Boom! were an English pop band consisting of members Johnny Shentall, Rachael Carr, Shakti Edwards, Vicky Palmer, Nick Donaghy and Shaun Angel.
Their garage-tinged debut single "Falling" was released in January 2001 and reached number 11 on the UK Singles Chart. The band went on tour with boy band Westlife. Band member Johnny Shentall went on to join Hear'Say in 2002 as a replacement for Kym Marsh.
+/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.
Bandō may refer to:
Rede Bandeirantes (Portuguese pronunciation: [ˈʁedʒi bɐ̃dejˈɾɐ̃tʃis], Bandeirantes Network), officially nicknamed Band, is a television network from Brazil, based in São Paulo. Part of the Grupo Bandeirantes de Comunicação, it aired for the first time in 1967. Currently, is the fourth TV network in Brazil by the ratings.
Rede Bandeirantes was founded on May 13, 1967, by João Saad, nephew of São Paulo state governor Ademar de Barros and owner of Rádio Bandeirantes. In 1969 the main TV building suffered a massive fire, which forced Saad to replace his broadcasting equipment with new ones. By 1972, TV Bandeirantes was the first Brazilian television network to fully broadcast in color, the same year that Rede Globo did the same. Later in the 1970s Bandeirantes became a national broadcasting network, helped partly by the hit Saturday afternoon program Clube do Bolinha, the Japan-theme program Japan Pop Show and a 2nd wave of drama programs which started in 1979.
Walter Clark took over the network in 1982 and remodeled the station's programming after Rede Globo, while the network's present logo debuted that same year, with Cyro Del Nero as its designer, the very logo was also shown nationwide given the fact that it - together with Rede Globo - had also at the same time began nationwide satellite broadcasting as well. This was also the same year that the network began a 18-year tradition of broadcasting the biannual electoral debates in the local levels.
Boom may refer to:
Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.
Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.
Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".
The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.