Richard Wayne Penniman (born December 5, 1932), known by his stage name, Little Richard, is an American musician, singer and songwriter.
An influential figure in popular music and culture for more than six decades, Little Richard's most celebrated work dates from the mid-1950s, when his dynamic music and charismatic showmanship laid the foundation for rock and roll. His music also played a key role in the formation of other popular music genres, including soul and funk. Little Richard influenced numerous singers and musicians across musical genres from rock to hip-hop; his music helped shape rhythm and blues for generations to come, and his performances and headline-making thrust his career right into the mix of American popular music.
Little Richard has been honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He is the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. Little Richard's "Tutti Frutti" (1955) was included in the National Recording Registry of the Library of Congress in 2010, which stated that his "unique vocalizing over the irresistible beat announced a new era in music." In 2015, the National Museum of African American History and Culture honored Little Richard for his pivotal role in the formation of popular music genres and in helping to shatter the color line on the music charts, changing American culture significantly.
Richard Little may refer to:
Little Richard (released as Volume 2 in the UK) was the eponymous second studio album by Little Richard, released in 1958.
The side two opening track Good Golly Miss Molly was listed as No.94 in Rolling Stone magazine's 500 Greatest Songs of All Time.
"Dancing in the Street" is a 1964 song first recorded by Martha and the Vandellas. It is one of Motown's signature songs and is the group's premier signature song.
Produced by William "Mickey" Stevenson and written by Stevenson, Ivy Jo Hunter and Marvin Gaye, the song highlighted the concept of having a good time in whatever city the listener lived. The idea for dancing came to Stevenson from watching people on the streets of Detroit cool off in the summer in water from opened fire hydrants. They appeared to be dancing in the water. The song was conceived by Stevenson who was showing a rough draft of the lyrics to Gaye disguised as a ballad. When Gaye read the original lyrics, however, he said the song sounded more danceable. With Gaye and Stevenson collaborating, the duo composed the single with Kim Weston in mind to record the song. Weston passed on the song and when Martha Reeves came to Motown's Hitsville USA studios, the duo presented the song to Reeves. Hearing Gaye's demo of it, Reeves asked if she could arrange her own vocals to fit the song's message. Reeves recounted that she initially regarded the song as too repetitive.
"Dancing in the Street" is a 1964 song by Martha and the Vandellas, later recorded by other artists
Dancing in the Street may also refer to:
Dancing in the Street is a live jazz album by the Ramsey Lewis Trio, recorded July, 1967 at Basin Street West, San Francisco and released on Cadet Records that same year. The album reached number 3 and number 16 on the Billboard Black and Jazz Albums Charts.
In the Street may refer to:
Sittin' in the morning sun
I'll be sittin' when the evening comes
Watching the ships roll in
Then I watch 'em roll away again, yeah
I'm sittin' on the dock of the bay
Watching the tide roll away
Ooh, I'm just sittin' on the dock of the bay wastin' time
I left my home in Georgia
Headed for the Frisco bay
'Cos I've had nothing to live for
And look like nothing's gonna come my way
So I'm just gonna sit on the dock of the bay
Watching the tide roll away
Ooh, I'm sittin' on the dock of the bay wastin' time
Look like nothing's gonna change
Everything still remains the same
I can't do what ten people tell me to do
So I guess I'll remain the same, listen
Sittin' here resting my bones
And this loneliness won't leave me alone, listen
2000 miles I've roamed
Just to make this dock my home
Now I'm just gonna sit at the dock of the bay
Watching the tide roll away