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Arnoldo Foà

Arnoldo Foà Cavaliere di Gran Croce OMRI (24 January 1916 – 11 January 2014) was an Italian actor, voice actor, theatre director, singer and writer.[1] He appeared in more than 130 films between 1938 and 2014.

Arnoldo Foà
OMRI
Foà in the 1950s
Born
Arnoldo Eugenio Foà

(1916-01-24)24 January 1916
Ferrara, Kingdom of Italy
Died11 January 2014(2014-01-11) (aged 97)
Rome, Italy
Occupations
  • Actor
  • director
  • voice actor
  • singer
  • writer
Years active1935–2014

Biography

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Foà was born in Ferrara, Italy, to a Jewish family, though Foà was an atheist in his adult life.[2] Foà completed high school in Florence, where he moved with his family, and studied at the acting school of Rasi. He abandoned his studies in economics and at age 20 moved to Rome, where he attended the Centro Sperimentale di Cinematografia.

He was initiated to the Italian Scottish Rite Freemasonry in 1947 at the lodge "Alpi Giulie" n.150 (in Rome),[3][4] taking later the highest degree.[5][6]

Foà died on 11 January 2014 from respiratory failure, just 13 days short of his 98th birthday.[7]

Theatre

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1930s

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  • La serenata al vento by Carlo Veneziani, directed by Alberto Bracaloni, 1935
  • La dodicesima notte by William Shakespeare, directed by Pietro Sharoff, 1938
  • L’Alcalde di Zalamea by Calderón de la Barca, directed by Raffaello Melani [it]
  • Rappresentazione di Santo Ignazio (Anonimo del XV secolo), directed by G. Pacuvio, 1939
  • Frenesia by Charles de Peyret-Chappuis, directed by Edoardo Anton
  • La vita è sogno by Calderon de la Barca, directed by Nino Meloni
  • Le Allegre Comari di Windsor by William Shakespeare, directed by Pietro Scharoff

1940s

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1950s

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1960s

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  • Due in altalena by William Gibson, directed by A. Foà, Teatro Eliseo di Roma, 1960
  • La terra è rotonda by Armand Salacrou directed by Roberto Guicciardini
  • Giulietta e Romeo by W. Shakespeare, directed by Franco Enriquez, Teatro Romano di Verona
  • Rashomon di Fay e Kanin, (dal film di Akira Kurosawa), directed by Arnoldo Foà, 1961
  • I Turchi se la giocano a primiera by Alfio Beretta, directed by Arnoldo Foà, Teatro Nuovo di Milano
  • Pene d’amor perdute by William Shakespeare, directed by Franco Enriquez, Compagnia Stabile della città di Napoli, Teatro Mercadante
  • Un giorno nella vita di ... by Jack Popplewell, directed by Umberto Benedetto, Piccolo Teatro Stabile della città di Firenze
  • Anfitrione by Plautus, directed by Silverio Blasi, Centro Teatrale Italiano, 1962
  • Ifigenia by Ildebrando Pizzetti e Alberto Perrini, directed by Aldo Vassallo Mirabella, Teatro dell’Opera di Roma
  • Il Pipistrello by Johann Strauss Jr, directed by Herbert Graf, Direttore d’orchestra Samuel Krachmalnick, regia teatrale Arnoldo Foà, Teatro dell’Opera di Roma
  • I Masteroidi by Marcel Aymè, directed by A. Foà, 1963
  • Notti a Milano by Carlo Terron, directed by A. Foà
  • La Lanzichenecca by Vincenzo di Mattia, directed by Virginio Puecher, Compagnia del Piccolo Teatro di Milano, 1964
  • Eracle by Euripide, translated by Salvatore Quasimodo, directed by Giuseppe Di Martino, Istituto Nazionale del Dramma Antico, Teatro Greco di Siracusa
  • Andromaca by Euripide, directed by Mario Ferrero, Istituto Nazionale del Dramma Antico, Teatro Greco di Siracusa
  • Canti e poesie della libertà, directed by Raffaele Maiello, testi a cura di Arnoldo Foà e Gigi Lunari, Teatro Lirico di Milano, 1965
  • Re Cervo da Carlo Gozzi, directed by Andrea Camilleri
  • Ruy Blas by Victor Hugo, directed by Mario Ferrero, Teatro Duse di Bologna, 1966
  • Il testimone by A. Foà, directed by Arnoldo Foà, Teatro Duse di Bologna
  • La stanza degli Ospiti by Brunello Rondi, directed by A. Foà, Teatro della Cometa
  • I Menecmi by Plauto, translated by Ettore Paratore, directed by Accursio Di Leo, Istituto Nazionale del Dramma Antico
  • La Pace by Aristofane, directed by A. Foà, Istituto Nazionale del Dramma Antico, 1967
  • Zio Vania by Anton Checov, directed by Pietro Sharoff, Teatro Centrale di Roma, 1968
  • Golem by Alessandro Fersen, directed by A. Fersen, E.T.I. Teatro La Pergola di Firenze, 1969
  • Malatesta by Henry de Montherlant, translated by Mario Moretti, directed by José Quaglio

1970s

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  • Il Burbero Benefico by Carlo Goldoni, directed by Carlo Lodovici, ripresa televisiva 22 dicembre 1970
  • Diana e la Tuda by L. Pirandello, directed by Arnoldo Foà, Teatro Stabile di Palermo, 1971
  • Flavia e le sue Bambole by Salvato Cappelli, directed by Giorgio Prosperi, Fondazione Andrea Biondo Compagnia Stabile di Palermo
  • The entertainer by John Osborne, directed by Arnoldo Foà, Compagnia Teatro San Babila di Milano, 1972
  • Per una giovinetta che nessuno piange by Renato Mainardi, directed by Arnoldo Foà
  • Lisistrata by Aristofane, directed by Daniele D’Anza, Istituto Nazionale del Dramma Antico, Teatro Greco di Siracusa
  • Vecchi vuoti a rendere by Maurizio Costanzo, directed by Arnoldo Foà, Teatro Valle 1973
  • Miles Gloriosus by Plauto, trad. e ridu. di A. Foà, directed by A. Foà, Compagnia Attori Riuniti
  • L’estro del Poeta by Eugene O’Neill, directed by Enrico Colosimo
  • La folle Amanda by Pierre Barillet e Jean-Pierre Gredy, directed by Arnoldo Foà, Compagnia del Teatro Comico, Teatro Duse di Bologna, 1974
  • Maschere Nude by L. Pirandello, directed by Lambreto Puggelli, Compagnia del Teatro San Babila, 1975
  • Farsa d’amore e di gelosia by Mario Amendola e Bruno Corbucci, directed by Filippo Crivelli, Teatro Nuovo di Milano 1976
  • Un angelo calibro 9 by Nino Marino, directed by A. Foà, Theatritalia/Compagnia del Momento Teatrale, Teatro Duse di Bologna, 1977–1978
  • La Roba da G. Verga, directed by A. Mazzone
  • Quella della porta accanto by Nino Marino, directed by A. Foà
  • Diana e la Tuda by L. Pirandello, directed by Arnoldo Foà, con A. Foà, Teatro Parioli di Roma, 1979

1980s

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1990s

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  • Don Giovanni e Faust by Christian Dietrich Grabbe, directed by Gino Zampieri, Festival del Teatro Classico, Borgio Verezzi, 1990
  • L’Ultimo Viaggio di Pirandello by B. Belfiore, directed by P. Gazzara, 1991
  • Adelchi by A. Manzoni, directed by Federico Tiezzi, produzione Teatro Biondo di Palermo e Teatro Argentina di Roma, Teatro Biondo di Palermo, 1992
  • La bottega del caffè by C. Goldoni, directed by Mario Missiroli, Produzione Teatro Argentina di Roma
  • La Pace by Aristofane, trad. di Raffaele Cantarella, adattamento e directed by A. Foà, Teatro Olimpico di Vicenza
  • Il Corsaro (dal Decamerone di Boccaccio) di Fausto Tapergi, directed by Marco Carniti, 1993–1994
  • Aulularia by Plauto, directed by Renato Giordano, Teatro Romano di Ostia Antica
  • Aminta by Torquato Tasso, directed by Luca Ronconi, Produzione Teatro di Roma
  • Una serata per l'impresario teatrale directed by Stefano Mazzonis, Trittico di 3 opere buffe: Il maestro di cappella by D.Cimarosa e Epitaffi sparsi by Ennio Morricone, e L'impresario teatrale by W. A. Mozart. Orchestra Pro Arte Marche diretta da Bruno Rigacci. 1997
  • La signora della musica by André Ernotte e Elliot Tiber, adattamento e directed by A. Foà, Cantiere Internazionale d’Arte di Montepulciano e Cubatea, 1998
  • La rivoluzione di Frà Tommaso Campanella by Mario Moretti, directed by Mario Moretti, Teatro Ghione di Roma, 1999
  • Diana e la Tuda by Luigi Pirandello, directed by A. Foà, produzione La Pirandelliana, Teatro Franco Parenti di Milano
  • Tutti gli uomini del deficiente directed by Paolo Costella, 1999

2000s

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  • Amphitryon Toujours by Arnoldo Foà, directed by Arnoldo Foà, produzione La Pirandelliana, Spoleto Festival 2000, 2000
  • Ultimo giorno di un condannato a morte, di Giovanni De Feudis, directed by Giovanni De Feudis (da Le dernier jour d’un condamné by Victor Hugo)
  • L’Igiene dell’Assassino by Amélie Nothomb, directed by Andrea Dosio, Torino Spettacoli, Teatro Erba di Torino, 2001
  • ll Vantone by Pier Paolo Pasolini (dal Miles Gloriosus by Plautus), directed by Pino Quartullo
  • Colpevole innocenza by Ronald Harwood, directed by Arnoldo Foà, Compagnia Mario Chiocchio, Teatro Greco di Roma
  • Pluto by Aristofanes, adattamento e directed by A. Foà, 2002
  • Duse/D’Annunzio by Barbara Amodio, directed by Angelo Gallo
  • Novecento by Alessandro Baricco, directed by Gabriele Vacis, Produzione Mondrian Kilroy Fund e Irma Spettacoli, 2003–2004
  • Oggi by Arnoldo Foà, directed by A. Foà, con A. Foà, produzione La Pirandelliana, Teatro Ghione di Roma, 2005
  • Patrizia, il Musical, di Arnoldo Foà, Teatro Sistina
  • Sul lago dorato by Ernest Thompson (adattamento di Nino Marino), directed by Maurizio Panici, produzione La Pirandelliana, Festival di Borgio Verezzi 2006
  • Scene dalla vita di Mozart testo di Lorenzo Arruga, musica di Albert Lortzing, regia Dan Jemmett, direzione musicale Paolo Arrivabeni, con Arnoldo Foà, Teatro Comunale di Bologna
  • Io, Arturo Toscanini, di Piero Melograni, directed by Giulio Farnese, Teatro Politeama Pratese, 2007

Selected filmography

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References

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  1. ^ "Arnoldo Foà's dubbing contributions". Antoniogenna.net. Retrieved 19 December 2019.
  2. ^ Ventura Marco. "E l' Ateo Foà Difende Dio dalle Accuse di Moni Ovadia". Retrieved 26 February 2015.
  3. ^ Vittorio Gnocchini (2005). L'Italia dei Liberi Muratori (in Italian). Erasmo Editore. p. 124.
  4. ^ "Il Gran Maestro omaggia Arnoldo Foa ed Enzo Maiorca". Grand Orient of Italy (section of Umbria) (in Italian). 31 March 2017. Archived from the original on 8 April 2017.
  5. ^ "Quanti personaggi dello spettacolo fra le logge italiane". Archived from the original on 19 July 2017.
  6. ^ "Si è spento Arnoldo Foà, la "voce" di Dio". Grand Orient of Italy (section of Umbria). 11 January 2014. Archived from the original on 6 October 2018. Retrieved 7 October 2018 – via loggiagiordanobruno.com.
  7. ^ "È morto a Roma Arnoldo Foà". lastampa. 11 January 2014. Retrieved 11 January 2014.
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