Stream from the Heavens is the only album by Finnish doom metal band Thergothon. It was recorded in late 1992 and released after many delays in 1994 through the Italian record label Avantgarde Music. The band had eventually disbanded months before the release of the album. Stream from the Heavens continues the funeral doom subgenre that Thergothon pioneered with their 1991 demo Fhtagn nagh Yog-Sothoth. The album was re-issued on CD in 1999 and also in 2004 by Belgian label Painiac as a 12" LP, limited to 500 copies.
| Stream from the Heavens | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1994 | |||
| Recorded | October to November 1992 | |||
| Genre | Funeral doom[1] | |||
| Length | 40:48 | |||
| Label | Avantgarde Music | |||
| Producer | Thergothon | |||
| Thergothon chronology | ||||
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Background
According to the album notes, the band started to compose songs between 1990 and the end of the recordings, which took place from October to November 1992. In an interview, singer and keyboard player Niko Sirkiä says that he only wrote the documented texts on the legend of Kthulu.[2]
After having recorded the demo Fhtagn nagh Yog-Sothoth, the band reworked on two songs from this demo and recorded two others during the fall of 1992. The sound of the album is characterized by non-metal influences such as gothic rock, dark ambient and progressive rock and, compared to Fhtagn nagh Yog-Sothoth, extreme slowness,[3] an impression confirmed by Sirkiä, who, questioned on the influences of Thergothon which led to the sound of the album, named the following inspirations:
"Probably either the Doors or Black Sabbath. Or the gothic punk bands that fascinated us at the time. That's what inspired us, not the millions of death metal bands that existed."[4]
In addition to Paradise Lost and Cathedral, Sirkiä refers to pioneers of their own development, but the musicians did not go far enough, especially with the slow tempos.[2] In retrospect, however, more important than musical influence seemed to him to be the search for means of expressing one of mine considered universal as an existential fear at the end of adolescence. He described music as "an appropriate means of expressing and expelling the negative emotions that [the band members] experienced." The lyrics also constantly refer to H.P. Lovecraft. However, Sirkiä names the atmosphere as the central objective of music. All other aspects are only intended to support the desired atmosphere.[2] Despite the completion of the recording process and the complete graphic design of the album without any difficulty, it has not been released for a long time. Some describe problems with the contractual partner as the cause of the long-term delay. After finishing the recordings and before the album was released, the group decided to disband. Sirkiä describes the dissolution as a consequence of the impression that he had completed the project.[4] In fact, he also evoked the fact that they had become more and more tired of playing metal.[5]
Artwork
The design of the album and booklets were done by Niko Sirkiä himself. K. Sirkiä was named as the photographer of the cover picture, a low-lying sunrise with a barely identifiable tower monolithically protruding into the right picture space. The image was given an "ominous" appearance by Oscar Strik for the review written for the Webzine Doom-Metal.com. In addition to the information on the recording, the lyrics in the booklet were printed in a calligraphic font in white on a black background.[6]
Release
The album was released on June 15, 1994, via Italian independent label Avantgarde Music, and was reissued by black metal label Obscure Plasma Records, as the first release under the new label name. It contains six songs with a total playing time of 40 minutes and 48 seconds. No changes were made to the volume of the album in later editions and additional bonus material was not added.
Track listing
All music is composed by Thergothon
| No. | Title | Length |
|---|---|---|
| 1. | "Everlasting" | 6:07 |
| 2. | "Yet the Watchers Guard" | 8:56 |
| 3. | "The Unknown Kadath in the Cold Waste" | 3:49 |
| 4. | "Elemental" | 9:18 |
| 5. | "Who Rides the Astral Wings" | 7:56 |
| 6. | "Crying Blood + Crimson Snow" | 4:42 |
| Total length: | 40:48 | |
Credits
Production
- Produced by Thergothon
- Recorded, engineered, mixed & mastered by Markus Patrikainen
References
- ^ "THE BEST METAL ALBUMS FROM 40 SUBGENRES". Loudwire. Retrieved 2018-01-15.
- ^ a b c http://www.wewither.com/2011/07/extreme-doom-part-iii-niko-skorpio-of.html?m=1
- ^ https://burningshed.com/thergothon_stream_cd
- ^ a b https://web.archive.org/web/20141016031538/http://www.crossover-agm.de/intFuneral09.htm
- ^ http://www.metalist.co.il/InterviewPrivate.asp?id=303&lang=eng
- ^ http://www.doom-metal.com/reviews.php?album=1480