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Social Class Quotes

Quotes tagged as "social-class" Showing 1-30 of 108
Kimberly Derting
“ In the privacy of my dreams, I'm a warrior.”
Kimberly Derting, The Essence

George Bernard Shaw
“HIGGINS. Have you no morals, man?
DOOLITTLE [unabashed] Cant afford them, Governor. Neither could you if you was as poor as me.”
George Bernard Shaw, Pygmalion

George Orwell
“The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.”
George Orwell, The Road to Wigan Pier

“Despite the countless acts of violence that the two had witnessed, and even participated in, over the years, they were still shocked by what they saw.”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

Charles Moore
“The rich run a global system that allows them to accumulate capital and pay the lowest possible price for labour. The freedom that results applies only to them. The many simply have to work harder, in conditions that grow ever more insecure, to enrich the few. Democratic politics, which purports to enrich the many, is actually in the pocket of those bankers, media barons and other moguls who run and own everything.”
Charles Moore

Ursula K. Le Guin
“This was the way he had to go; he had no choice. He had never had any choice. He was only a dreamer.”
Ursula K. Le Guin, The Lathe of Heaven

“Completely oblivious to either the angry mob around her or to her own nakedness, the woman walked right up to Roan and, in a voice that was both sultry and fragile said, “I have found her.”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

“Exhaling in resignation, Vanessa drew her sword, offered a silent prayer for Starke’s safety, and uttered, “Christus vincit, Christus regnat, Christus imperat.” ”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

“The archduke will see you now,” Bishop Riphaen said to von Pappenheim, interrupting his wishful thinking.  “And he is most eager to see what you have brought him.”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

“After three days of hibernation….Šarlatová, the red witch, finally awoke.”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

“For two young women, bound together by blood and circumstance, but divided by religion, politics, and social class, the consequences were much more personal.”
Stephen A. Reger, Storm Surge: Book Two of the Stormsong Trilogy

Christopher Hitchens
“Religions and states and classes and tribes and nations do not have to work or argue for their adherents and subjects. They more or less inherit them. Against this unearned patrimony there have always been speakers and writers who embody Einstein's injunction to 'remember your humanity and forget the rest.' It would be immodest to claim membership in this fraternity/sorority, but I hope not to have done anything to outrage it. Despite the idiotic sneer that such principles are 'fashionable,' it is always the ideas of secularism, libertarianism, internationalism, and solidarity that stand in need of reaffirmation.”
Christopher Hitchens, Prepared for the Worst: Selected Essays and Minority Reports

Christopher Hitchens
“Now, I have always wanted to agree with Lady Bracknell that there is no earthly use for the upper and lower classes unless they set each other a good example. But I shouldn't pretend that the consensus itself was any of my concern. It was absurd and slightly despicable, in the first decade of Thatcher and Reagan, to hear former and actual radicals intone piously against 'the politics of confrontation.' I suppose that, if this collection has a point, it is the desire of one individual to see the idea of confrontation kept alive.”
Christopher Hitchens, Prepared for the Worst: Selected Essays and Minority Reports

M.R.C. Kasasian
“The poor, I am told, are kind to each other but that is because they have nothing to lose,' he said. 'The rich cannot afford to be.”
M.R.C. Kasasian, The Mangle Street Murders

Christopher Hitchens
“In effect, nobody who is not from the losing classes has ever been thrust into a death cell in these United States.”
Christopher Hitchens, Love, Poverty, and War: Journeys and Essays

Joseph O'Connor
“They had far more in common than either realised. One was born Catholic, the other Protestant. One was born Irish, the other British. But neither was the greatest difference between them. One was born rich and the other poor.”
Joseph O'Connor, Star of the Sea

E.M. Forster
“She might be forgetting her Italy, but she was noticing more things in her England.”
E.M. Forster, A Room with a View

E.M. Forster
“He simply enfolded her in his manly arms.”
E.M. Forster, A Room with a View

E.M. Forster
“Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world’s enemy, and she must stifle it.”
E.M. Forster, A Room with a View

E.M. Forster
“Have you ever talked to Vyse without feeling tired?’
‘I can scarcely discuss —’
‘No, but have you ever? He is the sort who are all right so long as they keep to things — books, pictures — but kill when they come to people. That’s why I’ll speak out through all this muddle even now. It’s shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over — playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for you to settle whether you were shocked or no. Cecil all over again. He daren’t let a woman decide. He’s the type who’s kept Europe back for a thousand years. Every moment of his life he’s forming you, telling you what’s charming or amusing or ladylike, telling you what a man thinks is womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the rectory, when I met you both again; so it has been the whole of this afternoon. Therefore — not “therefore I kissed you”, because the book made me do that, and I wish to goodness I had more self-control. I’m not ashamed. I don’t apologise. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore — therefore, I settled to fight him.”
E.M. Forster, A Room with a View

E.M. Forster
“I’m the same kind of brute at bottom. This desire to govern a woman — it lies very deep, and men and woman must fight it together before they shall enter the Garden. But I do love you — surely in a better way than he does.’ He thought. ‘Yes — really in a better way. I want you to have your own thoughts even when I hold you in my arms.’ He stretched them towards her. ‘Lucy, be quick — there's no time for us to talk now — come to me as you came in the spring, and afterwards I will be gentle and explain. I have cared for you since that man died. I cannot live without you. “No good,” I thought: “she is marring someone else”; but I meet you again when all the world is glorious water and sun. As you came through the wood, I saw that nothing else mattered. I called. I wanted to live and have my chance of joy.”
E.M. Forster, A Room with a View

E.M. Forster
“But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo, she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art.”
E.M. Forster, A Room with a View

E.M. Forster
“Conventional, Cecil, you’re that, for you may understand beautiful things, but you don’t know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won’t be stifled, not by the most glorious music, for people are more glorious, and you hide them from me.”
E.M. Forster, A Room with a View

E.M. Forster
“If a girl breaks off her engagement, everyone says: “Oh, she had someone else in her mind; she hopes to get someone else.” It’s disgusting, brutal! As if a girl can’t break it off for the sake of freedom.”
E.M. Forster, A Room with a View

E.M. Forster
“He whispered: ‘Is is this? Is this possible? I’ll put a marvel to you. That your cousin has always hoped. That from the very first moment we met, she hoped, far down in her mind, that we should be like this — of course, very far down. That she fought us on the surface, and yet she hoped. I can’t explain her any other way. Can you? Look how she kept me alive in you all the summer; how she gave you no peace; how month after month, she became more eccentric and unreliable. The sight of us haunted her — or she couldn’t have described us as she did to her friend. There are details — it burned. I read the books afterwards. She is not frozen, Lucy, she is not withered up all through. She tore us apart twice, but in the rectory that evening she was given one more chance to make us happy. We can never make friends with her or thank her. But I do believe that, far down in her heart, far below all speech and behaviour, she is glad.”
E.M. Forster, A Room with a View

E.M. Forster
“Youth enwrapped them; the song of Phaethon announced passion requited, love attained. But they were conscious of a love more mysterious than this. The song died away; they heard the river, bearing down the snows of winter into the Mediterranean.”
E.M. Forster, A Room with a View

E.M. Forster
“He whispered: ‘Is it this? Is this possible? I’ll put a marvel to you. That your cousin has always hoped. That from the very first moment we met, she hoped, far down in her mind, that we should be like this — of course, very far down. That she fought us on the surface, and yet she hoped. I can’t explain her any other way. Can you? Look how she kept me alive in you all the summer; how she gave you no peace; how month after month, she became more eccentric and unreliable. The sight of us haunted her — or she couldn’t have described us as she did to her friend. There are details — it burned. I read the books afterwards. She is not frozen, Lucy, she is not withered up all through. She tore us apart twice, but in the rectory that evening she was given one more chance to make us happy. We can never make friends with her or thank her. But I do believe that, far down in her heart, far below all speech and behaviour, she is glad.”
E.M. Forster, A Room with a View

Aida Mandic
“The Dark Cloud
Is the criticism you face because you don’t want to kiss ass
Is the rage you experience when people are treated like they are a “lower social class”
Is the animated facet of your nature that has a certain keenness
Is the policy you have of not tolerating unnecessary meanness”
Aida Mandic, The Dark Cloud

Elaine Castillo
“Paz smiled, and answered the way Hero would learn she always answered: rather than lying, or even dodging the question, she preferred to speak the supposedly shameful truth as if it were something to be proud of. Of course not, she said, her voice sweet and direct. We're too poor to have anything like a car.

She made it sound like it was desirable not to have a car, ridiculous to even want one. Hero had been impressed, not least of all because even she'd gotten in the habit of leaving a room whenever Tita Ticay entered it, terrified of her venomous tongue, her keen eyes, the ease with which she spotted weakness, and the please with which she toyed with it.”
Elaine Castillo, America Is Not the Heart

“I grew up in the valley of that mountain, just poor enough that I could imagine a way out.”
Kevin Wilson, Nothing to See Here

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