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{{User sandbox}}
==YouTube as a Distribution Platform for Web Series and Movie PromotionFilms==
 
[[YouTube]]'s role as a platform for the release and streaming of web series and films is notable within various hyperlinked pages, serving a wide array of creators and artists. Numerous series, such as [[Whatever, Linda]], [[Walking in Circles]], [[Rostered On]], [[Old Dogs & New Tricks]], and [[Teenagers (web series)]], were launched on YouTube. With strategic release timing and weekly episodes, these shows thrived by gaining followers and viewership directly on the platform. For instance, the premiere episode of the second season of [[Teenagers (web series)]] notably became viral on YouTube. Notably, the series [[Voldemort: Origins of the Heir]] demonstrated the expansive audience reach of the site when its teaser registered over 30 million views in under 48 hours.
 
YouTube's success extends to film as well. Films such as [[Grave Encounters]], [[Voldemort: Origins of the Heir]], [[Descendants 3]], [[Chooriyan]], and [[Proper Patola (film)]] leveraged the platform for their promotional strategies. They released official trailers and promotional footage via YouTube, amassing millions of views. In particular, the film [[Grave Encounters]] affirmed the promotional potential of the platform when its teaser trailer accumulated over 1.5 million views within three months. Notably, [[Voldemort: Origins of the Heir]] was not exclusively promoted, but also premiered on YouTube, accumulating over 15 million views as of March 2018.
 
In addition to promoting series and films, YouTube also hosts streaming for series typically seen on traditional television. Series such as [[Click (Philippine TV series)]], [[Palos (TV series)]], [[I Heart You, Pare!]], [[Adarna (TV series)]], and [[Oh, My Mama!]] are all mentioned as available for streaming on YouTube. This trend indicates a progressive shift in audience viewing habits from traditional television to online platforms such as YouTube, allowing viewers to access their favorite shows at their convenience, in turn expanding the reach and lifecycle of the content.
==YouTube and Society==
 
Since its inception in 2005, YouTube has drastically transformed media consumption and content creation, becoming one of the most significant platforms for sharing original content and attracting both independent creators and mainstream media corporations. Established networks like [[CNN]], [[NBC]], [[BBC]], and [[Fox News]] have created their own channels on the platform, posting clips of broadcasts and interviews [[Citizen media|Citizen Media]]. Content varies from music videos [[Sexuality in music videos|Sexuality in Music Videos]], to news segments as seen on [[Buryad Unen]] and [[Troma Entertainment]]. The variety of content on the platform caters to a wide range of interests among viewers.
 
YouTube has also been noted for its role in events of social and political significance. Online platforms, including YouTube, have been exploited by extremist groups for disseminating their ideologies [[Social media intelligence|Social Media Intelligence]]. Meanwhile, the platform has served as a crucial tool for activists, for instance, during the [[International reactions to the Arab Spring|Arab Spring]], where protestors used YouTube to broadcast the events to the world. Tools like YouTube are also often used by groups documenting instances of [[Police Brutality]].
 
However, the platform faces challenges concerning adherence to policies and community standards. This was evident when [[Troma Entertainment]] had their YouTube channel terminated for violating community standards. Various governments have also attempted to limit access or control its use, as witnessed in Syria during the civil war [[Syrian government reactions to the Syrian civil war|Syrian Civil War]].
 
On the other hand, YouTube has been significant for live broadcasting of sports events and news. Events from the [[Northern Territory Football League]], [[2017 PBA Commissioner's Cup Finals]], [[2016–17 PBA Philippine Cup Finals]], [[Euronews]], and the [[2020 PBA Philippine Cup Finals]] have utilized YouTube's live streaming capabilities, demonstrating its crucial role in real-time information dissemination.
==YouTube and Individual Creativity==
A variety of individuals have embraced YouTube as a platform to showcase their creativity and attract public attention. Artists such as [[Richard Manitoba]], [[Morgenshtern]], and [[Arradhya Maan]] have extensively utilized YouTube to share their talents with a broader populace. Celebrated musician, [[Gene McDaniels]], initiated a series of YouTube videos, featuring his music and sharing insights into his artistic processes. Noteworthy aboriginal artist [[Djalu Gurruwiwi]] has also adopted the platform, allowing him a global reach previously inaccessible.
 
YouTube has also served as a platform for contentious matters and subjects to be addressed in the public domain. The otherwise tranquil town of [[Oniontown, New York]], gained global attention when a derisive video about the area was uploaded to the platform. Russian figure [[Maxim Martsinkevich]], known for his radical views, was charged with extremism following the publication of his YouTube videos containing racist comments and extremist ideologies. In an incident provoking controversy of a novel kind, a Dutch student caused a media sensation in the Netherlands and Belgium when he uploaded a video on YouTube 'swaffelen' (an act of slapping an object with the penis in public) at the Taj Mahal, leading to his subsequent suspension.
 
YouTube has also emerged as a conduit for social commentary. This is demonstrated by [[Pat Condell]], who rose to prominence through his series of monologues criticising religious authority and the societal repercussions of Muslim immigration into Europe. The popular comedic group [[The Chaser]] experienced a disruption when their YouTube clips were fraudulently claimed and taken down, putting a spotlight on the issue of content ownership and copyright within the YouTube platform. Additionally, personalities including [[Thenjiwe]], [[Paola Locatelli]], [[Alexa Chung]], and [[Gina Dirawi]] have gained a significant following through creating and sharing content on YouTube. The platform's versatile nature even extends to poetry, as illustrated by Poet [[Dareen Tatour]], who has used the platform for publishing her work.
==YouTube as a Platform for WebMusic Series and Movie PromotionVideos==
 
Numerous artists utilize YouTube to release and promote their work, making the platform a significant medium for music videos. [[Love Is All Around]], for example, published its music video on YouTube in 2013, and it has since amassed over 46 million views. The official video for [[Can't Help Falling in Love]] was uploaded in June 2009 and had obtained more than 61 million views by September 2021. The [[3 Doors Down|3 Doors Down]] song "When You're Young," released its cinematic music video on YouTube in March 2011.
 
[[What's Up? (4 Non Blondes song)|What's Up?]] by 4 Non Blondes had its music video aired on MTV and later uploaded onto YouTube in February 2011. By February 2021, the video reached over 1 billion views. The music video for the song [[Choke (I Dont Know How But They Found Me song)|Choke]], released on January 11, 2019, features a unique concept of appearing in a music television program from the early 1980s. Another notable music video, [[Om sanningen ska fram]], was uploaded to the platform on April 27, 2011.
 
Several older music videos also gained new visibility through their availability on YouTube, such as [[Who Do You Think You Are (Candlewick Green song)|Who Do You Think You Are]] by Candlewick Green, published on the platform in May 2012. [[I'm Gonna Get You (Bizarre Inc song)|I'm Gonna Get You]], a work by Bizarre Inc, was uploaded in 2013, years after the original release. The [[Andrew Gold|Andrew Gold]] song [[Never Let Her Slip Away]], for instance, had its music video published on YouTube in April 2013, and by November 2020, it had over 1 million views.
YouTube has established itself as a popular platform for the creation and distribution of web series. For example, the series "Whatever, Linda" was originally uploaded on YouTube in 2014 before being moved to Vimeo. "Walking in Circles" premiered on YouTube in July 2011, with the remaining episodes released weekly. "Rostered On" began airing on Facebook and YouTube in 2017, while "Old Dogs & New Tricks" premiered in 2012 and "Teenagers" in early 2014. This shows YouTube’s ability to serve as a platform for creators to directly reach their audience and experiment with serialized content.
 
Other notable examples include the video for [[Lovely Day (song)|Lovely Day]], which was shared on YouTube in February 2014 and had generated more than 2 million views by January 2023, and [[Samba de Janeiro]]'s music video, uploaded on August 2017, which had attracted over 25.7 million views by June 2022. [[Make Me (Cry)|Make Me (Cry)]] and [[Take It Back (Toddla T song)|Take It Back]] are other examples of songs whose music videos were uploaded and gained immense popularity on the platform.
In addition to hosting original series, YouTube has also become an essential tool in movie promotions. Trailers for films like "Grave Encounters," "Voldemort: Origins of the Heir," "Chooriyan," "Descendants 3," and "Proper Patola" were all released on YouTube, garnering millions of views and generating widespread anticipation. Notably, "Voldemort: Origins of the Heir's" trailer received over 30 million views in less than 48 hours on YouTube. The increased visibility and potential virality offered by the platform make it a go-to resource for filmmakers looking to generate buzz for their upcoming releases.
==Use of YouTube in Music Promotion and Audience Engagement==
 
[[YouTube]] has become a significant platform for music artists and bands to promote their works and engage with their audience. Prominent examples include [[Zephanie Dimaranan]], who garnered significant attention for her cover songs on YouTube, one of which achieved over a million hits. Similarly, [[Cœur de pirate (album)]] gained media attention in the U.S. when a Quebec City photographer used a song from the album in a popular YouTube video. This video received coverage on Good Morning America along with a favorable review from blogger Perez Hilton.
Beyond web series and film promotions, YouTube has also become a hub for streaming television series. Several series such as "Click," "Palos," "I Heart You, Pare!," "Adarna," and "Oh, My Mama!" have all made the leap to the digital world through YouTube, ensuring that their content is accessible to a wider, global audience. The platform's easy access and broad reach make it a viable alternative to traditional television networks for content distribution.
 
[[Taylor Swift]] promoted her album [[Blonde on the Tracks]] through a live-streamed concert on YouTube. Promoting the album [[55]], the duo [[The Knocks]] uploaded all the unreleased songs from the album onto YouTube, expanding their audience reach.
==YouTube as a Platform for Web Series and Movie Promotion==
 
Musicians also utilize YouTube for the dissemination of their music videos and live performances. [[Amberian Dawn]], in January 2009, released their music video "My Only Star" on YouTube, which was accompanied by footage from their 2008 tour. Moreover, Romanian singer [[Alexandra Stan]] used YouTube to release the music video for her song "All My People," which drew significant attention for its erotic nature and use of surveillance cameras. Stan's choreography was compared to works performed by Michael Jackson and she wore Madonna-like outfits, which caught the audience's eye.
[[YouTube]] has established itself as a popular platform for the creation and distribution of web series. Examples include series like "[[Whatever, Linda]]," which was initially uploaded on YouTube before being moved to [[Vimeo]]; "[[Walking in Circles]]," that premiered in July 2011, with the remaining episodes released weekly on YouTube; "[[Rostered On]]," that began airing on YouTube and [[Facebook]] in 2017; "[[Old Dogs & New Tricks]]," that premiered on YouTube in 2012; and "[[Teenagers (web series)|Teenagers]]," which released its first season on YouTube in early 2014. These examples highlight how YouTube allows creators to directly engage their audience and experiment with serialized content.
 
Meanwhile, [[In Legend]] conceived a unique "YouTube DVD" promotion strategy, involving the creation of professional music videos or self-designed slide show videos for all album songs.
In addition to hosting original series, YouTube also serves as an essential tool in movie promotions. Movie trailers, such as those for "[[Grave Encounters]]," "[[Voldemort: Origins of the Heir]]," "[[Descendants 3]]," "[[Chooriyan]]," and "[[Proper Patola (film)|Proper Patola]]," have all been released on YouTube, successfully generating millions of views and widespread anticipation. In a notable instance, the teaser trailer for "[[Voldemort: Origins of the Heir]]" garnered over 30 million views on YouTube within 48 hours. The potential for heightened visibility and virality that YouTube offers has made it a preferred resource for filmmakers looking to generate excitement for their forthcoming releases.
 
Several musicians and bands have marked significant success, and some have even gained immense popularity on YouTube. [[Sofía Suescun]]'s single "Muévelo" became a number 1 YouTube trend and has accumulated over 2 million views. Pop singer [[Jelena Rozga]]'s music video for "Nirvana," which earned substantial media and press coverage, is the second most-watched video on her YouTube channel, boasting 36.5 million views. The soundtrack single "Inna Mylu" from the film [[Lift (2021 film)]] also gained considerable success, hitting 30 million views on YouTube. Thus, YouTube becomes a strategic tool for musicians to popularize their works and measure their viewership.
Moreover, YouTube has evolved into a hub for streaming television series. Several shows, including "[[Click (Philippine TV series)|Click]]," "[[Palos (TV series)|Palos]]," "[[I Heart You, Pare!]]," "[[Adarna (TV series)|Adarna]]," and "[[Oh, My Mama!]]," have made the transition to the digital realm via YouTube, expanding their content's accessibility to a wider, global audience. The platform's ease of access and extensive reach position it as a viable alternative to traditional television networks for content distribution.