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Editing Carroll Baker

There is a rumor out there, unfortunately stemmed from Wikipedia, that her birth name is "Karolina Piekarski". This is almost certainly false - see discussion - please add good source - i.e. not IMDB or NNDB - if re-adding it
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===1967–1975: European films===
===1967–1975: European films===
[[File:Il dolce corpo di Deborah (1968) - Carroll Baker (1).jpg|thumb|Baker in ''[[The Sweet Body of Deborah|Il dolce corpo di Deborah]]'' (1968)]]
[[File:Il dolce corpo di Deborah (1968) - Carroll Baker (1).jpg|thumb|Baker in ''[[The Sweet Body of Deborah|Il dolce corpo di Deborah]]'' (1968)]]
Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood.<ref name="newsday"/>{{sfn|Baker|1983|p=296}} Eventually settling in Rome, Baker became fluent in Italian<ref name="glamour" /> and spent the next several years starring in hard-edged [[giallo]], [[exploitation film|exploitation]], and [[horror films]]. In 1966, Baker had been invited to the Venice International Film Festival, where she met director [[Marco Ferreri]],{{sfn|Baker|1983|pages=284, 289}} who asked her to play the lead role in ''[[Her Harem]]'' (1967). This was followed with the horror films ''The Sweet Body of Deborah'' (1968) and ''The Devil Has Seven Faces'' (1971). Baker also starred in ''[[So Sweet... So Perverse]]'' (1969), ''[[Orgasmo]]'' (1969), ''A Quiet Place to Kill'' (1970), and ''[[Il coltello di ghiaccio]]'' (''Knife of Ice'') (1972), all [[giallo]] films directed by Italian filmmaker [[Umberto Lenzi]].
Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood.<ref name="newsday"/>{{sfn|Baker|1983|p=296}} Eventually settling in Rome, Baker became fluent in Italian<ref name="glamour" /> and spent the next several years starring in hard-edged [[giallo|Italian thrillers]], [[exploitation film|exploitation]], and [[horror films]]. In 1966, Baker had been invited to the Venice International Film Festival, where she met director [[Marco Ferreri]],{{sfn|Baker|1983|pages=284, 289}} who asked her to play the lead role in ''[[Her Harem]]'' (1967). This was followed with the horror films ''The Sweet Body of Deborah'' (1968) and ''The Devil Has Seven Faces'' (1971). Baker also starred in ''[[So Sweet... So Perverse]]'' (1969), ''[[Orgasmo]]'' (1969), ''A Quiet Place to Kill'' (1970), and ''[[Il coltello di ghiaccio]]'' (''Knife of Ice'') (1972), all [[giallo]] films directed by Italian filmmaker [[Umberto Lenzi]].


Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time.{{sfn|Shipka|2011|p=80}} Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned ''Paranoia'', where she played a wealthy widow tormented by two sadistic siblings. In his review of ''Paranoia'', [[Roger Ebert]] said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In ''The Carpetbaggers'', there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in ''Paranoia''. I think maybe she was saying 'the hell with it', and having a good time."<ref>{{cite web |last=Ebert |first=Roger |url=http://www.rogerebert.com/reviews/paranoia-1969 |work=Chicago Sun-Times |title=Paranoia Movie Review |date=August 20, 1969 |access-date=April 5, 2015}}</ref> As with ''Paranoia'', the majority of the films she made in Italy received poor critical reception in the United States,<ref>{{cite journal |journal=FilmFacts |volume=12 |page=175 |date=1969 |title=The Sweet Body of Deborah: Critique |publisher=Division of Cinema of the University of Southern California |quote=The critics were extremely unkind to ''The Sweet Body of Deborah'', with Carroll Baker taking the severest beating}}</ref> though they afforded Baker—who had left Hollywood in debt and with two children to support— an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might&nbsp;... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."<ref name="brennan">{{cite web |url=http://projects.latimes.com/hollywood/star-walk/carroll-baker/ |work=The Los Angeles Times |title=Carroll Baker |series=Hollywood Star Walk |author=Brennan, Patricia |date=January 3, 1987 |access-date=February 3, 2015}}</ref>
Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time.{{sfn|Shipka|2011|p=80}} Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned ''Paranoia'', where she played a wealthy widow tormented by two sadistic siblings. In his review of ''Paranoia'', [[Roger Ebert]] said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In ''The Carpetbaggers'', there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in ''Paranoia''. I think maybe she was saying 'the hell with it', and having a good time."<ref>{{cite web |last=Ebert |first=Roger |url=http://www.rogerebert.com/reviews/paranoia-1969 |work=Chicago Sun-Times |title=Paranoia Movie Review |date=August 20, 1969 |access-date=April 5, 2015}}</ref> As with ''Paranoia'', the majority of the films she made in Italy received poor critical reception in the United States,<ref>{{cite journal |journal=FilmFacts |volume=12 |page=175 |date=1969 |title=The Sweet Body of Deborah: Critique |publisher=Division of Cinema of the University of Southern California |quote=The critics were extremely unkind to ''The Sweet Body of Deborah'', with Carroll Baker taking the severest beating}}</ref> though they afforded Baker—who had left Hollywood in debt and with two children to support— an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might&nbsp;... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."<ref name="brennan">{{cite web |url=http://projects.latimes.com/hollywood/star-walk/carroll-baker/ |work=The Los Angeles Times |title=Carroll Baker |series=Hollywood Star Walk |author=Brennan, Patricia |date=January 3, 1987 |access-date=February 3, 2015}}</ref>
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  • Carroll Baker: Miscellaneous (e.g. aliases, entity existence), Title, Sitelink, Some statements, Description: en
  • English Wikipedia: Label: en
  • human: Miscellaneous (e.g. aliases, entity existence)

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