Author:William Fitzgerald Jenkins

William Fitzgerald Jenkins
(1896–1975)

William Fitzgerald Jenkins

Works

• "Tanks" in Astounding Stories of Super Science, 01 (01)
• Murder Madness
  • "Part 1" in Astounding Stories of Super Science, 02 (02) (May, 1930)
  • "Part 2" in Astounding Stories of Super Science, 02 (03) (June, 1930)
  • "Part 3" in Astounding Stories of Super Science, 03 (01) (July, 1930)
  • "Part 4" in Astounding Stories of Super Science, 03 (02) (August, 1930)

Individual short stories

• "The Saint" (1916 Oct, Smart Set) (ss) [as William F. Jenkins]
• "My Neighbor's Wife" (1916 Nov, Smart Set) (ss) [as W. F. Jenkins]
• "We Were in the Smoking-Room" (1916 Dec, Smart Set) (ss) [as William F. Jenkins]
• "The Syncopated Marriage" (1917 March, Smart Set) (ss) [as William F. Jenkins]
• "Semiramis" (1917 Nov, Smart Set) (ss) [as William F. Jenkins]
• "The Beautiful Thing" (with George B. Jenkins) (1919, Smart Set) (play)
• "The Mad Planet" in Argosy June 1920 (novelette)
• "The Gallery Gods" (1920 Aug 21, Argosy All-Story Weekly) [as Murray Leinster] (ss)
• "Pink Ears" Black Mask, April 1922 (ss)
• "The Vault" Black Mask, August 1922 (ss)
• "Grist" Short Stories, (UK) 10 July 1924 (ss)
• "Romanced to Freedom" in Western Story January 1923
• "Ample Water" (1925 Jan, Sunset) (ss)
• "The Oldest Story in the World" in Weird Tales, 6 (2) (August 1925) [as Murray Leinster]
• "The Runaway Skyscraper" (Argosy 1919), reprinted in Amazing Stories June 1926 [as Murray Leinster]
• "Island Honor" (1926 Feb 10, Short Stories US) (ss)
• "Munsey's Magazine/Volume 94/Issue 1/" (1928 June, Munsey's Magazine) (ss)* "Gun Cargo" (1928 July, Everybody's Magazine) (ss)
• "Payung" (1928 Sept, Everybody's Magazine) (ss)
• "The Skipper Knows Best" (1928 Dec 10, Short Stories US) (ss)

As Louisa Carter Lee

• "Cast Aside" (1926 Oct 23, Love Story Magazine) (ss)

Works about

• Estate of William F. Jenkins v. Paramount Pictures Corp.

Some or all works by this author are in the public domain in the United States because they were published before January 1, 1929.

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This author died in 1975, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 48 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.

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This author died in 1975, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 48 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

• For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
• For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
• For all records since 1978, search the U.S. Copyright Office records.

Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.

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This author died in 1975, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 48 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.