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Among them is Joe Dennis, who is resigning and leaving for California in order to end his growing friendship with fellow-employee Helen Roberts, as he feels unworthy of her. With his violent past, he does not feel he could marry such a sweet and innocent girl. They spend a last evening together and, as he boards the Greyhound bus, she says that if he did ask to marry her the answer would be yes.
Among them is Joe Dennis, who is resigning and leaving for California in order to end his growing friendship with fellow-employee Helen Roberts, as he feels unworthy of her. With his violent past, he does not feel he could marry such a sweet and innocent girl. They spend a last evening together and, as he boards the Greyhound bus, she says that if he did ask to marry her the answer would be yes.


They rush to an instant marriage bureau and then back to her room. The landlady emerges to throw Joe out, but relents when Helen shows her ring. Helen says they must keep the wedding secret, because Mr Morris does not approve of employees marrying each other. In fact he does not mind, but Helen is not allowed to marry while on parôle.
They rush to an instant marriage bureau and then back to her room. The landlady emerges to throw Joe out, but relents when Helen shows her ring. Helen says they must keep the wedding secret, because Mr Morris does not approve of employees marrying each other. In fact he does not mind, but Helen is not allowed to marry while on parole.


When Joe finds a ribboned bundle of what he assumes are love letters in Helen's room, but which are parôle cards, he becomes jealous of her past, and meets up for a drink with some criminals from his own. They plan to rob Morris' store at night, and recruit him to join the operation. But one of the gang is sorry for Helen, should Joe end up back in prison, and, trying to disguise his voice on the telephone, encourages her to keep him away that night; but panicking, he fails to cover the telephone properly; she recognises the voice, deduces why, and warns Morris.
When Joe finds a ribboned bundle of what he assumes are love letters in Helen's room, but which are parole cards, he becomes jealous of her past, and meets up for a drink with some criminals from his own. They plan to rob Morris' store at night, and recruit him to join the operation. But one of the gang is sorry for Helen, should Joe end up back in prison, and, trying to disguise his voice on the telephone, encourages her to keep him away that night; but panicking, he fails to cover the telephone properly; she recognizes the voice, deduces why, and warns Morris.


When the robbers break into the store, they are surrounded by armed guards. Morris says he will let them go once they have listened to what Helen has to say. With considerable expertise, she outlines on a blackboard the full costs of the operation they had planned and the meager returns each individual would receive if it had succeeded. Joe is not amused by Helen's rôle in the affair or by her sophisticated knowledge of heist planning. As he does not offer any reconciliation, she packs her things and disappears.
When the robbers break into the store, they are surrounded by armed guards. Morris says he will let them go once they have listened to what Helen has to say. With considerable expertise, she outlines on a blackboard the full costs of the operation they had planned and the meager returns each individual would receive if it had succeeded. Joe is not amused by Helen's role in the affair or by her sophisticated knowledge of heist planning. As he does not offer any reconciliation, she packs her things and disappears.


Joe and his colleagues search all over town, with no leads. From Helen's Parôle Officer, Joe learns that Helen is pregnant and that her marriage was void as it breached her parôle conditions. After looking everywhere for her, one of the gang realizes that she'd probably be in a hospital, and finds her. The film ends with their second, but this time valid, marriage.
Joe and his colleagues search all over town, with no leads. From Helen's parole officer, Joe learns that Helen is pregnant and that her marriage was void as it breached her parole conditions. After looking everywhere for her, one of the gang realizes that she'd probably be in a hospital, and finds her. The film ends with their second, but this time valid, marriage.


==Cast==
==Cast==

Revision as of 00:25, 9 August 2021

You and Me
Directed byFritz Lang
Written byVirginia Van Upp
Based ona story by Norman Krasna
Produced byFritz Lang
presented by
Adolph Zukor
StarringSylvia Sidney
George Raft
CinematographyCharles Lang
Edited byPaul Weatherwax
Music byKurt Weill
Production
company
Fritz Lang Productions
Distributed byParamount Pictures
Release dates
  • June 1, 1938 (1938-06-01) (New York City)
  • June 3, 1938 (1938-06-03) (United States)
Running time
94 minutes
CountryUnited States
LanguageEnglish

You and Me is a 1938 American crime film noir directed by Fritz Lang and starring Sylvia Sidney and George Raft. They play a pair of criminals on parole and working in a department store full of similar cases; Harry Carey's character routinely hires ex-convicts to staff his store. The film was written by Norman Krasna and Virginia Van Upp.

Plot

Mr Morris, owner of a large department store, hires offenders released on parole to give them a chance to rehabilitate. The other staff do not know.

Among them is Joe Dennis, who is resigning and leaving for California in order to end his growing friendship with fellow-employee Helen Roberts, as he feels unworthy of her. With his violent past, he does not feel he could marry such a sweet and innocent girl. They spend a last evening together and, as he boards the Greyhound bus, she says that if he did ask to marry her the answer would be yes.

They rush to an instant marriage bureau and then back to her room. The landlady emerges to throw Joe out, but relents when Helen shows her ring. Helen says they must keep the wedding secret, because Mr Morris does not approve of employees marrying each other. In fact he does not mind, but Helen is not allowed to marry while on parole.

When Joe finds a ribboned bundle of what he assumes are love letters in Helen's room, but which are parole cards, he becomes jealous of her past, and meets up for a drink with some criminals from his own. They plan to rob Morris' store at night, and recruit him to join the operation. But one of the gang is sorry for Helen, should Joe end up back in prison, and, trying to disguise his voice on the telephone, encourages her to keep him away that night; but panicking, he fails to cover the telephone properly; she recognizes the voice, deduces why, and warns Morris.

When the robbers break into the store, they are surrounded by armed guards. Morris says he will let them go once they have listened to what Helen has to say. With considerable expertise, she outlines on a blackboard the full costs of the operation they had planned and the meager returns each individual would receive if it had succeeded. Joe is not amused by Helen's role in the affair or by her sophisticated knowledge of heist planning. As he does not offer any reconciliation, she packs her things and disappears.

Joe and his colleagues search all over town, with no leads. From Helen's parole officer, Joe learns that Helen is pregnant and that her marriage was void as it breached her parole conditions. After looking everywhere for her, one of the gang realizes that she'd probably be in a hospital, and finds her. The film ends with their second, but this time valid, marriage.

Cast

Production

William LeBaron of Paramount asked Norman Krasna if he could come up with a vehicle for George Raft. Krasna agreed provided he was allowed to direct. Then Carole Lombard read the script and wanted to be involved; Krasna says Paramount did not want first-time director Krasna to be entrusted with a Lombard-Raft film and tried to force Krasna off the project.[1] In 1936, it was reported the film would be delayed because Raft did not want Krasna to direct.[2] There was some talk John Howard might replace Raft.[3] Arline Judge was going to star alongside Lombard.[4] Raft was put on suspension and $24,000 of his salary was withheld.[5] However the film did not go ahead.

Then several months later B.P. Schulberg, who was producing films for Paramount, decided to re-activate the project. He replaced Lombard with Sylvia Sidney[6] and the male lead went to John Trent. Richard Wallace was meant to direct.[7]

Eventually Raft – who had made a film with Sidney, The Pick Up (1933) – did the film. By May 1937, Schulberg was no longer producer and the director was Fritz Lang who had just made Fury and You Only Live Once with Sidney.[8]

Lang used a musical score from Kurt Weill. He used it in an expressionistic style.[9] Lang says he was influenced by Bertolt Brecht, who had developed a style of theatre called Lehrstucke, theatre that teaches. "I wanted to make a didactic picture teaching the audience that crime doesn't pay", said Lang. "Which is a lie, because crime pays very well. The message was spelled out at the end by Sylvia Sidney on a blackboard to a classroom of crooks."[10]

Lang says Weill "had nothing to do just then." They worked together and Weill composed introductory music for certain scenes. Lang later said the scene where prisoners were nostalgic for prison was "stupid".[10]

Production credits

Songs

  • "Song of the Cash Register"
  • "Knocking Song"
  • "The Right Guy for Me"
  • "Romance of a Lifetime"
  • "The Song of the Lie"
  • "We're the Kind of People Who Sing Lullabies"

Reception

Box office

The film was a box office flop.[11] "It was – I think deservedly – my first real flop", said Lang.[10]

Critical

Jonathan Rosenbaum described You and Me as "among Lang's most unjustly neglected Hollywood pictures – not an unqualified success by any means but interesting, imaginative, and genuinely strange."[12]

Lang later called it a "lousy picture".[13]

Filmink said "it flopped and Raft may as well have done it with Krasna."[14]

References

  1. ^ *McGilligan, Patrick, "Norman Krasna: The Woolworth's Touch", Backstory: Interviews with Screenwriters of Hollywood's Golden Age, University of California Press, 1986, p219-220
  2. ^ "NEWS OF THE SCREEN". New York Times. Sep 3, 1936. ProQuest 101680687.
  3. ^ "NEWS OF THE SCREEN". New York Times. Sep 4, 1936. ProQuest 101793136.
  4. ^ Schallert, E. (Sep 9, 1936). "GLADYS GEORGE AWARDED LEAD IN "A MAN AND A WOMAN"". Los Angeles Times. ProQuest 164713934.
  5. ^ "News from hollywood". New York Times. Nov 20, 1936. ProQuest 101687622.
  6. ^ Graham, S. (Jan 7, 1937). "SCHULBERG CASTS SYLVIA SIDNEY IN KRASNA FEATURE". Los Angeles Times. ProQuest 164680669.
  7. ^ "NEWS OF THE SCREEN". New York Times. Jan 9, 1937. ProQuest 102070888.
  8. ^ Schallert, E. (May 14, 1937). "ORIGINAL FUNSTERS SOUGHT FORI "PIGSKIN PARADE" SEQUELS". Los Angeles Times. ProQuest 164728490.
  9. ^ Scheuer, P. K. (Mar 20, 1938). "FILM INFORMATION NEWS OF STAGE AND SCREEN NEW OFFERINGS". Los Angeles Times. ProQuest 164801160.
  10. ^ a b c Lang, Fritz (2003). Fritz Lang: Interviews. Univ. Press of Mississippi. p. 105. ISBN 9781578065776.
  11. ^ Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 77
  12. ^ "You and Me". Jonathan Rosenbaum. February 1999.
  13. ^ Lang (2003). Fritz Lang: Interviews. Univ. Press of Mississippi. p. 140. ISBN 9781578065776.
  14. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
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