Ritwik Ghatak tuma nima
Yɛlikpani
Ritwik Ghatak tuma nima | |
---|---|
Dhaka (en) | |
O ya Tiŋgbaŋ | India British Raj (en) Dominion of India (en) |
A ya balli | Bangla (en) |
Kpibu shee | Kolkata, Silimin gɔli February 6, 1976 |
Ŋ-ŋɔ kum | natural causes (en) |
Tizo | view
|
Education | |
Shikuru shɛli o ni chaŋ | University of Calcutta (en) Rajshahi Collegiate School (en) Ballygunge Government High School (en) Rajshahi College (en) Krishnath College (en) |
Bala yɛlibu, sabbu bee buɣisibu | Bangla (en) Silmiinsili |
Tuma | |
Tuma | film director (en) |
Notable work | Nagarik (en) |
Pin' shɛŋa o ni dee | view
|
IMDb | nm0315547 |
Ritwik Ghatak daa nyɛla India filim yaara mini kpɛrikpɛrita sabira ,yɛltɔɣa taɣamalisi sabira ni la lahabali ŋma sabira. Ghatak pili la o baŋsim tuma ni yɛltɔɣatamalisi ni lahabaya sabbu. Ka pili sabiti tiyaata ka tum ni Gananatya Sangha mini Indian People's Theatre Association. Din nyaaŋa ka o labi filim daretibu ni. O lahi sabi filim mima lahabaya n gari pihinu. Satyajit Ray sabiya ni lala lahabaya ŋɔ "nyɛla din gbaai shinii yaɣa zaa".[1]
Filmography
[mali niŋ | mali mi di yibu sheena n-niŋ]Filim
[mali niŋ | mali mi di yibu sheena n-niŋ]Director and scriptwriter
[mali niŋ | mali mi di yibu sheena n-niŋ]Year | Film | English Title | Actors | Release Date |
---|---|---|---|---|
1958 | Ajantrik | The Unmechanical / The Pathetic Fallacy | Kali Banerjee, Gangapada Basu, Satindra Bhattacharya, Kajal Gupta, Gyanesh Mukherjee Anil Chatterjee, Tulsi Chakrabarti | 23 May 1958 |
1959 | Bari Theke Paliye | The Runaway | Kali Banerjee, Master Parambhattarak Lahiri, Gyanesh Mukherjee, Keshto Mukherjee. Jahor Roy, Satindra Bhattacharya, | 24 July 1959 |
1960 | Meghe Dhaka Tara (Partition Trilogy) | The Cloud-Capped Star | Anil Chatterjee, Supriya Choudhuri, Bijon Bhattacharya, Gita Ghatak, Gyanesh Mukherjee, Dwiju Bhawal, Niranjan Roy, Gita Dey | 14 April 1960 |
1961 | Komal Gandhar (Partition Trilogy) | E-Flat | Supriya Choudhuri, Abanish Banerjee Gita Dey, Anil Chatterjee, Bijon Bhattacharya, Chitra Sen, Mantu Ghosh, Satindra Bhattacharya | 31 March 1961 |
1965 | Subarnarekha (Partition Trilogy) | Golden Line | Abhi Bhattacharya, Madhabi Mukherjee, Bijon Bhattacharya, Jahor Roy, Satindra Bhattacharya, Gita Dey, Ritwik Ghatak | 1 October 1965 |
1973 | Titash Ekti Nadir Naam | A River Called Titash | Rosi Samad, Kobori Sarwar, Rawshan Zamil, Fakirul Hasan Bairagi, Prabir Mitra, Ritwik Ghatak | 27 July 1973 |
1977 | Nagarik | The Citizen | Kali Banerjee, Prabha Devi, Satindra Bhattacharya, Shobha Sen, Gangapada Basu, Anil Chatterjee, Ketaki Dutta, Kesto Mukherjee, Gita Shome | Produced in 1952. Released on 20 September 1977 |
1977 | Jukti Takko Aar Gappo | Reason, Debate and a Story | Ritwik Ghatak, Tripti Mitra, Saoli Mitra, Bijon Bhattacharya, Gnanesh Mukherjee, Sugato Burman, Ananya Ray, Master Ritoban Ghatak, Jahar Roy, Utpal Dutt | 30 September 1977 |
Story & scriptwriter
[mali niŋ | mali mi di yibu sheena n-niŋ]Year | Film | Director | Remarks |
---|---|---|---|
1957 | Musafir | Hrishikesh Mukherjee | Script |
1958 | Madhumati | Bimal Roy | Story & Script |
1960 | Swaralipi | Asit Sen | Script |
1962 | Kumari Mon | Chitrarath | Script |
1963 | Deeper Nam Tiya Rong | Gurudas Bagchi | Script |
1965 | Rajkanya | Sunil Banerjee | Story & Script |
1968 | Heerer Prajapati (Hindi) | Santi P. Choudhury | Script |
Deen' diɛmda
[mali niŋ | mali mi di yibu sheena n-niŋ]Year | Film | Director |
---|---|---|
1950 | Tathapi | Manoj Bhattacharya |
1951 | Chinnamul | Nimai Ghosh |
1962 | Kumari Mon | Chitrarath |
1962 | Subarnarekha | Ritwik Ghatak |
1973 | Titash Ekti Nadir Naam | Ritwik Ghatak |
1974 | Jukti Takko Aar Gappo | Ritwik Ghatak |
Short films and documentaries
[mali niŋ | mali mi di yibu sheena n-niŋ]- The Life of the Adivasis (1955)
- Places of Historic Interest in Bihar (1955)
- Oraon (1957)
- Scissors (1962)
- Ustad Alauddin Khan (1963)
- Fear (1965)
- Rendezvous (1965)
- Civil Defence (1965)
- Scientists of Tomorrow (1967)
- Yeh Kyon (Why/The Question) (1970)
- Amar Lenin (My Lenin) (1970)
- Puruliar Chhau (The Chhau Dance of Purulia) (1970)
- Durbar Gati Padma (The Turbulent Padma) (1971)
Incomplete films and documentaries
[mali niŋ | mali mi di yibu sheena n-niŋ]- Bedeni (1951)
- Kato Ajanare (1959)
- Bagalar Banga Darshan (1964–65)
- Ronger Golam (1968)
- Indira Gandhi (1972)
- Ramkinkar (1975)
Films on Ritwik Ghatak
[mali niŋ | mali mi di yibu sheena n-niŋ]- Ekti Nadir Naam (Kulibɔŋ yuli) (2002) by Anup Singh.[2]
- Meghe Dhaka Tara (2013) dareta n-nyɛ Kamaleshwar Mukherjee.
Screenplays aborted before shooting
[mali niŋ | mali mi di yibu sheena n-niŋ]- Raja (1956)
- Amritokumbher Sandhane (1957)
- Akal Basonto (1957)
- Arjan Sardar (1958)
- Balidan (1962)
- Aranyak (1963)
- Nakshi Kanthar Math (1963)
- Elephant taming in Gouripur (1963)
- Shyam Se Neha Lagei (1964)
- Janmabhumi (Pandit Mashai) (1965)
- Chaturanga (1966)
- Hirer Prajapati (1966)
- Sansar Simante (1968)
- Echoes from Vietnam in Bengal (1968)
- Kumar Sambhaber Ashtom Swargo (1969)
- Sat Lahari
- Natun Phasal
- Ajay and Gabroo
- Those forgotte ones
- Shei Bishnupriya (1974)
- Mannequin (1974)
- Hath
- Princess Kalaboti
- Buddhu Bhutum (1975)
- Lojja (1975)
Diɛma-duu
[mali niŋ | mali mi di yibu sheena n-niŋ]- Chandragupto (Dwijendralal Ray), actor
- Achalayoton (Tagore) (1943), director and actor
- Kalo Sayor (Ghatak) (1947–48), actor and director
- Kalonko (Bhattacharya) (1951), actor
- Dolil (Ghatak) (1952), actor and director
- Kato Dhane Kato Chaal (Ghatak)(1952)
- Officer (Gogol) (1953), actor,
- Ispaat (Ghatak) (1954–55), un-staged
- Khorir Gondi (Brecht)
- Galileo Chorit (Brecht)
- Jagoran (Atindra Mozumdar), actor
- Jalonto (Ghatak)
- Jwala (Ghatak)
- Dakghar (Tagore)
- Dheu (Biru Mukhopadhay)
- Dhenki Swarge geleo Dhan bhane (Ghatak/Panu Paul)
- Natir Puja (Tagore)
- Nabanna (Bhattacharya)
- Nildarpan (Dinabandhu Mitra), actor
- Nicher Mahal (Gorky), un-staged
- Netajike nie (Ghatak)
- Poritran (Tagore)
- Falguni (Tagore)
- Bidyasagar (Banaphool)
- Bisarjan (Tagore)
- Vangabandor (Panu Paul), actor
- Voter vet (Panu Paul), actor
- Musanfiro ke lie (Gorky), actor
- Macbeth (Shakespeare), actor
- Raja (Tagore)
- Sanko (Ghatak), actor
- Sei Meye (Ghatak), director
- Strir Patro (Tagore)
- Hojoborala (Sukumar Ray)
- Pashanda Pandit
Bukunima din yuli yi buku ni
[mali niŋ | mali mi di yibu sheena n-niŋ]Bukunima
[mali niŋ | mali mi di yibu sheena n-niŋ]- Ritwik Ghatak stories ISBN 81-87075-55-4
- Galileo Charit (Bengali translation of Brecht's Life of Galileo)
- Chalachitra, Manush Ebong Aro Kichu Dey's publishers ISBN 81-295-0397-2
- Cinema and I, Ritwik Memorial Trust, Kolkata
- On the cultural "Front", Ritwik Memorial Trust
- Rows and Rows of Fences: Ritwik Ghatak on Cinema, Seagull Books Pvt. Ltd, Kolkata ISBN 978-81-7046-178-4
- Ritwik Ghatak Stories, Translated from Bengali by Rani Ray, New Delhi, Shrishti publishers and distributors ISBN 978-81-87075-55-4
Lahabali ŋmahi
[mali niŋ | mali mi di yibu sheena n-niŋ]- Akashgangar srot dhore
- Ezahar
- Shikha
- Ecstasy
- Rupkotha
- Raja
- Parashpathar
- Bhuswarga Achanchal
- Sphotik Patro
- Chokh
- Comrade
- Sarak
- Prem
- Jhankar
- Mar
Articles and essays on film
[mali niŋ | mali mi di yibu sheena n-niŋ]Article | First published | Year |
---|---|---|
A New Chapter in Acting | Chalachitra, Autumn issue, Page 93–101 | 1950 |
A Draft on Cultural Line | Indian People's Theatre Association | 1 June 1951 |
A Film Festival in Calcutta" Soviet Film Grand Concert: Bicycle Thief | Parichay, March, Year 21, Vol–2, No–3 Page 70–79 | 1952 |
Soviet Film In Bengali | Parichay November, Year 24, No–5, Page 517–526 | 1954 |
About Oraons (Chotonagpur) | Ritwik, October 1977, Page 189–201 | 1954–1955 |
Some Thoughts on Ajantrik | Indian Film Reviews, Page 22–23 | December, 1958 |
One Long Boundary Wall | Chalachitra, Annual number, Page 117–119 | 1959 |
Various Weapon: Editing | Ritwik Page 183–187 | Unknown |
Speech About Cinema; Artists of Bengal | Chitrabikshan Jan–Apr, 1976 | 1958–60 |
A Book review: Theory of Film | Indian Film Culture, Vol–1, No–1, Page 47–50 | April–June, 1962 |
Music in Indian Cinema And The Epic Approach | Artist, January–March, Vol–1, No–1, Page 37–38 | 1963 |
An Interview On Film Script | Chalachitra Autumn issue, Vol III, Page 47–50 | 1963 |
Human Society, Our Tradition, Film Making and my Efforts | Chalachitra Autumn issue | 1963 |
Art and Integrity | Dainik Basumati Autumn issue | 1963 |
Editorial | Artist July–September, Vol–1 No–3 | 1963 |
Nazarin and Louis Buñuel | Chalachitra Winter Page 41–44 | 1963 |
The Film and I | Montage Vol–II No–3 | 1963 |
Nazarin– a review | Kino Vol–I No–1, Page 23–26 | January, 1964 |
Experimental Cinema | Amrita, Autumn issue | 1964 |
The Mother Land and Artist's Duty | Parichay Autumn issue | 1964 |
Assessing a Film | Chalachitra Autumn issue, page 18–20 | 1964 |
Experimental Cinema | Lecture, Film and Training Institute | 16 September 1964 |
On Komal Gandhar | Chitrapat, Vol–I, No–I, Page 23–24 | 1965 |
The Director's Message in Bengali Cinema | Chirakalpa Summer issue, Vol–I, No–I | 1965 |
Understanding Cinema | Angik, Summer issue | 1965 |
A Book review: Theory of Film– An Attitude to Life and an Attitude to Art | 1965 | |
It is not possible to accept what Box Office demands | Statement column, Jugantar | 13 August 1965 |
The Past and Present of Bengali Films, Interview | Chalachitra Page 24–25 | October 1965 |
A Book Review: Theory of Film; Nature of Film | Lecture F.T.I.I of Pune | 30 September 1965 |
Bengali Cinema, Literary Influence | Film Fare | 1965 |
Sound in Film | Parichay, Chatushkala issue, Year 35 | 1965 |
Plays and the Present Age | Jatiya Sahitya Parishad, Page 9–12 | 12 April 1966 |
On Subarna Rekha | Chitrapat Vol–2 No–2, Page 26–27 | August 1966 |
My Film | Film, Autumn issue | 1966 |
Art, Cinema and the Future | Ananda Bazar Patrika | 1966 |
The Third International Film Festival in India | Chitralekha Vol– I, No– 4, Page– 13–16 | Winter 1966 |
Experiment in Cinema and I | Unpublished | Unknown |
The Future of Film | Movie Montage Vol–1 No–1 Page–1 | 1967 |
My Coming into Films | Film Forum Festival, Souvenir, 17–20 July | 1967 |
Sound in Film | Film Forum Festival, Souvenir, 17–20 July | 1967 |
From a Statement | Chitrayan Page–34
(August, 1977) |
1967 |
What is the True Form of Cinema | Lecture | 29 September 1967 |
Experimental Film and I | Chitrabikshan | October, 1967 |
Cinema and the Subjective Factor | Chitrakalpa Vol–2 No–1, Page 5–7 | October, 1967 |
Thinking about Cinema | Movie Montage Special issue, Vol–I, No–2, Page 49–53 | 1967 |
Interview | Movie Montage Vol–I, No–2, Page 54–58 | 1967 |
Documentary Film | Sahitya–Patra Sept–Nov issue, Page 117–121 | 1967 |
The Position of Cinema in the Society | Movie Montage Vol–I, No–3, Page 3–4 | 1967 |
Bengali Society and Bengali Cinema | Madhyanya Oct–Dec issue, Vol–II, No–3, Page 147–150 | 1967 |
Filmic Rhythm and Structure | Chalachitra Sept–Dec issue, Page 9–10 | 1967 |
Prognosis for Today's Cinema | Desh December issue, Vol– 35, No–9, Page 885–886 | 1967 |
The So-called Crisis in Bengali Cinema | Abhinay-Darpan May–June issue, Page 32–34 | 1968 |
Some Stray Thought Some Perceptions | Ritwik October 1977, Page 5–10 | 1968 |
The Film I Want to Make About Vietnam | West Bengal Youth Festival, Commemorative Volume | 1968 |
Dance in Cinema | Nupur Dance Academy, Souvenir | 1968 |
On The People's Theatre Movement | Abhinay Darpan, May–June issue, Page 2, 7–8 | 1969 |
If I Could Make Films Again | Antarjatik Angik | 1969 |
Obscenity and Films | Assam Bani Patrika | 12 December 1969 |
The Present and Future of Indian Film Making | Abhinay March–April issue, Vol–I No–2 & 3, Page 138–148, 201–204 | 1970 |
Interview by Ajay Basu | Abhinay May issue, Vol–I, No–4 | 1970 |
What Ails Indian Film Making | Amrita Bazar Patrika, Sunday issue | 10 May 1970 |
Interview | Chitrabhash | July 1970 |
Our beloved Ganga–da, The Quite Man | Gangapada Basu Commemorative volume, page 44–38 | 3 Jan 1972 |
If There Be Any One Person In India Who Comprehends The Film Medium, Then He is Satyajit Ray | Cine Technique | March, 1972 |
Interview | Chatrapat No–9, Page 37–38 | 1972 |
Thoughts about Ajantrik | Ajantrik Angik Winter–spring issue, Page 55–60 | Unknown |
Interview– Titash and others by Tulu Das | Unknown | 1973 |
Ritwik Ghatak, an interview | Chitrabikshan August–September, 6th year, No 11–12 | 1973 |
Brecht and Ourselves | Natyachinta Volume–2, Page 9 | 1973 |
An Interview by Muhammed Khashru | Dhrupadi Vol–IV, Page 148–169 | 13 May 1974 |
People I Have Seen Both The Bengal | Unknown | September, 1974 |
Dialectics in Films | Amrita | 1974 |
My Views | Amrita | 1974 |
Two Aspects, The Mind, Day Dreams, The Eye, Movement In Film | Chalachitra Autumn issue, Page 14–23 | 1974 |
Face to Face with Ritwik Ghatak | Chitrabikshan | September, 1974 |
Bijon Bhattacharya– Giver of New Life | Natyadarpan Vol–1, No–1, Page 13–15 | May 1975 |
An Interview by Prabir Sen | Jalim Singh's Journal | 1975 |
Recent plays | Moumachi | 1975 |
The Emergency– Ritwik Ghatak's Works at the Censor's Mercy | Chitrabikshan July–Sept, 10th Year, No. 10–12, Page 9–10 | 1975 |
Let There Be Sound | Chitrabikshan Jan–Apr issue, Page 216 | 1976 |
Film Making | Chitrabikshan Jan–Apr issue, Page 225–226 | 1976 |
Symbol | Shabda | Unknown |
On Drama | Agyatabas No–17, Page 49–50 | 1976 |
Cinema, Literature and My Films | Chitrabikshan | November, 1976 |
La Dolce Vita and Felini | Chitrapat, Special issue | 1976 |
On Bergman | Chitrapat, Special issue | 1976 |
My Thoughts on Cinema | F.F.S.I Ritwik Retrospective Souvenir | 1976 |
What It Means To Make Films In India | Unknown | Unknown |
An Interview | by Kalpana Biswas | 1976 |
An Interview | Film Miscellany | 1976 |
An Interview | Swarabarna | 1976 |
Excerpt of an Article | Movie Montage No–18 Page– 57 | November 1976 |
On Memory of Pramathesh Barua | Unknown | Unknown |
Kundivihira
[mali niŋ | mali mi di yibu sheena n-niŋ]- ↑ Ghatak, Ritwik (1987). Cinema and I. Ritwik Memorial Trust. pp. Foreword, 11–12.
- ↑ British Film Institute. The Name of a River | British Film Institute. Bfi.org.uk. Retrieved 2012-10-07.