The Replacement Killers: Difference between revisions

The Replacement Killers
Theatrical release poster
Directed by	Antoine Fuqua
Written by	Ken Sanzel
Produced by	Matthew Baer Terence Chang Christopher Godsick John Woo
Starring	Chow Yun-fat Mira Sorvino Michael Rooker Kenneth Tsang Jürgen Prochnow Til Schweiger Danny Trejo
Cinematography	Peter Lyons Collister
Edited by	Jay Cassidy
Music by	Harry Gregson-Williams
Production companies	Columbia Pictures Brillstein-Grey Entertainment WCG Entertainment Productions
Distributed by	Columbia Pictures Columbia TriStar Home Video Sony Pictures Entertainment
Release date	February 6, 1998 (1998-02-06)
Running time	87 minutes
Country	United States
Languages	English Cantonese
Budget	$30,000,000
Box office	$19,204,929

The Replacement Killers is a 1998 American action film, directed by Antoine Fuqua in his directorial debut. The storyline was conceived from a screenplay written by Ken Sanzel. Veteran martial arts director John Woo co-produced and choreographed the action sequences. The film is set in modern day Los Angeles and follows an emotionally disillusioned assassin played by actor Chow Yun-fat, who is forced to settle a violent vendetta against a ruthless crime boss. The ensemble cast also features Mira Sorvino, Michael Rooker, Kenneth Tsang, Jürgen Prochnow, Til Schweiger and Danny Trejo. The film marks the American acting debut for Yun-fat, as his previous film credits included Hong Kong action cinema only.

The film was a co-production between the motion picture studios of Columbia Pictures, Brillstein-Grey Entertainment, and WCG Entertainment Productions. Theatrically, it was commercially distributed by Columbia, while the Sony Pictures Entertainment division released the film in the video rental market. The Replacement Killers explores assassination, violence and the influence of triads in modern society. Following its wide release in theaters, the film failed to garner any award nominations for its editing merits or cinematography. The film score was orchestrated by Harry Gregson-Williams; the soundtrack was released by the Varèse Sarabande music label on March 10, 1998.

The Replacement Killers premiered in theaters nationwide in the United States on February 6, 1998 grossing $19,204,929 in domestic ticket receipts. The film was screened at 1,936 theaters during its widest release in cinemas. Taking into account its $30 million budget costs, the film was considered a disappointing box office flop. The film's critical response didn't fare better either. Preceding its initial screening to the public, it was generally met with mixed to negative reviews. With its initial foray into the home media marketplace; the widescreen DVD edition of the film featuring scene selections, a featurette, and interviews among other highlights was released in the United States on July 1, 1998.

Plot

During an orchestrated drug bust at a marine loading dock, Los Angeles cop Stan Zedkov (Michael Rooker) injures and kills a criminal narcotics dealer, Peter Wei (Yau-Gene Chan). Looking to exact revenge for his son's death, Wei's father Terence (Kenneth Tsang), hires trained assassin John Lee (Chow Yun-fat) to murder Zedkov in front of his adolescent son Stevie (Andrew J. Marton). During the assassination attempt, Lee's conscience makes it difficult for him to pull the trigger, as he later decides to abandon the plot. Infuriated, Wei instructs a new pair of replacement killers to finish the job. Wei also directs his other henchmen to kill Lee's mother and sister in China for his act of disobedience. Aware of Wei's new scheme, Lee seeks the help of a skilled professional, Meg Coburn (Mira Sorvino), to create a forged passport. Lee intends to leave the country in order to protect his family who have been moved to a secure location in Shanghai.

Coburn later concludes the procedure of forging a passport for Lee. Feeling compelled to stop the killing of Zedkov and his son by Wei's assassins before leaving the country, Lee extracts information from one of Wei's informers in regards to the plan. During the second assassination attempt in a movie theater, Wei's new replacement killers Ryker (Til Schweiger) and Collins (Danny Trejo), fail to execute the operation. Lee and Coburn foil the plan, as Lee kills one of the assassins, Ryker, in the subsequent shootout. Concerned that Lee and Coburn will make their way back to Wei's base of operations, Wei devises advanced plans to flee the country and kill Lee's mother and sister himself. As Wei and his entourage exit their headquarters in a vehicle, Lee appears. Lee begins firing his handguns in different directions killing Wei's bodyguards and accomplices. Coburn surfaces moments later driving a truck through the melee, incapacitating Lee's head consort Michael Kogan (Jürgen Prochnow), and then killing him. Lee later corners Wei on a fire escape platform and kills him ending the conflict.

Cast

Chow Yun-fat	as John Lee
Mira Sorvino	as Meg Coburn
Michael Rooker	as Stan 'Zeedo' Zedkov
Kenneth Tsang	as Terence Wei
Jürgen Prochnow	as Michael Kogan
Til Schweiger	as Ryker
Danny Trejo	as Collins
Clifton Collins Jr.	as Loco
Carlos Gómez	as Hunt
Frank Medrano	as Rawlins

Production

Filming

Director Antoine Fuqua

Production for the film project began on February 10, 1997 in downtown Los Angeles. The first shoot was at the historic Mayan Theater, refurbished into the trendy nightclub for the film's stylish opening scene with hundreds of extras, as the character Lee guns down Romero (Carlos Leon) at close range. The eight-story, nearly condemned Giant Penny building in the middle of Los Angeles served as locations for a police station interior, a hotel room, and Meg Coburn's office. A chaotic gunfight was filmed amid the spray, brushes, and hoses of Joe's Car Wash in Los Angeles as well. The art department transformed one area into a Chinatown-like streetscape of damp, narrow alleys, and blinking red neon lights, site of a night filming where Yun-Fat shot off 546 rounds with two guns, one in each hand, while the repetitive action left his hands blistered and shaking. More gunplay was at a video arcade replicated at the original Lawry's California Center (now the Los Angeles River Center and Gardens operated by the Santa Monica Mountains Conservancy), just north of downtown Los Angeles. Lee's tranquil Buddhist temple was fashioned under this same roof too.

Director Fuqua stressed to his team that the aim was to design a "Taxi Driver for the 1990s,". In addition to physical training, Mira Sorvino, who had never handled a gun prior to this film, took weapons training to prepare for her role. Sorvino majored in Asian studies at Harvard, speaks Mandarin, and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and saw Chinese films, including Hong Kong action films. She felt The Replacement Killers brought her a step closer to her goal of making a film in Mandarin and working with a Chinese director.

Soundtrack

The original motion picture score was composed by Harry Gregson-Williams. Alan Meyerson mixed the sound elements for the chorus, while Richard Whitfield edited the film's music. The soundtrack for the film was released on March 10, 1998 by the Varèse Sarabande music label.

Untitled

The Replacement Killers: Original Motion Picture Score

No.	Title	Length
1.	"John's Theme"	2:43
2.	"Stalked"	3:58
3.	"The Temple"	2:28
4.	"He Means Business"	3:16
5.	"Kill or Be Replaced"	2:18
6.	"We Have Visitors..."	2:11
7.	"John Reflects"	2:04
8.	"Surreal Shoot-Out"	3:57
9.	"John Traps His Man"	3:47
10.	"Race Against Time"	3:04
11.	"The Heavies Arrive"	2:53
12.	"Final Confrontation"	3:38
Total length:		36:17

Release

Home media

File:The Replacement Killers Blu ray.jpg

Blu-ray Disc box cover artwork for The Replacement Killers.

Following its cinematic release in theaters, the Region 1 Code widescreen edition of the film was released on DVD by Sony Pictures Home Entertainment in the United States on July 1, 1998. Special features for the DVD include, scene selections and the featurette specials; Chow Yun-Fat Goes Hollywood along wth an edited HBO special: "Where the Action is". On March 5, 2002, a Special Edition DVD was released. DVD features included, a digitally mastered audio & anamorphic video; Widescreen presentation; Audio: English 5.1 (Dolby Digital), Spanish, French, Portuguese; Subtitles: English, Spanish, French, Portuguese, Chinese, Korean, Thai; Director's commentary; HBO Making-of: "Where the Action Is"; Deleted scenes; Alternate ending; Exclusive featurette: "Chow Yun-Fat Goes Hollywood"; Theatrical trailers; Filmographies; Animated menus; and Scene selections with motion images. An extended-cut DVD was released on April 25, 2006. Special features for that DVD included; Chow Yun-Fat Goes Hollywood, an all-new extended cut including over 10 extra minutes added back into the film, a digitally remastered quality picture and sound, and an Edited HBO Special: "Where the Action Is". Another media format made available for release was the VHS version on March 30, 1999.

The widescreen hi-definition Blu-ray Disc version of the film was released on September 11, 2007. Special features include; The Making of the Replacement Killers: "Where the Action is"; and the Exclusive Featurette: "Chow Yun-Fat Goes Hollywood". A UMD version of the film for the Sony PlayStation Portable was released on August 9, 2005. The disc features DVD quality picture; languages in: Chinese, English, Korean, Portuguese, Spanish, and Thai, with viewing options in Color and Black and White. A supplemental viewing option for the film in the media format of Video on demand is available as well.

Reception

Critical response

Among mainstream critics in the U.S., the film received mostly negative reviews. Rotten Tomatoes reported that 38% of 32 sampled critics gave the film a positive review, with an average score of 5.4 out of 10. At Metacritic, which assigns a weighted average out of 100 to critics' reviews, the film received a score of 42 based on 22 reviews. Following its cinematic release in 1998, The Replacement Killers failed to amass any award nominations for its production attributes.

"What I liked about the film was its simplicity of form and its richness of visuals. There's a certain impersonality about the story; Chow and Sorvino don't have long chats between the gunfire. They're in a ballet of Hong Kong action imagery: bodies rolling out of gunshot range, faces frozen in fear, guys toppling off fire escapes, grim lips, the fetishism of firearms, cars shot to pieces, cops that make Dragnet sound talky."

—Roger Ebert, writing for the Chicago Sun-Times

Among some of the positive critique, Roger Ebert writing in the Chicago Sun-Times called it "as abstract as a jazz instrumental, and as cool and self-assured." Discussing the film's style, he remarked that it was a "high-gloss version of a Hong Kong action picture, made in America but observing the exuberance of a genre where surfaces are everything." In Variety, Leonard Klady viewed the film was as being a "big, loud music video that's not particularly interested in content. It's a rudderless style piece; as the old saw cautions, accept no substitutes." Regarding the film's set design and production qualities, he noted that "While an apt homage, the set pieces here are technical but not visceral, feeling manufactured rather than organically integrated into the plot."

Russell Smith of The Austin Chronicle said the film was "so numbingly ritualistic that even the well-choreographed gun battles, probably the most Woo-like aspects of the film, lose much of their potential impact." Writing for The New York Times, Stephen Holden called the film a "seamless fusion of Hong Kong action-adventure style and cool, Los Angeles street chic has a certain seductive charm, it is the only charm of a movie that is otherwise devoid of content." Edward Guthmann in the San Francisco Chronicle said that "As pointless blast-athons go, "The Replacement Killers" isn't bad. It's beautifully shot by first-time feature director Antoine Fuqua, whose eye for sensual surfaces, deft camera moves and elegant framing was refined with commercials and music videos."

Desson Thomson of The Washington Post stated that "Without Chow Yun-Fat, who makes his American screen debut here, there'd be nothing to say about "The Replacement Killers." Antoine Fuqua's action movie is entirely free of surprise. It breaks no rules." He did however muse that "Chow's pretty face and cool presence are inescapable. You don't enjoy this movie, so much as you conduct a road test for the Hong Kong actor. Yes, he can survive in an English language picture!" In The San Francisco Examiner, Walter Addiego perceived that the film "remains a counterfeit of a Woo movie, even though Woo himself co-produced it. He turned the directing chores over to first-timer Antoine Fuqua, whose previous work was limited to music videos and commercials, and it shows." He added, "The script, by Ken Sanzel, is the work of someone who's seen Woo's movies and wasn't particularly moved by the experience."

Box office

The Replacement Killers premiered in cinemas on February 6, 1998 in wide release throughout the U.S.. During its opening weekend, the film opened in second place grossing $8,046,553 in business showing at 1,936 locations. The film, Titanic came in first place during that weekend grossing $23,027,838. Its revenue dropped by 49% in its second week of release, earning $4,068,335. For that particular weekend, the film fell to sixth place still screening in 1,936 theaters. Titanic, remained in first place grossing $28,167,947 in box office revenue. During its final week in release, The Replacement Killers opened in a distant 21st place with $131,727 in revenue. The film went on to top out domestically at $19,204,929 in total ticket sales through a 5-week theatrical run. For 1998 as a whole, the film would cumulatively rank at a box office performance position of 90.

See also

• 1998 in film
• Triad

References

Footnotes

Further reading

• Dancyger, Ken (2010). The Technique of Film and Video Editing, Fifth Edition: History, Theory, and Practice. Focal Press. ISBN 978-0-24081-397-4.
• Slocum, David (2000). Violence and American Cinema (AFI Film Readers). Routledge. ISBN 978-0-41592-810-6.
• Deri, Mark (1999). The Pyrotechnic Insanitarium: American Culture on the Brink. Grove Press. ISBN 978-0-80213-670-1.
• DeMott, Benjamin (2000). Killer Woman Blues : Why Americans Can't Think Straight About Gender and Power. Houghton Mifflin Harcourt. ISBN 978-0-39584-366-6.
• Ariano, Tara (2005). Hey! It's That Guy!. Quirk Books. ISBN 978-1-59474-042-8.
• Mathijs, Ernest (2007). The Cult Film Reader. Open University Press. ISBN 978-0-33521-923-0.
• Morton, Lisa (2009). Cinema of Tsui Hark. McFarland. ISBN 978-0-78644-460-1.
• Holmlund, Christine (2008). American Cinema of the 1990s: Themes and Variations. Rutgers University Press. ISBN 978-0-81354-366-6.
• Elder, Robert (2005). John Woo: Interviews (Conversations with Filmmakers). University Press of Mississippi. ISBN 978-1-57806-776-3.
• White, Jerry (2007). The Films of Kiyoshi Kurosawa: Master of Fear. Stone Bridge Press. ISBN 978-1-93333-021-1.
• Armstrong, Richard (2009). Encyclopedia of Film Themes, Settings and Series. McFarland. ISBN 978-0-78644-572-1.

External links

• Official website
• The Replacement Killers at IMDb
• The Replacement Killers at AllMovie
• The Replacement Killers at Rotten Tomatoes
• The Replacement Killers at Metacritic
• The Replacement Killers at Box Office Mojo