File:Roger Brown - Puerto Rican Wedding.jpg
Roger_Brown_-_Puerto_Rican_Wedding.jpg (300 × 243 pixels, file size: 32 KB, MIME type: image/jpeg)
Summary
[edit]Description |
Puerto Rican Wedding |
---|---|
Source |
Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12. |
Date |
1969 |
Author | |
Permission (Reusing this file) |
See below.
|
Fair use rationale
[edit]Although this image is subject to copyright, it is claimed as fair use in the article Nighthawks (painting) because:
- it is a low-resolution, black-and-white copy of a painting;
- it does not affect the copyright owner's ability to sell reproductions of the painting, or interfere with any other established market;
- it is used to illustrate a discussion of the influence of Edward Hopper's Nighthawks on other painters. This discussion is significantly enhanced by visually comparing Nighthawks and Puerto Rican Wedding.
Licensing
[edit]This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. | |||
|
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 10:47, 15 August 2007 | 300 × 243 (32 KB) | Celithemis (talk | contribs) | == Summary == {{Information |Description=''Puerto Rican Wedding'' |Source= Timothy J. Garvey, "Garden Becomes Machine: Images of Suburbia in the Painting of Roger Brown", Smithsonian Studies in American Art, Vol. 3, No. 3. (Summer, 1989), p. 12. |Date= |
You cannot overwrite this file.