Monstress is definitely a beautiful book. Takeda’s work makes it worth reading just for the sake of looking at it, though I could’ve done with some brMonstress is definitely a beautiful book. Takeda’s work makes it worth reading just for the sake of looking at it, though I could’ve done with some brighter colour palettes in places. As it was, the tone felt consistently… subdued, dulled.
Unfortunately, the story itself… there’s a lot of interesting stuff there, and in a book about a ‘monstress’, you’d expect some exploration of monstrosity. (And, no surprises, it’s not always the literal monsters who act in a monstrous way.) Buuut, there’s also a lot of world-building to keep up with, and I didn’t follow it very well. I’m fully aware that a lot of that might be because I’m just not that good at reading comics. This book has such a rich background and history that there’s a lot to keep track of. Add that to following the action, and I definitely needed the semi-regular info dumps at the ends/beginnings of issues. (Though those felt a little clumsy.)
Character design is really cute and it looks gorgeous, but I’m not invested. I’m not sure what I was meant to get invested in. I feel like I missed half the story.
Monstress is definitely a beautiful book. Takeda’s work makes it worth reading just for the sake of looking at it, though I could’ve done with some brighter colour palettes in places. As it was, the tone felt consistently… subdued, dulled.
Unfortunately, the story itself… there’s a lot of interesting stuff there, and in a book about a ‘monstress’, you’d expect some exploration of monstrosity. (And, no surprises, it’s not always the literal monsters who act in a monstrous way.) Buuut, there’s also a lot of world-building to keep up with, and I didn’t follow it very well. I’m fully aware that a lot of that might be because I’m just not that good at reading comics. This book has such a rich background and history that there’s a lot to keep track of. Add that to following the action, and I definitely needed the semi-regular info dumps at the ends/beginnings of issues. (Though those felt a little clumsy.)
Character design is really cute and it looks gorgeous, but I’m not invested. I’m not sure what I was meant to get invested in. I feel like I missed half the story.
I really wanted to read this as soon as it came out, but I'm a mood-reader and it kept not being the time. Whoops. Anyway, now I have: it's the story I really wanted to read this as soon as it came out, but I'm a mood-reader and it kept not being the time. Whoops. Anyway, now I have: it's the story of a trans brujo, someone who can summon the souls of the dead and lay them to rest. Yadriel is a part of the brujx community, but somewhat kept apart because they're handling the fact that he's trans quite badly. In his desperation to prove himself, he summons a spirit... and it turns out to be the ghost of Julian, a boy from school who is rather wayward and not at all like Yadriel himself.
I wasn't entirely sure how Yadriel and Julian could work together, knowing that this also featured a romance between them, but even as Julian annoys the heck out of Yadriel... the attraction and connection between them also makes sense. It's somewhat forced on them by circumstance, but Julian's unexpected kindnesses -- and Yadriel's desperateness to prove himself -- speak volumes, and they become quite close. With the help of Yadriel's cousin Maritza, a bruja also somewhat ostracised for her refusal to use blood to channel her healing powers (she's a vegan), they try to figure out why Yadriel's brother is missing, and what the heck is going on.
There was a certain aspect of the plot which I saw coming from a bit too far away, and I really wish it hadn't worked out that way because I liked the character, and I was more in the mood for a different kind of story there. It's not that it doesn't make sense, because it does, but it wasn't how I'd hoped things would turn out.
I adore how fiercely protective of Yadriel Julian becomes; the ending is a smile a minute, honestly. The overall feel of the book is rather young, but that rather suited my need for something that felt easy to read (even as it deals with some difficult topics, like being trans and fitting into your very gendered community properly). Definitely one I'm happy to recommend!...more
Again, I read this in the version illustrated by Charles Vess, this time. I noticed fewer corrections/changes in the text for this one, but perhaps I Again, I read this in the version illustrated by Charles Vess, this time. I noticed fewer corrections/changes in the text for this one, but perhaps I know it a little less well — though the opening chapter with the ceremony where Arha is ‘eaten’ has always stuck in my head (the drum beating at heart-pace, the ritual word that has lost all meaning) and the descriptions of the Labyrinth, the treasures of the temple… these have made a really big impression on me. As a kid, I think it was my favourite.
And that impression pretty much stayed with me. I love learning more about this part of Earthsea, seeing a whole other perspective. Though she didn’t know it yet, according to her own discussions of her writing process, so many foundations for the later books were laid here, asking new questions of what was established in the first book.
The only thing disappointing about this reread was reading Ursula Le Guin’s afterword, which feels like such an odd thing to say — but I so often agree with Ursula Le Guin that it really pulls me up short when something strikes such a discordant note for me. Here it is:
When I was writing the story in 1969, I knew of no women heroes of heroic fantasy since those in the works of Ariosto and Tasso in the Renaissance. These days there are plenty, though I wonder about some of them. The women warriors of current fantasy epics — ruthless swordswomen with no domestic or sexual responsibility who gallop about slaughtering baddies — to me they look less like women than boys in women’s bodies in men’s armor.
It sort of depends exactly what heroines Le Guin had in mind with that, but “no domestic or sexual responsibility” rings horribly to me. I enjoy the attention to domestic tasks in Le Guin’s work (Yarrow making the wheat cakes in A Wizard of Earthsea; the endless work of spinning and weaving at the Place in The Tombs of Atuan…) — and I certainly wouldn’t want Tenar to run around in armour with a sword. I think it’s important that Tenar, with those skills and her later trajectory, is a heroine… but she’s not the only kind of heroine there can be. (And a woman who wants to have “no domestic and sexual responsibility” is no less of a woman for it.)
Bit odd to end on that note, given that I dearly love The Tombs of Atuan. Still a great read....more
I loved The Golden Mean maybe a little bit less than the other books, even though the plot definitely advances here. It’s the end of the original trilI loved The Golden Mean maybe a little bit less than the other books, even though the plot definitely advances here. It’s the end of the original trilogy, and there’s just so much that we don’t know because of the frustrating format. It makes sense that we can’t know it, but it’s still infuriating to get to the end and be left with so many questions about the story and what exactly happened. I’m very curious about that last postcard, don’t get me wrong! I’d love to read more!
But… this particular volume felt a little bit thinner, and the fact that the later books are all available second-hand only (and expensive) is really sad.
It’s still absolutely beautiful, with letters each in their own envelopes (though the envelopes are a little less well stuck to the page in this than in my copies of the first two books). It’s a lovely, tactile, multimedia experience, and I thoroughly recommend it even with its frustrations. I’ll continue reading the series when I can, though sadly it won’t be soon, unless I have a Fairy Godmother somewhere!...more
Sabine's Notebook more or less immediately follows Griffin & Sabine, and has the same format. Though they were so close to meeting in the first book, Sabine's Notebook more or less immediately follows Griffin & Sabine, and has the same format. Though they were so close to meeting in the first book, Griffin gets scared at the last minute: can he have imagined Sabine? Is it possible that he's invented her somehow? So he runs, and his letters to Sabine come from all over the world as he tries to figure things out, travelling to Florence, to Greece, to Japan... and attempts to visit Sabine's home island.
Sabine, meanwhile, stays in Griffin's flat in London, giving him the time to get things figured out. And then -- well, I'll let you discover it for yourselves, but suffice it to say that I loved this one as well. The ending is another kick in the gut, same as the ending of the first, and the letters between the two of them are tender and hopeful amidst the fear. And of course, the illustrations are beautiful, and the format with the envelopes and postcards remains really engaging.
I'm keen to see what the last book will do. In a way, the plot of this book is kind of demanded by the format. Once they meet, the conceit kind of falls away. So I'll be interested to see how that gets resolved......more
The Faerie Hounds of York did not quite go the places I expected it to. It started off with Loxley finding himself in a fairy ring, rescued by a gruffThe Faerie Hounds of York did not quite go the places I expected it to. It started off with Loxley finding himself in a fairy ring, rescued by a gruff but kind stranger, Thorncress. Warned to leave the area and get himself to London, away from Faerie influence, Loxley quickly finds himself under Thorncress's care again. A bond is forming between them, as Thorncress tells Loxley he will help him solve his mystery and get free of the Faerie... if it's possible.
There's one hell of a moment with this book which I didn't expect, given the genre; I shouldn't say too much unless I spoil the impact, because it turned a story I was mildly enjoying into something more intriguing for me. Some aspects of the romance genre are still here, but there's a subversion of certain expectations which put me on the back foot. I shouldn't say too much about that!
I enjoyed the characters and the bond they form, but that moment of subverted expectation might've been the best bit -- I could otherwise have wished for more build-up, more familiarity with the inner lives of the characters (particularly Thorncress). On the other hand, then there'd be less mystery... In any case, definitely enjoyable....more
Holy moly, this is lovely. I was urged to get this to do a review on it for Postcrossing (check out my others on the Postcrossing blog!), so it was onHoly moly, this is lovely. I was urged to get this to do a review on it for Postcrossing (check out my others on the Postcrossing blog!), so it was one of the things I bought with my Christmas gift cards… and I’m glad I did. It’s an epistolary story, showing both the fronts and backs of postcards and — in little pouches, from which you have to pull out actual letters which are handwritten (Sabine) or typewritten (Griffin) — letters sent between Griffin (an artist who creates postcards) and Sabine (an artist who illustrates stamps).
Sabine has been seeing Griffin’s art in her dreams for years, and reaches out to him via a postcard once she finally finds out who he is and how to contact him (through running across his artwork). After just a few postcards are exchanged, she proves to him that she knows his art like no one else can, and they quickly forge a connection despite the physical distance between them. It’s a love story, and a mystery: how are they connected? Why are they connected? What does it mean?
It’s a lovely reading experience; the pouches are a nice gimmick, and they really give you a sense of discovery. I’m not super great with visual detail, but the fronts of the postcards (illustrated by Griffin and Sabine, in the story) and the decorations on envelopes and letters add quite a bit. It’s a very short read, but worthwhile — and that ending! I’ve ordered the next two books....more
This most recent book in the Invisible Library series features Irene, Kai, Vale, Irene's new apprentice (Catherine), and Kai's brother. It's a very SpThis most recent book in the Invisible Library series features Irene, Kai, Vale, Irene's new apprentice (Catherine), and Kai's brother. It's a very Sparks Will Fly sort of arrangement, not least because Vale is pitted against an adversary, his criminal mirror. A mastermind. A Moriarty -- or so it seems. I was a little disappointed that certain characters didn't interact more (let's not be coy, I wanted more of Kai and Vale working together), and it feels like the particularly mixture of characters didn't really have time to mix up and cause mayhem before the book was suddenly over.
That's partly because recurring themes get tugged on again, and characters that had left the narrative triumphantly returned... some of them more predictably so than others.
All in all, the book sped by at the usual pace, and I ended up pretty happy with the explanations for the way characters are being moved around the gameboard. One very predictable outcome comes in almost at the end of the book, and honestly, it shouldn't have taken a genius detective to see it. At the same time, the epilogue gives us an intriguing glimpse at deeper machinations and stories yet to come...
Not a favourite in the series, I think, but one which moves the plot along -- and is as always a very absorbing and swift read....more
The Deep is a novella which the afterword describes as part of a game of "narrative telephone", inspired by the work of clipping., an American hip-hopThe Deep is a novella which the afterword describes as part of a game of "narrative telephone", inspired by the work of clipping., an American hip-hop group. I know absolutely nothing about the music, to be honest, so The Deep was my introductory point.
The story follows Yetu, the Historian of the wajinru, a mermaid-like people who were born by magic from pregnant women tossed overboard from slave ships. They have few memories, leaving all of it to be held by their Historian -- and Yetu is too fragile, losing her sense of self and drowning in the accumulated memories of her people. During an event in which she passes all the memories on to other wajinru, Yetu flees, hoping to be free of the burden...
There's an awful lot going on in this novella, especially given it's pretty short: coming to terms with the past, mental and chronic illness/neurodiversity, moving forward despite trauma, finding your place and your people... Obviously, some things are just taken for granted (there's no real reason given for why the wajinru were born like that), and some bits of the story are painted in broad strokes. Yetu's point of view is rather dark and hopeless at times, and she has suicidal impulses as well, so I definitely wouldn't recommend this if you're feeling unwell yourself. Nevertheless, it's not an especially dark novella, somehow -- it's not about wallowing in past awfulness, despite the provocative idea of a human-like people being born from the corpses of pregnant slaves. It could be a lot darker than it is, but actually it finds a way to shine a light.
I enjoyed the character of Yetu in some ways -- her determination to make space for herself -- and in other ways she frustrated me so much. She just... runs away, leaving her people in the torment she's fleeing, and that's not really something I can relate to. The whole bit flopping around in the tide pool was extra frustrating. Like, of course she needed a period of healing, but... gah, the self-pity. I did like her matter-of-fact conversations with Oori, at the same time.
Overall, I found it beautifully written, and the structure works well, despite the repetitions (which I think bothered some folks). I was surprised how much got told and felt in such a small space. I found the ending came a little easily... but then of course that's what anxiety and mental illness is like: it holds you back from seeing an obvious possible solution....more
Received to review via Netgalley; publication date 13th October 2020
I’ve pretty much had Clark on my “must-read” list since I picked up The Black God’Received to review via Netgalley; publication date 13th October 2020
I’ve pretty much had Clark on my “must-read” list since I picked up The Black God’s Drums, but I was less sure about reading this one. I wasn’t sure about the idea of the Ku Klux Klan being literal monsters: it seemed a bit unsubtle? And I don’t know much about the Ku Klux Klan beyond the very basics, and I just don’t have that deeply American background where they’re a part of my story. That said, I’m gathering that a lot of (white) Americans don’t either, and I don’t normally let a lack of context stop me! Just I’m not always sure what’s really clever and what actually happened, when books blend reality and fantasy like this, and I was worried it’d matter particularly with a book like this, grounded in the pain of Black people and the real horror of history.
I’ll admit, I’m still not entirely sure the literal monsters worked for me. I stayed a bit too conscious of how apropos it is, almost to being a cliché… But laying that aside, it was a quick read, albeit a challenging one: trying to parse the Gullah dialogue kept me busy, especially since I’m not actually good at sounding out what I read, and the dialogue sometimes gave me pause at first. I think it’s probably a good thing I read it in one go, because it gave me a chance to get into the swing of the dialect!
The horror is genuinely horrifying, and I quickly got fond of Maryse and (mostly) Chef. I can’t say any of the twists of the story really surprised me, but they unfolded in such a way that they felt like the only natural way for things to go — not that they felt forced, but that it all flowed from one decision to another. I loved the quoted bits about ring shouts, which illuminated the story and gave me the background I needed… while teaching me a bit of history that I didn’t know about at all.
I can’t say I liked it as much as The Black God’s Drums, but it might stick with me more in terms of the story and images (there’s some really gory bits). I’m not quite sure how to rate it, being honest: my first instinct is three stars, but other aspects (including a worry that I just don’t “get it”) make me want to bump it up… and reading other people’s reviews and what they pick out (particularly the use of folklore, including the shouts) I think that’s more than fair. I’m just a wuss and still cringing at some of those descriptions!...more
General Édo is a stone-cold killer, brutal and inspired in crushing the enemies of the Boorhian Army. The elite Shadows who cluster around their GenerGeneral Édo is a stone-cold killer, brutal and inspired in crushing the enemies of the Boorhian Army. The elite Shadows who cluster around their General boast about their number of kills, and tell stories of her power and ferocity... but she's getting a little older, and tireder, and the Emperor's demands finally go too far. Even her own Shadows will come after her... but Édo has some tricks up her sleeve, and a Djinni on her side.
I was a little confused by other reviews who found this funny; I didn't get the joke, if there was one. It's fairly brutal and there are long stretches of action sequences -- beautifully choreographed, and never boring, but definitely not funny. Édo makes for an interesting character: she doesn't really seem to regret her brutal past, or have very strong feelings about having to kill: what she's asked to do seems more like it's demeaning for her, or at least unfitting, because it's unnecessary.
It's not that she's tired of killing per se, but it no longer seems worth it: she wants more, now, and the Empire won't let her have it. It's not a moral stand, exactly; in fact, it's rife with her ego and her need to be recognised as powerful, as worth all the adulation and everything she's been paid. She's a strong female character, and yet profoundly flawed in a way I'm more used to seeing for male characters.
The Djinni was a fascinating bit of the story that didn't quite work for me -- the story could have functioned almost the same without the character entirely, and yet I wanted to know so much more about the Djinni.
All in all, a fast and entertaining read; if I gave half-stars, I'd bump it up higher, but I didn't quite connect with it enough to give it a four....more
Threshold takes Whyborne, Griffin, and their friend Christine to a mining town, after Whyborne’s father (who has a large stake in the company) asks hiThreshold takes Whyborne, Griffin, and their friend Christine to a mining town, after Whyborne’s father (who has a large stake in the company) asks him to investigate the strange rumours coming from the town. It’s time for more horrors, some amateur spellcraft on Whyborne’s part, and an awkward meeting with one of Griffin’s former coworkers. They investigate the mystery — and the mysterious changes of personality from a prominent member of the company — while Griffin and Whyborne trip over their relatively-new relationship and their insecurities.
The relationship stuff is… a bit frustrating to me, mostly, because I felt that it was somewhat contrived. We can’t have them be too settled in themselves, so Whyborne has to be jealous and Griffin has to be hiding something, and no one can just talk about it and tell the truth. They figure themselves out without it being dragged out too long, but Whyborne’s huff with Griffin felt very similar to his reaction in the last book, and that… bothers me. Like, can you ever just sit down and listen to Griffin’s explanations? Maybe trust him a little?
I really hope this will not continue to be a theme of these books, because it’s one that I’ll get tired of pretty quickly… and otherwise it’s a lot of fun! And it’s not that I don’t want to see any conflict between the leads, but I’d prefer it not to be something that is so thin and well-worn. I’m still enjoying this series a lot, but one more book of this kind of lack-of-communication will quickly start turning me off. Here’s hoping some more trust develops between Whyborne and Griffin!
All that aside, I tore through the book. The mystery and its explanation are perhaps a little obvious, but some of the details come as a gruesome surprise, and there are some genuinely horrifying moments. Christine is amazing throughout, and I have a feeling that — support Whyborne though she does — she’d concur with my second paragraph completely. She’s a joy, and a breath of no-nonsense fresh air....more
Pet takes place in the utopian city of Lucille. They’ve rooted out all the evil at their core: the violent policemen, the corrupt politicians, the liaPet takes place in the utopian city of Lucille. They’ve rooted out all the evil at their core: the violent policemen, the corrupt politicians, the liars and abusers… It wasn’t easy, and those who had to hunt for the evil in their midst had to do terrible things, but now there are no monsters in Lucille. Jam has been raised in this world, and is shocked when a spatter of her blood combines with a painting made by her mother and calls forth a monster which calls itself Pet and says there is a monster in Lucille, in the home of her dearest friend. Worse, it says she has to help it hunt down that monster.
It’s hard to put a finger on quite where Pet sits, though it’s labelled as YA: Jam feels rather young, despite the fact that she’s older than fifteen. I suspect that’s partly because of her naïveté, though. I don’t know how old I was when I first understood that children around me were being abused by family members, but I can’t have been more than ten. The idea of children being able to be that naïve is a pretty shocking one from that perspective: of course they wouldn’t have to grow up as fast. Of course they could have space to figure out their way through their lives.
So despite how young it feels in that way, YA is probably fair — especially because of the things Jam discovers while she’s on the hunt with Pet.
I really enjoyed the different kinds of representation here: there’s a family with three parents, one of whom is non-binary; Jam is trans; Jam prefers not to vocalise and uses signs and alternative ways to communicate; race feels unimportant to the world but is clearly signalled to the reader (with Jam’s afro, learning to do her hair in cornrows, etc — not to mention the cover)…
And as for the story… It feels simplistic, but there’s a lot of stuff to untangle. I enjoyed Jam’s friendship with Redemption, and the easy way they help each other, make each other better, and figure out their way around their problems. The relationships between Bitter and Aloe, Jam’s parents, and within Redemption’s family as well, have that feel to it as well. A world where people communicate and figure things out — and yes, are awful to each other sometimes, but figure things out as well. And there’s the whole issue of the monsters in Lucille, which people don’t want to see: we’ve done the work, they say. The work’s been done, there are no monsters.
There are always monsters, and we can’t pretend we’ve got rid of them for good, no matter how righteous we are, no matter how we purge and purge. We always have to be ready to listen, to accept that we could have been wrong.
Pet does a lot in a very short space, and it’s very worth a read at this particular moment in time especially. It has the simplicity of a fable or a parable, but within that simplicity is a hell of an idea to have to wrestle with....more
Received to review via Netgalley; publication date 23rd June 2020
I love the idea of Wuxia, but I’ve actually encountered very little of it, and I thinReceived to review via Netgalley; publication date 23rd June 2020
I love the idea of Wuxia, but I’ve actually encountered very little of it, and I think that puts me at a bit of a disadvantage when it comes to evaluating how successful this is, and knowing how to enjoy it. And it’s marketed as being about a “found family” — well, that should be totally up my street!
Unfortunately, I didn’t really get along with it as well as I’d hoped, and the “found family” feels fairly thin. The characterisation of anyone apart from the main characters is fairly light, and I didn’t really feel I got a handle on who anyone was as a person and what they held dear, apart from those main two (and even then, sometimes I struggled). It feels like it’s going to be an adventure story, but in the end it’s more personal — only I didn’t feel like I came along for the journey.
This sounds more critical than I want to be; I enjoyed reading it, and appreciated Tet Sang a lot. I don’t know how to stack up my experience here against other Wuxia books, and I think that’s part of the problem....more
The Replacement Husband was an impulse read, because it was on Kindle Unlimited and I thought "why not?" It's set in a Regency-analogue fantasy world The Replacement Husband was an impulse read, because it was on Kindle Unlimited and I thought "why not?" It's set in a Regency-analogue fantasy world where various gods exist and choose people to receive their blessing. Owen is one such, blessed by the goddess Mirreith: he is apparently inevitably gay, and will have to marry a man. Though he obviously cannot produce an heir, his partner is guaranteed to have a healthy heir and good fortune.
Unfortunately, in his little countryside estate, there's very little chance of him meeting anyone anyway. At least until he takes a tumble, hits his head, and is gallantly carried home by a pair of brothers. He quickly falls for Tom, the more handsome and lively of the two -- but Tom jilts him more or less at the altar by having a shotgun wedding with someone else. Tom's brother Arthur steps in...
I wasn't wholly enamoured of Arthur's possessiveness and temper; provoked or not, several times he's inches from violence, and clearly frightens Owen. He is in general a considerate partner, in fact, and takes pains to make Owen comfortable... at the same time as saying things like "say stop now or it'll be too late", which, ah, no. No thank you. Owen should get to say no whenever he likes, dude.
So there was some stuff about their relationship that was weird and uncomfortable, and led to me not quite believing in the sweetness of it as they settled in. However, I also did not root for Tom and his behaviour, and I find it difficult to believe that the next book is about Tom getting a happy-ever-after. I might read it if it's on Kindle Unlimited, because I'm very curious as to how Grayson manages that -- Tom makes himself extremely unlikeable -- but I'm not in a hurry. Particularly since the other protagonist of the next book is apparently a complete arsehole.
In conclusion: fun enough, but not something I'd be in a hurry to read....more
I confidently expected to love this book. January is a temerarious girl who grows up in the home of a very rich collector, shielded by his money and pI confidently expected to love this book. January is a temerarious girl who grows up in the home of a very rich collector, shielded by his money and position from the judgement that might arise from her coloured skin in the US at the time. Her father is away constantly, searching for things for their benefactor, so January grows up in that house, lonely and browbeaten into becoming a good girl.
The "temerarious" thing and some of the narration constantly reminded me of The Girl Who Circumnavigated Fairyland In a Ship of Her Own Making, especially with the names of the protagonists (September, January). Perhaps it's partly that constant obvious comparison that brought it down for me; I really, really love the Fairyland books, and all their bright and wondrous cast of characters, the joys and pains of growing up and falling in love. There was a fair bit of the same here in many ways, and it just didn't make a niche for itself in my heart in the same way.
That being said, there were things I loved; Jane is really cool, and it's beautifully written; whenever I picked this up I crammed it into my brain in big chunks. It just didn't quite come to life for me: when I put the book down, I didn't feel the immediate desperate urge to pick it back up. I actually took a month to read it, even though it was so easy and quick and more-ish once I was reading it. To some extent that's January's rather spoilt ways: raised in privilege, she thinks she's so much better than she is -- and then I didn't believe her transformation at the end to being able to do whatever she set her mind to! In a way, I preferred the story within the story: Adelaide and Yule Ian.
It's enjoyable, but it's not a favourite for me. I can't put my finger on why not, but... here we are....more
I loved Widdershins, and pretty much expected to love this one because of it. And there’s quite a bit to enjoy about it, mostly involving Chess: they’I loved Widdershins, and pretty much expected to love this one because of it. And there’s quite a bit to enjoy about it, mostly involving Chess: they’re non-binary, they drive a hot pink car with a vanity plate saying NBINARY and a they/them bumper sticker, and they seduce a crossroads demon into making them a hero (leading to said demon’s disgrace in Hell, dooming them to an eternity of processing new souls as they enter Hell). They’re unashamedly themselves, all over the place, and that’s lovely.
Buuut, the humour and the sex/attraction-focused relationship didn’t quite work for me. I didn’t believe that Ralgath and Chess were that attached to each other, and I didn’t have much skin in the game when they were in peril. Everything just happened very fast, from the relationship to the plot, and… I’m not that good with humour or this style of plot. I’m sure it’s a lot more fun when you aren’t a humourless lump like me — but I’ll stick to Whyborne and Griffin, with their angst and pining and more solid plot. Sorry!...more
I've been meaning to try out Jordan L. Hawk's work for a while, partly at the urging of Portal Bookshop, and partly because I already loved K.J. CharlI've been meaning to try out Jordan L. Hawk's work for a while, partly at the urging of Portal Bookshop, and partly because I already loved K.J. Charles' work -- and this series crosses over with one of Charles' series. If you're a fan of K.J. Charles, this is definitely going to be for you; it has many of the same hallmarks.
Whyborne is a philologist working in a small museum who gets suckered into helping an ex-Pinkerton detective (Griffin) unravel the murder of a museum patron's son. At first, he's just meant to translate a coded book for the detective, but he quickly finds himself drawn in deeper -- partly due to interest in the case itself, and a large part because he finds himself attracted (of course) to Griffin. Both of their pasts become absolutely key to the investigation, laying them bare to each other (in more ways than one, hurr hurr) and forging an incredible bond.
Their relationship progresses pretty fast, but it makes sense that it does: both are lonely, and Whyborne in particular has been hiding his desires and repressing everything for a long, long time. It's also great fun to watch as he opens up and throws fears to the wind, figuring out how to stand tall in his own way. I liked the glimpse of his family (or mostly just his mother), and the slight complexity to his relationship with his father that creeps in at the end.
All in all, I'm excited to read more, really!...more
Grave Importance is the final book of this trilogy, in which Greta Helsing finds herself invited to become the interim medical director of an exclusivGrave Importance is the final book of this trilogy, in which Greta Helsing finds herself invited to become the interim medical director of an exclusive facility in France: Oasis Natrun, the spa-and-clinic location for a particularly exclusive sort of customer... mummies! She needs to deal with delicate operations, treat ancient TB infections, and deal with pesky infestations in somebody's mummy wrappings. Oh, and her patients are frequently experiencing a weird draining, something that makes them woozy and lacking in strength. Nope, no one has any idea.
Of course, it's not just a medical mystery: Ruthven and Grisaille meet two strange beings in Rome, and a certain amateur enthusiast collector of Egyptian antiquities is getting younger all the time. Fass isn't having a good time of it dealing with the Monitoring and Evaluation department... And of course, you guessed it, all these things are somehow linked.
I couldn't believe I took so long to pick this up; once I did, it was everything I wanted. The romance between Greta and Varney remains adorable, Grisaille is the best unsuitable boyfriend, Ruthven is still everything, and I love the entire found family they've built up... and all the weird little touches like the fact that screaming skulls are a real thing, but they're mostly not a problem, and a young screaming skull mostly just squeaks.
I just. I love it. I love the idea of treating medicine for monsters seriously; I love Greta's dedication to her work; I love her bizarre found family's shenanigans, including a heist.
Now, I didn't quite jive with it all. I was a bit put off by the ending; I don't want to spoiler it for anyone, but I felt like the solution to all the problems was a little... pat. In a sense, it's been foreshadowed in the first book, if I remember rightly... but it just didn't quite come off, for me. I like Varney, but it was all A Bit Much.
That said, I love 95% of this book, even the bits that hurt, like Greta trying to doctor angels in a makeshift demonic clinic. I could honestly start rereading this trilogy again right now and I'd be entirely happy to steam through it all in one go, without stopping. There's something profoundly comforting in the love and caring of these books, something profoundly hopeful. Awful shit happens and people still care. Gah. It's the best....more
The Steerswoman is the first book of a series, focusing on the explorations of a steerswoman. The steerswomen seek after knowledge wherever they go: lThe Steerswoman is the first book of a series, focusing on the explorations of a steerswoman. The steerswomen seek after knowledge wherever they go: learning about local customs, drawing maps, and passing on their knowledge. If a steerswoman asks you a question, you must answer; if you do not, they will place you under a ban, and no steerswoman will ever answer your questions again. Rowan has been a steerswoman long enough that it's baked into her through and through, and she loves her work -- even as it begins to get her into trouble, even though she doesn't understand why.
This is a book you need to have patience with, because the details come to the reader slowly. I really enjoyed reading it at the same time as my wife and fitting together what we'd noticed (example: the gum-soled shoes that sailors and steerswomen wear!) but it's still a little frustrating to watch Rowan's slow progress. Readers have a bit of an advantage on Rowan, though, so it's also fun to try to be ahead and figure out where things are going.
Rowan isn't the only main character; the other is Bel, an Outskirter warrior who upends some of Rowan's assumptions as she comes along for the ride. They complement each other well, and it's fun to watch them play off each other. I wish we had more information about Bel and her motivations, though; I don't doubt her interest in helping Rowan, but she's gone to a lot of effort by now, and some of it before she really got to know Rowan. I'm hoping for more about her in the next book! (Which, since it's called The Outskirter's Secret, I suspect is exactly what will be served up.)...more
