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Hart Crane

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Hart Crane


Born
in Garrettsville, Ohio, The United States
July 21, 1899

Died
April 27, 1932

Genre

Influences
T. S. Eliot, William Blake, Walt Whitman, Gerald Manley Hopkins, Arthu ...more


Hart Crane was born in Garrettsville, Ohio. His father, Clarence, was a successful Ohio businessman who had made his fortune in the candy business with chocolate bars. He originally held the patent for the Life Saver, but sold his interest to another businessman just before the candy became popular. Crane’s mother and father were constantly fighting, and early in April, 1917, they divorced. It was shortly thereafter that Hart dropped out of high school and headed to New York City. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. From Crane's letters, it appears that New York was where he felt most at home, and much of his poetry is set th ...more

Average rating: 4.09 · 5,776 ratings · 340 reviews · 39 distinct worksSimilar authors
The Complete Poems

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4.15 avg rating — 3,089 ratings — published 1938 — 38 editions
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The Bridge

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4.09 avg rating — 1,081 ratings — published 1930 — 28 editions
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White Buildings

4.28 avg rating — 335 ratings — published 1926 — 14 editions
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Complete Poems and Selected...

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4.33 avg rating — 201 ratings — published 1968 — 8 editions
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The Complete Poems and Sele...

4.12 avg rating — 60 ratings — published 1966 — 6 editions
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Hart Crane

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4.10 avg rating — 41 ratings2 editions
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Key West: An Island Sheaf

3.96 avg rating — 24 ratings2 editions
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A Pagan Anthology (1918)

4.17 avg rating — 6 ratings — published 2007 — 15 editions
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The Letters of Hart Crane, ...

it was amazing 5.00 avg rating — 4 ratings15 editions
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The Early Poems of Hart Crane

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3.60 avg rating — 5 ratings — published 1923
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More books by Hart Crane…
Quotes by Hart Crane  (?)
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“One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment.”
Hart Crane

“I wanted you, nameless Woman of the South,
No wraith, but utterly—as still more alone
The Southern Cross takes night
And lifts her girdles from her, one by one—
High, cool,
wide from the slowly smoldering fire
Of lower heavens,—
vaporous scars!

Eve! Magdalene!
or Mary, you?

Whatever call—falls vainly on the wave.
O simian Venus, homeless Eve,
Unwedded, stumbling gardenless to grieve
Windswept guitars on lonely decks forever;
Finally to answer all within one grave!

And this long wake of phosphor,
iridescent
Furrow of all our travel—trailed derision!
Eyes crumble at its kiss. Its long-drawn spell
Incites a yell. Slid on that backward vision
The mind is churned to spittle, whispering hell.

I wanted you . . . The embers of the Cross
Climbed by aslant and huddling aromatically.
It is blood to remember; it is fire
To stammer back . . . It is
God—your namelessness. And the wash—

All night the water combed you with black
Insolence. You crept out simmering, accomplished.
Water rattled that stinging coil, your
Rehearsed hair—docile, alas, from many arms.
Yes, Eve—wraith of my unloved seed!

The Cross, a phantom, buckled—dropped below the dawn.
Light drowned the lithic trillions of your spawn.”
Hart Crane, The Bridge

“نتكيّف خاضعين
مكتفين بتعزيّات جزافية
كتلك التى تضعها الريح
فى جيوب عميقة وواسعة
لأنه لا يزال فى وسعنا أن نحب العالم،
نحن الذين نجد قطا صغيرا على العتبة ونعرف
كيف نحميه من قساوة الشارع
فى فجوة دافئة مغطاة بالريش.
سوف نسير جانبيا،
وحتى البسمة المتكلفة الأخيرة
نتحاشى حكم ذلك الإبهام المحتوم
الذى يدير نحونا ببطء سبّابته المجعدة
مواجهين النظرة الشذراء الفاترة ببراءة
وبالكثير من الدهشة!
ومع ذلك، فتلك السقطات البارعة ليست أكاذيب
أكثر مما هى استدارات أى خيزرانة مطواع،
وليس مأتمنا، بصورةٍ ما، مشروعاً.
فى وسعنا التملص منكم، ومن كل شىء آخر،
لكن ليس من القلب:
ما ذنبنا إذا بقى القلب حيّا؟
تفرض اللعبة ابتسامات متكلفة،
لكننا رأينا القمر
يصنع فى المعابر المقفرة كأس ضحك مقدسة
من منفضة فارغة
وعبر أصوات المرح والبحث جميعا
سمعنا مواء قطٍ فى البرية”
Hart Crane, White Buildings

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