=Galaxy Bookshelf|department= |url=https://archive.org/stream/Galaxy_v25n02_1966-12_modified#page/n91/mode/2up|magazine=Galaxy Science Fiction|pages=125–133|type=}}</ref>
''Galaxy Science Fiction'' writer [[Algis Budrys]] mocked ''The Drowned World'' as "a run, hide, slither, grope and die book".<ref name="budrys196612">{{Cite magazine
|last=Budrys
|first=Algis
|author=
|last2=
|first2=
|date=December 1966
|title=Galaxy Bookshelf
|department=
|url=https://archive.org/stream/Galaxy_v25n02_1966-12_modified#page/n91/mode/2up
|magazine=Galaxy Science Fiction
|pages=125–133
|type=
}}</ref>


In a retrospective piece for ''[[The Daily Telegraph (Sydney)|The Telegraph]]'', writer [[Will Self]] noted that Ballard's work was unappreciated during his life, and that following a critical reappraisal of his work, "''The Drowned World'' shows him to be the most important British writer of the late 20th century."<ref>{{cite web|last1=Self|first1=Will|title=Will Self on J.G. Ballard's 'The Drowned World'|url=https://www.telegraph.co.uk/culture/books/10273413/Will-Self-on-JG-Ballards-The-Drowned-World.html|website=[[The Daily Telegraph|The Telegraph]]|accessdate=2 April 2018}}</ref> Writer [[Martin Amis]] states that "it is the measure of [Ballard's] creative radicalism that he welcomes these desperate dystopias with every atom of his being," but criticized the novel's perfunctory plotting, stating that "We conclude that Ballard is quite unstimulated by human interaction unless it takes the form of something inherently weird, like mob atavism or mass hysteria. What excites him is human isolation."<ref>{{cite web|last1=Amis|first1=Martin|title=Rereading The Drowned World|url=https://www.goodreads.com/author_blog_posts/2722563-martin-amis-rereading-the-drowned-world-by-jg-ballard|accessdate=2 April 2018}}</ref>
In 2018, in a retrospective assessment of the work of J.G. Ballard, the writer [[Will Self]] said that Ballard's literature went unappreciated during his life, and that, following a critical reappraisal of his work, ''The Drowned World'' shows Ballard to be the most important British writer of the late 20th century.<ref>{{cite web|last1=Self|first1=Will|title=Will Self on J.G. Ballard's 'The Drowned World'|url=https://www.telegraph.co.uk/culture/books/10273413/Will-Self-on-JG-Ballards-The-Drowned-World.html|website=[[The Daily Telegraph|The Telegraph]]|date=31 August 2013 |accessdate=2 April 2018}}</ref> Moreover, the novelist [[Martin Amis]] said that "it is the measure of [his] creative radicalism that [Ballard] welcomes these desperate dystopias with every atom of his being", but criticized the perfunctory plot of ''The Drowned World'', from which "we conclude that Ballard is quite unstimulated by human interaction unless it takes the form of something inherently weird, like mob [[atavism]] or [[mass hysteria]]. What excites him is human isolation."<ref>{{cite web|last1=Amis|first1=Martin|title=Rereading The Drowned World|url=https://www.goodreads.com/author_blog_posts/2722563-martin-amis-rereading-the-drowned-world-by-jg-ballard|accessdate=2 April 2018}}</ref>

==See also==
* [[List of underwater science fiction works]]


==References==
==References==
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[[Category:1962 British novels]]
[[Category:1962 British novels]]
[[Category:1962 science fiction novels]]
[[Category:1962 science fiction novels]]
[[Category:Novels by J. G. Ballard]]
[[Category:British post-apocalyptic novels]]
[[Category:Berkley Books books]]
[[Category:Berkley Books books]]
[[Category:British post-apocalyptic novels]]
[[Category:Climate change novels]]
[[Category:Novels by J. G. Ballard]]

Revision as of 00:50, 10 May 2024

The Drowned World
Cover of first edition (paperback)
AuthorJ. G. Ballard
LanguageEnglish
GenreScience fiction
PublisherBerkley Books
Publication date
1962[1]
Publication placeUnited Kingdom
Media typePrint (hardback & paperback)
Pages158

The Drowned World (1962), by J. G. Ballard, is a British science fiction novel that depicts a post-apocalyptic future in which global warming, caused by increased solar radiation, has rendered uninhabitable much of the surface of planet Earth. The story follows a team of scientists who are researching the environmental developments that occurred in the flooded city of London. The novel is an expansion of the novella "The Drowned World", which was first published in Science Fiction Adventures magazine, in the January 1962 issue, Vol. 4, No. 24.

In 2010, Time magazine named The Drowned World one of the ten best novels about a post-apocalyptic world on Earth.[2] In science fiction literature, The Drowned World is considered one of the founding novels of the climate fiction sub-genre.[3]

Synopsis

In the mid-22nd century, violent and prolonged solar storms enlarge the Van Allen radiation belt, which deteriorated the ionosphere of the Earth. The solar radiation bombarding the planet increased surface temperatures, raised the levels of the seas, and so established a tropical climate throughout most of the planet; with most of Earth no longer habitable by humans, the survivors migrate to the North Pole and to the South Pole, which the planetary tropical climate has rendered fit for human habitation.

In 2145, under the command of Colonel Riggs, Dr Robert Kerans is part of a scientific expedition sent to catalogue the flora and fauna of the lagoon that covers the city of London.[4] In the course of their scientific work, the members of the expedition begin to experience strange dreams. Amidst talk of the army and the scientists moving north, Lieutenant Hardman, the other officer in the expedition, flees the London lagoon and heads south; a search team sent to fetch him failed.

As the other inhabitants of the lagoon finally flee the overheating sunlight and head north, Kerans and two other scientists, the reclusive Dr Beatrice Dahl and Dr Alan Bodkin, decide to remain. A group of pirates led by a man named Strangman arrives to loot treasures from the deep waters of the London lagoon. After draining the lagoon, Strangman and his pirates expose the city of London, which disgusts Kerans and Bodkin; the latter attempts and fails to explode the flood defences and re-flood the London area. Afterwards, with Kerans and Dahl resigned to their fate, Strangman vengefully pursues and kills Bodkin.

Meanwhile, Strangman and his pirates become suspicious of Kerans, and they imprison him and Dahl. The pirates torture Kerans, which he survives; although weakened by the torture, Kerans attempts and fails to free Dahl from captivity. Kerans and Dahl are confronted by Strangman and his pirates, but Colonel Riggs and the army return to rescue them. Rather than punish Strangman, the military authorities co-operate with him, which angers and frustrates Dr Kerans, who then successfully re-floods the lagoon.

Weakened by a wound, Kerans flees the lagoon and heads southwards aimlessly, and encounters a frail Lieutenant Hardman, who has become blind. After aiding Hardman, Dr. Kerans continues travelling south, like “a second Adam searching for the forgotten paradises of the reborn sun”.

Themes

In The Drowned World (1962) the novelist J.G. Ballard presents characters who take advantage of societal and civilisational collapse as opportunities to pursue new modes of perception, unconscious urges, and systems of meaning.[5] In the Humanities Review, the writer Travis Eldborough said that literary works of Ballard in general, and The Drowned World in particular, allow the readers to "ask whether our sense of Self — and of the self as independent, sovereign, irrevocable — is, itself, a [social] construction, and a temporary one."[6]

The critic Brian Baker said that in the thematic subjects of The Drowned World, the novelist Ballard "explores the deep implications of time, space, psychology and evolutionary biology in order to dismantle anthropocentric narratives and, in turn, open up alternative ways of experiencing, and conceiving of, contemporary human subjectivity."[7] The scholar Jim Clarke said that in The Drowned World and in The Crystal World (1966), "Ballard's solitary protagonists traverse liminal states, often as psychological as physical, in which civilization recedes to the status of memory, and existence comes to be dominated and defined by the environment."[8]

Critical reception

In 1962, upon publication of The Drowned World, the novelist Kingsley Amis said that J.G. Ballard is "one of the brightest new stars in post-war fiction", and said that the story contains "an oppressive power, reminiscent of Conrad." In 1966, the science fiction writer Algis Budrys mocked The Drowned World as "a run, hide, slither, grope and die book".[9]

In 2018, in a retrospective assessment of the work of J.G. Ballard, the writer Will Self said that Ballard's literature went unappreciated during his life, and that, following a critical reappraisal of his work, The Drowned World shows Ballard to be the most important British writer of the late 20th century.[10] Moreover, the novelist Martin Amis said that "it is the measure of [his] creative radicalism that [Ballard] welcomes these desperate dystopias with every atom of his being", but criticized the perfunctory plot of The Drowned World, from which "we conclude that Ballard is quite unstimulated by human interaction — unless it takes the form of something inherently weird, like mob atavism or mass hysteria. What excites him is human isolation."[11]

See also

References

  1. ^ "JG Ballard's The Drowned World Reviewed". jgballard.ca.
  2. ^ Romero, Frances (7 June 2010). "Top 10 Post-Apocalyptic Books". Time Magazine. Retrieved 2 April 2018.
  3. ^ Clarke, Jim (2013). "Reading Climate Change in J.G. Ballard". Critical Survey. 25 (2): 7–21. doi:10.3167/cs.2013.250202.
  4. ^ "The Drowned World | W. W. Norton & Company". books.wwnorton.com. Retrieved 6 February 2016.
  5. ^ "Will Self on JG Ballard's 'The Drowned World'". Telegraph.co.uk. 31 August 2013. Retrieved 6 February 2016.
  6. ^ Elborough, Travis. "Reality is a Stage Set: Travis Elborough talks to J. G. Ballard".'" (PDF). Humanities Review. Retrieved 2 April 2018.
  7. ^ Baker, Brian (March 2008). The Geometry of the Space Age: J. G. Ballard's Short Fiction and Science Fiction of the 1960s. Continuum. pp. 11–22. ISBN 9780826497260. Retrieved 2 April 2018. {{cite book}}: |website= ignored (help)
  8. ^ Clarke, Jim (2013). "Reading Climate Change in J.G. Ballard". Critical Survey. 25 (2): 7–21. doi:10.3167/cs.2013.250202. JSTOR 42751031.
  9. ^ Budrys, Algis (December 1966). "Galaxy Bookshelf". Galaxy Science Fiction. pp. 125–133.
  10. ^ Self, Will (31 August 2013). "Will Self on J.G. Ballard's 'The Drowned World'". The Telegraph. Retrieved 2 April 2018.
  11. ^ Amis, Martin. "Rereading The Drowned World". Retrieved 2 April 2018.

Sources

  • McCarthy, Patrick A., (1997). "Allusions in Ballard's The Drowned World", Science-Fiction Studies #72, 24:2, July, 302–10.
  • Rossi, Umberto, (1994). "Images from the Disaster Area: An Apocalyptic Reading of Urban Landscapes in Ballard's The Drowned World and Hello America", Science-Fiction Studies #62, 21:1, March, 81–97.

External links