Molly is a musical with lyrics by Leonard Adelson and Mack David and music by Jerry Livingston. The musical book by Louis Garfinkle and Adelson is based on characters from Gertrude Berg's The Goldbergs. The musical premiered on Broadway on September 27, 1973 at the Alvin Theatre where it ran for a total of 108 performances, closing on December 29, 1973. The cast included Kaye Ballard as Molly, Lee Wallace as Jake, Eli Mintz as Uncle David, and Swen Swenson as Michael Stone.

External links

Molly is a two-part Australian miniseries about music legend Molly Meldrum. Aired on the Seven Network, the first part premiered on 7 February 2016, with the second and final half screening on 14 February. It is based on Meldrum's biography, The Never, Um ... Ever Ending Story, which was written with journalist Jeff Jenkins.

Synopsis

Molly is based on the life of Ian "Molly" Meldrum, who became one of the most influential and powerful names in Australian music. The series follows the rise of Meldrum from small beginnings in Quambatook to becoming one of the biggest names in Australian music. Along with hosting the high-rating TV series Countdown, Meldrum's accessible personality and passion for music saw him become an essential figure of the Australian music scene in the 1970s, '80s and beyond.

Cast

"Molly (16 Candles Down the Drain)" is a song by American rock band Sponge, released in 1995 as the second single from their debut album Rotting Piñata. It also serves as the name of the band's greatest hits album, which was released in 2000. It was originally titled "Molly" on Rotting Piñata, but was elongated for its release as a single. It was ostensibly named after actress Molly Ringwald, who starred in Sixteen Candles. However, it was actually inspired by a story one of the band members heard about a girl who fell in love with one of her teachers shortly before her 16th birthday, who then attempted to commit suicide via an overdose of ecstasy after he rejected her, hence "16 candles down the drain." "Molly" is a more pure form of MDMA than street ecstasy.

To date, it is the band's only song to appear on the U.S. Billboard Hot 100 singles chart, having peaked at number 55 in August 1995. It is the band's highest-charting song on the Modern Rock Tracks chart, where it was a top three hit. The song also reached number 11 on the Mainstream Rock Tracks chart.

The Big Comfy Couch is a Canadian preschool television series about Loonette the Clown and her doll Molly, who solve everyday problems on their "Big Comfy Couch". It aired from 1992 until 2006. It was produced by Cheryl Wagner and Robert Mills, directed by Wayne Moss and Mills. It premiered on March 2, 1992 in Canada and in 1995 in the USA on public television stations across the country.

The show's format revolves around Loonette the Clown, who lives with her dolly Molly on the eponymous Big Comfy Couch. Episodes are generally focused on a theme or a lesson. For example, Season 3's episode "Full of Life" explored the concepts of "full" and "empty", while another episode, "Sticks and Stones" dealt with name-calling and teasing.

Synopsis

Each episode contains several common elements that take place throughout the episode. Early in each show, Loonette performs an exercise routine she calls the "Clock Rug Stretch", often extended, sometimes short to save time for other surprises, fast if she's in a hurry and normal when she comes back, or is in a floppy mood; and toward the end, she performs a high-speed clean-up routine called the "Ten-Second Tidy". If, however, there is no mess made, then it is called the "Ten-Second Untidy, Tidy" (where Loonette has to make a mess and then clean up afterward). If the mess was already cleaned up, then it is called the "Ten-Second Silly" (where Loonette has to be silly for 10 seconds). If Loonette did not make a mess but Molly did, then Molly has to do the "Ten-Second Tidy" with Loonette's help.

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

1776 is a musical with music and lyrics by Sherman Edwards and a book by Peter Stone. The story is based on the events surrounding the signing of the Declaration of Independence. It dramatizes the efforts of John Adams to persuade his colleagues to vote for American independence and to sign the document.

It premiered on Broadway in 1969, earning warm reviews, and ran for 1,217 performances. The production was nominated for five Tony Awards and won three, including the Tony Award for Best Musical. In 1972 it was made into a film adaptation. It was revived on Broadway in 1997.

History

In 1926, Rodgers and Hart had written a musical about the American Revolution, called Dearest Enemy. Additionally, in 1950, a musical about the Revolution had been presented on Broadway, titled Arms and the Girl, with music by Morton Gould, lyrics by Dorothy Fields, and a book by Herbert Fields, Dorothy Fields, and Rouben Mamoulian, the show's director.

Sherman Edwards, a writer of pop songs with several top ten hits in the late fifties and early sixties, spent several years developing lyrics and libretto for a musical based on the signing of the Declaration of Independence. Edwards recounted that, "I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies... They disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively." Producer Stuart Ostrow recommended that librettist Peter Stone collaborate with Edwards on the book of the musical. Stone recalled,

Pink Crustaceans and Good Vibrations is the fifth studio album from Pepper released on July 22, 2008. The title is taken from a fictional album recorded by "Coconut Pete" in the Broken Lizard film Club Dread. The album is produced by Paul Leary. Keyboards by Ronnie King.

Track listing

Production

Charts

Album - Billboard (North America)

References