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Art Tatum: Difference between revisions

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it's supported by the content of the citations. Is there a more recent poll of similar standing or a substantial number of sources stating he isn't regarded as even "one of" the greatest? We could add more sources here, but it feels redundant in an article that already resounds with praise
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'''Arthur Tatum Jr.''' ({{IPAc-en|ˈ|t|eɪ|t|əm}}, October 13, 1909 – November 5, 1956) was an American [[jazz]] pianist who hasis beenwidely regarded as one of the greatest ever.<ref name="Doerschuk">{{cite book |last1=Doerschuk |first1=Robert |title=88 – The Giants of Jazz Piano |page=58 |quote='[...] by consensus, the greatest jazz pianist who ever lived.' When [[Leonard Feather]] was compiling his ''Encyclopedia of Jazz'' in the mid-1950s, he polled a number of musicians about the players they themselves most admired on their respective instruments. More than two-thirds of the pianists surveyed put Tatum at the top of the list. [[Gene Lees]] conducted a similar poll thirty years later, and again Tatum dominated the results.}}</ref><ref name="dozens">{{cite web |last=Gioia |first=Ted |title=The Dozens: Art Tatum at 100 |url=http://www.jazz.com/dozens/the-dozens-art-tatum-at-100 |publisher=Jazz.com |access-date=September 11, 2012 |archive-url=https://web.archive.org/web/20160610152243/http://www.jazz.com/dozens/the-dozens-art-tatum-at-100 |archive-date=June 10, 2016 }}</ref> From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his initial [[Stride (music)|stride]] influences, and established new ground through innovative use of [[Harmonization#Reharmonization|reharmonization]], [[Voicing (music)|voicing]], and [[Polytonality|bitonality]].
 
Tatum grew up in [[Toledo, Ohio]], where he began playing piano professionally and had his own radio program, rebroadcast nationwide, while still in his teens. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. In that decade, he settled into a pattern he followed for most of his career – paid performances followed by long after-hours playing, all accompanied by prodigious consumption of alcohol. He was said to be more spontaneous and creative in such venues, and although the drinking did not hinder his playing, it did damage his health.