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'{{Use mdy dates|date=April 2023}} {{Short description|1993 American film}} {{About|the film}} {{Infobox film | name = Falling Down | image = Falling Down (1993 film) poster.jpg | alt = A poster depicting an older man standing on a concrete platform, wearing a business outfit, holding a briefcase and a shotgun. Above, in black letters, it reads: "Michael Douglas". Below, in large white letters over a red background, it reads: "Falling Down". Beneath that, with the film credits, it reads in small white letters: "A Joel Schumacher Film". In the background are skyscrapers and a smog filled sky. | caption = Theatrical release poster | director = [[Joel Schumacher]] | producer = {{ubl|[[Timothy Harris (writer)|Timothy Harris]]|[[Arnold Kopelson]]|[[Herschel Weingrod]]}} | writer = [[Ebbe Roe Smith]] | starring = {{Plainlist| * [[Michael Douglas]] * [[Robert Duvall]] * [[Barbara Hershey]] * [[Rachel Ticotin]] * [[Frederic Forrest]] * [[Tuesday Weld]]}} | music = [[James Newton Howard]] | cinematography = [[Andrzej Bartkowiak]] | editing = [[Paul Hirsch (film editor)|Paul Hirsch]] | studio = {{ubl||[[StudioCanal|Le Studio Canal+]]|[[Regency Enterprises]]|Alcor Films}} | distributor = [[Warner Bros.]] | released = {{Film date|1993|02|26|United States}} {{Film date|1993|06|04|United Kingdom}} | runtime = 113 minutes | country = United States | language = English | budget = $25 million<ref name="IMBd">{{cite web|url=https://m.imdb.com/title/tt0106856/ |title=Falling Down (1993) |website=IMDb |date=May 25, 1993 |access-date=June 23, 2020}}</ref> | gross = $96 million<ref name=ww>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|page=1|date=January 3, 1994|title=Int'l top 100 earn $8 bil|last=Klady|first=Leonard}}</ref> }} '''''Falling Down''''' is a 1993 American [[Crime film|crime]] [[Drama (film and television)|drama]] [[Thriller film|thriller]]<ref>{{Cite news |last=Canby |first=Vincent |date=1993-02-26 |title=Review/Film; Urban Horrors, All Too Familiar |language=en-US |work=The New York Times |url=https://www.nytimes.com/1993/02/26/movies/review-film-urban-horrors-all-too-familiar.html |access-date=2023-04-17 |issn=0362-4331}}</ref> film directed by [[Joel Schumacher]], written by [[Ebbe Roe Smith]] and released by [[Warner Bros.]] in the United States on February 26, 1993.<ref name=NYT/> The film stars [[Michael Douglas]] in the lead role of William Foster, a divorced and unemployed former [[defense industry|defense]] engineer. The film centers on Foster as he treks on foot across the city of [[Los Angeles]], trying to reach the house of his estranged ex-wife in time for his daughter's birthday. Along the way, a series of encounters, both trivial and provocative, cause him to react with increasing violence and to make sardonic observations on life, poverty, the economy, and commercialism. [[Robert Duvall]] co-stars as Martin Prendergast, an aging [[Los Angeles Police Department]] sergeant who, on the day of his retirement, faces his own frustrations even as he tracks down Foster. ==Plot== William Foster is stuck in traffic on a hot day. After his air conditioning fails and he cannot stand the noise and the fumes around him, he abandons his car and begins walking home across Los Angeles, carrying his briefcase. At a convenience store, the Korean owner refuses to give change for a telephone call. Foster begins ranting about the high prices. The owner grabs a baseball bat and demands that Foster leave. Foster takes the bat and destroys much of the merchandise before leaving. Later, while resting on a hill, he is accosted by two gang members who threaten him with a knife and demand his briefcase. Foster attacks them with the bat and takes their knife. The gang members, now in a car with two friends, search for and find Foster using a pay phone. They open fire in a drive-by shooting, hitting several bystanders but not Foster. The driver crashes. The crash kills three of the gang members, including the driver, and leaves one seriously injured. Foster picks up one of the gang's guns, shoots the surviving gang member in the leg, and then leaves with the crew's bag of weapons. Foster encounters an aggressive panhandler and eventually gives him the briefcase, which only contains Foster's lunch. At a fast-food restaurant, Foster attempts to order breakfast, but they have switched to the lunch menu. After an argument with the manager, Foster pulls a gun and accidentally fires into the ceiling. After trying to reassure the frightened employees and customers, he orders lunch, but is annoyed when the burger looks nothing like the one on the menu. He leaves, tries to make a call from a phone booth, then shoots the booth to pieces after being hassled by an individual who was waiting to use the phone. After Foster calls "home" again and states his intention to attend his daughter Adele's birthday party, his ex-wife Beth notifies the police because she has a restraining order. Sergeant Martin Prendergast, who is on his last day before retirement, insists on investigating. Interviews with witnesses lead Prendergast to suspect that the same person is responsible for all the incidents. Foster's "D-Fens" vanity license plate proves to be an important lead, because Prendergast remembers being in the same traffic jam as Foster earlier that day. Prendergast and his partner, Detective Sandra Torres, visit Foster's mother, who is surprised to learn that Foster lost his job. They realize Foster is heading toward his former wife's home in Venice, California and rush to intercept him. Foster passes a bank where a black man is protesting after being rejected for a loan. The man exchanges a glance with Foster and says, "Don't forget me," as he is escorted away by police. Foster stops at a military surplus store to buy boots. The owner, a white supremacist, diverts Torres's attention when she comes in. After Torres leaves, the owner offers Foster a rocket launcher and congratulates him for shooting "a bunch of niggers" at the restaurant. When Foster expresses distaste for the store owner's racism, the man attempts to turn him over to the police, but Foster stabs him in the shoulder then shoots him dead. Foster changes into army clothes, takes the rocket launcher, and leaves. Foster encounters a road repair crew who seem to be lackadaisical and accuses them of doing unnecessary repairs to justify their budget. He pulls out the rocket launcher but struggles to use it, until a boy explains how it works. Foster accidentally fires the launcher, blowing up the construction site. By the time Foster reaches Beth's house, she has already fled with Adele. He realizes that they may have gone to nearby Venice Pier, but Prendergast and Torres arrive before he can pursue them. Foster shoots and wounds Torres, then flees with Prendergast in pursuit. At the pier, Foster confronts his ex-wife and daughter. Adele is happy to see him, but Beth is frightened. Prendergast arrives and acknowledges Foster's complaints about being ill-treated by society, but does not accept that as an excuse for his rampage. With Foster distracted, Beth throws his gun into the sea as Prendergast draws his revolver, insisting that Foster give himself up. With nothing left for him, Foster [[Suicide by cop|tricks Prendergast into shooting him dead]] by reaching for what turns out to be a water pistol. Foster reels backward from the fatal shot, and breaks through the wooden pier railing and falls into the waves of the Pacific Ocean. Having asserted himself, Prendergast decides to hold off retirement, knowing this will worsen ongoing issues with his wife. == Cast == {{Cast listing| * [[Michael Douglas]] as William "D-Fens" Foster * [[Robert Duvall]] as Sergeant Martin Prendergast * [[Barbara Hershey]] as Elizabeth "Beth" Trevino * [[Rachel Ticotin]] as Detective Sandra Torres * [[Tuesday Weld]] as Amanda Prendergast * [[Frederic Forrest]] as Nick * [[Lois Smith]] as Foster's Mother * Joey Hope Singer as Adele Foster-Trevino * [[Michael Paul Chan]] as Mr. Lee * [[Raymond J. Barry]] as Captain Bill Yardley * [[D. W. Moffett]] as Detective Lydecker * [[Steve Park (comedian)|Steve Park]] as Detective Brian * [[James Keane (actor)|James Keane]] as Detective Keene * [[Marlo Thomas]] as KTLA Reporter * [[Karina Arroyave]] as Angie * Brent Hinkley as Rick * [[Dedee Pfeiffer]] as Sheila Folsom * [[Vondie Curtis-Hall]] as "Not Economically Viable" Man * [[James Morrison (actor)|James Morrison]] as Construction Sign Man by Bus Stop }} == Production == === Development === ''Falling Down'' was being shot on locations in [[Lynwood, California]], when the [[1992 Los Angeles riots]] began. By April 30, the riots were sufficiently disruptive to force filming to stop early that day.<ref name="southern">{{Cite news|url=https://www.newspapers.com/image/82242600|title=3 May 1992|page= 11 |work= Southern Illinoisan |access-date=October 11, 2016}}</ref> Film crews produced more footage inside of Warner Bros. Studio, in [[Burbank, California|Burbank]], as the riots continued. By May 4, when the crew intended to resume in [[Pasadena, California|Pasadena]], initial requests to do so were denied, causing delays.<ref name="LAT">{{Cite news|url=https://www.newspapers.com/image/177286935|title=Hollywood Film Crews Encounter Riot Delays|date=May 5, 1992|newspaper=The Los Angeles Times|access-date=October 11, 2016}}</ref> Filming wrapped in late June 1992.<ref name="Detroit">{{Cite news|title=Surprise|url=https://www.newspapers.com/image/99879835|date=June 23, 1992|page= 25 |work= Detroit Free Press |access-date=October 12, 2016}}</ref> Production designer Barbara Ling said, "We mapped this so that you really were going across [Los Angeles] from Silver Lake down to mid-city to Koreatown."<ref name="lataco">{{Cite news|url=https://www.lataco.com/setting-path-across-l-unhinged-antihero-falling/|title=Setting a Path Across L.A. With the Unhinged Antihero of 'Falling Down' |date=February 25, 2018|work=L.A. TACO|access-date=March 5, 2018|language=en-US}}</ref> In an interview less than a week before ''Falling Down''{{'}}s release, screenwriter Ebbe Roe Smith gave his interpretation of what the movie was about. "To me, even though the movie deals with complicated urban issues, it really is just about one basic thing: The main character represents the old power structure of the U.S. that has now become archaic, and hopelessly lost. For both of them, it's adjust-or-die time{{nbsp}}..."<ref name="LAT2">{{Cite news|url=https://www.latimes.com/archives/la-xpm-1993-02-21-ca-942-story.html|title=MOVIES : 'Falling Down' Writer Has Seen the Future: It's L.A. |last=Murphy|first=Ryan|date=February 21, 1993|newspaper=Los Angeles Times|language=en-US|issn=0458-3035|access-date=June 10, 2016}}</ref> === Casting === Foster's signature haircut was the idea of [[Joel Schumacher]] and the movie's hairstylist, Lynda Gurasich. Douglas commented on how it helped him get into the character of a veteran of the military or defense industry, "It gave me the feeling of the late '50s and the early '60s, and somehow my character you kinda have the feeling that he came from another time, or he wished or he hoped for another time when things made sense." Douglas would add concerning the character, "There's a lot of people who are a paycheck away from being on the streets and being out of work who did everything right, they've been responsible, they tried hard, [and] they don't know what went wrong! We won the [[Cold War|war]], where's it all at?"<ref name="Tibbits">{{cite AV media|url=https://kuscholarworks.ku.edu/handle/1808/7093|last=Tibbits|first=John C.|title=Falling Down: Conversations About the Film|language=en|publisher=[[University of Kansas]]}}</ref> == Reception == === Box office === The film grossed $96 million against a $25 million budget. It took the top spot at the United States box office in its first two weeks of release (February 26–28 and March 5–7, 1993). ''Falling Down'' pushed the previous top movie, ''[[Groundhog Day (film)|Groundhog Day]]'', into the second place box-office spot for both those weeks.<ref name="mojo2">{{Cite web|url=https://www.boxofficemojo.com/release/rl2723644929/weekend/|title=Groundhog Day (1993)—Weekend Box Office Results |publisher=[[Box Office Mojo]] |access-date=October 6, 2016}}</ref> It grossed $40.9 million in the United States and Canada and $55.1 million internationally.<ref name="mojo">{{cite web|url=https://www.boxofficemojo.com/release/rl2387641857/weekend/ |title=Falling Down (1993) |website=Box Office Mojo |date=May 25, 1993 |access-date=June 15, 2012}}</ref><ref name=ww/> === Critical reception === ''Falling Down'' holds an approval rating of 75% on [[Rotten Tomatoes]] based on 56 reviews, with an average rating of 6.80/10. The site's consensus states: "''Falling Down''{{'}}s popcorn-friendly take on its complex themes proves disquieting—and ultimately fitting for a bleakly entertaining picture of one man's angry break with reality."<ref name ="RT">{{Cite web|url=https://www.rottentomatoes.com/m/falling_down|title=Falling Down|via=www.rottentomatoes.com|accessdate=March 23, 2022}}</ref> However, the film also has a [[weighted average]] score of 56 out of 100 on [[Metacritic]] based on 21 critics, indicating "mixed or average reviews".<ref name="meta">{{Cite web|url=https://www.metacritic.com/movie/falling-down|title=Falling Down|via=www.metacritic.com}}</ref><ref>{{cite web |url= https://www.metacritic.com/movie/falling-down|title= Metacritic score |work= [[IMDb]]}}</ref> Audiences surveyed by [[CinemaScore]] gave the film an average grade of "B" on an A+ to F scale.<ref>{{cite web |url= https://www.cinemascore.com/publicsearch/index/title/ |title= Cinemascore |url-status= dead |archive-url= https://web.archive.org/web/20181220122629/https://www.cinemascore.com/publicsearch/index/title/ |archive-date= December 20, 2018 }}</ref> ==== Contemporary ==== Contemporary reviews of ''Falling Down'' were generally mixed to positive. [[Vincent Canby]] of ''[[The New York Times]]'' called it "the most interesting, all-out commercial American film of the year to date, and one that will function much like a [[Rorschach test]] to expose the secrets of those who watch it."<ref name=NYT>{{cite news|work=[[The New York Times]]|title=Falling Down (1993) Review/Film; Urban Horrors, All Too Familiar|author=Canby, Vincent|author-link=Vincent Canby|date=February 26, 1993|url=https://www.nytimes.com/movie/review?res=9F0CE0DC113FF935A15751C0A965958260}}</ref> Philip Thomas of ''[[Empire (film magazine)|Empire]]'' magazine wrote in his review of the film, "While the morality of D-Fens's methods are questionable, there's a resonance about his reaction to everyday annoyances, and Michael Douglas' hypnotic performance makes it memorable."<ref name="empire">{{Cite web|url=https://www.empireonline.com/reviews/reviewcomplete.asp?FID=16988|title=Empire Online – Falling Down Review}}</ref> [[James Berardinelli]] wrote: "''Falling Down'' is replete with gallows humor, almost to the point where it could be classified as a '[[black comedy]]'."<ref name="reel">{{cite web|url=https://preview.reelviews.net/movies/f/falling_down.html |title=Reelviews Movie Reviews |publisher=Reelviews.net |date=February 26, 1993 |access-date=August 18, 2013}}</ref> [[John Truby]] calls the film "an anti-[[Odyssey]] story" about "the lie of the [[American Dream]]".<ref name=truby>{{cite web|work=Truby.com|title=Falling Down|url=http://truby.com/falling-down-1993/}}</ref> He adds, "I can't remember laughing so hard in a movie."<ref name=truby/> [[Kenneth Turan]] of the ''[[Los Angeles Times]]'' wrote that "''Falling Down'' encourages a gloating sense that we the long-suffering victims are finally getting our splendid revenge. The ultimate hollowness of that kind of triumph reflects the shallowness of a film all too eager to serve it up."<ref>{{Cite web |title=Everyman Can't Keep From 'Falling Down' |publisher=Los Angeles Times|page=80 (F5) |url=http://www.newspapers.com/newspage/712068322/ |date=February 26, 1993 |access-date=April 16, 2022 |website=Newspapers.com |language=en}}</ref> [[Roger Ebert]], who gave the film a positive review at the time of its release, wrote: <blockquote>Some will even find it racist because the targets of the film's hero are African American, Latino, and Korean—with a few Whites thrown in for balance. Both of these approaches represent a facile reading of the film, which is actually about a great sadness, which turns into madness, and which can afflict anyone who is told, after many years of hard work, that he is unnecessary and irrelevant... What is fascinating about the Douglas character, as written and played, is the core of sadness in his soul. Yes, by the time we meet him, he has gone over the edge. But there is no exhilaration in his rampage, no release. He seems weary and confused, and in his actions he unconsciously follows scripts that he may have learned from the movies, or on the news, where other frustrated misfits vent their rage on innocent bystanders.<ref name="Ebert">{{cite web | last=Ebert | first=Roger | title=Falling Down | url=https://www.rogerebert.com/reviews/falling-down-1993 | work=RogerEbert.com | publisher=Ebert Digital LLC | date=February 26, 1993 | access-date=July 4, 2018}}</ref></blockquote> ''[[The Washington Post]]'' writer [[Hal Hinson]] observed: <blockquote>This guy is you, the movie suggests, and if not you exactly, then maybe the guy you're one or two bad breaks from becoming. At one time or another, we've all thought these thoughts, and so when this downtrodden, laid-off, teed-off L.A. defense worker gets out of his car on a sweltering day in the middle of rush hour and decides he's not going to take any more, it comes as no surprise", adding "as he did in ''[[Fatal Attraction]]'' and ''[[Wall Street (1987 film)|Wall Street]]'', Douglas again takes on the symbolic mantle of the [[Zeitgeist]]. But in ''Falling Down'', he and Schumacher want to have their cake and eat it too; they want him to be a hero and a villain, and it just won't work.<ref name="post">{{cite news|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/fallingdownrhinson_a0a7f7.htm|title=Falling Down|last=Hinson|first=Hal|newspaper=[[The Washington Post]]|date=February 26, 1993|access-date=2014-04-23}}</ref></blockquote> [[Peter Travers]] of ''[[Rolling Stone]]'' gave the film four stars out of five, writing: <blockquote>There's no denying the power of the tale or of Douglas's riveting performance—his best and riskiest since ''Wall Street''. Douglas neither demonizes nor canonizes this flawed character. Marching across a violent urban landscape toward an illusory home, this shattered Everyman is never less than real ... ''"I'm the bad guy?"'' he asks in disbelief. Douglas speaks the line with a searing poignancy that illuminates uncomfortable truths without excusing the character. Schumacher could have exploited those tabloid headlines about solid citizens going berserk. Instead, the timely, gripping ''Falling Down'' puts a human face on a cold statistic and then dares us to look away.<ref name="RS">{{cite magazine|url=https://www.rollingstone.com/movies/reviews/falling-down-19930226|title=Falling Down|last=Travers|first=Peter|magazine=[[Rolling Stone]]|date=February 26, 1993|access-date=2014-04-23|url-status=dead|archive-url=https://archive.today/20140423000934/http://m.rollingstone.com/movies/reviews/falling-down-19930226|archive-date=April 23, 2014}}</ref></blockquote> [[Mick LaSalle]] said of the film in the ''[[San Francisco Chronicle]]'': <blockquote>A few times every year, Hollywood makes a mistake, violates formula, and actually makes a great picture. ''Falling Down'' is one of the great mistakes of 1993, a film too good and too original to win any Oscars, but one bound to be remembered in years to come as a true and ironic statement about life in our time.<ref>{{cite web |url= https://www.metacritic.com/critic/mick-lasalle?page=92|title= Mick LaSalle's Profile |work= [[Metacritic]] }}</ref></blockquote> At the time of its release, Douglas's father, actor [[Kirk Douglas]], declared, "He played it brilliantly. I think it is his best piece of work to date."<ref name="McCook">{{cite web | url=https://news.google.com/newspapers?id=ddwgAAAAIBAJ&pg=4190%2C2142647 | title=Kirk Douglas Defends Son |date=March 23, 1993 | publisher=[[McCook Daily Gazette]] | access-date=June 28, 2012}}</ref> He also defended the film against critics who claimed that it glorifies lawbreaking: "Michael's character is not the 'hero' or 'newest urban icon'. He is the villain and the victim. Of course, we see many elements of our society that contributed to his madness. We even pity him. But the movie never condones his actions."<ref name="McCook" /> ''Falling Down'' was released in theatres less than one year after the [[1992 Los Angeles riots]], during which Korean Americans and their businesses were targeted by rioters. The Korean American Coalition<ref name="ew">{{cite magazine|url=https://www.ew.com/ew/article/0,,305859,00.html|title='Down' Beat—Up in arms over ''Falling Down''—Laid-off workers are offended by the Michael Douglas film|last=Appelo|first=Tim|date=March 12, 1993|magazine=[[Entertainment Weekly]]|access-date=March 17, 2012}}</ref> and Korean Grocers Association<ref name="TENN">{{cite news|url=https://www.newspapers.com/image/113107389|title="Falling Down" Under Fire|date=March 3, 1993|newspaper=The Tennessean|access-date=October 6, 2016}}</ref> protested the film for its treatment of minorities, especially the [[Korean Americans|Korean]] grocer. Warner Bros. Korea cancelled the release of ''Falling Down'' in [[South Korea]] following boycott threats.<ref name="RMN">"'Falling Down' won't play Korea." ''[[Rocky Mountain News]]'', March 10, 1994.</ref> The outcry by the Grocers Association led to Michael Douglas meeting with the organization's members at the Warner Bros. Studio because they "were there and they were pissed. So we had a conversation and I told them, 'Look, I'm very sorry, but there's a reason the screenwriter picked certain things to put in the film.'"<ref name="EW2">{{Cite magazine|url=https://www.ew.com/article/2015/04/15/life-film-michael-douglas-8-his-greatest-roles|title=Michael Douglas on 8 of his greatest roles, from Gordon Gekko to Liberace|magazine=[[Entertainment Weekly]] |access-date=October 6, 2016}}</ref> Unemployed defense workers were also angered at their portrayal in the film.<ref name="ew" /> The character of D‑FENS was featured on magazine covers, including the March 29, 1993, issue<ref name="newsweek">{{Cite news|url=https://www.newsweek.com/white-male-paranoia-191128|title=White Male Paranoia|date=March 28, 1993|work=Newsweek|access-date=April 12, 2017|language=en}}</ref> of ''[[Newsweek]]'' magazine, and reported upon as an embodiment of the "[[angry white man]]" stereotype.<ref name="Gutiérrez">{{cite book|url=https://books.google.com/books?id=_Zc0e8caLkEC|pages=61–65|title=Critical race narratives|author=Carl Scott Gutiérrez-Jones|publisher=NYU Press |year=2001|isbn=978-0-8147-3145-1}}</ref> ==== Later opinions ==== On the 25th anniversary of the film's release in 2017, film critic April Wolfe of ''LA Weekly'' wrote that it "remains one of Hollywood's most overt yet morally complex depictions of the modern white-victimization narrative, one both adored and reviled by the extreme right". Wolfe said "Today, we might see D-Fens and the white supremacist as the infighting sides of the far right — one couches racism in coded words like "thug," while the other wants an outright ethnic cleanse. Ultimately, what both want is to return to their idea of a purer America, unburdened by the concerns of minorities and women". Wolfe suggested that [[Rupert Murdoch]] would "go on to bottle that fury and package it as patriotism" in creating [[Fox News]].<ref name="LAW">{{Cite news|last=Wolfe|first=April|date=April 26, 2017|title=Hey, White People: Michael Douglas Is the Villain, Not the Victim, in Falling Down|work=L.A. Weekly|url=http://www.laweekly.com/film/falling-down-25th-anniversary-michael-douglas-was-the-villain-8164453|archive-url=https://web.archive.org/web/20170427002541/http://www.laweekly.com/film/falling-down-25th-anniversary-michael-douglas-was-the-villain-8164453|url-status=dead|access-date=February 15, 2021|archive-date=April 27, 2017}}</ref> In 2012, Tasha Robinson of [[The A.V. Club]] was critical of the '90s film "that most stands out for me from that era, because it's such a ham-handed, wrong-headed, self-congratulatory attempt to encapsulate its era's spirit". Robinson added, "the film treats virtually everyone around him [D-Fens] as worthless, and presents his violence as the comedic payoff, turns it into a tone-deaf, self-pitying lament about the terrible persecution facing the oppressed majority in an era of political correctness and increasing multiculturalism." She finishes her short review with, "It's a profoundly hateful film disguised alternately (and erratically) as either tragedy or humor."<ref name="AVC">{{Cite news|url=https://www.avclub.com/article/our-most-hated-movies-of-the-90s-86560|title=Our most-hated movies of the '90s|last=Staff|first=A.V. Club|work=Film|date=October 12, 2012|access-date=May 30, 2018|language=en-US}}</ref> An earlier 2008 review on the site was positive, saying, "Heat used as a metaphor for simmering rage is nothing new, but few films execute sweaty psychosis as well."<ref name="AV2">{{Cite news|url=https://film.avclub.com/its-not-the-heat-its-the-intensity-13-memorable-films-1798214436|title=It's not the heat, it's the intensity: 13 memorable films set during heat waves|last=Staff|work=Film|access-date=May 30, 2018|language=en-US}}</ref> === Accolades === *[[1993 Cannes Film Festival]], Nominated for the {{Lang|fr|[[Palme d'Or]]|italic=no}} (Joel Schumacher)<ref name="festival-cannes.com">{{cite web|url=https://www.festival-cannes.com/en/films/falling-down |title=Festival de Cannes: Falling Down |access-date=August 18, 2009 |work=festival-cannes.com |url-status=dead |archive-url=https://web.archive.org/web/20091003192702/http://www.festival-cannes.com/en/archives/ficheFilm/id/2580/year/1993.html |archive-date=October 3, 2009 }}</ref> *1994 [[Edgar Awards|Edgar Award]], Won for Best Motion Picture Screenplay (Ebbe Roe Smith)<ref name="edgars">{{Cite web|url=http://theedgars.com/awards/category-list-best-motion-picture/|title=Category List – Best Motion Picture| publisher=[[Edgar Award|The Edgars]] |language=en-US|access-date=July 2, 2019}}</ref> ==In other media == ''Falling Down'' has been the inspiration of musical artists such as [[Iron Maiden]], [[Foo Fighters]], [[Front Line Assembly]], and [[Heart Attack Man]]. The Iron Maiden song "[[Man on the Edge]]" is a basic summary of ''Falling Down'', beginning with describing the opening traffic jam, and ending with describing the birthday present Foster buys for his daughter. The Foo Fighters' song "[[Walk (Foo Fighters song)|Walk]]" has a music video that is a recreation of scenes from ''Falling Down''. The Front Line Assembly album [[Millennium (Front Line Assembly album)|''Millennium'']] contains several samples from various scenes from ''Falling Down''.<ref>{{cite web|url=http://www.mindphaser.com/archive/samples/ |title=Samples |work=Mindphaser |access-date=June 13, 2021}}</ref> The Heart Attack Man song "Out For Blood" was inspired by the anger and frustration weaved through ''Falling Down'' which weaves through the rest of their album ''Fake Blood''.{{Citation needed|date=April 2021}} In the video game ''[[Tony Hawk's American Wasteland]]'', a character resembling Foster recreates the rocket launcher scene in a [[cutscene]], blowing up a construction site before walking away with a duffel bag.<ref>{{Cite web |last=Perry |first=Douglass C. |date=May 17, 2005 |title=E3 2005: Tony Hawk's American Wasteland |url=https://www.ign.com/articles/2005/05/17/e3-2005-tony-hawks-american-wasteland |access-date=April 4, 2022 |website=IGN |language=en}}</ref> An episode of the animated series ''[[Duckman]]'' titled "A Room with a Bellevue" (episode six of season three), is loosely based on the plot of ''Falling Down''. Duckman has to pick up his new suit from the dry cleaner to be presentable on his children's birthday, but huge traffic and the law are going to stop him. Frank Grimes, a one-off character on ''[[The Simpsons]]'' episode "[[Homer's Enemy]]", is modeled after Foster, having the same flat-top haircut and white shirt and briefcase.<ref>{{cite AV media|last=Weinstein|first=Josh|author-link=Josh Weinstein|date=2006|title=The Simpsons season 8 DVD commentary for the episode "Homer's Enemy"|medium=DVD|publisher=20th Century Fox}}</ref> The band [[Slipknot (band)|Slipknot]] sampled the famous "Freedom of Speech" clip in two songs - some earlier versions of "Gently", and "Interloper".{{Citation needed|date=April 2021}} In the song "I'm in It", [[Kanye West]] refers to the film when he raps "Time to take it too far now/Michael Douglas out the car now".<ref>{{Cite web|url=https://genius.com/1871896/Kanye-west-im-in-it/Uh-michael-douglas-out-the-car-now|title=Uh, Michael Douglas out the car now|website=Genius}}</ref>{{Better source needed|date=January 2022|reason=Per [[WP:RSP]] song lyrics from Genius are considered user-generated content, and therefore generally unreliable.}} Finnish band [[Beats and Styles]] referred to the movie poster with DJ Control holding a baseball bat instead of a shotgun for the cover of their 2009 album Schizosonics. == References == {{Reflist}} == Further reading == * {{cite book|url=https://books.google.com/books?id=HUwdBQAAQBAJ|title=Falling Down|last=Davies|first=Jude|date=December 4, 2013|publisher=Macmillan International Higher Education|isbn=9781137363084|language=en}} * {{cite book|author=Frauley, Jon|date= 2010|chapter=Moral Transcendence and Symbolic Interaction in ''Falling Down''|title= Criminology, Deviance, and the Silver Screen: The Fictional Reality and the Criminological Imagination|location= New York|publisher= Palgrave Macmillan|isbn= 9780230115361|chapter-url=https://books.google.com/books?id=IW3HAAAAQBAJ&pg=PA99}} == External links == {{Wikiquote}} * {{IMDb title|0106856}} * {{tcmdb title|18370}} * {{Allmovie title|16651}} * {{rotten-tomatoes|falling_down}} * {{Metacritic film|title=Falling Down}} * [https://www.youtube.com/watch?v=BD5ofrSNDFA ''Falling Down'' Trailer] {{Joel Schumacher}} {{Authority control}} [[Category:1990s American films]] [[Category:1990s English-language films]] [[Category: 1990s psychological thriller films]] [[Category:1993 films]] [[Category:1993 action films]] [[Category:American action films]] [[Category:American psychological thriller films]] [[Category: 1990s crime films]] [[Category: 1990s crime drama films]] [[Category:Neo-noir]] [[Category:Edgar Award-winning works]] [[Category:Fictional portrayals of the Los Angeles Police Department]] [[Category:Film controversies in South Korea]] [[Category:Films about consumerism]] [[Category:Films about dysfunctional families]] [[Category:Films about mother–daughter relationships]] [[Category:Films directed by Joel Schumacher]] [[Category:Films produced by Arnold Kopelson]] [[Category:Films scored by James Newton Howard]] [[Category:Films set in Koreatown, Los Angeles]] [[Category:Films set in Los Angeles]] [[Category:Race-related controversies in film]] [[Category:Regency Enterprises films]] [[Category:StudioCanal films]] [[Category:Warner Bros. films]]'