Hausa people

Hausa

مُتَنٜىٰنْ هَوْسَا / هَوْسَاوَا Mutanen Hausa / Hausawa
Hausa emblem is an older and traditionally established emblem of Hausa identity – the 'Dagin Arewa' or 'Northern knot' – in a star shape, used in historic and traditional architecture, design and hand-embroidery.
Total population
86 million
Regions with significant populations
Nigeria	71,000,000
Niger	13,800,000
Ivory Coast	1,000,000
Sudan	664,000
Cameroon	400,000
Ghana	275,000
Benin	36,360
Eritrea	30,000
Togo	21,900
Gabon	17,000
Algeria	12,000
Languages
Hausa
Religion
Islam
Related ethnic groups
Other Chadic-speaking peoples, Cushitic-speaking peoples, Habesha peoples, Nilo-Saharans, Omotic-speaking peoples and Tuareg

The Hausa (autonyms for singular: Bahaushe (m), Bahaushiya (f); plural: Hausawa and general: Hausa; exonyms: Ausa; Ajami: مُتَنٜىٰنْ هَوْسَا / هَوْسَاوَا) are a native ethnic group in West Africa. They speak the Hausa language, which is the second most spoken language after Arabic in the Afro-Asiatic language family. The Hausa are a culturally homogeneous people based primarily in the Sahelian and the sparse savanna areas of southern Niger and northern Nigeria respectively, numbering around 86 million people, with significant populations in Benin, Cameroon, Ivory Coast, Chad, Central African Republic, Togo, Ghana, as well as smaller populations in Sudan, Eritrea, Equatorial Guinea, Gabon, Senegal, Gambia. Predominantly Hausa-speaking communities are scattered throughout West Africa and on the traditional Hajj route north and east traversing the Sahara, with an especially large population in and around the town of Agadez. Other Hausa have also moved to large coastal cities in the region such as Lagos, Port Harcourt, Accra, Abidjan, Banjul and Cotonou as well as to parts of North Africa such as Libya over the course of the last 500 years. The Hausa traditionally live in small villages as well as in precolonial towns and cities where they grow crops, raise livestock including cattle as well as engage in trade, both local and long distance across Africa. They speak the Hausa language, an Afro-Asiatic language of the Chadic group. The Hausa aristocracy had historically developed an equestrian based culture. Still a status symbol of the traditional nobility in Hausa society, the horse still features in the Eid day celebrations, known as Ranar Sallah (in English: the Day of the Prayer). Daura is the cultural center of the Hausa people. The town predates all the other major Hausa towns in tradition and culture.

Population distribution

The Hausa have, in the last 500 years, criss-crossed the vast landscape of Africa in all its four corners for varieties of reasons ranging from military service, long-distance trade, hunting, performance of hajj, fleeing from oppressive Hausa feudal kings as well as spreading Islam.

Because the vast majority of Hausas and Hausa speakers are Muslims, many attempted to embark on the Hajj pilgrimage, a requirement of all Muslims who are able. On the way to or back from the Hijaz region, many settled, often indigenizing to some degree. For example, many Hausa in Saudi Arabia identify as both Hausa and Afro-Arab. In the Arab world, the surname "Hausawi" (alternatively spelled "Hawsawi") is an indicator of Hausa ancestry.

The homeland of Hausa people is Hausaland ("Kasar Hausa"), situated in Northern Nigeria and Southern Niger. However, Hausa people are found throughout Africa and Western Asia. Cambridge scholar Charles Henry Robinson wrote in the 1890s that "Settlements of Hausa-speaking people are to be found in Alexandria, Tripoli, [and] Tunis."

The table below shows Hausa ethnic population distribution by country of indigenization, outside of Nigeria and Niger:

Country	Population
Ivory Coast	835,000
Sudan	664,000
Cameroon	400,000
Chad	287,000
Ghana	281,000
Central African Republic	33,000
Eritrea	30,000
Benin	36,360
Equatorial Guinea	26,000
Togo	21,000
Congo	12,000
Gabon	17,000
Algeria	11,000
Gambia	10,000

History

Daura, in northern Nigeria, is the oldest city of Hausaland. The Hausa of Gobir, also in northern Nigeria, speak the oldest surviving classical vernacular of the language. Historically, Katsina was the centre of Hausa Islamic scholarship but was later replaced by Sokoto stemming from the 19th century Usman Dan Fodio Islamic reform.

Photo of Sultan of Zinder's palace courtyard, 1906.

The Hausa are culturally and historically closest to other Sahelian ethnic groups, primarily the Fula; the Zarma and Songhai (in Tillabery, Tahoua and Dosso in Niger); the Kanuri and Shuwa Arabs (in Chad, Sudan and northeastern Nigeria); the Tuareg (in Agadez, Maradi and Zinder); the Gur and Gonja (in northeastern Ghana, Burkina Faso, northern Togo and upper Benin); Gwari (in central Nigeria); and the Mandinka, Bambara, Dioula and Soninke (in Mali, Senegal, Gambia, Ivory Coast and Guinea).

All of these various ethnic groups among and around the Hausa live in the vast and open lands of the Sahel, Saharan and Sudanian regions, and as a result of the geography and the criss crossing network of traditional African trade routes, have had their cultures heavily influenced by their Hausa neighbours, as noted by T.L. Hodgkin "The great advantage of Kano is that commerce and manufactures go hand in hand, and that almost every family has a share in it. There is something grand about this industry, which spreads to the north as far as Murzuk, Ghat and even Tripoli, to the West, not only to Timbuctu, but in some degree even as far as the shores of the Atlantic, the very inhabitants of Arguin dressing in the cloth woven and dyed in Kano; to the east, all over Borno, ...and to the south...it invades the whole of Adamawa and is only limited by the pagans who wear no clothing." In clear testimony to T. L Hodgkin's claim, the people of Agadez and Saharan areas of central Niger, the Tuareg and the Hausa groups are indistinguishable from each other in their traditional clothing; both wear the tagelmust and indigo Babban Riga/Gandora. But the two groups differ in language, lifestyle and preferred beasts of burden (the Tuareg use camels, while Hausa ride horses).

Other Hausa have influenced other ethnic groups southwards and in similar fashion to their Sahelian neighbors, which have heavily influenced the cultures of these groups. Islamic Shari'a law is loosely the law of the land in Hausa areas, well-understood by any Islamic scholar or teacher, known in Hausa as a m'allam, mallan or malam (see Maulana). This pluralist attitude toward ethnic identity and cultural affiliation has enabled the Hausa to inhabit one of the largest geographic regions of non-Bantu ethnic groups in Africa.

In the 7th century, the Dalla Hill in Kano was the site of a Hausa community that migrated from Gaya and engaged in iron-working. The Hausa Bakwai kingdoms were established around the 7th to 11th centuries. Of these, the Kingdom of Daura was the first, according to the Bayajidda legend. However, the legend of Bayajidda is a relatively new concept in the history of the Hausa people that gained traction and official recognition under the Islamic government and institutions that were newly established after the 1804 Usman dan Fodio Jihad.

The Hausa Kingdoms were independent political entities in what is now Northern Nigeria. The Hausa city states emerged as southern terminals of the Trans-Saharan caravan trade. Like other cities such as Gao and Timbuktu in the Mali Empire, these city states became centres of long-distance trade. Hausa merchants in each of these cities collected trade items from domestic areas such as leather, dyed cloth, horse gear, metal locks and kola nuts from the rain forest region to the south through trade or slave raiding, processed (and taxed) them and then sent them north to cities along the Mediterranean. By the 12th century AD, the Hausa were becoming one of Africa's major trading powers, competing with Kanem-Bornu and the Mali Empire. The primary exports were leather, gold, cloth, salt, kola nuts, slaves, animal hides, and henna. Certainly trade influenced religion. By the 14th century, Islam was becoming widespread in Hausaland as Wangara scholars, scholars and traders from Mali and scholars and traders from the Maghreb brought the religion with them.

By the early 15th century, the Hausa were using a modified Arabic script known as ajami to record their own language. The Hausa compiled several written histories, the most popular being the Kano Chronicle. Many medieval Hausa manuscripts similar to the Timbuktu Manuscripts written in the Ajami script have been discovered recently, some of them describing constellations and calendars.

A depiction of a Hausa man from Gobir by Carl Arriens (1913)

The Gobarau Minaret was built in the 15th century in Katsina. It is a 50-foot edifice located in the centre of the city of Katsina, the capital of Katsina State. The Gobarau minaret, a symbol of the state, is an early example of Islamic architecture in a city that prides itself as an important Islamic learning centre. The minaret is believed to be one of West Africa's first multi-storey buildings and was once the tallest building in Katsina. The mosque's origin is attributed to the efforts of the influential Islamic scholar Sheikh Muhammad al-Maghili and Sultan Muhammadu Korau of Katsina. Al-Maghili was from the town of Tlemcen in present-day Algeria and taught for a while in Katsina, which had become a centre of learning at this time, when he visited the town in the late 15th century during the reign of Muhammadu Korau. He and Korau discussed the idea of building a mosque to serve as a centre for spiritual and intellectual activities. The Gobarau mosque was designed and built to reflect the Timbuktu-style of architecture. It became an important centre for learning, attracting scholars and students from far and wide, and later served as a kind of university.

Muhammad Rumfa was the Sultan of the Sultanate of Kano, located in modern-day Kano State, Northern Nigeria. He reigned from 1463 until 1499. Among Rumfa's accomplishments were extending the city walls, building a large palace, the Gidan Rumfa, promoting slaves to governmental positions and establishing the great Kurmi Market, which is still in use today. Kurmi Market is among the oldest and largest local markets in Africa. It used to serve as an international market where North African goods were exchanged for domestic goods through trans-Saharan trade. Muhammad Rumfa was also responsible for much of the Islamisation of Kano, as he urged prominent residents to convert.

The legendary Queen Amina (or Aminatu) is believed to have ruled Zazzau between the 15th century and the 16th century for a period of 34 years. Amina was 16 years old when her mother, Bakwa Turunku became queen and she was given the traditional title of Magajiya, an honorific borne by the daughters of monarchs. She honed her military skills and became famous for her bravery and military exploits, as she is celebrated in song as "Amina, daughter of Nikatau, a woman as capable as a man." Amina is credited as the architectural overseer who created the strong earthen walls that surround her city, which were the prototype for the fortifications used in all Hausa states. She subsequently built many of these fortifications, which became known as ganuwar Amina or Amina's walls, around various conquered cities.

The objectives of her conquests were twofold: extension of her nation beyond its primary borders and reducing the conquered cities to a vassal status. Sultan Muhammad Bello of Sokoto stated that, "She made war upon these countries and overcame them entirely so that the people of Katsina paid tribute to her and the men of Kano and... also made war on cities of Bauchi till her kingdom reached to the sea in the south and the west." Likewise, she led her armies as far as Kwararafa and Nupe and, according to the Kano Chronicle, "The Sarkin Nupe sent her (i.e. the princess) 40 eunuchs and 10,000 kola nuts."

The Hausa–Fulani Sokoto Caliphate in the 19th century

From 1804 to 1808, the Fulani, another Islamic African ethnic group that spanned West Africa and have settled in Hausaland since the early 1500s, with support of already oppressed Hausa peasants revolted against oppressive cattle tax and religious persecution under the new king of Gobir, whose predecessor and father had tolerated Muslim evangelists and even favoured the leading Muslim cleric of the day, Sheikh Usman Dan Fodio whose life the new king had sought end. Sheikh Usman Dan Fodio fled Gobir and from his sanctuary declared Jihad on its king and all Habe dynasty kings for their alleged greed, paganism, injustices against the peasant class, use of heavy taxation and violation of the standards of Sharia law. The Fulani and Hausa cultural similarities as a Sahelian people however allowed for significant integration between the two groups. Since the early 20th century, these peoples are often classified as "Hausa–Fulani" within Nigeria rather than as individuated groups. In fact, a large number of Fulani living in Hausa regions cannot speak Fulfulde at all and speak Hausa as their first language. Many Fulani in the region do not distinguish themselves from the Hausa, as they have long intermarried, they share the Islamic religion and more than half of all Nigerian Fulani have integrated into Hausa culture.

British colonial administrator Frederick Lugard exploited rivalries between many of the emirs in the south and the central Sokoto administration to counter possible defence efforts as his men marched toward the capital. As the British approached the city of Sokoto, the new Sultan Muhammadu Attahiru I organised a quick defence of the city and fought the advancing British-led forces. The British emerged triumphant, sending Attahiru I and thousands of followers on a Mahdist hijra.

On 13 March 1903 at the grand market square of Sokoto, the last Vizier of the Caliphate officially conceded to British rule. The British appointed Muhammadu Attahiru II as the new Caliph. Lugard abolished the Caliphate, but retained the title Sultan as a symbolic position in the newly organised Northern Nigeria Protectorate. In June 1903, the British defeated the remaining forces of Attahiru I, who was killed in action; by 1906 resistance to British rule had ended. The area of the Sokoto Caliphate was divided among the control of the British, French, and Germans under the terms of the Berlin Conference.

Art of a Kano horseman wearing lifidi (cotton-padded armour)

The British established the Northern Nigeria Protectorate to govern the region, which included most of the Sokoto empire and its most important emirates. Under Lugard, the various emirs were provided significant local autonomy, thus retaining much of the political organisation of the Sokoto Caliphate. The Sokoto area was treated as just another emirate within the Nigerian Protectorate. Because it was never connected with the railway network, it became economically and politically marginal.

The Sultan of Sokoto continued to be regarded as an important Muslim spiritual and religious position; the lineage connection to dan Fodio has continued to be recognised. One of the most significant Sultans was Siddiq Abubakar III, who held the position for 50 years from 1938 to 1988. He was known as a stabilising force in Nigerian politics, particularly in 1966 after the assassination of Ahmadu Bello, the Premier of Northern Nigeria.

Following the construction of the Nigerian railway system, which extended from Lagos in 1896 to Ibadan in 1900 and Kano in 1911, the Hausa of northern Nigeria became major producers of groundnuts. They surprised the British authorities, who had expected the Hausa to turn to cotton production. However, the Hausa had sufficient agricultural expertise to realise cotton required more labour and the European prices offered for groundnuts were more attractive than those for cotton. "Within two years the peasant farmers of Hausaland were producing so many tonnes of groundnuts that the railway was unable to cope with the traffic. As a result, the European merchants in Kano had to stockpile sacks of groundnuts in the streets." (Shillington 338).

The Boko script was implemented by the British and French colonial authorities and made the official Hausa alphabet in 1930. Boko is a Latin alphabet used to write the Hausa language. The first boko was devised by Europeans in the early 19th century, and developed in the early 20th century by the British (mostly) and French colonial authorities. Since the 1950s, boko has been the main alphabet for Hausa. Arabic script (ajami) is now only used in Islamic schools and for Islamic literature. Today millions of Hausa-speaking people, who can read and write in Ajami only, are considered illiterates by the Nigerian government. Despite this, Hausa Ajami is present on Naira banknotes. In 2014, in a very controversial move, Ajami was removed from the new 100 Naira banknote.

Nevertheless, the Hausa remain preeminent in Niger and Northern Nigeria.

Subgroups of Hausa people

Hausas in the narrow sense are indigenous of Kasar Hausa (Hausaland) who are found in West Africa. Within the Hausa, a distinction is made between three subgroups: Habe, Hausa-Fulani (Kado), and Banza or Banza 7.

• "Habe" are taken to be pure Hausas. They include Gobirawa, Kabawa, Rumawa, Adarawa, Maouri, and others. These groups were the rulers of Hausa Kingdoms before the Danfodiyo revolution (Jihad) of 1804.
• "Hausa–Fulani" or "Kado" are Hausanized Fulas, people of mixed Hausa and Fulani origin, most of whom speak a variant of Hausa as their native language. According to Hausa genealogical tradition, their identity came into being as a direct result of the migration of Fula people into Hausaland occurring from the 15th century and later at the beginning of the 19th century, during the revolution led by Sheikh Usman Danfodiyo against the Hausa Kingdoms, founding a centralized Sokoto Caliphate. They include Jobawa, Dambazawa, Mudubawa, Mallawa, and Sullubawa tribes originating in Futa Tooro.
• "Banza or Banza 7" according to some modern historians are people who are of ancient tribes and extinct languages in Hausaland, of whose history little is known. They include Ajawa, Gere, Bankal, and others.

Genetics

A Hausa gurmi lute player

A man playing a garaya lute. This may be a Fulani version, as both Fulani and Hausa make the instrument.

Hausa drummer

Algaita player, a type of multi-reed instrument like a clarinet or oboe.

Goje fiddle

Kakaki trumpet players from Northern Nigeria. The instrument is similar or related to the nafir, an instrument that traveled with Islam.

According to a Y-DNA study by Hassan et al. (2008), about 47% of Hausa in Sudan carry the West Eurasian haplogroup R1b. The remainder belong to various African paternal lineages: 15.6% B, 12.5% A and 12.5% E1b1a. A small minority of around 4% are E1b1b clade bearers, a haplogroup which is most common in North Africa and the Horn of Africa.

A more recent study on Hausa of Arewa (Northern Nigeria) revealed similar results: 47% E1b1a, 5% E1b1b, 21% other Haplogroup E (E-M33, E-M75...), 18% R1b and 9% B.

In terms of overall ancestry, an autosomal DNA study by Tishkoff et al. (2009) found the Hausa to be most closely related to Nilo-Saharan populations from Chad and South Sudan. This suggests that the Hausa and other modern Chadic-speaking populations originally spoke Nilo-Saharan languages, before adopting languages from the Afroasiatic family after migration into that area thousands of years ago:

From K = 5-13, all Nilo-Saharan speaking populations from southern Sudan, and Chad cluster with west-central Afroasiatic Chadic-speaking populations (Fig. S15). These results are consistent with linguistic and archeological data, suggesting a possible common ancestry of Nilo-Saharan speaking populations from an eastern Sudanese homeland within the past ≈10,500 years, with subsequent bi-directional migration westward to Lake Chad and southward into modern day southern Sudan, and more recent migration eastward into Kenya and Tanzania ≈3,000 ya (giving rise to Southern Nilotic speakers) and westward into Chad ≈2,500 ya (giving rise to Central Sudanic speakers) (S62, S65, S67, S74). A proposed migration of proto-Chadic Afroasiatic speakers ≈7,000 ya from the central Sahara into the Lake Chad Basin may have caused many western Nilo-Saharans to shift to Chadic languages (S99). Our data suggest that this shift was not accompanied by large amounts of Afroasiatic16 gene flow. Analyses of mtDNA provide evidence for divergence ≈8,000 ya of a distinct mtDNA lineage present at high frequency in the Chadic populations and suggest an East African origin for most mtDNA lineages in these populations (S100).

A study from 2019 that genotyped 218 unrelated males from the Igbo, Hausa and Yoruba tribes using X-STR analysis, found that when studying the genetic affinity, no significant differences were detected. It supported a homogeneity of Nigerian ethnic groups for X-chromosome markers. In 2024, a paper similarly found homogeneity in the Yoruba, Igbo and Hausa in Nigeria for X-Chromosomes (mtDNA). However, differences in the Hausa were found for the Y-Chromosome, where they had more paternal lineages associated with Afro-Asiatic speakers, while the Yoruba and Igbo were paternally related to other Niger-Congo speaking groups. Specifically, in the 135 Yoruba and 134 Igbo males, E-M2 was seen at high rates of 90%. In contrast, the 89 Hausa males had E-M2 at 43%, and frequencies for R1b-V88 at 32%, A 9%, E1a 6%, B 5%, and another 5% being made of other lineages.

Culture

The Hausa cultural practices stand unique in Nigeria and have withstood the test of time due to strong traditions, cultural pride as well as an efficient precolonial native system of government. Consequently, and in spite of strong competition from western European culture as adopted by their southern Nigerian counterparts, have maintained a rich and particular mode of dressing, food, language, marriage system, education system, traditional architecture, sports, music and other forms of traditional entertainment.

Language

Main article: Hausa language

Ethnolinguistic territory of the Hausa people in Niger and Nigeria

The Hausa language, a member of Afroasiatic family of languages, has more first-language speakers than any other African language. It has around 50 million first-language speakers, and close to 30 million second-language speakers. The main Hausa-speaking area is northern Nigeria and southern Niger. Hausa is also widely spoken in northern Ghana, Cameroon, Chad, and Ivory Coast as well as among Fulani, Tuareg, Kanuri, Gur, Shuwa Arab, and other Afro-Asiatic, Niger-Congo, and Nilo-Saharan speaking groups. There are also large Hausa communities in every major African city in neighbourhoods called zangos or zongos, meaning "caravan camp" in Hausa (denoting the trading post origins of these communities). Most Hausa speakers, regardless of ethnic affiliation, are Muslims; Hausa often serves as a lingua franca among Muslims in non-Hausa areas.

There is a large and growing printed literature in Hausa, which includes novels, poetry, plays, instruction in Islamic practice, books on development issues, newspapers, news magazines, and technical academic works. Radio and television broadcasting in Hausa is ubiquitous in northern Nigeria and southern Niger, and radio stations in Cameroon have regular Hausa broadcasts, as do international broadcasters such as the BBC, VOA, Deutsche Welle, Radio Moscow, Radio Beijing, RFI France, IRIB Iran IRIB World Service, and others

Hausa is used as the language of instruction at the elementary level in schools in northern Nigeria, and Hausa is available as course of study in northern Nigerian universities. In addition, several advanced degrees (Masters and PhD) are offered in Hausa in various universities in the UK, US, and Germany. Hausa is also being used in various social media networks around the world.

Hausa is considered one of the world's major languages, and it has widespread use in a number of countries of Africa. Hausa's rich poetry, prose, and musical literature is increasingly available in print and in audio and video recordings. The study of Hausa provides an informative entry into the culture of Islamic Africa. Throughout Africa, there is a strong connection between Hausa and Islam.

The influence of the Hausa language on the languages of many non-Hausa Muslim peoples in Africa is readily apparent. Likewise, many Hausa cultural practices, including such overt features as dress and food, are shared by other Muslim communities. Because of the dominant position which the Hausa language and culture have long held, the study of Hausa provides crucial background for other areas such as African history, politics (particularly in Nigeria and Niger), gender studies, commerce, and the arts.

Religion

A lithographic print from Nigeria in the early 20th century featuring text from the Surah of An'am, printed in the Hausawi script.

Sunni Islam of the Maliki madhhab, is the predominant and historically established religion of the Hausa people. Islam has been present in Hausaland since as early as the 11th century — giving rise to famous native Sufi saints and scholars such as Wali Muhammad dan Masani (d.1667) and Wali Muhammad dan Marina (d. 1655) in Katsina — mostly among long-distance traders to North Africa whom in turn had spread it to common people while the ruling class had remained largely pagan or mixed their practice of Islam with pagan practices. By the 14th century, Hausa traders were already spreading Islam across a large swathe of west Africa such as Ghana, Côte d'Ivoire, etc..

Muslim scholars of the early 19th century disapproved of the hybrid religion practiced in royal courts. A desire for reform contributed to the formation of the Sokoto Caliphate. The formation of this state strengthened Islam in rural areas. The Hausa people have been an important factor for the spread of Islam in West Africa. Today, the current Sultan of Sokoto is regarded as the traditional religious leader (Sarkin Musulmi) of Sunni Hausa–Fulani in Nigeria and beyond.

Maguzanci, an African Traditional Religion, was practised extensively before Islam. In the more remote areas of Hausaland, the people continue to practise Maguzanci. Closer to urban areas, it is not as common, but with elements still held among the beliefs of urban dwellers. Practices include the sacrifice of animals for personal ends, but it is not legitimate to practise Maguzanci magic for harm. People of urbanized areas tend to retain a "cult of spirit possession," known as Bori. It incorporates the old religion's elements of African Traditional Religion and magic.

The Great Mosque of Kano in 1960. It is one of the oldest mosques in Nigeria and was built in the 15th century by Muhammad Rumfa, the 21st Sarkin Kano

Clothing and accessories

The Hausa were famous throughout the Middle Ages for their cloth weaving and dyeing, cotton goods, leather sandals, metal locks, horse equipment and leather-working and export of such goods throughout the west African region as well as to north Africa (Hausa leather was erroneously known to medieval Europe as Moroccan leather). They were often characterized by their Indigo blue dressing and emblems which earned them the nickname "bluemen". They traditionally rode on fine Saharan camels and horses. Tie-dye techniques have been used in the Hausa region of West Africa for centuries with renowned indigo dye pits located in and around Kano, Nigeria. The tie-dyed clothing is then richly embroidered in traditional patterns. It has been suggested that these African techniques were the inspiration for the tie-dyed garments identified with hippie fashion.

The traditional dress of the Hausa consists of loose flowing gowns and trousers. The gowns have wide openings on both sides for ventilation. The trousers are loose at the top and center, but rather tight around the legs. Leather sandals and turbans are also typical. The men are easily recognizable because of their elaborate dress which is a large flowing gown known as Babban riga also known by various other names due to adaptation by many ethnic groups neighboring the Hausa (see indigo Babban Riga/Gandora). These large flowing gowns usually feature elaborate embroidery designs around the neck and chest area.

Eid al-Fitr procession in northern Nigeria

They also wore a type of shirt called tagguwa (long and short slip). The oral tradition regarding the tagguwa is that during the age when Hausawa were using leaves and animal skin to cover their private parts, a man called Guwa decided to cut the centre of the animal skin and wear it like a shirt instead of just covering his privates. People around to Guwa became interested in his new style and decided to copy it. They called it 'Ta Guwa', meaning "similar to Guwa". It eventually evolved to become Tagguwa.

Men also wear colourful embroidered caps known as hula. Depending on their location and occupation, they may wear the turban around this to veil the face, called Alasho. The women can be identified by wrappers called zani, made with colourful cloth known as atampa or Ankara, (a descendant of early designs from the famous Tie-dye techniques the Hausa have for centuries been known for, named after the Hausa name for Accra the capital of what is now Ghana, and where an old Hausa speaking trading community still lives) accompanied by a matching blouse, head tie (kallabi) and shawl (Gyale).

Like other Muslims and specifically Sahelians within West Africa, Hausa women traditionally use Henna (lalle) designs painted onto the hand instead of nail-polish. A shared tradition with other Afro-Asiatic speakers like Berbers, Habesha, (ancient) Egyptians and Arab peoples, both Hausa men and women use kohl ('kwalli') around the eyes as an eye shadow, with the area below the eye receiving a thicker line than that of the top. Also, similar to Berber, Bedouin, Zarma and Fulani women, Hausa women traditionally use kohl to accentuate facial symmetry. This is usually done by drawing a vertical line from below the bottom lip down to the chin. Other designs may include a line along the bridge of the nose, or a single pair of small symmetrical dots on the cheeks.

Common traditional dressing in Hausa men

• 
  A Hausa boy wearing traditional cloths (Babban riga and rawani)
• 
  A teenage Hausa boy wearing traditional cloths
• 
  An adult Hausa man in Babban riga and Alasho

Common modern dressing in Hausa women

• 
  Aisha Buhari wearing Hausa clothes and hijab, which consists of the kallabi matching the dress cloth design, and gyale draped over the shoulder or front
• 
  Turai Yar'adua wearing atampa and dan kwali, note the henna designs on the fingertips instead of nail polish
• 
  Kannywood actress wearing gyale in Hausa style, along with henna applied on fingers
• 
  Maryam Booth, Kannywood actress

Architecture

Main article: Hausa Architecture

The architecture of the Hausa is perhaps one of the least known of the medieval age. Many of their early mosques and palaces are bright and colourful, including intricate engraving or elaborate symbols designed into the facade This architectural style is known as Tubali which means architecture in the Hausa language. The ancient Kano city walls were built in order to provide security to the growing population. The foundation for the construction of the wall was laid by Sarki Gijimasu from 1095 through 1134 and was completed in the middle of the 14th century. In the 16th century, the walls were further extended to their present position. The gates are as old as the walls and were used to control movement of people in and out of the city. Hausa buildings are characterized by the use of dry mud bricks in cubic structures, multi-storied buildings for the social elite, the use of parapets related to their military/fortress building past, and traditional white stucco and plaster for house fronts. At times the facades may be decorated with various abstract relief designs, sometimes painted in vivid colours to convey information about the occupant.

• 
  Gate of gidan rumfa
• 
  Kano Museum
• 
  The ancient Gobirau minaret in Katsina
• 
  House built in 1959. Photo taken in Agadez, Niger (1997)
• 
  Gate to the palace of the Emir of Zaria (1962)
• 
  Palace of the Emir of Dutse

Sport

The Hausa culture is rich in traditional sporting events such as boxing (Dambe), stick fight (Takkai), wrestling (Kokowa) etc. that were originally organized to celebrate harvests but over the generations developed into sporting events for entertainment purposes.

Dambe

Dambe is a brutal form of traditional martial art associated with the Hausa people of West Africa. Its origin is shrouded in mystery. However, Edward Powe, a researcher of Nigerian martial art culture recognizes striking similarities in stance and single wrapped fist of Hausa boxers to images of ancient Egyptian boxers from the 12th and 13th dynasties.

It originally started out among the lower class of Hausa butcher caste groups and later developed into a way of practicing military skills and then into sporting events through generations of Northern Nigerians. It is fought in rounds of three or less which have no time limits. A round ends if an opponent is knocked out, a fighter's knee, body or hand touch the ground, inactivity or halted by an official.

Dambe's primary weapon is the "spear", a single dominant hand wrapped from fist to forearm in thick strips of cotton bandage that is held in place by knotted cord dipped in salt and allowed to dry for maximum body damage on opponents, while the other arm, held open, serve as the "shield" to protect fighters head from opponent's blows or used to grab an opponent. Fighters usually end up with split brows, broken jaws and noses or even sustain brain damage. Dambe fighters may receive money, cattle, farm produce or jewelry as winnings but generally it was fought for fame from representations of towns and fighting clans.

Hausa traditional boxing called Dambe

Food

Kyinkyinga (suya), a popular marinated kebab, prepared by a Ghanaian Hausa street vendor in Ghana

Kilishi, a Hausa delicacy similar to jerky

The most common food that the Hausa people prepare consists of grains, such as sorghum, millet, rice, or maize, which are ground into flour for a variety of different kinds of dishes. This food is popularly known as tuwo in the Hausa language.

Usually, breakfast consists of cakes and dumplings made from ground beans and fried, known as kosai; or made from wheat flour soaked for a day, fried and served with sugar or chili, known as funkaso. Both of these cakes can be served with porridge and sugar known as kunu or koko. Lunch or dinner usually feature a heavy porridge with soup and stew known as tuwo da miya. The soup and stew are usually prepared with ground or chopped tomatoes, onions, and local spices.

Spices and other vegetables, such as spinach, pumpkin, or okra, are added to the soup during preparation. The stew is prepared with meat, which can include goat or cow meat, but not pork, due to Islamic food restrictions. Beans, peanuts, and milk are also served as a complementary protein diet for the Hausa people.

The most famous of all Hausa food is most likely Suya, a spicy shish kebab like skewered meat which is a popular food item in various parts of Nigeria and is enjoyed as a delicacy in much of West Africa and balangu or gashi.

A dried version of Suya is called Kilishi.

Literature

Hausa Language has been written in modified Arabic script, known as Ajami, since pre-colonial times. The earliest Hausa Ajami manuscript with reliable date is the Ruwayar Annabi Musa by the Kano scholar Abdullah Suka, who lived in the 1600s. This manuscript may be seen in the collection of the Jos Museum. Other well-known scholars and saints of the Sufi order from Katsina, Danmarina and Danmasani have been composing Ajami and Arabic poetry from much earlier times also in the 1600s. Gradually, increasing number of Hausa Ajami manuscripts were written which increased in volume through the eighteenth and nineteenth centuries and continuing into the twentieth century. With the nineteenth century witnessing even more impetus due to the Usman dan Fodio Islamic reform, himself a copious writer who encouraged literacy and scholarship, for both men and women, as a result of which several of his daughters emerged as scholars and writers.[1] Ajami book publishing today has become greatly surpassed by romanized Hausa, or Boko, publishing.

A modern literary movement led by female Hausa writers has grown since the late 1980s when writer Balaraba Ramat Yakubu came to popularity. In time, the writers spurred a unique genre known as Kano market literature — so named because the books are often self-published and sold in the markets of Nigeria. The subversive nature of these novels, which are often romantic and family dramas that are otherwise hard to find in the Hausa tradition and lifestyle, have made them popular, especially among female readers. The genre is also referred to as littattafan soyayya, or "love literature."

Hausa symbolism

A "Hausa ethnic flag" was proposed in 1966 (according to online reports dated 2001). It shows five horizontal stripes—from top to bottom in red, yellow, indigo blue, green, and khaki beige. An older and traditionally established emblem of Hausa identity, the 'Dagin Arewa' or Northern knot, in a star shape, is used in historic architecture, design and embroidery.

See also

• Hausa language
• Hausa Kingdoms
• Hausa architecture
• Hausa Folk-lore
• List of Hausa people
• Hausa Music
• Hausa Day
• Cushitic-speaking peoples
• Habesha peoples

Bibliography

• Bivins, Mary Wren. Telling Stories, Making Histories: Women, Words, and Islam in Nineteenth-Century Hausaland and the Sokoto Caliphate (Portsmouth, New Hampshire, Heinemann, 2007) (Social History of Africa).
• Being and becoming Hausa: interdisciplinary perspectives. African social studies series. Anne Haour, Benedetta Rossi (eds.). Leiden; Boston: Brill. 2010. ISBN 9789004185425.{{cite book}}: CS1 maint: others (link)
• Liman, Abubakar Aliyu. "Memorializing a legendary figure: Bayajidda the prince of Bagdad in Hausa land." Afrika Focus 32.1 (2019): 125–136. [2]
• Philips, John Edward. "Hausa in the Twentieth Century: An Overview." in Sudanic Africa, vol. 15, 2004, pp. 55–84. online, on the language of the people
• Salamone, Frank A. (2010). The Hausa of Nigeria. Lanham, MD: University Press of America. ISBN 9780761847243.

External links

• All Hausa food recipes Archived 2015-09-23 at the Wayback Machine
• Hausa Information at Art and Life in Africa Online
• www.everyculture.com