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'''François Roland Truffaut''' ({{IPAc-en|UK|ˈ|t|r|uː|f|oʊ|,_|ˈ|t|r|ʊ|-}} {{respell|TROO|foh|,_|TRUU-}}, {{IPAc-en|US|t|r|uː|ˈ|f|oʊ}} {{respell|troo|FOH}};<ref>{{cite LPD|3}}</ref><ref>{{cite EPD|18}}</ref> {{IPA-fr|fʁɑ̃swa ʁɔlɑ̃ tʁyfo|lang}}; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the [[French New Wave]].<ref>Obituary ''[[Variety Obituaries|Variety]]'', 24 October 1984.</ref> With a career of more than 25 years, he is an icon of the [[Cinema of France|French film]] industry. <!--Along with [[Jean-Luc Godard]], Truffaut was one of the most influential figures of the French New Wave, inspiring directors such as [[Steven Spielberg]], [[Quentin Tarantino]], [[Brian De Palma]], [[Martin Scorsese]], and [[Wes Anderson]]{{Citation needed|date=February 2011}}.-->
Truffaut's film ''[[The 400 Blows]]'' (1959) is a defining film of the French New Wave movement, and has four sequels: ''[[Antoine et Colette]]'' (1962), ''[[Stolen Kisses]]'' (1968), ''[[Bed and Board (film)|Bed and Board]]'' (1970), and ''[[Love on the Run (1979 film)|Love on the Run]]'' (1979). Truffaut's 1973 film ''[[Day for Night (film)|Day for Night]]'' earned him critical acclaim and several awards, including the [[BAFTA Award for Best Film]] and the [[Academy Award for Best Foreign Language Film]]. His other notable films include ''[[Shoot the Piano Player]]'' (1960), ''[[Jules and Jim]]'' (1962), ''[[The Soft Skin]]'' (1964), ''[[The Wild Child]]'' (1970), ''[[Two English Girls]]'' (1971), ''[[The Last Metro]]'' (1980), and ''[[The Woman Next Door (1981 film)|The Woman Next Door]]'' (1981). He played one of the main roles in [[Steven Spielberg]]'s ''[[Close Encounters of the Third Kind]]'' (1977).
Truffaut wrote the book ''[[Hitchcock/Truffaut]]'' (1966), based on his interviews with film director [[Alfred Hitchcock]] during the 1960s.
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Truffaut was married to Madeleine Morgenstern from 1957 to 1965, and they had two daughters, Laura (born 1959) and Eva (born 1961). Madeleine was the daughter of [[Ignace Morgenstern]], managing director of one of France's largest film distribution companies, [[Cocinor]], and was largely responsible for securing funding for Truffaut's first films.
In 1968, Truffaut was engaged to actress [[Claude Jade]] (''[[Stolen Kisses]]'', ''[[Bed and Board (film)|Bed and Board]]'', ''Love on the Run''); he and [[Fanny Ardant]] (''[[The Woman Next Door (1981 film)|The Woman Next Door]]'', ''[[Confidentially Yours]]'') lived together from 1981 to 1984 and had a daughter, Joséphine Truffaut (born 28 September 1983).<ref name="New Wave Film Encyclopedia" /><ref>{{cite web|url=https://www.nytimes.com/books/99/04/18/specials/truffaut-obit.html|title=Francois Truffaut, New Wave Director, Dies|author=Eric Pace|date=22 October 1984|work=[[The New York Times]]|access-date=1 May 2013|archive-date=25 December 2013|archive-url=https://web.archive.org/web/20131225160023/http://www.nytimes.com/books/99/04/18/specials/truffaut-obit.html|url-status=live}}</ref>
Truffaut was an [[Atheism|atheist]], but had great respect for the Catholic Church and requested a [[Requiem|Requiem Mass]] for his funeral.<ref>{{cite book|title=Encyclopedia of Religion and Film|url=https://archive.org/details/encyclopediareli00mazu|url-access=limited|author=Eric Michael Mazur|publisher=ABC-CLIO|year=2011|isbn=9780313330728|page=[https://archive.org/details/encyclopediareli00mazu/page/n458 438]|quote=Yet Truffaut, an atheist, was not stumping for God with these conservative attacks.}}<!--|access-date=30 September 2012--></ref><ref>{{cite book|title=The Films of Jean-Luc Godard: Seeing the Invisible|url=https://archive.org/details/filmsjeanlucgoda00ster|url-access=limited|author=David Sterritt|publisher=Cambridge University Press|year=1999|isbn=9780521589710|page=[https://archive.org/details/filmsjeanlucgoda00ster/page/n32 17]|quote=One way of understanding Godard's approach is to contrast it with that of François Truffaut, one of his most respected New Wave colleagues. As a self-described atheist, Truffaut took special pleasure in the materiality of cinema, noting that no photographic image can be obtained without real, physical light making direct contact with a real, physical object in the immediate presence of the camera.}}<!--|access-date=11 September 2012--></ref>
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|1978 || ''[[The Green Room (film)|The Green Room]]'' || Julien Davenne || Lead role
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|1981 || ''[[The Woman Next Door (1981 film)|The Woman Next Door]]'' || Cameo || Uncredited
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