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"'''The 1'''" (stylized in [[Letter case#All lowercase|all lowercase]]) is a song by the American singer-songwriter [[Taylor Swift]] and the opening track from her eighth studio album, ''[[Folklore (Taylor Swift album)|Folklore]]'' (2020). She wrote the song with its producer, [[Aaron Dessner]]. A [[Folk music|folk]] and [[soft rock]] tune with elements of [[indie folk]], "The 1" sets Swift's conversational vocals over a production consisting of piano and [[Percussion instrument|percussion]]. In its lyrics, the narrator fondly introspects a failed romance and details the time when she found "the one" who never came to be. [[Republic Records]] released the song for [[Music download|download]] in Germany on October 9, 2020.
 
"The 1" received generally positive reviews from critics, who discussed the song's significance as the album's opening track and praised the songwriting and production. Commercially, the song debuted and peaked at number four on the US [[Billboard Hot 100|''Billboard'' Hot 100]] and was [[Music recording certification|certified]] platinum by the [[Recording Industry Association of America]] (RIAA). It charted within the top 10 and received certifications in several countries. Swift included "The 1" as part of the concert documentary ''[[Folklore: The Long Pond Studio Sessions]]'' (2020), and her [[the Eras Tour|Eras Tour]] (2023–2024).
 
== Background and development ==
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"The 1" is three minutes and thirty seconds long.<ref>{{Cite web |last=Swift |first=Taylor |author-link=Taylor Swift |date=October 27, 2014 |title=''Folklore'' |url=https://music.apple.com/us/album/folklore/1524801260 |url-status=live |archive-url=https://web.archive.org/web/20200724042203/https://music.apple.com/us/album/folklore/1524801260 |archive-date=July 24, 2020 |access-date=October 6, 2023 |publisher=[[Apple Music]] (US)}}</ref> It was recorded by Aaron Dessner and Jonathan Low at Long Pond in Hudson Valley. The vocals were recorded by Laura Sisk at [[Kitty Committee Studio]] in Los Angeles. Aaron Dessner provided drum programming and instruments for the track, including acoustic guitar, [[electric guitar]], [[Mellotron]], [[Teenage Engineering OP-1|OP1]], piano, and [[synth bass]]. Other musicians on the song are [[Jason Treuting]] ([[Percussion instrument|percussion]]), [[Thomas Bartlett (musician)|Thomas Bartlett]] (OP1, [[synthesizer]]), and Yuki Numata Resnick ([[viola]], violin). It was [[Audio mixing (recorded music)|mixed]] by Low at Long Pond and [[Mastering (audio)|mastered]] by [[Randy Merrill]] at Sterling Sound in New York City.<ref name="Strauss-2020" />
 
"The 1" is a [[Folk music|folk]]<ref>{{Cite web |last=Jenkins |first=Craig |date=October 24, 2022 |title=''Midnights''{{'}} Moonlit Lessons |url=https://www.vulture.com/2022/10/midnights-album-review-taylor-swift.html |url-access=limited |url-status=live |archive-url=https://web.archive.org/web/20221031180303/https://www.vulture.com/2022/10/midnights-album-review-taylor-swift.html |archive-date=October 31, 2022 |access-date=December 6, 2022 |website=[[Vulture (website)|Vulture]]}}</ref> and [[soft rock]]<ref>{{Cite web |last=Willman |first=Chris |date=January 1, 2021 |title=Year in Review: The Best Songs of 2020 |url=https://variety.com/lists/best-songs-2020-year-review/ |url-status=live |archive-url=https://web.archive.org/web/20210101212954/https://variety.com/lists/best-songs-2020-year-review/ |archive-date=January 1, 2021 |access-date=January 1, 2021 |website=[[Variety (magazine)|Variety]]}}</ref> tune with elements of [[indie folk]].<ref name="Wood-2020">{{cite web |last=Wood |first=Mikael |date=July 26, 2020 |title=Taylor Swift's ''Folklore'': All 16 Songs, Ranked |url=https://www.latimes.com/entertainment-arts/music/story/2020-07-26/taylor-swift-folklore-songs-ranked |url-status=live |archive-url=https://web.archive.org/web/20210329230604/https://www.latimes.com/entertainment-arts/music/story/2020-07-26/taylor-swift-folklore-songs-ranked |archive-date=March 29, 2021 |access-date=July 26, 2020 |website=[[Los Angeles Times]]}}</ref> The production begins with a piano that has a bit [[Reverberation|reverb]] to it,<ref name="Nuss-2024" /> labeled by critics as "optimistic"<ref name="Leszkiewicz-2020" /> and "soft".<ref name="Johnson-2020">{{Cite web |last=Johnson |first=Chloe |date=July 24, 2020 |title=Taylor Swift – ''Folklore'' {{!}} Album Reviews |url=https://www.musicomh.com/reviews/albums/taylor-swift-folklore |access-date=March 7, 2024 |website=[[MusicOMH]] |archive-date=July 24, 2020 |archive-url=https://web.archive.org/web/20200724123506/https://www.musicomh.com/reviews/albums/taylor-swift-folklore |url-status=live }}</ref> It also incorporates a number of percussion instruments, including sparse and crisp synthprogrammed drums,<ref name="Ellen-2020">{{Cite web |last=Ellen |first=Johnson |date=July 24, 2020 |title=Taylor Swift Morphs Her Sound Yet Again on the Stunning ''Folklore'' |url=https://www.pastemagazine.com/music/taylor-swift/folklore-album-review |access-date=March 6, 2024 |website=[[Paste (magazine)|Paste]] |archive-date=June 13, 2023 |archive-url=https://web.archive.org/web/20230613231137/https://www.pastemagazine.com/music/taylor-swift/folklore-album-review |url-status=live }}</ref><ref name="Leszkiewicz-2020">{{Cite web |last=Leszkiewicz |first=Anna |date=July 24, 2020 |title=''Folklore'' Reveals a More Introspective Side to Taylor Swift |url=https://www.newstatesman.com/culture/2020/07/folklore-reveals-a-more-introspective-side-to-taylor-swift |access-date=March 8, 2024 |website=[[New Statesman]] |archive-date=October 20, 2021 |archive-url=https://web.archive.org/web/20211020072329/https://www.newstatesman.com/culture/2020/07/folklore-reveals-a-more-introspective-side-to-taylor-swift |url-status=live }}</ref><ref name="Sumsion-2020">{{Cite web |last=Sumsion |first=Michael |date=July 29, 2020 |title=Taylor Swift Abandons Stadium-Pop for a New Tonal Approach on ''Folklore'' |url=https://www.popmatters.com/taylor-swift-folklore-review-2646821264.html |access-date=March 6, 2024 |website=[[PopMatters]] |archive-date=July 31, 2020 |archive-url=https://web.archive.org/web/20200731005457/https://www.popmatters.com/taylor-swift-folklore-review-2646821264.html |url-status=live }}</ref> slapped guitar strums of guitar,<ref name="Nuss-2024">{{Cite magazine |last=Nuss |first=Allaire |date=February 6, 2024 |title=Taylor Swift's 10 Seminal Albums, Ranked |url=https://ew.com/music/taylor-swift-albums-ranked/ |access-date=March 6, 2024 |magazine=[[Entertainment Weekly]] |archive-date=November 26, 2022 |archive-url=https://web.archive.org/web/20221126041743/https://ew.com/music/taylor-swift-albums-ranked/ |url-status=live }}</ref> and [[Finger snapping|finger-snaps]];<ref>{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=October 28, 2023 |title='The 1' (2020) |url=https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/the-1-2020-1093982/ |access-date=March 6, 2024 |magazine=[[Rolling Stone]] |archive-date=March 8, 2024 |archive-url=https://web.archive.org/web/20240308095314/https://www.rollingstone.com/music/music-lists/taylor-swift-songs-ranked-rob-sheffield-201800/the-1-2020-1093982/ |url-status=live }}</ref> these bring what critics deemed a lively beat to the track.<ref name="Johnson-2020" /><ref>{{Cite web |last=Rosen |first=Jody |date=July 24, 2020 |title=Review: Taylor Swift's Radically Intimate ''Folklore'' Is the Perfect Quar Album |url=https://www.latimes.com/entertainment-arts/music/story/2020-07-24/taylor-swift-folklore-album-review |url-status=live |archive-url=https://web.archive.org/web/20200811075211/https://www.latimes.com/entertainment-arts/music/story/2020-07-24/taylor-swift-folklore-album-review |archive-date=August 11, 2020 |access-date=August 13, 2020 |website=[[Los Angeles Times]]}}</ref> Combined with the piano, this resulted in an instrumentation they thought was "bouncy",<ref name="Snapes">{{cite web |last=Snapes |first=Laura |date=July 24, 2020 |title=Taylor Swift: ''Folklore'' Review – Bombastic Pop Makes Way for Emotional Acuity |url=https://theguardian.com/music/2020/jul/24/taylor-swift-folklore-review-bombastic-pop-makes-way-for-emotional-acuity |url-status=live |archive-url=https://web.archive.org/web/20200724053655/https://www.theguardian.com/music/2020/jul/24/taylor-swift-folklore-review-bombastic-pop-makes-way-for-emotional-acuity |archive-date=July 24, 2020 |access-date=July 24, 2020 |website=[[The Guardian]]}}</ref> "breezy",<ref>{{Cite web |last=Jones |first=Nate |date=November 8, 2023 |title=All 214 Taylor Swift Songs, Ranked |url=https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |access-date=March 8, 2024 |website=[[Vulture (website)|Vulture]] |archive-date=September 13, 2019 |archive-url=https://web.archive.org/web/20190913234630/https://www.vulture.com/article/all-taylor-swift-songs-ranked-from-worst-to-best.html |url-status=live }}</ref> "brooding",<ref name="Mylrea">{{cite web |last=Mylrea |first=Hannah |date=July 24, 2020 |title=Taylor Swift – ''Folklore'' Review: Pop Superstar Undergoes an Extraordinary Indie-Folk Makeover |url=https://www.nme.com/en_au/reviews/taylor-swift-folklore-album-review-2714285 |url-status=live |archive-url=https://web.archive.org/web/20200828191216/https://www.nme.com/en_au/reviews/taylor-swift-folklore-album-review-2714285 |archive-date=August 28, 2020 |access-date=July 28, 2020 |website=[[NME]]}}</ref> and one of the most upbeat on ''Folklore''.<ref name="Billboard-2023">{{Cite magazine |date=March 16, 2023 |title=The 100 Best Taylor Swift Songs: Staff Picks |url=https://www.billboard.com/lists/best-taylor-swift-songs/ |access-date=March 8, 2024 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=April 11, 2023 |archive-url=https://web.archive.org/web/20230411021029/https://www.billboard.com/lists/best-taylor-swift-songs/ |url-status=live }}</ref> It also includes vocal harmonies.<ref name="Leszkiewicz-2020" /> Some critics commented that aspects of the production were influenced by the music of Aaron Dessner and his bands [[The National (band)|the National]] and [[Big Red Machine (band)|Big Red Machine]].{{efn|Aaron Dessner's influence on "The 1" is attributed to Jason Lipshutz of ''[[Billboard (magazine)|Billboard]]'',<ref name="Lipshutz-2020">{{Cite magazine |last=Lipshutz |first=Jason |date=July 24, 2020 |title=Every Song Ranked on Taylor Swift's ''Folklore'': Critic's Picks |url=https://www.billboard.com/music/pop/taylor-swift-folklore-songs-ranked-critics-picks-9424095/ |access-date=March 12, 2024 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=January 23, 2022 |archive-url=https://web.archive.org/web/20220123071509/https://www.billboard.com/music/pop/taylor-swift-folklore-songs-ranked-critics-picks-9424095/ |url-status=live }}</ref> Hannah Mylrea of ''[[NME]]'',<ref name="Mylrea" /> Ellen Johnson of ''[[Paste (magazine)|Paste]]'',<ref name="Ellen-2020" /> and Allegra Frank of ''[[Vox Media|Vox]]''.<ref name="Frank-2020">{{cite web |last=Frank |first=Allegra |date=July 24, 2020 |title=The 6 Songs That Explain Taylor Swift's New Album, ''Folklore'' |url=https://www.vox.com/culture/2020/7/24/21337105/taylor-swift-folklore-lyrics-best-songs-rebekah-harkness |url-status=live |archive-url=https://web.archive.org/web/20200725095618/https://www.vox.com/culture/2020/7/24/21337105/taylor-swift-folklore-lyrics-best-songs-rebekah-harkness |archive-date=July 25, 2020 |access-date=July 28, 2020 |website=[[Vox (website)|Vox]]}}</ref> Mylrea and Johnson also cited Thethe National<ref name="Mylrea" /> and Big Red Machine,<ref name="Ellen-2020" /> respectively.}}
 
The lyrics of "The 1" has a theme of introspection.<ref name="Snapes" /> The song describes the narrator positively reminiscing on a past relationship during her "roaring 20s".<ref name="Leszkiewicz-2020" /><ref name="Snapes" /> It explores on how she found "the one" at the time and wishes they could have been together: "It would have been fun, if you would've been the one".<ref name="Leszkiewicz-2020" /> The lyrics also addresses the narrator's languid contemplation for aan fantasizedideal romance: "You know, the greatest loves of all time are over now".<ref name="Gerber-2020" /> Swift's conversational singing<ref name="Kornhaber-2020">{{Cite web |last=Kornhaber |first=Spencer |date=July 28, 2020 |title=Taylor Swift Is No Longer Living in the Present |url=https://www.theatlantic.com/culture/archive/2020/07/taylor-swift-folklore-review-power-storytelling/614698/ |url-status=live |archive-url=https://web.archive.org/web/20201004103310/https://www.theatlantic.com/culture/archive/2020/07/taylor-swift-folklore-review-power-storytelling/614698/ |archive-date=October 4, 2020 |access-date=October 3, 2020 |website=[[The Atlantic]]}}</ref> on the track contains elliptical wording<ref name="Lipshutz-2020" /> and humorous [[One-line joke|one-liners]] juxtaposed against the sadness.<ref name="Ahlgrim-2020a">{{Cite web |last=Ahlgrim |first=Callie |date=September 15, 2020 |title=The 16 Best Songs of 2020, So Far |url=https://www.businessinsider.com.au/best-songs-released-this-year-2020-9 |url-status=live |archive-url=https://web.archive.org/web/20200914205445/https://www.businessinsider.com.au/best-songs-released-this-year-2020-9 |archive-date=September 14, 2020 |access-date=September 14, 2020 |website=[[Business Insider]]}}</ref><ref name="Gerber-2020" /> Her voice is also "enigmatic" and clear, according to ''[[MusicOMH]]''{{'s}} Chloe Johnson, who believed it allowed her to highlight the song's narrative and imagery.<ref name="Johnson-2020" /> Allegra Frank of ''[[Vox Media|Vox]]'' thought the song was less a "kiss-off [but] more a solitary, gray-skied stroll through her day-to-day".<ref name="Frank-2020" /> ''[[Rolling Stone]]''{{'s}} writer [[Rob Sheffield]] connected it to the fellow album track "[[Peace (Taylor Swift song)|Peace]]", opining that they "tell both sides" of the same narrative.<ref>{{Cite magazine |last=Sheffield |first=Rob |author-link=Rob Sheffield |date=July 24, 2020 |title=Taylor Swift Leaves Her Comfort Zones Behind on the Head-Spinning, Heartbreaking ''Folklore'' |url=https://www.rollingstone.com/music/music-album-reviews/taylor-swift-leaves-her-comfort-zones-behind-on-the-head-spinning-heart-breaking-folklore-1033533/ |access-date=March 15, 2024 |magazine=[[Rolling Stone]] |archive-date=July 24, 2020 |archive-url=https://web.archive.org/web/20200724155901/https://www.rollingstone.com/music/music-album-reviews/taylor-swift-leaves-her-comfort-zones-behind-on-the-head-spinning-heart-breaking-folklore-1033533/ |url-status=live }}</ref>
 
== Release and commercial performance ==
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[[File:Taylor Swift Eras Tour - Arlington, TX - Folklore act 2.jpg|thumb|right|Swift performing "The 1" on [[the Eras Tour]] (2023–2024)|alt=Swift singing on a moss-covered roof]]
 
On July 24, 2020, "The 1" was released as the opening track on ''Folklore''.<ref>{{Cite magazine |last=Blistein |first=Jon |date=July 24, 2020 |title=Hear Taylor Swift's New Album ''Folklore'' |url=https://www.rollingstone.com/music/music-news/taylor-swift-new-album-folklore-release-date-1032962/ |access-date=March 6, 2024 |magazine= [[Rolling Stone]]|archive-date=July 25, 2020 |archive-url=https://web.archive.org/web/20200725062452/https://www.rollingstone.com/music/music-news/taylor-swift-new-album-folklore-release-date-1032962/ |url-status=live }}</ref> It was also released by [[Republic Records]] for [[Music download|download]] in Germany on October 9.<ref name="Universal" /> On November 25, Swift recorded a stripped-down rendition of the track for the [[Disney+]] concert documentary ''[[Folklore: The Long Pond Studio Sessions]]'' and [[Folklore: The Long Pond Studio Sessions#Live album|its live album]].<ref>{{Cite web |last=Monroe |first=Jazz |date=November 24, 2020 |title=Taylor Swift Releases New ''Folklore'' Film and Live Album |url=https://pitchfork.com/news/taylor-swift-releasing-newandnbspfolkloreandnbspfilm-on-disney/ |access-date=March 6, 2024 |website=[[Pitchfork (website)|Pitchfork]] |archive-date=February 28, 2023 |archive-url=https://web.archive.org/web/20230228005714/https://pitchfork.com/news/taylor-swift-releasing-newandnbspfolkloreandnbspfilm-on-disney/ |url-status=live }}</ref> On"The 1" was performed from March 31, 2023, "Theto 1"March replaced9, "[[Invisible String]]"2024, on the set list of [[the Eras Tour]], Swift's sixth headlining concert tour, as part of the concert's ''Folklore'' set.<ref>{{Cite web |last=Lewis |first=Isobel |date=April 10, 2023 |title=Taylor Swift Fans Spot Eras Tour Setlist Change amid Joe Alwyn Split Rumours |url=https://www.independent.co.uk/arts-entertainment/music/news/taylor-swift-joe-alwyn-eras-setlist-changed-b2317057.html |access-date=March 6, 2024 |website=[[The Independent]] |archive-date=December 15, 2023 |archive-url=https://web.archive.org/web/20231215062857/https://www.independent.co.uk/arts-entertainment/music/news/taylor-swift-joe-alwyn-eras-setlist-changed-b2317057.html |url-status=live }}</ref> On May 9, 2024, the song was removed from the set list.<ref>{{Cite web |last=Savage |first=Mark |date=May 9, 2024 |title=Taylor Swift Changes Eras Tour Setlist As European Tour Kicks Off in Paris |url=https://www.bbc.com/news/articles/cp0grg871dlo |access-date=May 10, 2024 |publisher=[[BBC News]] |archive-date=May 10, 2024 |archive-url=https://web.archive.org/web/20240510001926/https://www.bbc.com/news/articles/cp0grg871dlo |url-status=live }}</ref>
 
"The 1" debuted and peaked within the top 10 at number four on the US [[Billboard Hot 100|''Billboard'' Hot 100]], alongside the fellow album tracks "[[Cardigan (song)|Cardigan]]" and "[[Exile (song)|Exile]]" at numbers one and six, respectively. This made Swift the first artist to debut two songs in the top four and three songs in the top six at the same time.<ref name="USHot100" /><ref>{{Cite magazine |last=Trust |first=Gary |date=August 3, 2020 |title=Taylor Swift Debuts at No. 1 on Hot 100 with 'Cardigan,' Is 1st Artist to Open atop Hot 100 & Billboard 200 in Same Week |url=http://www.billboard.com/articles/business/chart-beat/9428548/taylor-swift-cardigan-folklore-debut-number-one |url-status=live |archive-url=https://web.archive.org/web/20200803195201/https://www.billboard.com/articles/business/chart-beat/9428548/taylor-swift-cardigan-folklore-debut-number-one |archive-date=August 3, 2020 |access-date=August 13, 2020 |magazine=[[Billboard (magazine)|Billboard]]}}</ref> It also debuted and peaked on the [[Rolling Stone charts|''Rolling Stone'' Top 100]] chart at number two behind "Cardigan".<ref name="RSTop100" /> The song received a platinum [[Music recording certification|certification]] from the [[Recording Industry Association of America]] (RIAA).<ref name="RIAA" /> On the [[Billboard Global 200|''Billboard'' Global 200]], "The 1" appeared and peaked at number 114 when the chart was inaugurated on September 19, 2020, nine weeks following the release of ''Folklore''.<ref>{{Cite magazine |last= |first= |date=September 15, 2020 |title=''Billboard'' Global 200 (Week of September 19, 2020) |url=https://www.billboard.com/charts/billboard-global-200/2020-09-19/ |access-date=March 6, 2024 |magazine=[[Billboard (magazine)|Billboard]] |archive-date=November 3, 2023 |archive-url=https://web.archive.org/web/20231103075624/https://www.billboard.com/charts/billboard-global-200/2020-09-19/ |url-status=live }}</ref><ref name="Global200" />
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== Critical reception ==
"The 1" received generally positive reviews from critics. They discussed the song regarding its placement on the album as the opening track, the majority of whom found its style for ''Folklore'' to deviate from her previous works{{efn|Attributed to Katie Atkinson of ''Billboard'',<ref name="Billboard-2023" /> Courteney Lacrossa of ''[[Business Insider]]'',<ref name="Ahlgrim-2020b" /> and both Allaire Nuss and [[Maura Johnston]] of ''[[Entertainment Weekly]]''<ref name="Nuss-2024" /><ref>{{Cite magazine |last=Johnston |first=Maura |author-link=Maura Johnston |date=July 24, 2020 |title=Taylor Swift Forges Her Own Path on the Confident ''Folklore'' |url=https://ew.com/music/music-reviews/taylor-swift-folklore-review/ |access-date=March 13, 2024 |magazine=[[Entertainment Weekly]] |archive-date=July 24, 2020 |archive-url=https://web.archive.org/web/20200724213311/https://ew.com/music/music-reviews/taylor-swift-folklore-review/ |url-status=live }}</ref>}} and to set the album's tone.{{efn|Attributed to Chloe Johnson of ''[[MusicOMH]]'',<ref name="Johnson-2020" /> Michael Sumsion of ''[[PopMatters]]'',<ref name="Sumsion-2020" /> and Channing Freeman of ''[[Sputnikmusic]]''<ref name="Channing-2020" />}} Allegra Frank of ''[[Vox Media|Vox]]'' thoughtfound the production was danceable like her other album openers but felt it was "markedly slowed down" in comparison.<ref name="Frank-2020" /> ''[[Business Insider]]''{{'s}} critics Callie Ahlgrim and Courtney Lacrossa believed the song was Swift's best opening track since "[[State of Grace (song)|State of Grace]]" from her 2012 album ''[[Red (Taylor Swift album)|Red]]''.<ref name="Ahlgrim-2020b">{{Cite web |last1=Ahlgrim |first1=Callie |last2=Larocca |first2=Courteney |date=July 24, 2020 |title=Taylor Swift's ''Folklore'' Might Be the Best Album of Her Entire Career |url=https://www.insider.com/taylor-swift-folklore-review-tracklist-breakdown-2020-7 |url-status=live |archive-url=https://archive.today/20211202000949/https://www.insider.com/taylor-swift-folklore-review-tracklist-breakdown-2020-7 |archive-date=December 2, 2021 |access-date=October 3, 2020 |website=[[Business Insider]]}}</ref> John Wohlmacher from ''[[Beats Per Minute (website)|Beats Per Minute]]'' found the track had a vocal melody and [[song structure]] similar to "[[I Forgot That You Existed]]"—the opener of her 2019 album ''[[Lover (album)|Lover]]''—but thought their aesthetics were quite distinct from each other.<ref name="Wohlmacher-2020">{{Cite web |last=Wohlmacher |first=John |date=July 27, 2020 |title=Album Review: Taylor Swift – ''Folklore'' |url=https://beatsperminute.com/album-review-taylor-swift-folklore/ |access-date=March 14, 2024 |website=[[Beats Per Minute (website)|Beats Per Minute]] |archive-date=July 28, 2020 |archive-url=https://web.archive.org/web/20200728162240/https://beatsperminute.com/album-review-taylor-swift-folklore/ |url-status=live }}</ref> Channing Freeman of ''[[Sputnikmusic]]'' wrote that the song's placement was a little detrimental as the rest of ''Folklore'' employs its style and believed this made the song somewhat less engaging.<ref name="Channing-2020">{{Cite web |last=Freeman |first=Channing |date=July 25, 2020 |title=Review: Taylor Swift – ''Folklore'' |url=https://www.sputnikmusic.com/review/81781/Taylor-Swift-Folklore/ |access-date=March 14, 2024 |website=[[Sputnikmusic]] |archive-date=October 7, 2023 |archive-url=https://web.archive.org/web/20231007134315/https://www.sputnikmusic.com/review/81781/Taylor-Swift-Folklore/ |url-status=live }}</ref>
 
Critics mainly praised the song's production and songwriting. Ahlgrim included the song on her mid-year list of the best songs of 2020 and lauded it as one of Swift's "most relatable and stirring" tracks.<ref name="Ahlgrim-2020a" /> Lacrossa believed the track was "incredibly solid" and her delivery had "a breezy attention to rhythm" that complements the narrative.<ref name="Ahlgrim-2020b" /> Frank thought it was "wistful, introspective, and impressionistic" that does not neglect Swift's signature "melodic pop" and one of the defining tracks of ''Folklore''.<ref name="Frank-2020" /> Wohlmacher was impressed by how "poignant and mature" the lyrics were.<ref name="Wohlmacher-2020" /> Johnson believed it was thoroughly written and produced.<ref name="Johnson-2020" /> ''[[The New Yorker]]'' writer [[Amanda Petrusich]] thought Swift's rumination on the track was "heartening" and "serene" in a comical manner.<ref>{{Cite magazine |last=Petrusich |first=Amanda |author-link=Amanda Petrusich |date=July 24, 2020 |title=Taylor Swift's Intimate 'Indie' Album, ''Folklore'' |url=https://www.newyorker.com/culture/culture-desk/taylor-swifts-new-album-folklore |access-date=2024-03-25 |magazine=[[The New Yorker]] |issn=0028-792X |archive-date=November 29, 2020 |archive-url=https://web.archive.org/web/20201129174031/https://www.newyorker.com/culture/culture-desk/taylor-swifts-new-album-folklore |url-status=live }}</ref> ''[[The Daily Telegraph|The Telegraph]]'' critic [[Neil McCormick]] said that the song was full of narrative details and opined that its theme of "defeated love" may "suggest Swift's social isolation has been a lonely one".<ref>{{Cite news |last=McCormick |first=Neil |author-link=Neil McCormick |date=2020-07-24 |title=Taylor Swift, ''Folklore'' Review: An Exquisite, Empathetic Lockdown Triumph |url=https://www.telegraph.co.uk/music/what-to-listen-to/taylor-swift-folklore-review-exquisite-empathetic-lockdown-triumph/ |access-date=March 13, 2024 |work=[[The Daily Telegraph|The Telegraph]] |issn=0307-1235 |archive-date=September 10, 2020 |archive-url=https://web.archive.org/web/20200910132440/https://www.telegraph.co.uk/music/what-to-listen-to/taylor-swift-folklore-review-exquisite-empathetic-lockdown-triumph/ |url-status=live }}</ref> Caleb Campbell from ''[[Under the Radar (magazine)|Under the Radar]]'' deemed the song's lyrics about a crumbling romance one of her most mature takes on the subject to date.<ref>{{Cite web |last=Campbell |first=Caleb |date=July 29, 2020 |title=''Folklore'' |url=http://undertheradarmag.com/reviews/taylor_swift_folklore |url-status=live |archive-url=https://web.archive.org/web/20200809205350/http://www.undertheradarmag.com/reviews/taylor_swift_folklore/ |archive-date=August 9, 2020 |access-date=March 21, 2024 |website=[[Under the Radar (magazine)|Under the Radar]] }}</ref>
 
Ellen Johnson of ''[[Paste (magazine)|Paste]]'' described the lyrics as "bright, vivid and occasionally funny" but in a more sophisticated way compared to Swift's previous songs.<ref name="Ellen-2020">{{Cite web |last=Ellen |first=Johnson |date=July 24, 2020 |title=Taylor Swift Morphs Her Sound Yet Again on the Stunning ''Folklore'' |url=https://www.pastemagazine.com/music/taylor-swift/folklore-album-review |url-status=live |archive-url=https://web.archive.org/web/20230613231137/https://www.pastemagazine.com/music/taylor-swift/folklore-album-review |archive-date=June 13, 2023 |access-date=March 6, 2024 |website=[[Paste (magazine)|Paste]]}}</ref> Katie Moulton from ''[[Consequence (publication)|Consequence]]'' thought the track was one of the first songs she did not write for radio formats and highlighted the "self-awareness and willingness to both hold herself responsible and forgive" that makes it distinguishable from other album tracks.<ref name="CoS">{{cite web |last=Moulton |first=Katie |date=July 24, 2020 |title=Taylor Swift's ''Folklore'' Dismantles Her Own Self-Mythologizing: Review |url=https://consequenceofsound.net/2020/07/album-review-taylor-swift-folklore/ |url-status=live |archive-url=https://web.archive.org/web/20200724185604/https://consequenceofsound.net/2020/07/album-review-taylor-swift-folklore/ |archive-date=July 24, 2020 |access-date=July 28, 2020 |website=[[Consequence (publication)|Consequence]]}}</ref> Anna Leszkiewicz of the ''[[New Statesman]]'' found the lyrics "[w]istful but refreshingly lacking in regret" and believed the song blended her skill of "romantic nostalgia with a novel ease and acceptance".<ref name="Leszkiewicz-2020" /> Eloise Bulmer from ''[[The Line of Best Fit]]'' said Swift embodied an "unlucky-in-love" character on the track and thought it showcased her wit.<ref>{{Cite web |last=Bulmer |first=Eloise |date=July 24, 2020 |title=''Folklore'' Finds Taylor Swift Elegantly Evoking amid a Perfectly Minimalist Sound |url=https://www.thelineofbestfit.com/reviews/albums/taylor-swift-folklore-album-review |url-status=live |archive-url=https://web.archive.org/web/20200724093507/https://www.thelineofbestfit.com/reviews/albums/taylor-swift-folklore-album-review |archive-date=July 24, 2020 |access-date=July 28, 2020 |website=[[The Line of Best Fit]]}}</ref> In contrast, Roisin O'Connor of ''[[The Independent]]'' favored the song's smaller details more than the one-liners.<ref>{{Cite web |last=O'Connor |first=Roisin |date=July 24, 2020 |title=Taylor Swift's Eighth Album ''Folklore'' Is Exquisite, Piano-Based Poetry – Review |url=https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-folklore-review-lyrics-album-stream-jack-antonoff-aaron-dessner-a9635496.html |url-status=live |archive-url=https://web.archive.org/web/20200724070730/https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-folklore-review-lyrics-album-stream-jack-antonoff-aaron-dessner-a9635496.html |archive-date=July 24, 2020 |access-date=August 13, 2020 |website=[[The Independent]]}}</ref> Hannah Mylrea from ''[[NME]]'' wrote that the instrumentation accompanies Swift's vocals and the hook very well.<ref name="Mylrea" /> ''[[Slant Magazine]]''{{'s}} Jonathan Keefe stated that the song's use of repetitions succeeded, along with "Invisible String".<ref>{{Cite web |last=Keefe |first=Jonathan |date=July 27, 2020 |title=Taylor Swift ''Folklore'' Review: The Album Mines Pathos from a Widening Worldview |url=https://www.slantmagazine.com/music/review-with-folklore-taylor-swift-mines-pathos-from-a-widening-worldview/ |access-date=March 13, 2024 |website=[[Slant Magazine]] |archive-date=September 10, 2020 |archive-url=https://web.archive.org/web/20200910132417/https://www.slantmagazine.com/music/review-with-folklore-taylor-swift-mines-pathos-from-a-widening-worldview/ |url-status=live }}</ref>
 
A few reviewers were more reserved in their praise. Spencer Kornhaber from ''[[The Atlantic]]'' said the track was reminiscent of the English singer-songwriter [[Ed Sheeran]] and felt that its "solemnity [was] forced".<ref name="Kornhaber-2020" /> Jason Lipshutz of ''[[Billboard (magazine)|Billboard]]'' listed the song at number eleventh on his ranking of the tracks from ''Folklore'' and said that it stays "unadorned" for the majority of its length.<ref name="Lipshutz-2020" /> The ''[[Los Angeles Times]]''{{'}} Mikael Wood placed the song as the weakest track on his ranking of the album and believed it was "less emotionally daring" than the rest of the tracks.<ref name="Wood-2020" />
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== Certifications ==
{{certification Table Top|caption=Certifications for "The 1"}}
{{Certification Table Entry|region=Australia|award=Platinum|number=2|type=single|relyear=2020|certyear=2024|access-date=February 14, 2024|certrefrefname=<ref name="ARIA">{{cite web|url=https://www.dropbox.com/sh/k9o2q7p7o4awhqx/AACWCcZE90sw8zo9jhynnKd7a/Jan%202024%20Single%20Accreds.pdf?e=1&dl=0|title=Jan 2024 Single Accreds|publisher=[[Australian Recording Industry Association]]|access-date=February 14, 2024|archive-date=March 9, 2024|archive-url=https://web.archive.org/web/20240309064551/https://www.dropbox.com/sh/k9o2q7p7o4awhqx/AACWCcZE90sw8zo9jhynnKd7a/Jan%202024%20Single%20Accreds.pdf?e=1&dl=0|url-status=live}}</ref>}}
{{Certification Table Entry|region=Brazil|artist=Taylor Swift|title=The 1|award=Platinum|type=single|certyear=2024|relyear=2020|access-date=22 March 2024|refname="PMB"}}
{{Certification Table Entry|region=United Kingdom|type=single|artist=Taylor Swift|title=The 1|id=17489-1598-1|award=Gold|relyear=2020|certyear=2023|access-date=October 13, 2023|refname="BPI"}}
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{{notelist}}
 
== <big>1</big>References ==
{{reflist}}