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{{short description|English mandolin and guitar player}}
{{EngvarB|date=September 2014}}
{{Use dmy dates|date=September 2014}}
[[File:Philip J. Bone.jpg|thumb|Philip J. Bone, from his book ''The Guitar and Mandolin''.]]
'''Philip James Bone''' (29 January 1873 – 17 June 1964) was an English [[mandolinist]] and guitar player in the late 19th and early 20th centuries.<ref>Maurice J. Summerfield: ''The Classical Guitar. Its Evolution, Players and Personalities Since 1800'', 5th edition (Blaydon-on-Tyne: Ashley Mark, 2002), p. 63.</ref>
'''Philip J. Bone''' (1873 in [[Luton]] – 17 June 1964 in Luton) was an English [[mandolinist]] and guitar player in the late 19th and early 20th centuries. While his day-to-day work was as a teacher and music dealer, he is remembered today as the author of the book ''The Guitar and Mandolin: Biographies of Celebrated Players and Composers for These Instruments'', published by Schott and Augener, London, 1914. He was also a Medallist, Fellow of the [[Royal Society of Arts]], London. Other honours given him include being a medallist at the International Music Contests in [[Bologne]], medallist in the International Music Contest in France (1st Prize Honours), and medalist of the I.U.M. in London. He conducted of the Luton [[Mandolin orchestra]].<ref name=letter>[http://digital-library.csun.edu/cdm/compoundobject/collection/VOBCorr/id/468/rec/6 Letter from Philip J. Bone to Vahdah Olcott-Bickford, 11 February 1913]</ref><ref name=census>Census Returns of England and Wales, 1911, Registration District: Luton, Registration District Number: 178, Sub-registration District: Luton, ED, institution, or vessel: 22, Household Schedule Number: 19, Piece: 9015.</ref><ref name=probate>England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858–1966.</ref>▼
==Life==
[[File:Bone & Co.jpg|thumb|Besides sheet music, Bone also sold musical instruments, as shown in this 1914 advertisement from the back of his book.'']]▼
Bone was born and died in [[Luton]]. He studied guitar and mandolin with G. B. Marchiso at [[Trinity College of Music]], London. Making fast progress, he was chosen to perform Beethoven's Sonata and Adagio for mandolin and piano at a college recital. He was also the founder and conductor of the Luton Mandolin Orchestra, "probably the first British mandolin orchestra to play on the mainland of Europe", conducted in Paris in 1909. In 1951, he became president of the British Federation of Banjoists, Mandolinists and Guitarists.<ref>Summerfield (2002).</ref>
▲
His book ''The Guitar and Mandolin'' is comprehensive look at the composers and players of these two instruments up to 1914. He advertised his book on his company letterhead in 1915, saying it was "the only compendium of invaluable information concerning these instruments", and "lives of 300 of the most celebrated players and composers. Facts hitherto unpublished."<ref name=letter3>[http://digital-library.csun.edu/cdm/compoundobject/collection/VOBCorr/id/482/rec/3 Letter from Philip J. Bone to Vahdah Olcott-Bickford, 19 February 1915.]</ref> In writing the book, Bone did not include people living at the time, as he felt that it was the job of future historians to decide who would be notable. The book contains biographies for composers and musicians throughout western Europe. Many of those in his book who were prominent have been forgotten today, and the book has information not readily available elsewhere. Later in 1953, Bone wrote to [[Vahdah Olcott-Bickford]], who had assisted him with his book. He told her he had continued the research since his book was printed and was trying to get another edition published with his new information. He was having difficulty finding a publisher willing to take a risk on a new edition.<ref name=letter2>[http://digital-library.csun.edu/cdm/singleitem/collection/VOBCorr/id/81/rec/2 Letter from Philip J. Bone to Vahdah Olcott-Bickford, 2 February 1963.]</ref>▼
▲[[File:Bone & Co.jpg|thumb|Besides sheet music, Bone also sold musical instruments, as shown in this 1914 advertisement from the back of his book.
==References==▼
{{reflist}}▼
▲His book ''The Guitar and Mandolin'' is a comprehensive look at the composers and players of these two instruments up to 1914. He advertised his book on his company letterhead in 1915, saying it was "the only compendium of invaluable information concerning these instruments", and "lives of 300 of the most celebrated players and composers. Facts hitherto unpublished."<ref name="letter3">
==External links==▼
*[https://archive.org/details/guitarmandolinbi00bone Online book, ''The Guitar and Mandolin'' by Philip J. Bone.]▼
*[http://ml.oxfordjournals.org/content/XXXV/3/254-a.extract Short review of Bones' book. Talks about some of what he got right and wrong.]▼
{{Authority control}}▼
==List of biographies in ''The Guitar and Mandolin''==
Line 23 ⟶ 20:
|-
| Abreu, Don A. || 9 || || guitar|| wrote ''Method for playing perfectly the guitar, with five or six strings''
|-
| Abt, Valentine || 10 || 11 || mandolin, harp, guitar || Duo Method
|-
| [[Dionisio Aguado y García|Aguado, Dionisio]] || 9 || 10 || guitar || ||
Line 34 ⟶ 33:
| Albaneze || 13 || || guitar || ||
|-
| [[Johann Georg Albrechtsberger|Albrechtsberger]] || 13 || || organ || teacher to [[Beethoven]]
|-
| Alday || 14 || || mandolin, violin || ||
Line 144 ⟶ 143:
| Campion, Francois|| 63|| || guitar, lute||
|-
| [[Antonio Carbonchi|Carbonchi, Antonio]]|| 63|| || guitar||
|-
| [[Matteo Carcassi|Carcassi, Matteo]]|| 63|| 62|| guitar||
Line 202 ⟶ 201:
| Ehlers, William||96 || ||guitar, voice ||
|-
|[[Herbert J. Ellis|Ellis, Herbert J.]] ||96 ||96 ||mandolin, guitar || books ''Tutor for
|-
| Ernst, Franz Anton||98 || ||violin, guitar ||performer, instrument maker, composer [[:de:Franz Anton Ernst Franz Anton Ernst|Franz_Anton_Ernst Franz Anton Ernst]]
Line 370 ⟶ 369:
| [[Nikolaus Lenau|Lenau, Nicolas]]||181 || ||poetry, guitar, violin ||picture of his guitar page 182
|-
| [[Gabriele Leone|Leone]] ||182 || ||mandolin, violin ||
|-
| [[Adrian Le Roy|Le Roy, Adrian]]||182 || ||lute, guitar, voice ||wrote ''A short and easy instruction book for the guiterne or guitar'' 1578
Line 392 ⟶ 391:
| [[Jean-Baptiste Lully|Lully, Jean Baptiste]]||187 || || guitar, violin||
|-
| [[Victor Magnien|Magnien, Victor]]|| 187|| ||violin, guitar ||
|-
|[[Gustav Mahler|Mahler,Gustav]] || 189|| || ||
Line 410 ⟶ 409:
|[[Joseph Mayseder|Mayseder, Joseph]] ||194 ||196 || violin, guitar||
|-
| Meissonnier, Antoine and [[Joseph Meissonnier|Joseph]]||196 || || guitar||brothers, music publishing and guitar
|-
| Merchi, Giacomo|| 198|| || mandolin, guitar||
Line 420 ⟶ 419:
|[[Johann Kaspar Mertz|Mertz, Johann Kaspar]] ||200 || || guitar||
|-
|[[Albert Methfessel|Methfessel, Albert Gottlieb]]||207 || ||guitar ||
|-
|Miksch ||208 || ||voice, guitar ||
Line 438 ⟶ 437:
|[[Wolfgang Amadeus Mozart|Mozart, Wolfgang Amadeus]] ||214 || ||mandolin ||
|-
| [[Carlo Munier|Munier Carlo]]||218 ||220 ||mandolin ||grand nephew of [[Pasquale Vinaccia]] of naples "the perfector of the modern Italian mandolin"
|-
| Mussini, Noël|| 222|| ||guitar, violin, voice ||
Line 445 ⟶ 444:
|-
| Nava, Antonio Maria|| 223|| ||guitar, voice ||
|-
| [[Leopold Neuhauser|Neuhauser, Leopold]]|| 224|| ||guitar, mandolin||
|-
| Neuland, W.|| 224|| ||guitar ||
|-
| Neuling, Vincent|| 225|| ||mandolin ||''Sonata for mandolin & piano in G major''
Line 450 ⟶ 453:
| Niedzielski, Joseph|| 225|| ||guitar, violin ||
|-
| [[Johann Abraham Nüske|Nüske, J. A.]] || 225|| ||guitar ||
|-
| Oberleitner, Andrew||225 || ||mandolin, guitar ||
Line 466 ⟶ 469:
|[[Pietro Pettoletti|Petterletti, Pierre]] ||240 || || guitar||
|-
|[[Johann Petzmayer|Petzmayer, Johann]] ||240 || ||zither, guitar ||
|-
|Picchianti, Luigi ||241 || ||guitar ||
Line 544 ⟶ 547:
|Spina, Andre ||287 || || guitar||
|-
|[[Niccola Spinelli|Spinelli, Niccola]] ||287 || || ||composed for mandolin in opera ''[[A basso porto]]'', the part called ''Intermezzo for mandolins and orchestra''
|-
|[[Louis Spohr|Spohr, Louis]] ||288 || ||violin ||composed for violin, guitar, viola, cello, bass
|-
|Stegmayer, Ferdinand ||290 || ||guitar, violin, piano ||
|-
|[[Daniel Steibelt|Steibelt, Daniel]] || 290|| || piano, harpsichord, guitar||
|-
|Stoessel, Nicolas || 291|| ||voice, piano, organ, flute, violin, guitar ||
|-
|Stoll, Franz Paul ||292 || ||guitar ||
|-
|Straube, Rudolph ||292 || || guitar, harpsichord||
|-
|[[Franz Strauss|Strauss, Franz]] || 292|| ||guitar, French horn
|-
| Strobel, Valentin || 293|| ||lute, mandolin ||
|-
| [[Franz Xaver Süssmayr|Sussmayer, Franz Xaver]]|| 293|| ||guitar ||
|-
| [[Andrei Sychra|Sychra, Andreas Ossipovich]] ||293-294 || || guitar||Method for the guitar of seven strings
|-
|[[Francisco Tárrega|Tarrega, Francisco]]|| 294||294 || Method for the guitar of seven strings, ||taught the virtuosi Pujol and Llobet
|-
| [[Thomas Perronet Thompson|Thompson, Thomas Perronet]] || ||294-295 ||guitar ||enharmonic guitar
|-
| [[Josef Triebensee|Triebensee, Joseph]]|| ||295 || oboe, guitar||
|-
| [[Giovanni Vailati (musician)|Vailati, Giovanni]] || 296|| 295-296||Lombardy mandolin ||
|-
| [[Giuseppe Verdi|Verdi, Giuseppe]]|| ||296 || composer||mandolin and guitar...manifested an active interest in the advancement
of these instruments
|-
| Verini, Phillipe Raphael Jean Baptiste || || 297|| guitar, vocalist, composer||method: First riders of a Spanish guitar
|-
|Vidal, B. || ||297 || guitar, composer||
|-
| Vimercati, Pietro|| ||298 ||mandolin ||early mandolin virtuoso, toured Europe early 1800s
|-
| Wanczura, Joseph|| || 299||guitar, piano, composer ||
|-
| [[Johann Baptist Wanhal|Wanhall, John Baptist]]|| || 299||violin, guitar, composition ||alt. Vanhall. no less
than a hundred symphonies, a like number of quartets, numerous
masses and other church music, much piano music and many
compositions for the guitar
|-
| Wassermann, Heinrich|| || 300||violin, guitar ||
|-
| [[Carl Maria von Weber|Weber, Carl Maria]]|| 300|| 300-306||guitar, piano, composer ||founder of German opera. author of more than ninety songs with guitar accompaniment, and in addition, many compositions for the guitar in combination with other instruments.
|-
| [[Gottfried Weber|Weber, Gotfried]]|| || 306-308|| composer, musical theorist, guitar, flute, piano, violin-cello|| close friend of Carl Maria Weber
|-
| Wyssotzki, Michael Th.||308 || 308|| 7-string guitar||pupil of the great virtuoso Sychra,
|-
| [[Johann Rudolf Zumsteeg|Zumsteeg, Johann Rudolf]]|| ||308 ||violin-cello, guitar ||
|-
|Bertucci, Constantino ||310 ||309 || mandolin, guitar||method: Method for the mandolin, in three parts
|-
| [[Domenico Gaetano Maria Donizetti|Donizetti, Gaetano]]|| || 310||opera composer ||wrote for the guitar
|-
| [[Johann Nepomuk Hummel|Hummel, J. N.]]|| || 310-312||opera composer ||writes for guitar; Concerto for the mandolin
|}
==See also==
* [[BMG movement]]
▲==References==
▲{{reflist}}
▲==External links==
▲*[https://archive.org/details/guitarmandolinbi00bone Online book, ''The Guitar and Mandolin'' by Philip J. Bone.]
▲*[https://archive.today/20140806110511/http://ml.oxfordjournals.org/content/XXXV/3/254-a.extract Short review of Bones' book. Talks about some of what he got right and wrong.]
▲{{Authority control}}
{{DEFAULTSORT:Bone, Philip J.}}
[[Category:1873 births]]
[[Category:1964 deaths]]
[[Category:
[[Category:English classical guitarists]]
[[Category:
[[Category:British mandolinists]]
[[Category:English music historians]]
[[Category:British biographers]]
[[it:Adolphe Le Dhuy|Adolf Ledhuy]]
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