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{{multiple image|header=Rosewood historical marker<br>(front and back)|align=right|direction=vertical|image1=Rosewood, Florida historical marker (1).jpg|alt1=A color photograph of the front of the bronze plaque in Rosewood next to the highway|image2=Rosewood, Florida historical marker (2).jpg|alt2=A color photograph of the back of the bronze plaque in Rosewood}}
The Rosewood massacre, the ensuing silence, and the compensation hearing were the subject of the 1996 book titled ''Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood'' by [[Mike D'Orso]]. It was a ''[[New York Times]]'' bestseller and it won the [[Lillian Smith Book Award]], which was bestowed to authors who highlight racial and social inequality in their works by the [[University of Georgia]] Libraries and the Southern Regional Council
The dramatic feature film ''[[Rosewood (film)|Rosewood]]'' (1997), directed by [[John Singleton]], was based on these historic events. Minnie Lee Langley served as a source for the set designers, and Arnett Doctor was hired as a consultant.<ref name="persall"/><ref name="sylbert">"Raising 'Rosewood'", ''TCI'' (March 1997), pp. 40–43.</ref> Recreated forms of the towns of Rosewood and Sumner were built in Central Florida, far away from Levy County. The film version, written by screenwriter [[Gregory Poirier]], created a character named Mann, who enters Rosewood as a type of reluctant Western-style hero. Composites of historic figures were used as characters, and the film offers the possibility of a happy ending. In ''The New York Times'' [[E.R. Shipp]] suggests that Singleton's youth and his background in [[California]] contributed to his willingness to take on the story of Rosewood. She notes Singleton's rejection of the image of black people as victims and the portrayal of "an idyllic past in which black families are intact, loving and prosperous, and a black superhero who changes the course of history when he escapes the noose, takes on the mob with double-barreled ferocity and saves many women and children from death".<ref name="shipp"/> Singleton has offered his view: "I had a very deep—I wouldn't call it fear—but a deep contempt for the South because I felt that so much of the horror and evil that black people have faced in this country is rooted here ... So in some ways this is my way of dealing with the whole thing."<ref name="levin">Levin, Jordan (June 30, 1996). "Movies: On Location: Dredging in the Deep South John Singleton Digs into the Story of Rosewood, a Town Burned by a Lynch Mob in 1923 ...", ''The Los Angeles Times'', p. 5.</ref>
=== Legacy ===
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